Core Gothic D is a simple and modern sans-serif Korean font consists of 9 weights (Thin, ExtraLight, Light, Regular, Medium, Bold, ExtraBold, Heavy & Black). Character set is consist of Korean 11,172 characters, Hirakana & Katakana, Latin and Korean symbols. It is well balenced between Korean and Latin characters. Latin typeface (Core Sans D) was adjusted to be matched with korean typeface. Spaces between individual letter forms are adjusted in detail so that it makes perfect typesetting. Supported codepages are MS Windows 1252 Latin1 and MS Windows 949 Korean. We recommend to use for books, web, screen displays and so on.

Boutique is a reinterpretation of Modern typefaces that posits an alternative present for the genre. Our initial version of Boutique explored the relationship between Modern typefaces and Modernism. Built upon a Didone Skeleton, we amplified its geometric character and stripped away ornament to create an elegant sans-serif with an idiosyncratic edge. We have since overhauled Boutique to create a comprehensive family. Adding a serif and italic in three optical variations for small (S), medium (M), and large (L) applications. The updated Boutique features additional and refined glyphs, styles, and weights to create a freely interchangeable typographic system.

Everleigh Duo consists of two typefaces - thin serif font and calligraphic script font. Both of this fonts have an elegant thin shape with classic influences. This pair is created in one breath and they matches perfectly in lots of lettering composition. Everleigh Script - it's a connected script typeface that imitates handwritten pen calligraphy. It includes lots of ligatures and multilingual support. Everleigh Medium - it's a little modified version of my another font Everleigh. This typeface has a slightly thicker shape and slightly different serifs, which makes it more useful on dark backgrounds. It also has lots of ligatures and stylistic alternates.

The typeface was designed at ParaType (ParaGraph) in 1997 by Manvel Shmavonyan for Russian primary school sample writing schoolbooks. The typeface is based on script fonts presented in the book 'Rodnoy Mir' by. L.I.Tikunova. The first version of the font included just letters of Russian alphabet and basic set of figures and signs. The second version with extended set of alphabetic letterforms was developed in 2004 by Gennady Fridman. Current third version that covers full Cyrillic and Western code pages was prepared by Gennady Fridman and released in 2009. Medium style also was added by him in 2009.

Bluesmate is a new another modern script font built in 878 glyphs. It has opentype features with PUA encode. of course this is a smart font works with poluler design software like Photoshop, Coreldraw X version, Illustrator, Microsoft Office, ect. This Modern Calligraphic typeface welcomes you to use it for various desing need such as logo, card, wedding invitation, headings, signatures, t-shirt, letterhead, cutting sticker, hot stamping, signage, labels, posters and more. It's craft friendly!!!! OPENTYPE TECHNOLOGY: - Stylistic alternate - Contextual alternates - Standard Ligatures - Discretionary Ligatures - Contextual Ligatures - Initial form - Medial form - Terminal form - Swashes - Numerals - Punctuations

Alles Kaputt means ‘everything’s broken’ in German. I always wonder why my stuff breaks so easily, especially my mobile phones (I have had 7 in the last two years). Maybe I am careless, but I believe that there is a more or less scientific explanation that chaos and destruction are far easier than harmony and creation. I am no scientist, so don’t take my word for it! Alles Kaputt is a nice script font. I made it with a felt tip pen I borrowed from the kids. Use it for texts on product packaging, book covers and websites. Or, whatever you fancy!

Gringo is a type family that contains 27 different varieties. It is divided into three groups: Sans, Slab, and Tuscan = Europe - Texas. Due to its consistant structure, the single groups can be mixed as you wish. Furthermore every variety comes in Light, Medium, and Bold. There are three widths, from Narrow to Wide. Additionally, there is also a Dingbats font. The concept of Gringo is a fusion and a merging of type cultures to cross borders and create something new. Gringo won 3rd place in the "tdc2 2006 award" by the Type Directors Club New York.

