Bosstangle,geometrical perfectness,modern and minimal font that is created for expression of various concepts.While mostly fits for headlines,displays,it is readable,it fits for short and middle lenght text. Every letter has a ratio to one another,which makes this font rational and can be used for rational systems like patterns. This font has most vibes of future,power,technology,cyberpunk,glory,supremacy etc

Blunt is a refreshing new bold headline typeface, designed to be an alternative to overused headline typefaces such as Impact. Blunt is more than just a one-trick-pony though, but includes 4 weights (Condensed - Wide) each with matching italics. This gives Blunt a lot more versatility when it comes to headline use. Try Blunt today and shout your most important messages with boldness!

Introducing Kostantera is Roughted Sans Typeface that is written casually and quickly. Letters are made with brushes on Procreate. Then crafted carefully drawn into vector format. That is why Kostantera has charming, authentic and relaxed characteristic more natural look to your text with a more natural look to your text. design more interesting. Kostantera is perfect for homeware designs,branding projects, Logo design, Quotes product packaging.

Mathylda Script is an elegant and youthful handwritten calligraphic font with thin and thick strokes depending on the inclination of the pen. It has many stylistic variations, swashes and ligatures. “Mathylda” will allow you to create elegant works. Mathylda Script font is the great choice for any project from logos, magazines and book covers, children’s material, fashion, headlines, cards, posters, websites, packaging and, basically, anywhere you want.

Gibswing born based on the reference of old fancy lettering, vintage illustration, and victorian calligraphy. The Gibswing decorative style make it as an instant time machine to the era from 1800-1900 victorian visual style of the products, printed advertising, and signs back in the day. It will be a perfect companion of your classic visual direction for decorative sign, labels, branding, logotype, you name it.

Equa is a font based on strict grid rules. The name "Equa" comes from the equal widths of the vertical strokes, inner spaces and counters and spaces between glyphs. Its geometric construction gives it a technical look with an art deco sensibility. A system of three "weight-widths" based various sized grids gives flexibility in uses, from large condensed headlines to small blocks of text.

Ajuslly is an incredibly distinct, delicate and timeless handwritten font. It looks stunning on wedding invitations, thank you cards, quotes, greeting cards, logos, business cards and every other design which needs a handwritten touch. This font is PUA encoded which means you can access all of the glyphs and swashes with ease! It features a varying baseline, smooth lines, gorgeous glyphs and stunning alternates.

Fat, bold, and comfortably bulbous; that's ITC Liverpool, designed by Kevin Bailey. The letterforms are soft and mildly eccentric, characterized by tiny counters that shift around from letter to letter like the highlights on cartoon eyeballs. Some of Liverpool's letters are reminiscent of display lettering from the '30s, yet this exuberant face would also be right at home in the '60s. Not for the typographically timid.

A great fun typeface with a straightforward childlike simplicity. It really hits home with kids, but if you want to add this extra playful personality to your designs this is the one to use. It has a strong, easy to read structure, which makes it ideal for children’s books, toys and other fun applications. Designer Alexandros Papalexis has discover the kid within. You can too!

Rude was designed as a dichotomy between the Grotesque and Humanistic typographic shapes: a no-nonsense Sans and a very muscular Slab Serif companion. Showing the historically demanded consistency for such kind of typefaces, this is one of DSType's most wide-ranging and flexible type systems, introducing seven weights across seven widths, from Thin to Black and ExtraCondensed to ExtraWide, along with a wonderful set of Icons.

Tiffany Laurence Serif is a classy eighties magazine-inspired font - with complementary italic versions. Both come in two versions one with more contrast and sharper than the other. In true Eighties style. This font looks premium and is very suitable for your design needs such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose.

The 1908 art exhibition in Vienna (Kunstschau 1908) featured works by Josef Hoffmann, Cark Otto Czeschka and Gustav Klimt, who showcased his famous painting 'The Kiss'. Kunstschau font was modeled on a stamp, designed by Austrian artist Bertold Löffler, for the 1908 exhibition. Kunstschau is a loose, handwritten font which comes with a distinct all caps upper and lower case, plus an extensive language support.

Inspired by the iconic Fenoglio-Lafleur Liberty building in the city of Turin, in an area with significant Stile Liberty buildings and New Gothic architecture. Lafleur is a decorative face with a remarkable art nouveau flair from 19th century. Perfect for creative contemporary uses in print and on screen. We recommend it for book covers, packaging, branding, editorial, web, advertising, apparel, purposes are endless.

