Scorno is a geometric sans serif that offers a high legibility also in the lighter weights. Scorno is ideal for sports and technology. The shape of its letters makes it different from most geometric fonts, making it suitable for branding, magazines, catalogues and much more. Scorno is available in nine weights, from thin to heavy plus matching italics and it comes with open type features like old style and lining figures, ligatures, numerator, denominator, scientific figures, and fractions. What’s more, it also features the bitcoin symbol in the currencies set.

Barkanon is not your ordinary humanist sans serif typeface. Blending modern styling with classic humanist flow creates a bold and captivating look. Designed to be expressive in the right places and legible where needed. Barkanon is great for headings, body copy, logos, etc. Barkanon was picked to be a part of the 2024 Typodarium and an early version of the font was featured on James Edmonson's (Oh No Type Co) YouTube channel Barkanon covers 96 languages, 9 styles plus italics, with stylistic alternates, ligatures, and other opentype features.

Skapa is all about creation (translation from Old Norse: "to create"). It's simply the font I always needed and wanted. A well balanced, modern with delicate round corners sans serif, comprised of 5 weights with matching italics. Great for varied graphic design projects and perfect for logos and headlines, print art, billboards etc. Extended support for Central, Eastern and Western European languages. OpenType layout features: Fractions, oldstyle figures, ligatures, slashed zero, superscript, subscript, numerator, denominator and combining diacriticals (Mark Positioning) plus tabular figures for standard figures ,oldstyle figures & currency symbols. Think. Design. Create.

Bewilderment is a hand lettered sans-serif font. The perfectly simple font could be used for a variety of projects, such as a design on a t-shirt, car decal, or tumbler! - Contains over 200 accented characters for language support. Some of the languages supported are: English, Spanish, Portuguese, German, Italian, French, Polish, Catalan, Irish, Norwegian, Croatian, Gaelic, and more! If you would like to know if a certain language is supported, please contact me with the language and/or any special characters you wanted to know about.

German type designers Henning Wagenbreth and Steffen Sauerteig created this display FontFont in 2000. The family contains 3 weights and is ideally suited for advertising and packaging, festive occasions, film and tv, editorial and publishing as well as poster and billboards. FF Prater Block provides advanced typographical support with features such as ligatures, alternate characters, and case-sensitive forms. It comes with tabular lining and proportional lining figures. This FontFont is a member of the FF Prater super family, which also includes FF Prater Sans, FF Prater Script, and FF Prater Serif.

German type designers Henning Wagenbreth and Steffen Sauerteig created this display and script FontFont in 2000. The font is ideally suited for advertising and packaging, festive occasions, film and tv, editorial and publishing as well as poster and billboards. FF Prater Script provides advanced typographical support with features such as ligatures, alternate characters, and case-sensitive forms. It comes with proportional lining and tabular lining figures. This FontFont is a member of the FF Prater super family, which also includes FF Prater Block, FF Prater Sans, and FF Prater Serif.

Nuematic Gothic is a condensed sans-serif family. It has a tall Cap Height and an x-height to balance it. Neumatic Gothic is versatile in use as a Headline font or as a text font. Neumatic Gothic has loads of options to play around with, included in the glyph set is small caps a stylistic uppercase superscript, stylistic alternates and circled numbers to name some. The typeface was designed with the graphic designer in mind to make beautiful typographic pieces with more ease with all the options you have in Neumatic Gothic.

Olio is a chunky geometric sans serif typeface. The bold version takes inspiration from classic geometric fonts like Futura and works well when creating clean, balanced typography. The inline version is the same font with a stylish and decorative stripe effect to each character. Olio inline is a nod towards graphic design champion Lance Wyman and his typographic treatment for the iconic Mexico 68 Olympic identity. Although both versions are designed in reference to great (timeless) graphic design from the past, they have a contemporary finish making them suitable for any design purpose or application.

Schramberg is a new typeface inspired by vintage labels and combining with modern design. This font come with sans serif. Schramberg features with stylistic alternate, contextual alternate and stylistic set. This font come with script and match your vintage design, t-shirt, logo, labels, badges, posters and etc. To access the alternate glyphs, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Photoshop CC, Adobe Indesign and Corel Draw. If you have any question please do not hesitate to contact me. Happy creating! Runsell Studio - Magelang - Indonesia

Thunder Shutter font is modern and elegant signature with a great flow effect. This font is great for your creative projects such as watermark on photography, and perfect for logos & branding, photography, invitation, watermark, advertisements, product designs, stationery, wedding designs,label, product packaging, social media, movie titles, books titles, a short text even a long text letter and good for your secondary text font with sans or serif. And also for special events or anything that need handwritting taste. Thanks for checking out this font. I hope you enjoy it!

