German type designers Erik Spiekermann and Ole Schäfer, and German design agency MetaDesign created this sans FontFont between 1996 and 2000. The family has 18 weights, ranging from Regular to Bold (including italics) and is ideally suited for advertising and packaging, book text, editorial and publishing, logo, branding and creative industries, small text, wayfinding and signage as well as web and screen design. FF Info Display provides advanced typographical support with features such as ligatures, alternate characters, case-sensitive forms, fractions, super- and subscript characters, and stylistic alternates. It comes with proportional lining, proportional oldstyle, and tabular lining figures. In 1998, FF Info Display received the The Big Crit award. This FontFont is a member of the FF Info super family, which also includes FF Info Correspondence and FF Info Text.

Fabrikat Mono is a type family designed by Christoph Koeberlin. The monospaced Sans Serif family is published by HVD Fonts and consists of seven weights plus matching italics. It is an addition to the popular Fabrikat type family that emphasises its engineering roots. Compared to Fabrikat, the Mono version evens out not only the characters’ variable widths but also its more subtle characteristics: Letters like B and R are counterbalanced, the height difference between caps, ascenders and even “t” are eliminated, while characters like the percent sign together with the stressed punctuation give a nod to typewriter typefaces. The type family is equipped for complex, professional typography with OpenType Features like alternate letters, arrows and an extended character set to support Central and Eastern European as well as Western European Languages.

Evereast Collection Display Font The beta version of the Evereast font has been published since 2020, and can be downloaded for free on the dafont website. At first this font was just a learning project from the 2nd type of font and because we saw the enthusiasm of the downloader, we developed it into 4 versions and 31 types of font files. WHAT YOU GET 4 versions. Evereast with style slab serif, western slab, soft edge, western edge 31 types of font files include Regular, Bold, Light, Hollows/Outlines, Rough, Italic, Stencil PUA Encode Characters, fully accessible without additional design software. Includes a range of multilingual characters. Evereast is suitable typeface for various purposes like logotype, signage, label, poster, dropcap, titles, letterhead, book cover and etc. Thank you!

Architype Crouwel is a collection of typefaces created in collaboration with Wim Crouwel, following his agreement with The Foundry, to recreate his experimental alphabets as digital fonts. Crouwel's most recognized work was for the Van Abbe and Stedelijk museums (1954 –72) where he established his reputation for radical, grid-based design. The Fodor letterforms were created for the magazine published by Museum Fodor, Amsterdam. To save cost it was designed to be ‘typeset’ on their own electric typewriter. The resulting monospaced effect was combined with a background of orange overlaid with pink dots that provided a page grid to align the text to. The title set on the dot matrix formed the 'system' for construction of the ‘digital effect’ letterforms. Now Architype Fodor recreates these letterforms as a truly digital font.

Plantin is a family of text typefaces created by Monotype in 1913. Their namesake, Christophe Plantin (Christoffel Plantijn in Dutch), was born in France during the year 1520. In 1549, he moved to Antwerp, located in present-day Belgium. There he began printing in 1555. For a brief time, he also worked at the University of Leiden, in the Netherlands. Typefaces used in Christophe Plantin's books inspired future typographic developments. In 1913, the English Monotype Corporation's manager Frank Hinman Pierpont directed the Plantin revival. Based on 16th century specimens from the Plantin-Moretus Museum in Antwerp, specifically a type cut by Robert Granjon and a separate cursive Italic, the Plantin" typeface was conceived. Plantin was drawn for use in mechanical typesetting on the international publishing markets. Plantin, and the historical models that inspired it, are old-style typefaces in the French manner, but with x-height that are larger than those found in Claude Garamond's work. Plantin would go on to influence another Monotype design, Times New Roman. Stanley Morison and Victor Larent used Plantin as a reference during that typeface's cutting. Like Garamond, Plantin is exceptionally legible and makes a classic, elegant impression. Plantin is indeed a remarkably accommodating type face. The firm modelling of the strokes and the serifs in the letters make the mass appearance stronger than usual; the absence of thin elements ensures a good result on coated papers; and the compact structure of the letters, without loss of size makes Plantin one of the economical faces in use. In short, it is essentially an all-purpose face, excellent for periodical or jobbing work, and very effective in many sorts of book and magazine publishing. Plantin's Bold weight was especially optimized to provide ample contrast: bulkiness was avoided by introducing a slight sharpening to the serifs' forms."

