The specimen book Alphabete: ein Schriftatlas von A bis Z identified the pattern for this typeface as Stymie Black Flair. Although neither the designer nor the original foundry is identified, it bears a strong resemblance to the work of Dave West for Photolettering in the 60s and 70s. Big, beautiful and bodacious, it’s a natural choice for attention-grabbing headlines. Many alternate characters available: see the full character map. The PC PostScript, TrueType and OpenType versions contain the complete Latin language character set (Unicode 1252) plus support for Central European (Unicode 1250) languages as well.

Letterpress type, crafted by H. Th. Wijdeveld, founding editor and chief designer of the legendary Dutch art and architecture magazine Wendingen, provided the inspiration for this typeface. The original design graced a 1925 issue examining the work of Frank Lloyd Wright, and Wijdeveld created his typeface by assembling bits of standard brass rules. This version features several of the meanders typical of Wijdeveld’s graphic design in the dagger, double dagger, ASCII tilde and ASCII circumflex positions. Both versions of the font include 1252 Latin, 1250 CE (with localization for Romanian and Moldovan).

Dive into the refreshing elegance of "Basil Lime Margarita" – a font that dances between carefree spontaneity and sophisticated allure. Crafted with the attention to detail reminiscent of bespoke calligraphy, every stroke tells a story. Featuring 123 meticulously designed ligatures, it brings words to life with a seamless flow. And with distinct beginning and ending swashes, this font becomes a playground for design creativity. Whether you're branding a chic cafe or penning heartfelt notes, "Basil Lime Margarita" ensures your message stands out with a dash of zest and a splash of charm.

A rather narrow and compact design, Monotype Clearface combines both old style and antique characteristics. The lowercase letters are tall, the ascenders and descenders quite short. The intention was to produce a typeface that was easy to read in small sizes, hence the name. Monotype Clearface Bold was first cut for mechanical composition in 1922, and was based on the Clearface Gothic design created by Morris Fuller Benton for ATF in 1910. Although designed as a text face, Monotype Clearface is now more commonly used in advertising and display work.

Goudy Sans Bold was originally designed by Fredric Goudy in 1922 as a less formal "gothic" and finished in 1929. The light was designed in 1930 and the Light Italic in 1931. Alternate letterforms are included in these three Goudy designs which are digitized true to their original design. In 2006, designer Colin Kahn drew "LTC Goudy Sans Regular" which is a medium weight version intended for text purposes. Kahn has also designed an experimental "LTC Goudy Sans Hairline" which has a skeletal almost mono-width stroke and results in a surprisingly elegant display face.

The inspiration for this font made its first appearance in the 1897 American Type Founders specimen book, under the name "Lithotint". As the name suggests, the original was tinted gray (diagonal lines formed the body); this version is solid and spooky, too. The font contains a few ghostly graphics, including ghosts at the bracket positions, a haunted house at the backslash position, and a scary backdrop at the ASCII tilde and ASCII circumflex positions. Both versions of the font include 1252 Latin, 1250 CE (with localization for Romanian and Moldovan).

Tucked inside the November 5, 1927 issue of a German signpainters' trade paper was a single sheet headed Der Schilder und Schriftenmaler, which featured an alphabet called "Neue Fraktur". An exuberant (if somewhat unconventional) combination of Art Deco sensibilities and blackletter forms, the font retains its freshness, even today. Included in this version are Deco bishops fingers at the bar and broken bar positions, and a styling, horn-blowing herald at ASCII circumflex and tilde positions. Both versions of the font include 1252 Latin and 1250 CE (with localization for Romanian and Moldovan) character sets.

The compendium Alphabete: ein Schriftaltas von A bis Z listed the pattern for this family of faces under the name Chicago which, owing to the number of other faces using the same name, makes its origins difficult to ascertain. Nonetheless, its soft lines and round forms have a timeless appeal makes this family an excellent choice for both headlines and text use. Both versions of this font include the complete Latin 1252, Central European 1250 and Turkish 1254 character sets, along with localization for Lithuanian, Moldovan, Romanian and Turkish.

This ultrabold headline font is basically patterned after the font Nubian Black, designed by Willard T. Sniffin for American Type Founders in the 1920s, but includes an unusual inline treatment of the caps. Named for the local television show on KFJZ-TV (later KTVT) in Fort Worth, Texas, that introduced a whole new generation of kids to the Three Stooges, and hosted by the erstwhile Icky Twerp. Both versions of this font contain the Unicode 1252 (Latin) and Unicode 1250 (Central European) character sets, with localization for Romanian and Moldovan.

