Love Ready is the perfect font to express yourself. It's playful, fun, and crafty - just like you! With its quirky letterforms and bold style, Love Ready is perfect for everything from product packaging to letterheads. So what’s included : Basic Latin Uppercase and Lowercase Numbers, symbols, and punctuations Multilingual Support. PUA Encoded and fully accessible without additional design software Simple Installations works on PC & Mac Thank You.

Derick Skone is a brush font created with a brush application. This design font is perfect for meeting the needs of designers in perfecting their projects. Derrick Skone is suitable for magazine design, poster design, event title design, sport event titles, movie poster titles, t-shirt designs, game titles, youtube cover titles, and more. Maximize your business with the right fonts. best regards, Toni Dzulham - Dumadistyle 2020

Clarisone is a delicate yet classy modern sans serif font. Designed specifically for clean projects in mind — perfect for creating word mark logos, monograms, quotes, product packaging, invitations, magazines and more... The simplicity of Clarisone introduces a professional, and modern touch to any of your future projects. With its high class clean smooth curves — Clarisone is the perfect font to have in your design arsenal.

Homelessfonts is an initiative by the Arrels foundation to support, raise awareness and bring some dignity to the life of homeless people in Barcelona Spain. Each of the fonts was carefully digitized from the handwriting of different homeless people who agreed to participate in this initiative. Please Note: these fonts include only the latin alphabet; no accented characters, no numbers or punctuation. MyFonts is pleased to donate all revenue from the sales of Homelessfonts to the Arrels foundation in support of their mission to provide the homeless people in Barcelona with a path to independence with accommodations, food, social and health care. Gemma was born in Madrid 37 years ago. After spending many years in the capital, she decided to start over again and moved to Barcelona. A series of misfortunes and wrong decisions left her on the street. Gemma is a calm, emotional person who likes to take her time to do things and, if there’s one thing the street can offer, it’s time. The street lets you listen carefully, watch without being seen. Being in the street isn’t pleasant at all. Seeing people who’ve just showered go past makes you miss even more things that many take for granted. Breakfast, a clean smell, paying for a metro ticket. Being homeless is much more than having nowhere to sleep. Life in the street is hard, says Gemma, but she also sees the positive side. “It’s the best way to get to know human beings.” She likes to see the street as if it were a school. A school she has been in and out of for too long.

At VetteLetters we like food but we also appreciate our drinks. Yes, of the non-alcoholic kind as well. Like milk. Contrary to what Arnold Schwartzenegger once said, Milk is not just for babies. It contains a whole lot of stuff that is genuinely good for you. Like proteins, carbohydrates, minerals (calcium a.o.) and many vitamins. One time visiting The Hague, Donald DBXL spotted a tile tableau on a brick wall, advertising a dairy factory called ‘De Sierkan’. Yellow sans serif letters on a bright blue background, dating back to the late 19th century, immediately grabbed DBXL’s attention. Especially because the tableau showed both regular and bold letters with some lovely peculiarities here and there. De Sierkan appeared to have been a milk factory solely operating in The Hague from 1879 until 1961. A number of these wall adverts are still to be seen in The Hague streets today. Photos were taken for later reference. Later is now, the lettering has been digitized, missing characters added, and VLNL Melk sees the light of day. VLNL Melk is an all-caps geometric display sans serif family of three weights, Regular, Bold and Black. The basic shape of the letters is a rectangle with rounded corners, leaving a sturdy no-nonsense look and feel. It has a distinct historic aura, but with both feet in this digital day and age. It can equally well be used for the logo of a hipster coffee place, as the cover of a historic novel. Actually, VLNL Melk kan be applied in a wide range of designs like logos, posters, flyers, book covers and magazine headlines.

Conspired Lovers is based on five years of love-letter writing. A font to capture the intentions of love letters more than any other font. How did the Project start? In the last five years I wrote love letters with two persons. I became used to the joy of handwriting with ink and nib on fine paper. Through practice a experimentation my style continuously refined. As life moves on, suddenly I found myself with no one to write love letters to. It's a luxury to have someone to write letters to. Missing the joy of writing and listening to Gregory Porter’s “Be Good”, the decision was made to take this 5 years of writing and make this dance on paper a font. A handwritten typeface for everyone to use. This font was created in July, 2012 and named Conspired Lovers. A font to capture and convey your message in a special way to the beloved one close to your heart. With a long practice of writing crafted into the unique design I hope that you and the recipient of your writing will soon enjoy this design. The Open-type version features 350+ glyphs including alternates and ligatures. All lowercase and most uppercase letters are connected, to create a realistic hand-writing-calligraphy on your creations. Conspired Lovers is international and supports a wide range of eastern european languages with accented letters to reach everyone in Sweden, France, Hungary and almost everywhere around the globe. A trailer for Conspired Lovers can be seen here: http://vimeo.com/haraldgeisler/conspired-lovers If you're looking for more heart related fonts also check out my other fonts.

The design of the typeface Moskau Grotesk and Moskau Pattern is based on the signage created for the Café Moskau in Berlin by the graphic artist Klaus Wittkugel in the beginning of the 1960s. The Café Moskau, across from the Kino International on Karl-Marx-Allee in Berlin Mitte was one of the prestige edifices of the former DDR (German Democratic Republic). Built in the early 1960s, it advanced over the years and changing social developments to a trademark building of the capital. The lettering display on the roof was created by the graphic artist Klaus Wittkugel (October 17, 1910 – September 19, 1985). He had been Professor at the School for Applied Arts in Berlin, and, in addition to the creation of many posters, book covers and postage stamps, he was responsible for the signage of the Kino International as well as for the complete graphic treatment for the Palace of the Republik. The signage for the Café Moskau with the words »RESTAURANT«, »CAFÉ«, »KONZERT« and »MOCKBA« set in capital letters, becomes the basis for the Moskau Grotesk which was developed by Björn Gogalla in 2013. This face should not be seen as an imitation. A few shortcomings were »fixed«. In favor of maintaining the core characteristics some unique features were, however, not relinquished. Lower case letters and the missing capital letters were designed from scratch. It is not surprising that the plain, unassuming geometrical direction of the basic character style forms a bridge to the architecture of the 1960s. Inspired by the then favored, diverse possibilities inherent in the architectural example and wall reliefs, two complimentary pattern fonts emerged.

The design of the typeface Moskau Grotesk is based on the signage created for the Café Moskau in Berlin by the graphic artist Klaus Wittkugel in the beginning of the 1960s. The Café Moskau, across from the Kino International on Karl-Marx-Allee in Berlin Mitte was one of the prestige edifices of the former DDR (German Democratic Republic). Built in the early 1960s, it advanced over the years and changing social developments to a trademark building of the capital. The lettering display on the roof was created by the graphic artist Klaus Wittkugel (October 17, 1910 – September 19, 1985). He had been Professor at the School for Applied Arts in Berlin, and, in addition to the creation of many posters, book covers and postage stamps, he was responsible for the signage of the Kino International as well as for the complete graphic treatment for the Palace of the Republik. The signage for the Café Moskau with the words »RESTAURANT«, »CAFÉ«, »KONZERT« and »MOCKBA« set in capital letters, becomes the basis for the Moskau Grotesk which was developed by Björn Gogalla in 2013. This face should not be seen as an imitation. A few shortcomings were »fixed«. In favor of maintaining the core characteristics some unique features were, however, not relinquished. Lower case letters and the missing capital letters were designed from scratch. It is not surprising that the plain, unassuming geometrical direction of the basic character style forms a bridge to the architecture of the 1960s. Inspired by the then favored, diverse possibilities inherent in the architectural example and wall reliefs, two complementary pattern fonts emerged.

Megabeat Font is a new and exciting typeface that is inspired by the robotic and mecha poster movies of the past. The font references the science-fiction visual of the retro-futurism mindset, making it perfect for any project that requires a futuristic and technologically advanced design. This font is perfect for creating sci-fi movie posters, serials, technology-based branding, posters, logos, vintage illustrations, packaging, snacks, event and festival materials, album and cover artwork, books, toys, games, arcades, cards, automotive designs, and many more. The font features bold and chunky letterforms with sharp angles and mechanical elements, giving it a futuristic and robotic feel. The font is easy to read and legible, making it perfect for headlines, titles, and other design elements that need to be easily understood. The font is perfect for any project that requires a futuristic and technologically advanced design that is inspired by the iconic visual of retro-futurism.

Introducing the Normerif Font, the perfect typeface for those seeking a touch of elegance and vintage style in their designs. With its display serif style and elegant alternates, Normerif provides a fashionable and sophisticated look to any project. This font is specially designed for classic-themed projects and is perfect for creating simple, clean, and stylish designs. Whether you're looking to create logos, titles, magazines, or any other design project, Normerif is a perfect choice. Its elegant and refined serif style makes it suitable for a wide range of design applications, including print materials, websites, and more. The font features stylish alternates, which add a touch of sophistication and elegance to your designs. So if you're looking to add a touch of class and sophistication to your next project, look no further than Normerif Font. With its elegant and fashionable style, this font is perfect for creating simple, clean, and stylish designs that will make your projects stand out.

Hand-lettered font, based on the designer's own handwriting. Perfect for indy comics or for lending almost anything a personal touch.

