Lucaria is a modern serif typeface that combines classic design with contemporary details. The most distinctive feature of Lucaria is its strong shape on the edges, which gives the font a bold and commanding presence. This design element is complemented by the wide characters, which provide ample space for legibility and readability. The combination of these features makes Lucaria a great choice for displays and headlines. This versatile font family is available in seven weights, including Light, Regular, Medium, Semibold, Bold, Extrabold, and Black, as well as a variable font for added flexibility. The variable font option allows designers to customize the weight makes Lucaria an ideal choice for a range of design projects, including branding, packaging, and editorial layouts.

Merlo Neue Round is the younger brother of Merlo Round and cousin of Merlo Neue. This new family received a refreshed, rounded style and a new shape of many glyphs. New Merlo consist of a wide range of instances' seven new weights with italics, from Hairline to Bold allows to use the family in a complex way, depending on the users' needs. The font has a glyph set for latin and cyrylic script, small caps and old-style figures. Merlo Neue Round would be a great choice for display use as well as for the longer texts. This family is inspired by a "You And Me Monthly" published by National Magazines Publisher RSW "Prasa" from May 1960 till December 1973 in Poland.

Allay is a display font with a distinctive and appealing shape that may be used in a wide range of creative design projects. Each letter shape is created using a variety of combinations that provide a one-of-a-kind, innovative, entertaining, and unmistakably aesthetic impression when used. This typeface also comes with typical ligatures and can be used in other languages. This font is perfect for games, sporting events, branding, banners, posters, movie titles, book titles, quotes, logotypes, and more. of course, your various design projects will be perfect and extraordinary if you use this font because this font is equipped with a complimentary font family, both for titles and subtitles and sentence text, start using our fonts for your amazing projects.

Lina soft is an Arabic typeface from Lina-type family, with a warm and humane feeling. It's legible, soft, clear, flexible, simple, and contemporary. With a handful set of OpenType features and alternatives. Lina type family consists of Lina soft, Lina sans, Lina round. The design is inspired by the Kufic calligraphic style and influenced by the Naskh style. Lina soft was highly crafted in order to perform well both on screen and in print. The large x-height and open counters make it function well even on small font sizes. It has a wide range of use possibilities headlines, logotypes, branding, books, magazines, motion graphics, and use on the web and Tv. Lina Soft consists of 7-weight versions from thin to bold.

Brode is a display slab serif font with 2 style clean and rough ,looks bold and wide also comes with alternative characters that created for adding a altivative uppercase decor of the letters. and it looks right on every character's we've made. Stylistic alternates allows versatile design options and works. Perfect for headline, logo, branding, emblem, enamel, for a adventure tone, posters, packaging, t shirt, presentationn and much more Features: - Uppercase & lowercase - Numerals & Punctuation - Stylistic Alternate Characters uppercase - Multilingual Supports Find out more ways to use this font by taking a look at the font preview. Hopefully you enjoy your experience in using our font. Feel free to contact us for further product information or trouble complaints. Thank you and happy designing.

Luke is a contemporary adaptation of historic English Blackletter, inspired by the creativity of leading English type-creator: Caslon Foundry. Their highly unique 19th century Blackletter typeface provided the core elements of Luke, with the name paying tribute to the Caslon family tomb in the churchyard of St Luke Old Street in London. This modern and versatile type family offers a wide range of styles — from thin to thick contours, and with half-filling to complete — allowing it to work best for headlines, short text and branding. Details include twelve styles and 641 glyphs. Opentype features include superscript, denominators, numerators, scientific inferiors, ordinals, stylistic alternatives, case-sensitive forms, fractions, contextual alternates and discretionary ligatures. Luke supports 37 languages, covering South, East and Western Europe.

