Have Heart is a set of 2 hand-made marker pen fonts, designed to combine perfectly and allow you to create stunning hand-lettering quickly and easily. Also included is a set of 12 bonus swashes, ideal for giving your text that final touch of finesse!

Skywalker is a hand brushed typeface, with authentic dry brush imperfections, and a very bouncy baseline It has a perfectly paired complimentary marker font , and a super handy set of bonus Swash. Ideal for logos, handwritten quotes, product packaging, header, poster, merchandise, social media & greeting cards.

Petunia is a calligraphy style font designed by New York based calligrapher Eliza Gwendalyn . Her modern copperplate script has been a style she has been developing throughout her career. Her angelic flourishes and bouncy style are widely influenced by Eliza’s favorite childhood character Alice in Wonderland falling down the rabbit hole. She pairs her elegant script with a traditional sans serif and serif which is based on Eliza’s everyday handwriting. The name ‘Petunia' acquired from her childhood nickname her parents called her which was only fitting to choose as the name of her font that was derived from her childhood fantasies. Widely known in the wedding industry, she curated this font family for industry professionals with a versatile array of styles: a script, a bold script, sans serif, sans serif italic, serif, serif italic, and specially calligraphy words & ornaments making this a total package for all types of designers.

Matthew Carter designed the Shelley family 1972 for Mergenthaler Linotype to be used as a new script face for the photo typesetting machines. The basic idea was to create one script face that would offer dfferent elegant letterforms. Matthew designed Shelley in three different versions, Allegro which is in the style of Kuenstler Schreibschrift, Andante where the caps are less flowrish and wide and Volante where the letters have its most expressive and wide forms and the lowercase z in this font is in the french anglian double stacked form. All three versions can be easily mixed to give the text a more individual calligraphic look Besides Shelley Linotype Zapfino from Hermann Zapf shows similar basics, but in a totally different letterform. In Linotype Zapfino the individual lowercase letters from the four different versions have different letterforms which gives the text an even more individual touch.

The Joseph Struhl Company of Long Island, NY pioneered the use of cling vinyl in the field of reusable signs. Along with sets of die-cut letters and numbers, one of their main products for many years was a set of letters and numbers silk screened onto vinyl panels for larger window displays. Cling Vinyl JNL is Jeff Levine's tribute to this sign kit and its innovative contribution to retail marketing. The font comes in two styles: Cling Vinyl JNL has white characters on a black background and Cling Vinyl Clear JNL has black characters on an open (clear) background. For those wanting a "panel" space between words, there are two different width ones on the < and > keys. Please note: limited character set.

Yorklyn Stencil includes three fonts, each optimized for use at different size ranges. Grande has greater contrast and more delicate breaks designed to be used at larger sizes where finer details are more conspicuous. Medium and Petite are intended for smaller sizes where the breaks and contours must be more resilient. We embedded several OpenType layout features, including traditional fractions and nut fractions. We extensively tested Yorklyn Stencil in what might be the broadest range of media and conditions in the annals of Northwestern Delaware typefounding history. From the ceramic kilns of Heath Ceramics to our studio’s stucco facade, Yorklyn Stencil’s robust curves and deceptively delicate breaks will withstand a wide variety of harsh conditions with unprecedented aplomb. Whether you’re hand cutting a stencil to buzz your bespoke restaurant bar stools or simply looking for a practical yet illustrative display font, Yorklyn Stencil’s elegant efficacy will enhance any creative composition. Like all good subversives, House Industries hides in plain sight while amplifying the look, feel and style of the world’s most interesting brands, products and people. Based in Delaware, visually influencing the world.

Glypster - Bold Aesthetic Serif Fonts is a font that has boldness in every line. This font's robust and bold style conveys a luxurious, elegant, retro, and aggressive feel. The serenity afforded by this font's blend of boldness and subtlety makes Glypster suitable for a wide variety of design choices. Apart from that, the strengths of Glypster are its ability to support multiple languages and additional features that can add interest to every design you make. In terms of marketing, Glypster is very suitable for purposes such as logos, posters, business cards, and many more, so you can explore the potential of this font for various designs. Glypster's simplicity, but still elegant and luxurious, makes it the right choice for all procedures.