St Friska, based on old movie title lettering, is made just for headlines. It comes with a slight touch and feeling of art deco but it’s designed to be contemporary in 2010 and beyond. Friska comes with a big bunch of OpenType features, so a designer can play with it like Lego, using it alongside old or new typefaces. It has stylistic sets and lots of ligatures.

Warm welcome to my new sans serif typeface PHONEMA. Six stylish and modern fonts are included into this type family. Looks great as headlines on posters, text in magazines, presentations. Also can be used in logos and blog posts. Will reinforce your creative work with eye catching and bold message. Each font has Latin multilingual support as well as uppercase letters, lowercase letters, numbers and basic punctuations.

Rude was designed as a dichotomy between the Grotesque and Humanistic typographic shapes: a no-nonsense Sans and a very muscular Slab Serif companion. Showing the historically demanded consistency for such kind of typefaces, this is one of DSType's most wide-ranging and flexible type systems, introducing seven weights across seven widths, from Thin to Black and ExtraCondensed to ExtraWide, along with a wonderful set of Icons.

Adalbert von Chamisso wrote that wondrous story about the man who sold his shadow to the devil. Walter Thiemann recovered that shadow when he put a thin line and a shadow line around his Tiemann Fraktur. It is an embellished and delightful typeface, this Peter Schlemihl. It is probably one of the most beautiful typefaces among the outline, shadow and striped black letter fonts. (Albert Kapr)

Although the pattern for this typeface, originally named Glenmoy, was released by Stephenson Blake in 1932, the letterforms can be more aptly described as pure 1950s retro. With beatniks, Brando and blue suede shoes all rolled up into one, this typeface is definitely a contender. The Opentype versions (OTF and TTF) of this font contain the complete Unicode Latin, Latin 1 and Latin Extended-A character sets.

Hello Everyone,introduce our new product OBIT is a Square Display Font This a Textured Natural Style and classy style, this font is great for your creative projects such as watermark on photography, and perfect for logos & branding, photography, invitation, watermark,advertisements,product designs, stationery, wedding designs,label ,product packaging, special events or anything that need handwritting taste. This is OBIT a natural handwritten feel.

Joane Pro is a new typeface based on Joane (2018). This project has its roots in French typography from the 16th century, Dutch models from the 17th century, and English typography from the 18th century. The result is a high-contrast typeface with sharp features which provides an organic texture. Joane Pro is a contemporary typeface with 79 styles that work in display and small sizes.

Glupy Retro is a display type font with the style fat below and skinny on top. Use this display font to add that special retro vintage touch to any design idea you can think of! Very suitable for logotype, Stickers, Packaging design, Cricut Project, headlines, brand identity, t shirt or apparel industry, posters, magazines, books, YouTube, Instagram, websites, or any of your creative design projects. Enjoy!

The script font “Jefferson” is based on real handwriting of Thomas Jefferson. Luckily there is a draft of original text of the Declaration of Independence written by Jefferson available . It was used as a primary source for this font. The Jefferson font was developed by Gennady Fridman for ParaType in 2005. It is in OpenType format with a contextual substitution of letterforms and specific ligatures.

Sveglia is a hand brush casual script font inspired by urban fashion. This font is great for your next creative project such as Logotype, printed quotes, invitations, cards, product packaging, headers, Letterhead, Poster, Apparel Design, Label, and etc. Sveglia comes with uppercase, lowercase, numerals, punctuations and so many variations on each character include OpenType alternates, and common ligatures to let you customize your designs.

Skinny Marker is a cool handwritten font, inspired by quick graffiti tags seen on streets. It will elevate a wide range of design projects to the highest level. You can use this font for many design ideas such as stickers, t-shirt designs, amazing logo designs, magazine or book covers, comics, cartoon drawings, and many more. This font will add a cool touch to your designs!

David Kowalski’s typeface Maccaroni is based on a logo type and has been designed to a complete typeface in Prof. Veljovic’s Type Design course at HAW Hamburg. Maccaroni breaks the traditional brush scripts and offers a unique design. Each letter is present in triplicate in order to achieve the illusion of a hand-written typeface. The OpenType programming ensures that two identical letters won’t follow each other.

Greetings! We are introducing an advanced version of the Pulchella font released and received great exposure from users and worldwide font enthusiasts. The massive development puts forward experimentation on the alternate letters. We redesign each shape to make it more functional and comfortable when text size escalation occurs. In addition to rejuvenating the letterform, we also apply an oblique style to provide diverse style choices.

Honey and Ginger is a classic modern calligraphic font: floating baseline, ligatures, swashes and multilingual support. Honey and Ginger will look beautiful on holiday invitations, wedding invites and stationery, logos, and more. Check the posters to see how it could look for your next project! Includes: Uppercase and lowercase Numbers and punctuation Foreign language support Swashes and Alternates Check out my blog: www.instagram.com/dmitriychirkov pinterest.com/dmitriychirkov7 Enjoy!