Modern antiqua (Victorian, Scotch Roman) «Dodo», 2008–2019. Named so as a portmanteau of Bodoni – Didot. XIX-th century fonts, especially Victorian antiquas, were almost excluded from the modern use by their XX-th century's descendants. And these new books had lost too much of their former beauty, elegance. Their old noble spirit. This project, «Dodo» was started in 2008 year as the first then modern revival for the Old Imperial Russian book scotch antiqua, used 120–170 years ago in almost every printed book. Still keeping the spirit of the Steam æra.

The original sheet music for Ted (Is Everybody Happy?) Lewis’ signature tune, When My Baby Smiles at Me, inspired this whimsical wonder. The sheet music was discovered in the Library of Congress American Memory Collection, an incredible online resource. The typeface gets its name from a slightly loony early 1900s comic strip by Fontaine Fox. This new and improved version has beefed-up outlines, so it renders well even at smaller sizes. Both versions contain the complete Unicode 1252 (Latin) and Unicode 1250 (Central European) character sets, with localization for Romanian and Moldovan.

Darjeeling combines British Elegance and Indian Flavor. It is flared like Optima, with a scent of Bodoni. By layering “Regular” and “Ornaments” over each other you will create astounding pieces of colorful typography. Additionally there is “Regnaments” which combines the two other styles. Darjeeling is great as a display font, but also perfectly legible at text sizes. Use the ornaments only to add spice to Your design. Make sure to use applications supporting all these lavish OpenType features like small caps, various sets of figures, fractions and the 102 discretionary ligatures.

Audens - Sans Serif Font Family - Multilingual supports - 6 Styles Audens is a modern geometric sans serif font. Consisting of 6 styles designed for strong headlines, this font is suitable for use in different areas, from banners and posters, newspapers and magazines, logos and brand identities, to movie and game titles. If you are looking for a modern - geometric sans serif style that can be effective in branding, you can easily use this font. Whit these features, it will be effective in creating alternatives in your projects Ideal for posters, newspaper, movie title and magazines, magazine covers, editorials, headlines, websites, logos, branding, advertising and more. You can create your unique designs with this font. If you have a question, please contact me. Have a good time.

As a font designer for films Henning Brehm delivers fonts with a whip-sharp eye for precision. His latest Vette Letters release, VLNL Agitka is a Cyrillic-inspired (and including) alphabet with both feet rooted in Soviet Union-era propaganda posters. Its design is constructivist (look Mom, no curves!) geometric and strong. Like Russian vodka. Aside from the Regular, Light, Bold and Black weights, Agitka comes in four Neon styles as well. For a dazzling design effect, layer those neons over a regular weight for a star struck embossed-letter effect. We would also like to point out the usage of VLNL Agitka in the Bourne Ultimatum movie, for which Brehm designed neon signage for a scene at a Russian supermarket. За здоровье – Za Zdarovje!

Originally released in 1995 as a three font family, Paradigm forcefully addressed the emaciating effect that digitization was then exerting upon traditional serifed typography. Investigating the new media of a much previous era, Nick Shinn deconstructed the first roman type, designed by Sweynheym and Pannartz in 1467, and gleaned, from its minuscules, the low contrast and discreet serif treatment (portrayed by a novel convex effect), which he subsequently applied to both capitals and lower case of a classically proportioned Venetian invention. In 2008 the glyphs, metrics and hinting of the 1995 fonts were refined, Extra Bold and Light weights added, a full range of OpenType features instituted, and the number of characters per style increased almost threefold. A major upgrade to a unique typeface.

Introducing Ballian Phil, a scripted font with perfect fonts. equipped with an elegant strap, adding to the natural impression and neatness of your writing. Handwritten with the perfect slant like a beautiful signature, the Ballian Phil is perfect for invitations, branding and editorial design, logos.

"Hi there, thank you for passing by. Colllab Studio is here. We crafted best collection of typefaces in a variety of styles to keep you covered for any project that comes your way! Tropical Jungle is a fun wild font, inspired by the wild life of the jungle. Inspired by the tropical rainforests of South America, Africa, and Asia, this font will inspire you to get out there and explore! Tropical Jungle is a bold, quirky typeface that captures the joyous spirit of life on earth or at least, of the parts we’re most familiar with: monkeys swinging through trees, tigers stalking their prey through the jungle, butterflies flitting from flower to flower. You can tell just from looking at it that this is going to be a fun-loving font that will bring a smile to your face and a bounce to your step. With over 500 glyphs, this stack of jungle animals will be a joy to use! We made sure our font was easy to read in any application so you don’t have to worry about your documents cluttering up. We know you can’t wait to get started using it in your next project. So go ahead! Grab Tropical Jungle now! A Million Thanks Colllab Studio www.colllabstudio.com

Malden Sans is a mischievous grotesque sans serif with charming details that gives designers a solid typographic voice. It was created by Michele Patanè with regular and condensed widths, as a utilitarian typeface family for print and digital environments. It was originally designed as part of a type system for cinema magazines, and embodies the devil-may care attitude of the silver screen. Designer Michele Patanè looked back to an earlier era of typography to create the typeface, embracing unusual details, rather than ironing them out. “There is a very naive way of using typography in the 30s and 40s, something not as clean as how it’s used in the late 50s and 60s when everything passed through a rationalisation of the typographic palette,” he explains. “In film magazines you can still see a bit of roughness, and I like that.” This is a design that’s desperate to be used in editorial environments, and has been created to stand up to lower quality paper. It would be equally at home on posters, packaging, and even in digital environments where designers are looking for something more expressive than another geometric sans serif. Malden Sans includes a Normal and Condensed range, with 7 weights in the normal and 6 in the Condensed, both including italics.

When there is no picture of a "most wanted" or "Missing Persons", photofit pictures are used. Once drawn by hand, they are now more and more substituted by photomontage. The personality is created with different modules like head, eyes, nose and mouth. The vague memory of a witness leads to the image of a "concrete" person. Sometimes different combinations of possible looks are attributed to a same person. This new virtual image finds itself soon in thousands of archives and data bases. Anyone can easily have access to those images by internet. To increase security and help track criminals, unknown death (Mr. Smith) or lost and kidnapped people, government asks citizen to help search those people. "Mr. J. Smith" is a font family consisting of 4 portrait-fonts and one letter-fonts. The portrait font "Mr. J. Smith" is a portrait-construction-kit. By layering the fonts "Head", "Eye", "Nose", "Mouth" one over the other, you can design over 7 million different faces. The font "Wanted" gives you the possibility to join names and registration numbers to the unknown or most wanted persons. What is nice about this font is the "surprise moment". Just write a word , "security" e.g., and you will get a nice shot of 8 different characters!

Megumi was originally commissioned as a headline face for a fashion and lifestyle magazine with a heavy Japanese influence. The uppercase letters are narrow and have an almost monospaced aesthetic, being influenced by Romaji letterforms. Serifs are severe, and curves sinuous. Although experiments were made with extra weight, it was decided that only this ultra light weight would be developed, to be set large in headlines. The italic has an over-the-top 35° slant (so slanted in fact that the backslash from the italic is the exact same shape as the forward slash in the Roman) and a discretionary ligature feature that can be engaged to add extra interest to headlines. The Roman has a few wide alternate glyphs for round uppercase characters. Both styles have a stylistic set (ss03) feature which switches regular parentheses for angle brackets, which the Art Director thought “looked cool”. In a mess of venture capitalist pull-outs and Covid related issues, the publication never came to be, but the Hipster Japanophile Magazine World’s loss is your gain, as this beautifully crafted, editorial oddity is now available to license. Use it editorially, obviously, but it would also look great on posters, perfumes, postmodern publications, and perhaps some other things that don’t begin with p.

Agatized Informal is a rough-edged stencil typeface with chunky letterforms and tight spacing. Designed primarily for display use, it’s ideal for posters, logos, advertising, book cover designs or small chunks of text such as pull-out quotes. The design is something of an enigma, a curious mish-mash of genres – imagine splicing Uncle Buck and Deadpool into a horror movie – it’s big, bold and funny although has a dark side. But what really makes this typeface a joy to drive is its boot full of alternative characters and ligatures. There is a saying: Use sparingly. Not on this street! Make your Glyphs palette burn rubber. Set your OpenType to full throttle: crank up your style and get those liga-tyres screeching. Agatized is a souped-up old campervan spinning doughnuts on the beach. The design started life as a piece of lettering for a book design that didn’t progress past the sketch stage. I liked the rough, dense character shapes, so during some down time I started drawing more characters and the lure of a new typeface pulled me in from there. Although this is a single-weight typeface it has a younger sibling, Agatized Formal, a neater, more dapper brother, smoother round the chops and smartly dressed – certainly no less fun though.