Plantin is a family of text typefaces created by Monotype in 1913. Their namesake, Christophe Plantin (Christoffel Plantijn in Dutch), was born in France during the year 1520. In 1549, he moved to Antwerp, located in present-day Belgium. There he began printing in 1555. For a brief time, he also worked at the University of Leiden, in the Netherlands. Typefaces used in Christophe Plantin's books inspired future typographic developments. In 1913, the English Monotype Corporation's manager Frank Hinman Pierpont directed the Plantin revival. Based on 16th century specimens from the Plantin-Moretus Museum in Antwerp, specifically a type cut by Robert Granjon and a separate cursive Italic, the Plantin" typeface was conceived. Plantin was drawn for use in mechanical typesetting on the international publishing markets. Plantin, and the historical models that inspired it, are old-style typefaces in the French manner, but with x-height that are larger than those found in Claude Garamond's work. Plantin would go on to influence another Monotype design, Times New Roman. Stanley Morison and Victor Larent used Plantin as a reference during that typeface's cutting. Like Garamond, Plantin is exceptionally legible and makes a classic, elegant impression. Plantin is indeed a remarkably accommodating type face. The firm modelling of the strokes and the serifs in the letters make the mass appearance stronger than usual; the absence of thin elements ensures a good result on coated papers; and the compact structure of the letters, without loss of size makes Plantin one of the economical faces in use. In short, it is essentially an all-purpose face, excellent for periodical or jobbing work, and very effective in many sorts of book and magazine publishing. Plantin's Bold weight was especially optimized to provide ample contrast: bulkiness was avoided by introducing a slight sharpening to the serifs' forms."

Giambattista Bodoni (1740-1813) was called the King of Printers; he was a prolific type designer, a masterful engraver of punches and the most widely admired printer of his time. His books and typefaces were created during the 45 years he was the director of the fine press and publishing house of the Duke of Parma in Italy. He produced the best of what are known as modern" style types, basing them on the finest writing of his time. Modern types represented the ultimate typographic development of the late eighteenth and early nineteenth centuries. They have characteristics quite different from the types that preceded them; such as extreme vertical stress, fine hairlines contrasted by bold main strokes, and very subtle, almost non-existent bracketing of sharply defined hairline serifs. Bodoni saw this style as beautiful and harmonious-the natural result of writing done with a well-cut pen, and the look was fashionable and admired. Other punchcutters, such as the Didot family (1689-1853) in France, and J. E. Walbaum (1768-1839) in Germany made their own versions of the modern faces. Even though some nineteenth century critics turned up their noses and called such types shattering and chilly, today the Bodoni moderns are seen in much the same light as they were in his own time. When used with care, the Bodoni types are both romantic and elegant, with a presence that adds tasteful sparkle to headlines and advertising. Parma was designed by the monotype Design Team after studying Bodoni's steel punches at the Museo Bodoniana in Parma, Italy. They also referred to specimens from the "Manuale Tipografico," a monumental collection of Bodoni's work published by his widow in 1818.