Hello Belinda is a beautiful modern calligraphy typeface, I hope you will be interested in this font, if you want to use it for your work. This font can be used easily and simply because there are many features in it. contains a full set of lowercase and uppercase letters, a wide variety of punctuation marks, numbers, and multilingual support. Hello Belinda is very suitable for the design of today's growing market, this font has a stylish, trendy, natural and soft font, with this font you can take advantage of every opportunity of the moment is a great way to highlight the best party celebrations, because this font will be support for purposes such as wedding invitations, branding, parties, graduations, birthdays, gatherings, etc. Thank You, AF Type

Catholic Girls is a timeless, handwriting-based, semi-calligraphic font that is highly readable yet has an informality combined with a quiet elegance. Above all else, Catholic Girls is well-behaved, ladylike, and can be expected to behave correctly and make the right impression in a wide range of situations. This "hand" is based on the style of handwriting taught at many Catholic Girls' Schools. It is feminine, elegant and readable. Use "Catholic Girls" for a great variety of applications, including: ? party invitations, wedding stationery, social event media, ? marketing material for seminars, property developments, leisure & lifestyle promotions, fashion, interior design, restaurants, florists, cosmetics ? publishing: magazines, books, children's books, greeting cards, ? packaging: girls' clothing, girls' toys, household consumables, cosmetics, fashion items, interior decor products

Napzer - Geometric Sans Serif is the embodiment of modern typographic design, seamlessly merging precision and simplicity into a versatile typeface. With its sharp, geometric letterforms and clean lines, Napzer is the perfect choice for projects that demand a contemporary and professional aesthetic. This typeface ensures outstanding legibility in both digital and print media, making it suitable for a wide range of applications. Whether you're designing a website, creating marketing materials, or establishing a corporate identity, Napzer's clear and crisp design will enhance your content with sophistication and clarity. Choose Napzer - Geometric Sans Serif to bring a touch of contemporary elegance to your design projects. Whether you're working on branding, editorial design, or digital interfaces, Napzer offers a timeless and professional typographic experience.

Beatgh is a modern, cool, beautiful, and very suitable display font to support your presentation and support in marketing your products and business

Randolph is a popular font family from Jukebox done in an old fashioned copperplate etching style that harkens back to the days of old leather-bound shop ledgers and hand painted window signs. The large and wide letterforms of Randolph make a bold statement that will add solidity and impact to any design. Jukebox fonts are available in OpenType format and downloadable packages contain both .otf and .ttf versions of the font. They are compatible on both Mac and Windows. All fonts contain basic OpenType features as well as support for Latin-based and most Eastern European languages.

The "Strong Display Font" is a derivative of the Clinto slab serif font, originally designed by. Faldy Kudo. This font is specifically crafted to exude strength and impact, making it an ideal choice for display and headline usage. It incorporates the unique typographic feature of ink traps, enhancing its readability even at larger sizes. The font family comprises 6 distinct styles: "Normal, Normal Rounded, Medium, Medium Rounded, Condensed, and Condensed Rounded.” offering versatility in design choices. Additionally, the font provides multi-language support, ensuring that it can be effectively used for a wide range of global content and projects.

Charter was designed in the mid-1980s by Matthew Carter. The typeface was designed with the limitations of low- and middle-resolution output devices in mind; hence the squared off serifs and the economy of diagonals and curves. The design, however, became an instant success on its own merits. It is an excellent everyday typeface for a wide variety of uses including books and technical manuals. Charter offers small cap, extension and alternate typographer sets that help to make it more versatile and functional. ITC bought the Charter designs in 1993, but Bitstream retained the right to sell the original designs.

Kurstiva is a narrow, sans serif typeface family available in ten weights ranging from a hairline, thin weight to a dark, black style. Conceived as a contemporary text face, this typeface aims to convey a strong personality while remaining very legible. Functional and compact in smaller sizes, Kurstiva reveals it’s finer details and character in larger sizes found in titles or logos. With an extended character set covering most Latin based languages, a wide range of monetary symbols and a complete arrow collection, this family was designed to adapt to a variety of a settings or tasks.