«Seferis» is an uppercase typeface with a wide repertoire of ligatures, stylistic alternatives, and some swashes. It also has an important language coverage based on Latin. Although the «Seferis» family is mainly influenced by the classical imprint of the incised typefaces, its structure, proportions and aesthetic proposal show modern features, which give it elegance, sophistication, inner strength and an epic character. Designed by Edwin Moreira, with the invaluable support of Ale Paul in the expansion and production of the family. Seferis works perfectly in spaces as diverse as posters, logos, magazine headlines, album and book covers, packaging and many other environments where it can highlight its qualities. Available in 5 weights and a variable file that is included with the full package.

Extragraph Display is a contemporary geometric mono typeface in five weights (xtra slim, slim, medium, large, xtra large). Originally based on a circle and a square, Extragraph Display shifts from ordinary into extravagant letter forms. For each character, numerous alternates come in nine steps, pushing the idea of common and unconventional shapes with each set further. The key feature of Extragraph Display is a massive variety of alternates. Choose from a wide range of 9 Stylistic Sets, multi-language support, geometric symbols, arrows or get the full expression of Extragraph Display with a exclusive customised font randomizer (OTF). Purposefully used, Extragraph Display allows the user to create unique typographic compositions with a huge amount of options to combine and play with.

Oldburg Display is a Brand New Elegant Typeface with a powerful font family. It has a dependable and uncompromising style, with controlled letterforms and modern touches. It looks amazing in logos, magazines, and movies. Oldburg Font would be perfect for branding, headlines, Captions, paragraphs, and posters. The various weights allow you to experiment with a wide range of applications. It's created to make an impression without sacrificing its beauty and readability. It's shown a clean, minimalist, warmth, quirky, yet still purposed to be versatile The Typeface includes Five Weights - Light, Regular, Medium, SemiBold and Bold. Numerals and extended punctuation (200+ Glyphs). Expert kerning and quality crafting. TTF, OTF and WebFonts Included. Thank you for taking the time to look into the font.

Decoral has developed its character from the Art Deco period typography and is reinterpreting it with a modern approach. This typeface is a friendly and flexible family that is fun to use. It’s consisted of 3 weights with over 650 glyphs each. Decoral also comes with special stylistic sets and swash characters that allows the user to be even more creative and playful with the type. These open up many different possibilities that certainly will spice up your design. Decoral will satisfy all your typographic needs, from book jackets to monograms, from packaging to logos, and even wedding invitations—timelessly elegant, with a distinctive flair that exudes Art Deco typography in a fresh, modern way. The wide selection of titling alternates and ligatures make copyfitting a delight.

Anaphora is a contemporary serif typeface designed by Francesco Canovaro with Cosimo Lorenzo Pancini and Andrea Tartarelli. It features a wedge serif design with nine weights from thin to fat, each with true italics style, for a full range of editorial and advertising uses. Its wide counters and low x-height make it pleasant and readable at text sizes while the uncommon shapes make it strong and recognizable when used in display sizes. Four additional stencil weights provide options for fancy titling and logo creation. Anaphora features an extended character set that covers over forty languages using the latin alphabet, as well as Greek and Russian Cyrillic. Open type features include small caps, four sets of figures, fractions, superior & inferior figures, alternate forms and discretionary ligatures.

Arboria has been a long-term project. Starting with the commission of a custom ‘architect’ font, this typeface has been changing over the years to its current form, which is its public debut. The source is named after the capital of planet Mongo, a futuristic city with art decó influences in their buildings. Arboria maintains that tension but is influenced by all elements of concern to his author. The result is a hybrid Grotesque with nods to the XXII century. Arboria family consists of six weights and matching italics, aside from many characters (it covers Latin and CE languages), the wide range OpenType features allows Arboria to perform great as a text and as a display typeface. Please check the ‘Read me’ file for more specifications.

Mondish is an elegant sans serif family that comes in five weights with matching Italics. Commonly recognized as fashionable font by its design and main purpose, Mondish is actually much more than that. Characteristic by high contrasted stems, gentle calligraphic endings of lowercase letters, slightly condensed Italics and slanted letter axis through the entire family, it leaves an impression as a designer's charming partner for a wide variety of projects. Mondish is equipped with OpenType features such as Stylistic and Contextual Alternates, Oldstyle Figures, Ordinals, Subscript and Superscript, Initial Forms, Denominator, Numerator and Fractions with Standard and Discretionary Ligatures followed with Small Caps. Beside basic and extended Latin character set, Mondish comes with Cyrillic support. Exactly 700 glyphs in total.