Aircrew is a neutral, humanist sans-serif family optimized for signage applications in display sizes. Its large x-height enhances readability and its letterforms help distinguish characters from each other, increasing legibility. Aircrew has vertical terminals, low contrast, and short ascenders and descenders. The weight variations between uppercase and lowercase characters provide the perfect balance and its slightly condensed proportions allow more words to fit in less space. There are two different versions of Aircrew, positive and negative. This avoids optical effects that cause uneven thickness and unsteady readability in either light or dark backgrounds.

By any stretch of the imagination, Yorso Square JNL is an imperfect font...by design! Taking a page from the elementary school projects of years past, this sans serif face is square and blocky... looking as if it was manually constructed in haste with a ruler and pencil - just as a student might do for a book report cover, science fair project or class poster. If you need a type face that shows the innocence of youth, or possibly a bit of urban audacity - Yorso Square JNL is your choice of lettering!

OpenType Layout features: Smallcaps, stylistic alternates, localized forms, standard ligatures, uppercase-sensitive forms and spacing, oldstyle figures, lining figures, smallcap figures, arbitrary fractions, superscript, subscript. Corbel is designed to give an uncluttered and clean appearance on screen. The letter forms are open with soft, flowing curves. It is legible, clear, and functional at small sizes. At larger sizes, the detailing and style of the shapes is more apparent, resulting in a modern sans serif type with a wide range of possible uses. This font is suitable for business documents, email, web design.

Kau is a quirky, sans serif display font in two weights. Its funky, stencilled outline bursts onto the page with in-your-face energy, just demanding to be noticed. Kau Black is big and bold, specially crafted for posters, headlines, ads and logotypes. Kau Light forms a perfect foil - clear, skinny and edgy. Use the two together, in a contrasting explosion of form, to create exciting contrasts and vibrant designs The font has all the features of a fully professional typeface. Language support includes all European character sets.

Nat Grotesk family consists of 14 styles including 6 narrow ones. It has a half-closed sans serif design with simple and clear lettershapes. Due to compact proportions the face is very space saving, but nevertheless it is rather legible even in small sizes. The bold weights demonstrate increased contrast. The font is recommended for text and display typography as well as for headlines and advertising. It was designed by Natalia Vasilyeva and released by ParaType in 2007. The upgraded version with extended character set was released in 2009.

NuOrder is a modern-day sans-serif typeface with humanist bones. The design incorporates a dynamic structure with minimal contrast and a natural stroke path to promote easy reading—resulting in a warm well-balanced typeface best suited for a wide range of applications in a hi-tech era. Details include nine weights with matching italics and over 550 characters per style. Opentype features consist of five variations of numerals, including inferiors, superiors, fractions, alternate lowercase a and g, and language support covering Western, South, and Central Europe.

Altair is a sans serif type family derived from Zetafonts's Digitalino typeface. The original bold design by Francesco Canovaro has been expanded in a seven weights family, suitable for a wide range of design uses, from body copy to display text and ranging from a thin weight to the ultra one. Altair's main originality lies in the calligraphic roots of its design, that gives it a friendly, confident look that is perfect for corporate voices, new technology startups, news blogs and any other case where a solid design must be given an emotional context.

Introducing a bold and uncompromising sans-serif font that refuses to bend or sway. Its angular curves and sharp corners give it an air of authority and strength, while its bold weight demands attention and respect. This font is perfect for designs that require an unyielding, no-nonsense attitude. With its right angles and minimal curves, it embodies a stark and severe aesthetic that leaves no room for ambiguity or indecision. Its austere personality is sure to make a lasting impression, making it the perfect choice for projects that demand an authoritative and uncompromising presence.

Nadimo is an elegant, charming, and sensual sans serif font. Designed with subtle curves and flexible shapes to create a beautiful typeface that fits all your projects. Whether you’re looking for a typeface for a logo, t-shirt, poster, or even a large typography installation, Nadimo is here to help. Of course, your various design projects will be perfect and extraordinary if you use this font because this font comes with a font family, both for titles and subtitles and sentence text, start using our fonts for your extraordinary projects.

The first cuts of Trade Gothic were designed by Jackson Burke in 1948. He continued to work on further weights and styles until 1960 while he was director of type development for Mergenthaler-Linotype in the USA. Trade Gothic does not display as much unifying family structure as other popular sans serif font families, but this dissonance adds a bit of earthy naturalism to its appeal. Trade Gothic is often seen in advertising and multimedia in combination with roman text fonts, and the condensed versions are popular in the newspaper industry for headlines.

Frygia is inspired by the astonishing mythology along with a new method and approach of type design. As an example, the construction of the lowercase g; the line structure which is slightly curved helps to aid the optical illusion and the integration of Industrial San Serif style making Frygia extremely compatible and ready for every usage on the layout. Frygia Family consisted of 20 styles and 10 weights, ranging from the thinnest Hairline to the boldest Black and a Semi Rounded corner to suit the concept of the typeface.

Nicomedia is a modern sans serif type family with a contemporary, technical look that reflects the high-tech industrial age that we're living in. From thin to black, it contains 18 fonts in 9 weights with their true italic counterparts. With 529 glyphs, it offers support for all the languages with Latin script. When it comes to OpenType features it has stylistic alternates (for a, g, l, 0, 1), tabular lining, ligatures, superscript, subscript, denominators, numerators and fractions. It's perfect to create engaging brands, ads, websites, apps, animations and user interfaces.

These letters were developed to decorate the font Bowling and then were also used in the fonts Coffeemug and Teapot. For many years the InsideLetters family had only one family member, InsideLetters. An upgrade in early 2019 added two more family members, InsideLettersHalloween and InsideLettersXmas. The first puts the letters from InsideLetters on pumpkins and the second puts them on Christmas tree ornaments. In 2022 and oblique stye was added to the family. Inside letters is caps-only. It is a casual and playful handwritten sans-serif font.

Atrium, designed by Alex Jacque, is a strong, linear, geometric sans-serif display typeface based off century-old pen art by W.E. Dennis. Atrium's stubbornly geometric letterforms are set off with a few softening flourishes on a few glyphs. It's sharp corners, straight verticals and horizontals make Atrium pack some punch when used in headlines, pull quotes, and logotypes. Atrium was released in 2012 in OpenType format and comes in three different weights: light, regular, and bold, with a regular and oblique version of each for a total of 6 styles in the family.

NCS Rogueland is Modern extended sans serif font that is out of this world. A strong balance between pointed corners and smooth curves with luxurious styles. Perfect for all purposes but especially for headlines. With 10 Variant to choose : NCS Rogueland Light NCS Rogueland Light Italic NCS Rogueland Light Rounded NCS Rogueland Regular NCS Rogueland Italic NCS Rogueland Rounded NCS Rogueland Outline NCS Rogueland Bold NCS Rogueland Bold Italic NCS Rogueland Bold Rounded Include uppercase, lowecase, numeral and punctuation. This font also includes alternative glyphs, ligatures and multilingual support.

ITC Verkehr was designed by Mott Jordan, who based its forms on those of narrow sans serif typefaces but also chose a departure from the tradition to set the font apart from the rest. The upper half of each character is heavier than the lower half, although this is usually the other way around. Diagonal strokes, like the horizontal of the lower case e, relax the otherwise regular, bar-like look of the font. ITC Verkehr is suited exclusively for use in headlines and display in larger point sizes.

Introducing "Manova" - a friendly and approachable handwritten sans serif font that adds a touch of warmth and authenticity to your designs. There's some connected letters and some alternates that suitable for any graphic designs such as branding materials, t-shirt, print, business cards, logo, poster, t-shirt, photography, quotes .etc This font support for some multilingual. Also contains uppercase A-Z and lowercase a-z, alternate character, numbers 0-9, and some punctuation. If you need help, just write me! Thanks so much for checking out my shop!

DIN stands for Deutsche Industrienorm, German Industrial Standard. In 1936, the German Standard Committee settled upon DIN 1451 as the standard font for the areas of technology, traffic, administration, and business. The committee chose a sans serif font because of its legibility and easy-to-write forms. This font was not seen in advertisements and other artistically oriented uses, and there were disagreements about its aesthetic qualities. Nevertheless, this font was seen everywhere on German towns and traffic signs and hence made its way into advertisements because of its ease of recognition.

This typeface is a tribute to well-known Italian designer Marcello Nizzoli. Nizzoli is a modern sans serif font that offers a wide range of alternatives—a workhorse type well suited for headlines, posters, corporate identity and advertising campaigns. This modular design is based on geometric shapes and combines straight lines with rounded corners. The whole family is composed of four 7-weight subfamilies: one normal and one alternative plus rounded versions. Each subfamily includes matching italics. This typeface is my own interpretation of those curves and shapes found in Marcello Nizzoli’s designs.

Sello is a hand-drawn, geometric sans-serif with a touch of retro style. It's a unicase typeface inspired by hand-engraved, mid-1960s Spanish postage stamps, hence the name "Sello" – Spanish for "stamp". This font comes in three different weights – light, regular, and bold – with a regular and oblique version of each for a total of 6 styles. Vowels have a special third alternate glyph. Sello also contains the necessary diacritics and special characters to support several different languages. Looks great at the slightly larger point sizes, when used in header or display purposes.

The first Antique Olive fonts were produced by the French type foundry Olive, in 1962-1966 and designed by poster designer Roger Excoffon (1910-1983). All Excoffons fonts are flamboyant, elegant and highly stylistic. They include the Banco, Mistral, and Calypso fonts. Antique Olive was launched to rival Helvetica and Univers, but the shapes it took were totally refreshing. Antique Olive is probably the most striking Sans Serif since Futura and Gill, and more refined than either. It is perfect for posters and display material as it works well in larger sizes.

Bassidle Font is a sans serif font family that is simple but strong, defined by sharp edges with a modern touch. It is designed to exude a sense of strength and toughness as well as optimal readability. t’s a perfect choice for branding, magazines, posters, advertising, packaging, headlines, logos, web, print etc. 14 styles: 7 uprights and matching italics. 222 glyphs. Latin based languages. OpenType features, including ligatures. OTF, TTF files. Variable Font Includes. Thank you for your purchase! and please let me know if you have any questions. via email: joelpopon@gmail.com

Bahoda is a sans serif font that comes in 4 styles. Bahoda font has bold and high contrast. This font looks very modern when paired with contrasting design colors. This font is impressive and features a clean and elegant font, professionally shaped, and as a result, it will easily match a variety of creations that require a different touch. Add it with confidence to your projects, and you’ll love the results. This typeface is perfect for powerful logos, branding, promotions, book covers, magazine layouts, or simply as a stylish text overlay onto any background image.

Birthday Wish is a totally off-kilter sans-serif font inspired by a late 70's birthday greeting card. Much like a typographic drunken stumble, this font wonderfully and awkwardly fumbles across designs, surprising with each letter typed. With a pseudo unicase character set, and offbeat letter weighting, Birthday Wish is fun to typeset with, with a cluster of ligature combinations that add to the quirky playfulness. You’ll find this Birthday Wish is a typesetting ride of a font. Try typing standard, all caps, or all lowercase for even more visual variety.

Vitro is a rectangular sans serif with a pinch of grotesque. The solid technical appearance has been achieved through careful optical adjustment, resulting in a modern and stylish font that stands out in the crowd. Vitro is suitable for a wide range of branding purposes, including brochures, logos, packaging, posters, signage, websites etc. Details include nine weights with italics and over 450 characters per style. Opentype features consist of digital numerals, numerators, denominators, tabular, fractions and language support covering Western, South and Central Europe—remastered to version 2.0 for enhanced OpenType features and usability.

Pandtos is a clear sans serif typeface based on geometric shapes. Precise lines and accurate curves are the main characteristics of this fresh and modern font family. While unique letterforms constitute Pandtos’ distinctive appearance, extended widths, tall x-heights and clear shapes provide good legibility and nice readability even at smaller sizes. With its contemporary feel, Pandtos is suitable for almost any type of analogue and digital application. The Pandtos font family includes unique letterforms, exclusive ligatures and extensive OpenType features. Pandtos comes in four weights with matching italics.

Zebra, designed by Janet Valdez of Janworx, is a bold sans serif typeface, heavy on one side, and sporting a realistic zebra animal theme. Both upper and lower case are all caps. Incorporating the stripes into the font eliminates the need to power-clip or edit an existing font to reflect the animal theme. Creating artwork for spirit wear of a team with a zebra mascot has never been easier. This typeface is suitable for use at a large size, and would work well for screen printing, vinyl work and posters.

The design idea for this condensed sans serif stencil font was inspired by a post-World War II brass stencil spotted in an online auction. The United States was assisting Europe with much-needed goods, and the text in the middle of a “stars and stripes” shield used for marking the shipping containers read “For European Recovery supplied by the United States of America”. It was the first line (“For European Recovery”) that became the working model for Supplier Stencil JNL, which is available in both regular and oblique versions.

The Flounder Pro is a simple and clean condensed all-caps sans serif font. It is a close relative of the Floz, but has rounded edges. It comes with Cyrillic, Greek and Latin alphabets, the latter including loads of accented characters. It is also equipped with a bunch of ligatures, as well as alternates for the letters J, W, Q, Z, Ω and Ξ. Those features are easily accessible via opentype features. This family includes three weights with their respective italics and backslanted versions. The Flounder works well for Logos, Headlines, or short texts.

The hand lettered sans serif title on the1931 sheet music for “(Potatoes are Cheaper-Tomatoes are Cheaper) Now’s the Time to Fall in Love” presented another opportunity to create a typeface from the wealth of unusual alphabets found on the covers of vintage and antique song sheets. However, it seems that even as late as the 1930s, song writers had the urge to pen long-worded titles for their musical compositions. This thirteen word verbal excursion became the model for Casual Deco JNL, which is available in both regular and oblique versions.