Sole Serif is a newspaper face with features relating to book typography. Inspiration from Francesco Griffo’s romans was adapted to resist the rough usage typical of newspaper printing without any loss of quality. Sole Serif is available in an extensive range of cuts including extra bold and ultra thin. With its big x-height, short ascenders and a roundish and wide italic for text and titles, it has all the attributes of a newspaper face. Nonetheless, details like the inclined axis, calligraphic terminations, Renaissance proportions and a refined but slightly mannered design, all evoke the book rather than the daily paper.

Mr Jones was originally conceived as a family for print design consisting of a sans and a headline. The lowercase are wide for legibility at small sizes while the caps are narrower to save space and keep an even balance of negative space when used in body copy. The overall widths of certain characters have been adjusted to almost extremes to keep an even balance of white space around each letter. He works well in body copy, but will need decreased tracking for larger settings. He comes with small caps; proportional, oldstyle, and tabular figures and discretionary ligatures.

Density Heavy Slab Serif Features a smooth slab serif and a wide surface that makes it especially suitable for horizontal and lengkungan compositions. This is a front view, best used at larger sizes when weight and impact are desired. It's classic with a modern edge and most importantly packed with different styles, and ligatures Density is a heavy slab serif that comes with regular, oblique, outline, outline slanted, rough, rough slanted, extrude and extrude slanted style. this font is perfect for every project. suitable for branding logo, badge design, or apparel design. This font also comes with multilingual support.

Pila, designed by Alex Jacque in 2014, is a modular, sans-serif stencil typeface that comes in regular and condensed formats. Crafted to be a bold, punchy, no-nonsense stencil typeface, Pila owes its unique look — as well as its name — to its adherence to the rigid modular system it is built upon. Pila is meant to be used at larger point sizes where visual impact is desired. Pila has a broad glyph set with the necessary characters to support a wide number of languages. Through the use of OpenType Pila can automatically create fractions as well as create superscript and subscript numerals.

Riga is a space-saving and legible typeface designed to work equally well on paper and on the computer screen. Its personality is clear and practical, yet warm and polite. Riga is suitable for a wide range of typography such as editorial, websites, packaging and corporate design. Economical proportions, high x-height and open letter forms guarantee good performance in narrow columns and tight headlines. Riga is exceptionally readable at small point sizes and elegant at larger ones. Riga comes in 18 styles and weights and contains a large number of OpenType features. For small sizes on screen Riga Screen is also available.

Humber is a rational sans serif typeface designed with a large X-height to provide clarity at both text and display sizes – with subtle features that really shine at larger sizes. Inspired by 20th century typefaces and modern European designs, Humber is suitable for a wide range of projects and audiences looking for a typeface that feels professional – without being overly familiar. Featuring seven weights and matching italics, discretionary ligatures, lining, old-style, and tabular figures, and conditional kerning for accented characters, Humber is truly versatile. With over 738 glyphs, Humber supports over 339 latin-based languages.

Shrag script is a brand new script from Open Window. It is finer than the model that won 35,00 friends. Originating from a fat marker drawing it's a comfortable font, fine performing in every minor detail. It is the embodiment of everything a fine handwritten script should be.

Londoner is a handwritten font with a dry brush texture. It was created directly with my marker vector brush, the whole process is digitalized. Londoner is suitable for logo, product branding, or for text overlay to any background image. Londoner comes with ligatures, swashes, multilingual support, and PUA Encoded.

Introducing Trashbone, a playful marker font, designed with an additional rusty effect applied to the strokes. This font represented courage, youth, spirit, freedom, that recommended for many themes such as sports, dark, teen, movement, adventure, etc. Equipped with ligatures, alternates, and multilingual support! Thank you for visiting and enjoy!

I was doodling away with a sharpie pen on a rainy day. Hey… wait a minute. A rainy day, a font called Rainclouds… Yep, that’s right, it is called Rainclouds for that reason! ;-) Rainclouds is a fat marker font with a lot of texture and a lot of mouth.