In order to give new imput to the art of typeface design in Italy, Nebiolo Company held, in March 1910, an artistic competition for a new alphabet conception, so the best-ranked design would be transformed into a real new typeface. 42 competitors participated and, although the first prize was not technically awarded, "Ancora" resulted as the best typeface, created by the designer-typographer Natale Varetti of Turin. Nonetheless, the new alphabet was transformed into a full-fledged metal typeface in 1924, renamed "Tanagra" in honor of the Greek city in the center of Boeotia. The new font, although not significantly detached from the classical Roman form, introduced decorative elements that allowed its use in both rational and artistic compositions. This font appears very clear and easy to read, with very high ascenders and some decorations that make it distinctly retrò. Finally, after almost 100 years, this peculiar character has been digitized taking it as a model the shapes of the 16 points size (other dimensions have significantly different contrasts and proportions). To adapt it to modern use, some glyphs have been modified, but all the originals are available as Stylistic Alternate OTF, as well as all the swashed variants while the missing ones were added.

Lepraqun – A Minimalist Narrow Sans Serif Font Lepraqun, a minimalist narrow sans-serif font, epitomizes simplicity and modern sophistication. With its slender letterforms and clean lines, Lepraqun embodies a sleek aesthetic that is both contemporary and timeless. This typeface offers a refined and space-efficient design, making it an ideal choice for projects that demand a sleek, minimalist appearance without sacrificing readability. The precise and balanced proportions of Lepraqun contribute to its versatility, allowing it to seamlessly integrate into various design contexts, from branding to editorial layouts. Lepraqun stands as a testament to the power of minimalism in typography, providing a stylish and efficient solution for those seeking a clean and sophisticated visual identity. Lepraqun is perfect for branding projects, logo, wedding designs, social media posts, advertisements, product packaging, product designs, label, photography, watermark, invitation, stationery, game, fashion and any projects. Fonts include multilingual support for; Afrikaans, Albanian, Czech, Danish, Dutch, English, Estonian, Finnish, French, German, Hungarian, Italian, Latvian, Lithuanian, Norwegian, Polish, Portuguese, Slovak, Slovenian, Spanish, Swedish.

Need help with your design? Expect nothing but brilliance for your design. It's a perfect way to maximize your productivity and enjoy the comfort of designing process at its best. Meet Rallocate, a wonderful script font that looks like signature, with beautifully contrasting thick and thin strokes. Each letter looks neat and carries some elegance. This font will look equally good in the header or smaller text. In addition, it has more fascinating features to create your amazing design. Features: Stylistic Sets Ligatures Multilingual Supports Numerals and Punctuations PUA Encoded It is perfect to be used for many design projects, such as poster, logo, book cover, branding, heading, printed product, merchandise, quotes, social media campaign, etc. Learn more about how to use it by seeing the font preview. Thank you for purchasing our fonts. Please don’t hesitate to contact us, if you have any further question or issues. We’re happy to help. Happy Designing.

Kona is a display font perfect for branding, homeware design, product packaging, magazine headers - or just perfect as display text against any background.

Always intrigued by Bodoni's original work, I was set out—back in 2000—to examine his work and study Manuale Tipografico, one of the greatest specimen books ever printed. Issued in 1818 at Parma, Italy by Bodoni's widow, the two-volume work shows an impressive array of 142 roman alphabets and some foreign ones such as Greek and Cyrillic. After a careful examination of all characters, I decided to create a typeface based on the distinct script capitals presented in the book. Matching lowercase italics were later selected and designed to complete the series. Since my intention was not to create simply a digital version of Bodoni's work, this typeface was designed with connected characters and capitals with extra calligraphic elements. The result was released in 2002 and published in our award-winning catalog/book IDEA/Trendsetting Typography vol.1. Later in 2005 we revived a large number of ornaments and borders (credit goes to designer George Lygas). All this work was left behind till recently when it was revisited to create a complete 'Pro' family. Several new uppercase and lowercase glyphs were designed in order to create a distinct typeface, which is based on Bodoni but yet it stands out on its own. The new version also takes care of conflicts between neigbouring letters, something that was not included in the first version. Bodoni Script Pro is a 3-weight superfamily. It supports 10 special opentype features including 'contextual alternates' as well as support for both Latin and Greek. Each font comes with 725 glyphs including a large number of alternates as well as 144 ornaments. Furthermore, when you purchase the whole package you get a bonus font which contains 120 frame parts. These parts, when put together, create some truly amazing borders. -Panos Vassiliou

Lakester is a layered type family. It comes with 4 font systems that can be layered to create different effect (regular,shadow,inline,inline 2) . Inspired by vintage american west poster, it's loaded with 300 glyphs. This family works best for logotype, gig poster, letterhead, dropcap, titles, and any artworks.

Netron is a futuristic typeface, designed with minimal lines to keep it simple and artistic. It gives your texts modern smart effects. This font is equipped with ligature and alternative letters will work very well for posters, logotypes, magazines, covers, banners, t-shirts and headers, or even large-scale artwork.