Introducing Oxine Display new generation Typeface with 7 Weights. Oxine Typeface created with the vision of to attract the audience to your brand . The finest details of this typeface are methodically and mathematically created. Oxine is created with all the tasks of a corporate font and also for the usage in a variety of projects, including branding, logos, titles, headlines, servers, posters, screens, display, digital ads, and everything else. We are putting a lot of effort on this font as a long-term project. The Typeface includes Seven Weights. ExtraLight, Light, Regular, Medium, SemiBold, Bold and ExtraBold

The Neutraliser family is a versatile collection of geometric-based fonts with 24 styles. The 6 Alternate styles are suitable for headlines and are complemented by the Sans and Serif styles suitable for small amounts text. The Caps styles allow for extra typographic variation within the family. Neutraliser is a direct result of the designer's initial exploration of typography and is uncompromising in its geometric nature. As the name suggests, the typeface celebrates the precision of the digital medium as a drawing tool in which the critical points that make up a letterform can be almost ‘plotted’ according to a grid-based logic.

The Neutraliser family is a versatile collection of geometric-based fonts with 24 styles. The 6 Alternate styles are suitable for headlines and are complemented by the Sans and Serif styles suitable for small amounts text. The Caps styles allow for extra typographic variation within the family. Neutraliser is a direct result of the designers' initial exploration of typography and is uncompromising in its geometric nature. As the name suggests, the typeface celebrates the precision of the digital medium as a drawing tool in which the critical points that make up a letterform can be almost 'plotted' according to a grid-based logic.

The Butterfly Ball and the Grasshopper's Feast is a 70's concept album/rock opera by Deep Purple's Roger Glover. The music video to Love Is All, featuring a lute playing frog in a cape, must be one of the best videos ever made. At least, I believe so. When working on this font, the song popped up in my head (it is still there), so I decided to name this cute, cartoonish font after the album. Butterfly Ball is a fun and happy typeface with rounded glyphs and an uneven baseline. Of course it comes with a hallucinatory range of diacritics.

Kaarna is a rough hand drawn sans serif. The underlying shapes and structure are designed in the style of modern sans serifs which are made livelier by the hand drawn look. The condensed proportions make it especially suitable for use in large headlines and to achieve maximum impact. The hand drawn texture becomes clearly visible in big sizes and quiets down when used small. This allows you to use Kaarna for both headlines and short to medium length texts, ensuring visually unified typography. Because of its design and large character set, Kaarna is well suited for branding, advertising, packaging and editorial use.

Mitra is a modern Arabic text typeface with two weights: Mitra Light and Mitra Bold. Both of the fonts include Latin glyphs (from Optima Medium and Optima Bold, respectively) inside the font files, allowing a single font to set text in both most Western European and Arabic languages. The two Mitra fonts incorporate the Basic Latin character set (Western CP 1252 Latin 1/ANSI and Macintosh US Roman) and the Arabic character set (CP 1256), which supports Arabic, Persian, and Urdu. They include tabular and proportional Arabic, Persian, and Urdu numerals, as well as a set of tabular European (Latin) numerals.

Bodoni expresses the beginning of the Industrial Revolution; its serifs are flat, think and unbracketed, while the stress is always on the mathematically vertical strokes. Bodoni believed in plenty of white space and therefore descenders are long. The M is rather narrow; in the Q the tail at first descends vertically and the R has a curled tail. The italic, like most continental modern faces, has roman serifs. Monotype Bodoni provides a clear-cut effect due to its simplicity. It reproduces well, particularly in sizes over 12pt. This font is slightly darker than Bauer Bodoni. The contrast makes Monotype Bodoni appear more condensed.

Cast your stars like the ancient Pharaohs. Commonly known as the Zodiac of Dendera, this series is based on the symbols found on the roof of the temple at Dendera. It is believed that the Egyptians likely borrowed the signs of the zodiac from the Greeks, possibly in the Ptolemaic period. Containing 52 unique characters, the series includes the 12 zodiac signs, the 30 phases of the moon in its equatorial position, the Gods of the four winds, and the Gods of the five planets of Venus, Mercury, Mars, Saturn and Jupiter. NOTE: this font comes with an interpretation guide in pdf format.

