Designed at ParaType in 1995 by Alexander Tarbeev, based on PT Compact, 1991, by Vladimir Yefimov. A decorative style was added in 1996. For use in advertising and display typography.

Fartha is a lovely and delicate script font that exudes elegance and class. This font was particularly crafted for those who need a beautiful and refreshing look to their designs.

Sagebrush JNL was modeled from examples of a vintage French Clarendon wood type in which many of the characters had rounded parts rather than the traditional all-slab serif approach.

Autosmash is a lovely and brushed script font that exudes elegance and class. This font was particularly crafted for those who need a beautiful and refreshing look to their designs.

Ashley Crawford was designed by Ashley Havinden in 1930. Ashley Crawford is very lively and as such it is ideal for packaging and display purposes where fun is the theme.

Used in advertising posters for the Soviet state foreign trade company named 'Soyuzchimexort' in the early 1980s. Digital version was made for ParaType in 2007 with addition of light weight.

Flixuble is a mess! It was made involving an inky pen and sandpaper! Comes with more than 60 ligatures in order to make the font look more like handmade letters!

Named after Gian Giorgio Trissino (1478-1550) the Italian Renaissance humanist, poet, dramatist, diplomat and grammarian who was the first to explicitly distinguish I and J as seperate letter sounds.

AZ Dramamine font has some inspiration from A&F tee-shirts, but mostly it is completely original script. This font was designed for use as a worn and antiqued headline.

Rhineland Roman JNL was modeled from the hand lettered title of some 1939 German sheet music entitled "Ich Hab'Mir Fur Grinzing", and is available in both regular and oblique versions.

The bold hand lettered title on the 1940 sheet music for the band piece "Drexel Marching Song" was the inspiration for Drexel JNL; available in both regular and oblique versions.

The Zigfrid family was made after my visit to Deutschland and impression of old typography on the streets of Berlin. Zigfrid contains 5 different styles with a geometric, “trendlist” feel.

Phoebus is one of Adrian Frutigers first typefaces which he made for the Deberny & Peignot foundry in Paris. The intention was to create a shadowed type with extra ordinary impression.

Pen drawn in line, outline typeface originally designed for embroidery application. Boott was designed for print media in a wide point size range. Boott requires subjective display kerning and compensation.

In contrast to the traditional process, Zubizarreta was created with the technique of emptying ink out to shape the letterforms. Oddly enough, the result is a type reminiscent of Basque.