Manwriting is an extensive typeface with hundreds of ligatures used to simulate human handwriting. Perfect for forging papers and love-letters!

This font looks like the best effort of small children (when they are trying to be very neat). It is cute.

This chunky and crunchy font is perfect for creating titles, illustrations and products that needs a realistic and organic handmade look.

Introducing my new handwriting font - Wildflower. It's perfect for creating quotes, logos, or just adding a handmade touch to any project.

Cheerful Hilarious is a fun and quirky handwritten display font. Its whimsical vibe is perfect for creating unique, kid-friendly designs.

Billing and Shipping JNL is the perfect dingbat font for replicating rubber stamps and labels used in the transit of packages.

Chendolle is a bold display font, it has a fun and cute style and is perfect for creating playful kids designs.

Neat handwriting perfect for teachers. This font includes extra math symbols for teachers. Just enough personality while still being perfectly neat.

Introducing a calligraphic script font named Squidink. This smooth font is perfect for lettering, has lots of ligatures and multilingual support.

Down River is a sweet hand-lettered font. This smooth buttery font is a perfect companion for your next design project!

Zombite is a fun and whimsical display font. Quirky and mysterious, this font is perfect for all your Halloween-related projects.

Arsenica is a serif typeface designed by Francesco Canovaro for Zetafonts, and developed by a design team including Mario De Libero, Andrea Tartarelli and Cosimo Lorenzo Pancini. The design of Arsenica takes its inspiration from Italian poster design at the beginning of the century, a time where typography, lettering and illustration where closely interwoven. Dawning nationalist movements, rather than using the modernist language, pushed on traditional Old Style letterforms often imbued with Art Nouveau and Deco sensibility. Artists like Giorgio Muggiani not only illustrated posters for Cinzano, Pirelli and Rinascente, but also provided logo design for newspapers, like "Il Popolo d'Italia". Starting from this mix of eclectic influences, Canovaro first developed the Arsenica Antiqua family, designed as display typeface that keeps the original Old Style low-contrast, wide proportions and quirky stylistic inventions. These where then distilled in a high contrast, Arsenica Display family, expanding the weight range to include both poster, ultra-bold weights and lighter weights that give the design a distinct calligraphic flavour. Bringing the letterforms into contemporary taste meant also developing alternate letterforms that were included in the Arsenica Alternate family, that drops the art nouveau details in favour of a more controlled modern serif aesthetic. Finally, Arsenica Text was developed by expanding the design space in the optical size axis, creating a low contrast, strongly readable old style typeface family, with a reduced weight set, oriented for long body copy typesetting. The final result is a superfamily of 41 weights, covering the design space with an expanded charset of over 900 glyphs, with full coverage of over 200 languages using latin and Cyrillic alphabets. All the weights of Arsenica come with a full set of open type features allowing to explore its vintage-inspired visual inventions thanks to stylistic sets, discretionary ligatures, contextual alternates and positional numbers. Two variable typefaces are included in the full family, allowing you to explore the design space and precisely control not only the weight but also the optical size design variations. • Suggested uses: perfect for elegant modern branding and logo design, fascinating editorial design, expressive packaging and countless other projects. • 43 styles: 7 weights + 7 italics, 4 different styles + 2 variable fonts. • 942 glyphs in each weight. • Useful OpenType features: Access All Alternates, Contextual Alternates, Case-Sensitive Forms, Glyph Composition / Decomposition, Discretionary Ligatures, Kerning, Lining Figures, Localized Forms, Mark Positioning, Mark to Mark Positioning, Oldstyle Figures, Ordinals, Stylistic Alternates, Stylistic Set 1, Stylistic Set 2, Stylistic Set 3, Stylistic Set 4, Stylistic Set 5, Stylistic Set 6, Stylistic Set 7, Stylistic Set 8, Stylistic Set 9, Slashed Zero. • 216 languages supported (extended Latin and Cyrillic alphabets): English, Spanish, Portuguese, French, Russian, German, Javanese (Latin), Turkish, Italian, Polish, Afaan Oromo, Azeri, Tagalog, Sundanese (Latin), Filipino, Moldovan, Romanian, Indonesian, Dutch, Cebuano, Igbo, Malay, Uzbek (Latin), Kurdish (Latin), Swahili, Hungarian, Czech, Haitian Creole, Hiligaynon, Afrikaans, Somali, Zulu, Serbian, Swedish, Bulgarian, Shona, Quechua, Albanian, Catalan, Chichewa, Ilocano, Kikongo, Kinyarwanda, Neapolitan, Xhosa, Tshiluba, Slovak, Danish, Gikuyu, Finnish, Norwegian, Sicilian, Sotho (Southern), Kirundi, Tswana, Sotho (Northern), Belarusian (Latin), Turkmen (Latin), Bemba, Lombard, Lithuanian, Tsonga, Wolof, Jamaican, Dholuo, Galician, Ganda, Low Saxon, Waray-Waray, Makhuwa, Bikol, Kapampangan (Latin), Aymara, Zarma, Ndebele, Slovenian, Tumbuka, Venetian, Genoese, Piedmontese, Swazi, Zazaki, Latvian, Nahuatl, Silesian, Bashkir (Latin), Sardinian, Estonian, Afar, Cape Verdean Creole, Maasai, Occitan, Tetum, Oshiwambo, Basque, Welsh, Chavacano, Dawan, Montenegrin, Walloon, Asturian, Kaqchikel, Ossetian (Latin), Zapotec, Frisian, Guadeloupean Creole, Q’eqchi’, Karakalpak (Latin), Crimean Tatar (Latin), Sango, Luxembourgish, Samoan, Maltese, Tzotzil, Fijian, Friulian, Icelandic, Sranan, Wayuu, Papiamento, Aromanian, Corsican, Breton, Amis, Gagauz (Latin), Māori, Tok Pisin, Tongan, Alsatian, Atayal, Kiribati, Seychellois Creole, Võro, Tahitian, Scottish Gaelic, Chamorro, Greenlandic (Kalaallisut), Kashubian, Faroese, Rarotongan, Sorbian (Upper Sorbian), Karelian (Latin), Romansh, Chickasaw, Arvanitic (Latin), Nagamese Creole, Saramaccan, Ladin, Palauan, Sami (Northern Sami), Sorbian (Lower Sorbian), Drehu, Wallisian, Aragonese, Mirandese, Tuvaluan, Xavante, Zuni, Montagnais, Hawaiian, Marquesan, Niuean, Yapese, Vepsian, Bislama, Hopi, Megleno-Romanian, Creek, Aranese, Rotokas, Tokelauan, Mohawk, Onĕipŏt, Warlpiri, Cimbrian, Sami (Lule Sami), Jèrriais, Arrernte, Murrinh-Patha, Kala Lagaw Ya, Cofán, Gwich’in, Seri, Sami (Southern Sami), Istro-Romanian, Wik-Mungkan, Anuta, Cornish, Sami (Inari Sami), Yindjibarndi, Noongar, Hotcąk (Latin), Meriam Mir, Manx, Shawnee, Gooniyandi, Ido, Wiradjuri, Hän, Ngiyambaa, Delaware, Potawatomi, Abenaki, Esperanto, Folkspraak, Interglossa, Interlingua, Latin, Latino sine Flexione, Lojban, Novial, Occidental, Old Icelandic, Old Norse, Slovio (Latin), Volapük.