This is long awaited thorough revision to Skarpa family. The revision has inculded both another look at letter shapes as well as kerning and metrics of the files. The shapes encapsulated in this font stem from old time architectural drawings hand executed at drawing board with tracing paper and rapidographs. Think of lettering stencils sliding across the tracing paper and craftily exectuted drawing descriptions. The font is based on geometric forms devoid of excessive flourishing. Would suit modern designs either in fashion, technology or laboratory setting. Would look good on door plaques in pharmacy or simple drawer plaques - especially Medium or Bold specimen.

The Vidal is a display typeface designed in 2016 by Elena Albertoni. It comes in three styles: Regular, Bold and Black. This wide sans-serif with low contrast is inspired by French and British Art Deco lettering and it is suitable for use in medium to large sizes, where it offers good legibility and all its friskiness. The attitude of Vidal when set in all caps derives from the models that inspired the design: mainly capital-only lettering pieces; the essential addition of lowercase letters distinguishes Vidal from similar revivals and makes it a great modern choice.

Lark is a modern calligraphic sans inspired by a rich history of broad-edge and translation contrast calligraphy. By combining its sharp geometry with flared curves, Lark exhibits a nice warmth as a display face. Lark was initially conceived as a final project as part of the Type@Cooper West Extended Program's post-graduate certificate program in typeface design, so its journey has benefitted from routine feedback from experienced typeface designers. Comes in Bold, Medium, Regular, and Light weights for both roman and italic, and supports multiple languages including Danish, Dutch, English, French, German, Italian, Portuguese, Spanish, Swedish, and more.

Gaspo Slab is a fresh slab serif typeface that features esthetically pleasing curves, strong serifs, ample counters, humanist proportions and ink traps. The result is a very functional font with a contemporary design and highly readable at small sizes. Gaspo Slab consists of 7 weights, from Ultra Light to Black, with matching italics. This family comes with a 434-character set that includes European diacritics, tabular figures, alternative characters, numerators and fractions, making it possible to use the font in 128 different languages. The font is well-suited for headlines, medium-length text, magazines, newspapers, advertising, corporate use and product design.

Greene and Hollins of Wolverhampton were a rather smart gentleman’s outfitter, much frequented by my late grandfather and altogether redolent (in memory and actuality) of a bygone age of retail service and respect. I believe they’re out of business now, but we’re rather pleased to offer them this very small if rather random memorial. Greene and Hollins is a set of seven display typefaces, with uniform metrics, which can be overlaid to create multi-coloured ‘engraved’ effects. Also ideal to recreate traditional sign-writing, garment labels, signage and anything else where a period flare is required.

Originally ZionTrain was built as a (probably first in Cyrillic!) navigation typeface for the Kharkiv identity project and Kharkiv subway and airport navigation systems. We wanted comprehensible, distinctive letterforms, that can help everybody on the way from Babylon to Zion. The project was used in Kharkiv promotion at homeland and abroad, but was rejected by the new government. As a corporate typeface it was used for a few cultural projects. Now it is equipped with Slavic Cyrillic and Monotonic Greek and has special Stencil faces especially for low-budget navigations (don't forget to get your own Stencil Medium for free!).

Bucintoro is a modern version of the rotunda blackletter, the Gothic book hand of Italy and Spain in the 14th, 15th, and 16th centuries. As the name implies, it's more "rotund" than the tall, angular Textur blackletter used in Germany that Gutenberg imitated. While the use of blackletter continued far into the 20th century in Germany and Scandinavia, the rotunda gave way to roman (and later also italic) letterforms in Italy, France, and Spain. It's less well known these days. Bucintoro has upper- and lowercase alphabets, numerals, punctuation, diacritics but lacks such modern characters as currency symbols. Has light, medium, and black weights.

Gringo is a type family that contains 27 different varieties. It is divided into three groups: Sans, Slab, and Tuscan = Europe - Texas. Due to its consistant structure, the single groups can be mixed as you wish. Furthermore every variety comes in Light, Medium, and Bold. There are three widths, from Narrow to Wide. Additionally, there is also a Dingbats font. The concept of Gringo is a fusion and a merging of type cultures to cross borders and create something new. Gringo won 3rd place in the "tdc2 2006 award" by the Type Directors Club New York.