Lid is a handwritten, versatile typeface. The non-cursive script is uncomplicated, unpretentious and easy to read. The typeface comes in three different styles; Pen, Brush and Marker. Each style has a different touch, but all three styles come together perfectly. Most of the european languages are supported.

India Echo was simply derived from doodling on a whiteboard with a dry erase marker. The aim of the exercise was to create a string of writing that looked foreign enough to be an alien script, angular enough to appear to be futuristic, and familiar enough to be legible.

Shopie is a handmade script made with a marker pen. It is useful for a variety projects such as quotes, book covers, t-shirt designs, magazine titles and much more. Features: 370 Glyphs Uppercase Lowercase Symbols & Punctuation Support more than 62 Languages Support OpenType Features Support PUA Unicode

ITC Bradley Hand is a calligraphy font from Richard Bradley, designed in 1995. The contours make it look as though it were written by hand with a felt tip pen on rough paper and it has all the details which give it a handwritten character. The font has a balanced, harmonious look and lends correspondence a personal touch. Bradley Hand is legible in point sizes as small as 8 and is good for headlines and short to middle length texts.

Sallymoores signature script font, with contrast felt-tip stroke, slanted and fun character. It has Opentype features ligatures of character and alternate lowercases, To give you an extra creative work. Sallymoores signature script font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with sans or serif. Make a stunning work with Sallymoores font. Cheers, MaulanaCreative

Triple Shots is a casual handwritten display font. With slanted bold felt tip stroke, fun character with a bit of ligatures and alternates. To give you an extra creative work. Triple Shots font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with sans or serif. Make a stunning work with Triple Shots font. Cheers, MaulanaCreative

Linotype Feltpen is part of the Take Type Library, chosen from the contestants of Linotype’s International Digital Type Design Contests of 1994 and 1997. This fun font was designed by the Swedish artist Lutz Baar with clear, light forms. The spontaneous, even letters seem to have been written with the felt pen from which the font takes its name. Linotype Feltpen is available in two weights, regular and medium, both suitable for short and middle length texts and medium for headlines as well.

Edward Peters is a stunning modern signature script font. With high contrast felt-tip stroke, fun character with a bit of ligatures and alternates. To give you an extra creative work. Edward Peters font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with sans or serif. Make a stunning work with Edward Peters font. Cheers, MaulanaCreative

Introducing a new font called Hey Beibeh. As the name, Hey Beibeh comes with love and romantic themes. The theme of love and romance will be increasingly felt with the heart icon in the letters i and j. You can access OpenType features in Hey Beibeh fonts such as stylistic set alternate (SS01-SS02), ligatures set, and alternate. Hey Beibeh is PUA encoded and supports 17 languages. Live to love coz life needs love. Thanks, and have a nice day.

Astavilla handwritten script font, with contrast felt-tip stroke, uprights and fun character. It has Opentype features ligatures of character and alternate lowercases, To give you an extra creative work. Astavilla script font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with sans or serif. Make a stunning work with Astavilla font. Cheers, MaulanaCreative

The Impostor is a regular casual script font. With sharp felt-tip stroke, slant and fun character with a bit of ligatures. To give you an extra creative work. The Impostor font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with sans or serif. Make a stunning work with The Impostor font. Cheers, MaulanaCreative

Fit Fleet is a casual script font, with a light felt-tip stroke, slanted and fun character. It has Opentype features ligatures of character, To give you an extra creative work. Fit Fleet script font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with sans or serif. Make a stunning work with Fit Fleet font. Cheers, MaulanaCreative

Please welcome a new brush written font family Above the Sky which also includes a long requested all-caps marker font, the one you can use to add a “secondary” text to your designs. All fonts make good companions and can be used for all sorts of type-based creations, quotes, branding, merchandise, packaging, invites, greeting cards and so on. You will be over the moon when you find out all Above the Sky possibilities. The brush script has tons and tons of alternates, ligatures, swashes - more than 1200 glyphs are here to serve you well. It can be successfully combined with the Condensed font or/and with the Marker font included in the package. The brush drawn Design Extras font makes the whole thing even better!