Rech Munchase is a handmade script font. Rech Munchase is perfect for logotypes, posters, apparel designs, labels, website headers and much more!

This Contemporary style reflects a modern hand-lettered feel. Modeled from a camel hair brush, it is a very legible flowing script.

Gizela shows her personality with a feminine, sensual, seductive and art deco vibes. Perfect for late December invitations and New Year's cards.

MalitiaVetus is a decorative blackletter font with influences of Old English, Lombardic and Tuscan styles. Is perfect to create authentic medieval documents

ZarBrush Gothic is a "speedball" font inspired by showcard lettering done with a loaded red sable brush. Perfect for text and headlines.

Cybersky is a sharp, angular, futuristic font in a retro style. Perfect for sci-fi themes, night street race and space adventures!

This face was drawn on paper with a calligraphy pen and way too much ink. It's perfect for that spooky globular look.

A bold currency typeface that's perfect for replicating the style of money and old stock certificates. Includes drop caps on lowercase characters.

Scratchnessism is a grunge font, perfect for dirtying up anything. For best use of this font I recommend turning anti-aliasing on.

Paper Hearts mimics childhood construction paper creations. It's perfect for a homemade Valentine's Day feel without the safety scissors and glue sticks.

MalitiaVetus is a decorative blackletter font with influences of Old English, Lombardic and Tuscan styles. Is perfect to create authentic medieval documents

Introduce Catilde Modern Elegant come with 5 differents style Variation this is perfect for branding, magazine, logos, invitation, Title, promotion and more.

SG - BRISCY is a display typeface. It's bold, fun, and playful. Perfect for you who need a pop style in your design.

Mightyline- Ultra Condensed font and Come with ligatures collection, It's Perfect for logo, name card, magazin layout,headers, or large scale artwork.

Vertical Sans is an extremely condensed sans set in 3 weights offering a balanced, stylish font perfect for branding and communications projects.

Your grade school teacher would be proud of this smooth flowing handwriting font. Perfect for any formal invitation, newsletter, scrapbook layout, etc.