Prop-a-ganda offers retro-flavored fonts inspired by lettering on retro propaganda posters, retro advertising posters, retro packages all the world over. This is perfect font for your retrospective project. PAG Sottoterra is heavy and high-contrast font, and you can see triangles in some letters. This font reminds us of old posters of science fiction movie. It works best for for display or titling.

Milan in Paris is a powerful and elegant display typeface, constructed to maximize use of horizontal space. Built from hand sketches drawn over several years, Milan in Paris eight weights span an elegant Thin to a vibrant Heavy, with accompanying obliques.Milan in Paris makes a strong impression in print, headlines, video, and social media – whether paired with a contrasting typeface or on its own.

Japanese stamp - when creating this font, the author wanted to create a font unlike any other, taking inspiration from Japanese culture and history. It is one of a kind and unique font. It will immerse you in the historical era and add mystery to any of your projects. Anyone who wants to stand out among all this font will suit as out of place.

Some vintage 1960s-era packaging for dive gear (masks, swim fins, etc.) manufactured by the Voit division of AMF had various merchandise boxes hand-lettered [with some variation of design] in an interesting sans stencil. These packages formed the inspiration of Dive Gear Stencil JNL. Thanks once again to Gene Gable, whom on many occasions has provided Jeff Levine material for type design inspiration.

Introducing Happiness Mood Retro Fonts, comes with 2 styles clean and stamp style. Use this font for any branding, product packaging, invitation, quotes, t-shirt, label, poster, logo etc. Feature Uppercase & Lowercase Number & Symbol International Glyphs Multilingual support Feel free to drop us a message any time and follow my shop for upcoming updates Shoot me on email at: dedukvic@gmail.com Hope you enjoy it.

The Velvet Hammer is a true hand calligraphy font that offers the viewer a sense of strong elegance. This font can be used for all things such as cards, posters, signage, wedding invitations, catalogs, book covers and so much more! The Velvet Hammer’s simple unique style can stand strong on its own or sit comfortably side by side with any display or text font!

Here’s a fresh take on a classic, Caslon Black Swash by Ed Benguiat. Big, bold and beautiful, it’s a natural choice for distinctive and attractive headlines. Several alternate lowercase characters are included in the font, in place of some math operators. The PC Postscript, Truetype and Opentype versions contain the complete Latin language character set (Unicode 1252) plus support for Central European (Unicode 1250) languages as well.

Fiesta De Los Muertos is a fun and festive display font! Not only can be used for Halloween theme needs, you can use it too for other things for daily needs. Use it on t-shirts and clothing, book designs, greeting cards, stickers, posters, banners, or anything that needs a fun touch. Try it to create fabulous designs and feel the fun and cool vibes with it!

The Bitstream version of Englische Schreibschrift by H. Berthold, 1970–72. An unconnected copperplate script of the English nineteenth-century fashion, so-called Spencerian. Based on pressure pointed quill calligraphy. Unlike other copperplate scripts, the letters in this face do not link up. For use in advertising and display typography in relatively small sizes. Cyrillic version was developed at ParaType in 2000 by Vladimir Yefimov.

Clarize Display is based on the Black style of Clarize. This version has lots of alternate characters. You can easily access them by opentype features (given PUA code). This font is perfect for designers who are working in fashion, magazine, blog, advertising, packaging, branding, etc. The family includes 2 styles: base and engraved and are multilingual. Be creative and create your best displays with those fonts.

South Sand is a stylish and lovely script font. It looks stunning on wedding invitations, thank you cards, quotes, greeting cards, logos, business cards and every other design which needs a handwritten touch. This font is PUA encoded which means you can access all of the glyphs and swashes with ease! South Sand features : Uppercase & Lowercase Character Numeral & Punctuation Alternate & Ligatures Ending Swash Lowercase Multilingual

Oblivian Text is a sans serif type family of ten weights plus italics. The typeface is based on geometric forms with bits and pieces of modern humanistic grotesque fonts. It comes along with various OpenType features such as table, old style figures and a stylistic character set. Oblivian Text has an extended character set that supports Central and Eastern European as well as Western European.

SPECX Stencil This is my #11/12 Font a slabserif typeface. In fact it’s a very, very basic and extreme strong typeface! We gave this new Font a special touch by adding an extra family-member: a stencil-version of the SPECX. My inspiration for the SPECX is based on the cover of a 1955 French School-Notebook. Concept/Art Direction/Design: André Toet © 2017