Meet EXCESSA!! a new futuristic and modular typeface family directly evolved from my previous released, AREON FLUX. Comparing it to his cousin, EXCESSA inherit most of the glyphs but a certain large group of letters are designed with a more obvious curvature that creates a slightly different visual dialog. It cames also in the same 3 styles as it’s predecessor: Athletic, Medium and Heavy. His more dynamic and modular structure makes it an excellent choice for designs that needs a futuristic, technical, unusual and sci-fi touch. It also supports most of the latin based languages, kyrillic and greek as well.

The key words for this font are taste, elegance, storytelling, and a little bit of dynamism. HIGH TABLE family have exquisite details and great quality. We believe that only high quality and unique details can move people more than exaggerated shapes. Fonts are so powerful, they tell a moving story. The PACE typeface was chosen to tell a story quietly but with dynamism. Readers are delighted and relaxed when they see this font family, and colleagues read the story with respect. A brand needs a story, and a brand’s story needs the most appropriate font to carry it.

In the beginning, this font had been designed for an affiche work as wood pattern which includes one font and medium weight. The stylish design of this font had been inclined us to create more weights and more styles. Daphne Font Family comes in three weights; normal and italic. Plus two additional styles which are wood pattern and shadow. You can get great wood pattern results with Daphne Font Family; also with colored shadows, you can get gorgeous results in poster works and t-shirt prints. Even in very small type sizes, it can be legible.

Telegramo is modeled on a historic telegraph from Belgrade to Vienna 1914. The original archetypal character set consists of lowercase letters and numerals only. Uppercase letters and special characters were added after careful research. Contact pressure variations of the rudimentary type writing machine are directly imitated in the three weights: the regular weights edges are sharp, medium edges are rounded and the bold letters can nearly be called soft. Since the original typeface did not seem perfectly suitable for modern desktop publishing purposes, two additional stylistic sets were created for each weight, improving certain issues in rhythm, legibility and quirkiness.

By overwhelming popular demand, this is the wide display companion to Canada Type's Clarendon Text family. It comes in ten styles: regular, medium, bold, with small caps and oldstyle Figures counterparts, as well as stencil and sketch versions of the regular and the bold. All the fonts come equipped with superscripts/numerators, denominators, and scientific inferiors. The OpenType fonts also contain automatic fractions and class-based kerning. The Clarendon Wide fonts are available in all popular formats. Language support includes Western, Central and Eastern European character sets, as well as Baltic, Esperanto, Maltese, Turkish, and Celtic/Welsh languages.

VOGER is a work of art in the form of a modern serif font, with a design that exudes a clean, timeless elegance. With its upright and meaningful serif lines, "Voger" combines classic elements with a subtly refreshing modern aesthetic. Its enduring beauty meets a gentle touch of luxury, making "Voger" an ideal choice for various exclusive design projects. The simplicity and clarity in its design ensure that your message always appears clearly, regardless of size or medium. Moreover, "Voger" comes with a variety of unique alternate letters and ligatures, providing richness and creative flexibility in all your design creations.

The Neutraliser family is a versatile collection of geometric-based fonts with 24 styles. The 6 Alternate styles are suitable for headlines and are complemented by the Sans and Serif styles suitable for small amounts text. The Caps styles allow for extra typographic variation within the family. Neutraliser is a direct result of the designers' initial exploration of typography and is uncompromising in its geometric nature. As the name suggests, the typeface celebrates the precision of the digital medium as a drawing tool in which the critical points that make up a letterform can be almost 'plotted' according to a grid-based logic.

The Neutraliser family is a versatile collection of geometric-based fonts with 24 styles. The 6 Alternate styles are suitable for headlines and are complemented by the Sans and Serif styles suitable for small amounts text. The Caps styles allow for extra typographic variation within the family. Neutraliser is a direct result of the designers' initial exploration of typography and is uncompromising in its geometric nature. As the name suggests, the typeface celebrates the precision of the digital medium as a drawing tool in which the critical points that make up a letterform can be almost 'plotted' according to a grid-based logic.