Years ago, I developed an interest in the Japanese art of dwarfed potted trees, bonsai. I bought some books on the subject from Brooklyn Botanic Garden. In one -- Handbook on Bonsai: Special Techniques (seventh printing, February 1976) -- the type was bad. Old worn lead type, I suspect, spread wide in the tops of characters and disappearing on the bottoms. Two decades later, I came across my Brooklyn Botanic Garden collection and was struck again by this interesting type. Inspired, I made a typeface. Didn't take me long to decide on a name for it, either: a name with a double-meaning, based both on its look and its inspiration. Bonsai, the typeface, has two styles, a roman and a true italic.

Mestika is a resinous spice, in Arabic means gum, the name is Mestika cause the mestika has a mixture of sharp edges and cursive connections, that mixture gives the typeface an edge to stand out, a low contrast sharp design with 9 weights making it works well with text and headlines. The design is a collaboration with the Iranian designer Kamyab Jafari, The typeface is a modern design, and has a wide range of ligatures and features for better justifications. The typeface comes with 9 weights, and works in variable axes, the typeface now supports only Arabic-based languages, but in the near future, it would support Latin-based languages, the Typeface is based on Naskh calligraphy, something in between the Iranian and the Arabic styles.

Rukishy font is the most appropriate choice to enhance the visual appeal of your branding projects. With an attractive Script font style, this font presents an impressive design touch, creating an unforgettable charm. What makes Rukishy so unique is its wide range of features. With a complete family that includes regular, shadow, slant, and shadow slant, you have everything you need to express your creativity optimally. Not only that but some ligatures and alternates add a unique touch to each character, helping you create truly original designs. The ability to support multiple languages makes Rukishy a universal choice that allows you to reach a global audience. With its ease of use and flexibility, this font becomes a valuable asset in your design world.

Arcus OpenType is a geometrically constructed font. The grounding principle is the round curve. The homogeneous character of this font is guaranteed by using this principle not only in drawings of particular letters but in the shaping of diacritical signs, too. The scope of the typeface weight is from Extra Light to Extra Bold while the complete font family includes 6 weights and their respective, well turned italics. This font contains a wide range of alternative signs, small capitals, lining and oldstyle numerals, fractions, superiors, inferiors, ligatures and discretionary ligatures; all this is within the frame of OpenType functions. This font type is not made for the typography of extensive texts. Best it can be used for headline display typeface or in creating logotypes and corporate identities.

Glot Round is a ten-member flared terminal sans serif family of typefaces based on a mix of proportions of Roman square capitals and hyper-readable sans serifs with slightly rounded corners. Glot Round comes in five weights with matching true italics: Light, Regular, Medium, Bold and Black. The Glot family has a wide range and is incredibly functional, working well for longer texts as well as display typography. After designing the house typefaces for a handful of the most predominant multi-player online games out there, we decided that it was time to bring the battlefield to the people. Glot Round comes armed with ample language support (Central, Eastern, and Western European) and OpenType ornamental spiked alternate characters for when one needs a hint of danger.

Passiflora is a unicase display font with elegant shapes and swashes, imitating the handraw in a friendly and llamative aesthetic. This font inspires the facade inscriptions and rotulations of the buildings in the XX century of Santiago, as the fresh features of rounded brushes. Passiflora counts with 7 variants: Regular, Shadows, Outline, and Decorative version. Every variable contains more than 800 glyphs and a wide support of languages from Occidental, Central and Oriental Europe and Vietnamitese. This font is perfect to decorate book covers, showcases, packagings, posters, titles , among other uses. Passiflora counts with OpenType Alternates, Swashes, Titling alternatives, