Bellerin is one of my fonts based on a hand lettering project in 2020. I was very inspired by the famous retro typography designs form the late 60's till the 70's. So you won't need extra efforts for create an extrude effect for this font. This mean it will saves your time.

Branca Poster is a heavy font with triangular serifs and with three versions of horizontal contrast. It was inspired by the Romantic fonts of vertical axis, with small openings and pronounced contrasts. Specially designed for posters, it has a wider characters map, with some Ligatures, Stylistic Alternates and Swashes, providing greater versatility to the user.

Kubera was designed to be a display and text face. It has six weights with same height. Kubera Serif is modernized letterform. It has square serif, high contrast stress, with large x height. Serifs are given soft corners, rather than pointy ones. Kubera Serif font family is designed by Gunjan Panchal based in India.

Henny is a simple but elegant handwriting font which is legible even in very small sizes and longer texts. There is an extended character set with some extra ligatures for a natural look. Henny was used in “Coffeeshop” for titel and headlines: http://www.amazon.de/Aus-dem-Coffeeshop-Dr-Oetker/dp/376700688X Have fun using it!

Sully-Jonquières is Mendoza’s most original calligraphic alphabet. It was commissioned by the French publisher Henri Jonquières. Its characters are based on the shape of cursive letters. Its range of possible usages is very varied: signage, headlines, packaging, etc. It brings personality and elegance to any design. Sully-Jonquières is a trademark of BauerTypes SL

A modern geometric typeface influenced by architectural reproduction drawings such as blueprints and dyelines. The concept was to create a font that displays a simple elegance at large scale and would also be able to produce great legibility for body text. Details include 5 weights, a complete character set, manually edited kerning and Euro symbol.

The hand lettered title found on the sheet music for 1938’s "So Help Me (If I Don't Love You)" was the basis for Totally Deco JNL, which is available in both regular and oblique versions. A classic mix of widely rounded letters and condensed letters typifies the design style of the Art Deco era.

A 1938 issue of the Spanish language movie fan magazine Cine-Mundial (Movie World) had an article entitled "Lo Que Visten Las Estrellas" ("What Stars Wear"). The headline of the article was hand lettered in a lovely Art Deco monoline sans serif, which is now available as Wardrobe JNL in both regular and oblique versions.

Thalia is a wonderful Artdeco typeface design reminiscent of 1900. Very likely, it was originally designed at that time. Unger redesigned the typeface based on old prints, completed the character set and expanded the typeface to cover the full Latin glyph set. Thalia is perfect for anything about theater, such as posters, programs, etc.

A fun, informal font, drawn with a mouse, Chalk emulates the spontaneity of handwriting, but with a thick, bold flair reminiscent of a school chalk board. This was the designer's first attempt at an unstructured font design and has proved to be popular enough that followups, such as Pumpkin Pie and Wordplay soon followed.

Mitchell was released by Inland Type Foundry in 1906 as a bolder version of their popular sans, Blair. This revival is faithful to the original, and is quite handy for both formal and informal use. Both flavors of this font feature the 1252 Latin, 1250 Central European, 1254 Turkish and 1257 Baltic character sets.

Pen Nouveau JNL is a perfect example of the fluid, free-form pen lettering popularized during the Art Nouveau era of the early 1900s. The type face was modeled from the lettering on the cover of a piece of sheet music from 1911 entitled "If You Talk in Your Sleep, Don't Mention My Name".

The Sports Headline font family was developed from design work creating captivating sports related typography for branding and logotype. The font characters are all capitalized and the two different font weight offer a variation that allows each weight to play off the other and work together well. Each font contains all Latin simple characters.

A down-to-earth font from the hand of a mother from a time when writing was something still done with accuracy and poise. This font evokes motherly memories that you cannot let die, memories of a woman who didn't have it easy, who never gave up, and who made sacrifices for her children.

Brainstroke is a collection of twelve variations on a typeface. This release was supposed to be a much larger set, but due to a medical issue, where I recently suffered a stroke, I am releasing only those that I managed to complete. The name is a reminder to me to take care of my health.

A ìthick and thinî Art Deco sans lettering design was found within the pages of the May, 1936 issue of Modern Screen magazine. This condensed typeface has rounded terminals, similar to that made by a round nib lettering pen. This is now available as Deco Film Ad JNL in both regular and oblique versions.

Inspired by the beauty and elegance of Old Style typefaces, Regatto was created in high-contrast and bold style. It comes with a lot of alternates and ligatures with their own variants for any purposes from headline to poster. This font also has some letters with diacritics accent to support some other non-English languages.

This font was inspired by the mountains of Altay. Soft lines and a little asymmetry add a natural touch to Sungent. This font will help add authenticity and personality to your digital work. Contains over 1500 kerning pairs. Language support: Contains full set of Latin alphabet, including diacritical marks for European languages and Cyrillic alphabets.

The Tecn@ BC (Building City) family's design was inspired by the Downtown of a Metropolis City surrounded by buildings and real estate structures. Each uppercase or lowercase character represents a building with a unique design, which when forming a word or in an entire piece of writing, the user would be composing their own city.

Asbel is a simplistic, stylish, modern and rectangular san serif type font, and type family consisting of 9 fonts. The main purpose of creating this font was to be as simple as possible. As a result, Asbel is good to use for titling, poster, Advertising etc. Asbel also features standard ligature, stylistic alternates, and fractions.

HU Cheonggye KR is a typeface for titles with thick strokes and wide flats, mainly produced with a retro feel. In order to bring out the characteristics of the retro typeface, a difference in thickness between horizontal and vertical strokes was applied, and obtuse right-angled serifs were applied. This font contains Korean characters.

Dalena is for those of you who are needing a touch of elegance and modernity for your designs, this font was created for you! Dalena has the added bonus of having 'multiple personalities'! It has 2 sets of extra alternate lowercase letters, which allow you to create different feels for different projects. Happy Creating!

Farbe is a contemporary hand created brush script font. A dry brush with minimal medium was used to create the nature textured look. Farbe is an all capitals font covering the full latin script (including diacritics and Greek) along with the Cyrillic script, numbers and punctuation. A specimen book for the typeface is available HERE

Here is another attempt to create a font for invitation work unlike any already out in the world. In casting about for a name, I decided to call it Valerie after Valerie Hope, a mindreader of days long gone, who played California theatres in the 1930s and 1940s. And who, incidentally, was my mother.

Inspired by so many brush lettering around the trend last year, Clarkson Script was created with manual brush pen and refined in digital version. The Concept of Clarkson Script is combining the style of a feminine script and a masculine style to help other designer to create more easily digital lettering and other purpose.

Bedtime Jewel was inspired by a kids drawing in the kindergarten, and I did my best to keep the childish approach while keeping the legibility. The result is a charming and naive font with a adventurous twist. Every lowercase letter has 3 different versions and capital letters R, K and Q has a swashy tail.

Nure™ is a variable font family designed in 3 axes (Weight, Optical, Width) to cover all the graphic design needs. Thanks to 11 OpenType Stylistic Sets, Nure™ is one of the most flexible typefaces of all times. Every weight' set is composed by more than 1300 glyphs from Latin and Cyrillic encodings

One of the examples in the 1916 publication “Baker’s Showcard Book” [an early 20th Century instructional book on sign lettering] was simply called “Plain Poster”. Somewhat Art Nouveau in style, but with many ‘nonconforming’ character shapes and widths, this novelty design is available digitally as Free Form Showcard JNL in both regular and oblique versions.

Avenida was created by architect and designer John Chippindale in 1994 and is a constructed typeface that leaves a cool, sophisticated impression. An Art Deco typeface inspired lettering found on buildings constructed in Spain's Andalucian region in the 1930's and 1940's. Avenida is best suited to headlines and short to middle length texts.

Athenaeum was released in 1945 by Alessandro Butti and Aldo Novarese, probably for the Niebolo foundry in Turin, for whom this duo designed many successful types. Athenaeum is an Old Style face with strong calligraphic influence. The Athenaeum font family includes a set of decorative initials illustrated with a symbol beginning, resembling early paper watermarks.

Simpo Sans is a family of ten sans serif fonts. It's my second font design project. It's safe to say Simpo Sans has quite different features compare to my last work CHAOS . Right from the start, my ambition was to take the rounded corner elements into characters & glyph and use them to make something smooth.

Mama Bear is a playful, neat, children's book typeface. It is cute and happy, very legible and comes with extensive language support, including the 'schwa' glyph found in a handful of languages. Mama Bear was inspired by my 16 month old son, who loves his fluffy bear and likes to play hide and seek.

ITC Buckeroo was designed by Rick Mueller in 1997, and as the name suggests, it is reminiscent of the Wild West in the US. It is a small caps alphabet with extremely heavy characters, which makes it particularly good for headlines. This ornamental font should be used in point sizes of 12 or larger.

A 1914 piece of sheet music for a song entitled "The Gypsies Are Coming" provided the design inspiration for Mulholland JNL. The title is hand lettered in a style which [while still in the Art Nouveau period] reflects the Art Deco era, despite the fact the "Streamline Movement" was still over a decade away.

Glinde is a bold serif font with extra ligature. It was design to be a versatile display font. Perfect for your instagram post title, headline on your cover magazine, and yes in your wedding invitation project also. A bold serif with neat ligature, plus some alternate and stylistic, ready to escalate your next project.

This Albert Auspurg offering from 1915 for the German foundry Schelter & Giesecke was originally called Kolibri, or Hummingbird. The design combines formal elegance with a carefree, wide stance, making it a perfect choice for inviting headlines. Both versions of this font include the complete Unicode Latin 1252, Central European 1250 and Turkish 1254 character sets.

This font was inspired by carvings and ornament models that I found a lot in my daily life. it's a pleasure to be able to present this font as part of an awesome design work. this font include italic style.This font is perfect for traditional, cultural,social and natural theme designs hope you enjoy ....

Jacob Graffiti is a font inspired by graffiti. In order to reflect the feeling of spray paint, the beginning or the end of the characters show a sense of stroke. When designing this font, to add some fun, a pictorial ligature was specially designed: jacob. And it's on the smile face Unicode block too.

I watched the movie Red Dragon a while ago and it inspired me to make this rather spooky font. I was going to call it Dolarhyde (after the antagonist), but settled on the more unsettling Fearsome. Fearsome is a handmade script font with a ‘psychopath’ feel to it. Comes with a gruesome amount of diacritics.

“Grendel Regular” Evolved out of a hand lettering piece I designed for a record album (Royal Crescent Mob). Inspired by old gothic forms, my intention was to create a playful letter form that could be used in an antique as well as a modern context such as food product packaging or fun video projects, etc.