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  1. Chinese Herbs JNL by Jeff Levine, $29.00
    Chinese Herbs JNL gives an outline and cast shadow treatment to the lettering found in Chinese Menu JNL. Based on some old signage.
  2. XMattsAnimals by Ingrimayne Type, $9.95
    Most of the letter keys are from animal drawings done by a six or eight year old child who has now grown up.
  3. Claim Check JNL by Jeff Levine, $29.00
    A page from an old manual for sign painters yielded the hand-lettered alphabet that served as a model for Claim Check JNL.
  4. Cabriolet V8 by JVB Fonts, $35.50
    Cabriolet V8 is a vertical version of the Cabriolet family, a geometric script fontface re-interpretation inspired by old chromed emblems of 1950s.
  5. Bronc Stomper by FontMesa, $20.00
    Introducing Bronc Stomper; Bronc Stomper got its start from an old logo design used by the New York and Harlem Railroad in 1904.
  6. Go West by FontMesa, $25.00
    Go West is a spurred version of the FontMesa Red Dog Saloon font which is a revival of an old 1800s woodtype font.
  7. Frankenberg Pro by RMU, $35.00
    A treasure trove of typographic rarity, found in an old print shop in the Saxon town of Frankenberg, now revived and carefully extended.
  8. Lonestar by FontMesa, $25.00
    Lonestar is a revival of the old classic slab serif font named Hellenic which was very popular in the middle to late 1800s.
  9. Data 70 by ITC, $29.99
    Data Seventy is a high-tech style font, with the look of old computer lettering. Data Seventy gives any text a futuristic appearance.
  10. Rocklogo by Gaslight, $25.00
    Rock Logo is an all caps, display typeface, inspired by old cool rock/metal band logos. It has many alternates, swashes and ligatures.
  11. Unique Wood by Solotype, $19.95
    Wood type maker W. H. Page designed this in 1870. Caps, figures and points only. A great decorative for old-timey poster work.
  12. Montreal Architect Px by Letradora, $15.00
    Inspired from blueprints of old Montreal buildings, this font is a hand lettered, all caps face with influences from the arts & crafts movement.
  13. Decorative Panels JNL by Jeff Levine, $29.00
    Decorative Panels JNL is a collection of twenty-six border design panels inspired by old decal and rubber stamp catalogs of the 1940s.
  14. LAMPOH by Afkari Studio, $13.00
    LAMPOH - The Handmade Scratch Display Font LAMPOH is an artistic and captivating handmade display font, meticulously crafted by a talented type designer to bring uniqueness and authenticity to your creative projects. With its scratch-inspired design, LAMPOH stands out as a one-of-a-kind font that exudes a raw and artisanal charm, making it perfect for various artistic endeavors. Every character in LAMPOH has been meticulously hand-drawn with love and passion, ensuring that each glyph carries a distinct and organic feel. The imperfections and irregularities of the scratch strokes add an element of human touch, providing a genuine and authentic character to the font. LAMPOH comes in both regular and bold styles, giving you the flexibility to choose the perfect weight for your design needs. The regular style boasts elegance and subtlety, while the bold style makes a powerful statement, ideal for headlines and emphasis. LAMPOH's versatile design makes it an ideal choice for a wide range of projects. Whether you're creating eye-catching headlines, attention-grabbing posters, logo designs, merchandise branding, or anything that requires a touch of artistic flair, LAMPOH will effortlessly enhance the visual appeal of your work. The uppercase characters of LAMPOH are bold and expressive, demanding attention with their captivating presence. On the other hand, the lowercase letters bring a touch of playfulness, offering quirky alternatives to add delightful variations to your text. LAMPOH comes complete with a set of thoughtfully crafted standard characters and ligatures, allowing you to elevate your designs even further. These unique elements enhance the font's versatility, making it easy to create visually engaging and harmonious compositions. LAMPOH is designed to seamlessly integrate into various design software, making it effortless to use in your preferred creative tools. From Adobe Illustrator to Photoshop, InDesign, and beyond, the font's compatibility ensures a smooth and hassle-free design process. LAMPOH's high-quality design ensures that it looks equally stunning in both print and digital formats. Whether you're producing posters, brochures, social media graphics, websites, or any other project, this font will consistently deliver outstanding results. LAMPOH is not just a font; it's a work of art that adds a touch of human craftsmanship to your creative projects. With its handmade scratch-inspired design, versatile usage, and expressive characters, LAMPOH brings a unique and authentic flair to any design. Unlock your creativity and let LAMPOH illuminate your artistic vision with its captivating charm. Choose between regular and bold styles to create striking and memorable designs that leave a lasting impression on your audience.
  15. Irish Stout BB by Blambot, $20.00
    Created by Blambot’s Nate Piekos for a party invitation, IRISH STOUT has a deep, dark aroma and a creamy, white head. Serve ice cold with a heaping plate of Shepherd's Pie! Comes with a six-pack of European characters.