The word ‘Ghibli’ per se refers to a Saharan hot and dry wind commonly known as the Sirocco. In Arabic language, ‘Ghibli’ is known as ‘Qibli or Kibli’, meaning ‘Southern’ for those Arabic nations who live in the North of Africa. The ‘Ghibli’ wind is most common during spring and autumn, and can blow at almost 60mph; it is this wind which is responsible for the dry, dusty conditions on the Mediterranean coast of North Africa. ‘Ghibli’ can last for days making life miserable and is therefore feared by the desert dwellers in that region. It can also have profound effect on the landscape by moving vast quantities of sand and dunes. Inspired by the Studio Ghibli’s unique and magical characters, the ‘Ghibli’ typeface is designed as a Latin free and literary serif typeface. It strongly expresses transition, imagination, sharpness, characterization, and modernization. It is a literary type that can capture the eyesight of readers and other observers with its acute and stylistic letterforms, dots, and numerals. It has transitional serifs and it is generally based upon the Latin printing style of the 18th and 19th centuries, with a pronounced vertical contrast in stroke emphasis (i.e., vertical strokes being heavier than the horizontal strokes). It has more regular forms in which serifs are bracketed and more symmetrical. The main characteristic of ‘Ghibli’ typeface is in its new designed serif letters. Special letters that can be described as having modern designs include small ‘g’, ‘p’ (with their open ends), ‘x’, and capital ‘B’, ‘P’, ‘Q’, and ‘R’ (with their open ends). ‘Ghibli’ typeface has also both of lining and old-style numerals which makes it more suitable for any literary and printing purposes. This gratuitous font comes in only two weights (i.e., Ghibli Regular and Ghibli Bold). It is absolutely preferable to be used in the wide fields related to literature and publication industry. This includes typing titles of diverse literary and academic books, readable texts of novels, novellas, short stories, prose, poetry, textbooks, newspapers, and magazines. It is also notable if chosen for designs that include movies’ titles, logos of academic institutions such as colleges and universities, organizations and associations’ names, medical packages such as those dedicated for tablets and syrups, and also other different educational and social materials. ‘Ghibli’ is simply a free literary typeface dedicated for all who want to write and read using a modern and stylish serif font. Enjoy it.

Zakosten is a display corporate font that comes with a Monospaced Style. suitable for product, branding, social media, logotype and so on. contains standard English letters, numbers, punctuation, and several accents that support multilingualism.

Introducing Almety by Tlatous Type. Almety is a Modern Handwritten Script Font. This font is perfect for product packaging, branding project, megazine, social media, wedding, or just used to express words above the background.

Migolan is a sweet and soft handwritten script font. Fall in love with an authentic feel and use it to create beautiful wedding invitations, beautiful artwork, interesting social media posts, and funny greeting cards.

Stay Kids is handwritten Font. It has cute, fun, & cool. It’s a great font for fashion, apparel projects, signature, album cover, logo, branding, magazine, social media, & advertisements, but also works great for other projects.

Retro Boldy, a Bold, classy, contemporary of script font, inspired by 90s Era. Retro Boldy offers beautiful typographic harmony for a diversity of design projects, including logos & branding, social media posts, advertisements & product designs.

introducing by Essentials Studio Weaver Birds Is a A Playfull Handwriting Font Weaver Birds is perfect for product packaging, branding project, megazine, social media, wedding, or just used to express words above the background.

Peronel is a serif font with swash line under the lowercase letters. It has a regular and an italic style and works perfectly for logos, headlines, posters, packaging, postcards, social media and much more.

Saint Abigail is a handmade font with clean and modern signature style, perfect for creating authentic hand- lettered, branding, logos, card, gift design, wedding related stuffs, web design and social media post. Happy design.

Introducing by Essentials Studio Proudly Present, IMPERMANENCE IMPERMANENCE is a Black Letter Font IMPERMANENCE is perfect for product packaging, branding project, megazine, social media, wedding, or just used to express words above the background.

Blackmate is a handwritten script font that has a brush-like texture and will look great for quotes, social media posts, branding projects, headings, blogs, logos, business cards, websites, invitations, shirts, mugs, and more!

Socilo is a display font that comes with a rounded square style. suitable for posters, tshirt, branding, social media, and so on. contains standard English letters, numbers, punctuation, and several accents that support multilingualism.

The BDR A3MIK is an uppercase alphabet with alternatives including European/Eastern European, Russian Cyrillic, Greek and Japanese Katakana characters. Its strong, constructive, futuristic appearance works perfectly for titling in science fiction related media.

Great Holiday is a beautiful and refined script font. It has a classy, elegant and modern look that can be used for logos, branding, invitations, stationery, wedding designs, social media posts, and much more!

Agenda King feels equally charming and elegant. Fall in love with its incredibly versatile style and use it to create gorgeous wedding invitations, beautiful stationary art, eye-catching social media posts, and much more!

Introducing by Essentials Studio Proudly Present, Camedyan Camedyan Is a Modern Handwritten Font Camedyan is perfect for product packaging, branding project, megazine, social media, wedding, or just used to express words above the background.

Hello Sister is a beautiful and refined script font. It has a classy, elegant and modern look that can be used for logos, branding, invitations, stationery, wedding designs, social media posts, and much more!

Good Romance - Natural Handwritten font is a natural & modern handwritten font. I'ts Perfect for logo, invitation, stationery, wedding designs, social media posts, advertisements, product packaging, product designs, label, photography, watermark, special events or anything.

Introducing by Essentials Studio Proudly Present, Bulgathi, Bulgathi Is a Modern Script Font Bulgathi is perfect for product packaging, branding project, megazine, social media, wedding, or just used to express words above the background.

Seventeen Winter is a cute and fashionable font duo with signature and regular touch it was created to help you designing makes gorgeous logos, posters, wedding invitations, blog posts, social media, apparel and more!

Regiola Font Duo is an elegant serif typeface paired with natural handwritten script. By presenting a luxurious and chic look, for websites, modern logos, social media quotes, brand identities, wedding stationery and much more.

Monssla is a display font that comes with a block bold style. suitable for posters, tshirt, branding, social media, and so on. contains standard English letters, numbers, punctuation, and several accents that support multilingualism.

Christo - a serif with elegant, artistic, Renaissance touch. Specially designed for bold, artistic, grand projects. The font is perfectly suitable for creating elegant, artistic, classic design such as logo, packaging, social media, and more.

Guardian is an outstanding narrow display font. You can use it for a variety of design projects like posters, business cards, invitations, games, covers, social media posts, quote photos, branding, editorials, and much more.

Pretty Berelly is a beautiful and cursive script font. It has a lively, elegant and modern look that can be used for logos, branding, invitations, stationery, wedding designs, social media posts, and much more!

"Christmas Celebration" is a beautiful and unique handwritten font. This font features uppercase, lowercase, lowercase alternative, swashes, titling, multilingual support, binders, numbers, and punctuation. great for Christmas, weddings, invitations, promotions, social media, and more.

Gietta is a sweet, soft hand-lettered font. Fall in love with its authentic feel and use it to create gorgeous wedding invitations, beautiful stationary art, eye-catching social media posts, and sweet logos.

Neloqa is a display font that comes with a vintage inscription vibe. suitable for product, branding, social media, notes and so on. contains standard English letters, numbers, punctuation, and several accents that support multilingualism.

Ganzhou is a great geometric sans with texture font with a natural stamp texture. This font is the perfect fit for all of your logos, branding, social media, and many others Thank You scrapstype

Fringio is a fun-loving sans-serif display font. Key characters are formed with curved, flowing lines, resulting in some pleasing word forms. Fringio is great for branding, headlines, signage, social media and more.

Sunday Mood is a beautiful new modern monoline script font that suits for watermark, branding, logo, invitations, stationery, wedding designs, social media posts, advertisements, product packaging, product designs, labels, photography, special events, and more.

Inspired by the new color of the season, The Grumpy Lime is my take on a super playful, 100% handwritten font! It has over 75 ligatures and alternate letters so you can play with it and get the look you need. And whether you have a client that needs a new quote design, or a social media post, it’s perfect for you. Check out the photos I have prepared for you to see what you can do with it and happy creating! This font pack also includes full language support, punctuation, numerals and detailed instructions how to use alternate letters most of the apps on your computer, as well as in Canva. And it also comes in three versions: vintage, solid & outline! I invite you to check out the preview images, and I hope you will be immersed in my vision for this creative typeface that, I am sure, will work for all kinds of interesting projects you might be working on this year. If you end up publishing your designs on Instagram, tag me - @silverstagco and I will make sure to showcase your design and work to my audience as well! Grumpy Lime - Playful Ligature Font: TheGrumpyLime - Solid Playful Handwritten Font with over 75 Ligatures & Alternates TheGrumpyLime-Vintage - Vintage Playful Handwritten Font with over 75 Ligatures & Alternates TheGrumpyLime-Outline - Outline Playful Handwritten Font with over 75 Ligatures & Alternates Over 75 Ligatures & Alternates Numerals & Punctuation Language Support Web Font Kit is included as well Detailed instructions on how to use alternates in most of the apps on your computer as well for Canva Happy creating everyone!