Introducing Archee™ - Display Sans Serif Font Archee™ is a typeface that inspired by modern architecture. Designed for screen and medium sizes. It has 3 different weights and this font also featured with ligatures. Archee cover more than 20 languages including russian and greek. **FEATURES** - Uppercase & Lowercase letters - Numbering and Punctuations - Ligatures - Multilingual Support - Works on PC or Mac - Simple Installation - Support Adobe Illustrator, Adobe Photoshop, Adobe InDesign, also works on Microsoft Word. **All images on the demo is just for preview purpose only and not actually included on the files** Hope you Like it. Thanks.

Inspired by vintage books and the pages within, Appareo is an imperfect, worn serif font that comes in three weights. Each weight has a varying degree of distress, from Black, in which the press and ink fully set into the page, to Medium, Light and Extralight, where the texture is heaviest. Each weight also has a custom italics version of each character. To fully give the authentic feel of worn pages of dusty books, Appareo has 5 character variations. Appareo also has a set of graphic elements, including frame, banners, borders, arrows, etc in the same style and texture.

Core Gothic N is a simple and modern sans-serif Korean font consists of 9 weights (Thin, ExtraLight, Light, Regular, Medium, Bold, ExtraBold, Heavy & Black). Character set is consist of Korean 11,172 characters, Hirakana & Katakana, Latin and Korean symbols. It is well balenced between Korean and Latin characters. Latin typeface (Core Sans N) was adjusted to be matched with korean typeface. Spaces between individual letter forms are adjusted in detail so that it makes perfect typesetting. Supported codepages are MS Windows 1252 Latin1 and MS Windows 949 Korean. We recommend to use for books, web, screen displays and so on.

Meet Voga. Voga is a condensed modern Didone typeface with three weights: Regular, medium and bold. My aim was to create a very elegant and “sexy” typeface with some unique letterforms based on the principle of contrast - curves vs. strong straight lines - thin hairlines vs. thick stems - ball terminals vs. geometric serifs. These contrasts make it a glamourous display font for titles and large typography settings, yet readable at text sizes. Voga was inspired by iconic typefaces such as Bodoni and Didot. It has an extensive glyph set that supports languages for the Americas and most of Europe.

Feel the funk with the retro-inspired Valeson. This groovy mix of the ‘70s and ‘80s has an upbeat rhythm of its own that will make your project boogie. It’s loads of fun with its swashy, calligraphic twist. Push it to the max with plenty of weights. Denser weights are brawny and robust, fantastic for headlines, while medium weights are swell for short bits of text. With all its options, this fun, throwback personality is still streamlined and plenty useful for today’s jobs. It’s loads of fun with its swashy, calligraphic twist. Production assistance by Lucas Azevedo and ikern.

Off the Wall JNL is a unique typeface that combines graffiti-style lettering with a brick wall background. special keystroke features give you a complete "wall of text": { (left bracket) places a smaller closed end cap on the left side of the text. } (right bracket) places a medium closed end cap on the right side of the text. [ (left brace) places a regular closed end cap on the left side of the text. ] (right brace places a regular closed end cap on the right side of the text. | (vertical bar key) adds a space between words. \ (backslash) adds a larger space between words.

Was God an Ancient Astronaut? Are crop circles signposts for UFOs? Are we or are we not alone? Do you Want To Believe? We have No Idea. Nevertheless, we've put together a rather attractive little typeface -- by the name of Aztech -- which will undoubtedly add fuel to speculation vis-a-vis the existence (or non-existence) of Extra Terrestrial Intelligence. Yes, in our ongoing quest to spread enlightenment and dispel anxiety throughout the universe, we've created a font which will allow you to enjoy the concept of Alien Intervention without the embarrassment and discomfort of anal probing. Tell your friends.

Sundash versatile typeface with wide allternate allcaps. This bold modern font explores the style of Allcaps, we add a wide character to make it look more flexible. based on forms inspired by free urban culture, Sundash has a modern and vibrant spirit. Sundash explores how the shapes and curves of letters change their Focus. This font has a variable weight of 5 Light, regular, medium, bold, extrabold to make the sundash more solid. Sundash has 247 glypghs with a unique and bold character perfectly suited for a wide variety of applications from editorial design to branding, advertising, publications and digital.