  16. As of my last update in April 2023, HEX Font may refer to a specific typeface design or could be a general reference to a font that is stylized in a way that aligns with the aesthetic or functionalit...
  17. Tabaiba wild ffp - Personal use only
  18. Reclaim - Personal use only
  19. JH Mars by JH Fonts, $50.00
    JH Mars is a modern style typeface; it is designed based on old Koufi, Maghribi & Diwani scripts, typical for corporate identity, headlines, branding & signage...
  20. Aurora by Bitstream, $29.99
    One of the classic old German large x-height Grotesques revised and still in use, identifiable by the rounded form of certain diagonal strokes.
  21. Crosstown JNL by Jeff Levine, $29.00
    Crosstown JNL is a serif treatment of Midtown JNL, an Art Deco typeface displayed in the pages of an old 'how to' lettering book.
  22. Endast by Cercurius, $19.95
    Sans-serif reversed capitals in outlined circles, resembling old-fashioned typewriter keys. Intended for logos and signs, and for enhancement in lists and maps.
  23. OpenAir by Jonahfonts, $25.00
    OpenAir is a display typeface unlike standard Stencil Fonts. Great for logos, short titles and comes with Old Style numerals as well some ligatures.
  24. Fleuron Ornaments by Gerald Gallo, $20.00
    Fleuron Ornaments was inspired by old world designs and patterns. There is an assortment of 47 ornaments all located under the character set keys.
  25. Great Western by FontMesa, $22.00
    Great Western is an engraved roman font that reminds you of the old railroad days when steam locomotives made their way across the countryside.
  26. Dawson by Solotype, $19.95
    Redrawn from an old wood type we picked up in London. The original manufacturer is unknown. We added the lowercase to increase is usefulness.
  27. Sarabella by ArFF, $24.95
    I've 2 grand children, the youngest is just 3 years old. Her name is Sarah and see is Bella. And so we have Sarabella.....
  28. Valfieris by insigne, $21.99
    A classy and elegant serif from DooleyType. Valfieris includes a number of advanced OpenType features, including alternates, ligatures, small caps and old style figures.
  29. Final Edition JNL by Jeff Levine, $29.00
    A classic sans grotesk wood type design, Final Edition JNL was modeled from actual headlines found in online examples of an old daily newspaper.
  30. Tasmin - Unknown license
  31. everyone - Unknown license
  32. Gummed Alphabet JNL by Jeff Levine, $29.00
    Gummed Alphabet JNL was modeled from a 1960s-era package of foil embossed gummed letters. This type of lettering device was sold through stationery, variety stores and similar merchants, and could be used for personalizing items or making small signs.
  33. Skammefy by Andreas Søren Johansen, $69.00
    Skammefy holds a detailed set of letters, that are intended to be both readable when small - and charismatic when large. Strong details of letters like e, a, g, f, y draws attention to headlines, signs or wherever it might be used.
  34. Flomic by Sergey Melnikov, $24.00
    Ukrainian type designer Melnikov Sergey created Flomic font between 2015 and 2016. Flomic is a geometric sans built from a folded lines. Most effective when used in short words or phrases at larger sizes, where the details can be appreciated.
  35. SomaSlab Tall by ArtyType, $19.00
    SomaSlab Tall has all the same characteristics as SomaSlab, transferred into a style which has been condensed along the horizontal axis only. Available in 2 weights, XBold & Heavy, with an extended Latin character set and several glyph alternates for maximum versatility.
  36. Matrijs by Hanoded, $10.00
    Matrijs is the Dutch word for mold. It comes from the Latin word for mother or womb and is somewhat similar to the English word Matrix. Matrijs is a handmade Garamond which can be used for a wide range of projects.
  37. Adhesive Letters JNL by Jeff Levine, $29.00
    Adhesive Letters JNL was drawn from sample letters and numbers once manufactured by the Tablet and Ticket Company of Chicago. Originally sold under the brand name of Willson's, these gummed letters were available in a number of styles and sizes.
  38. Alfereta by Solotype, $19.95
    This popular type was manufactured by the Crescent Type Foundry of Chicago and sold on their behalf by a half dozen other foundries. Introduced in the early 1890s, just as tastes were swinging away from the excesses of the Victorian period.
  39. Upona by Bunny Dojo, $17.00
    Inspired by 19th century storybook lettering, Upona is a font fit to tell all tales. Fresh yet familiar, Upona blends classical styling with whimsical flourishes. Carrying a sense of history and tangibility, stories set in Upona are worth holding onto.
  40. PF Occula by Parachute, $33.00
    Occula on Behance. Occula: Specimen Manual PDF. Occula is an exploration into high-legibility type although it’s not an effort to design the ultimate typeface in terms of economy and legibility. Instead, the goal has been to strike a balance between modern curves and lively old-style rhythm – using a rational design approach without becoming monotone. Or from another point of view: being humanistic and lively without looking old-fashioned and quirky.
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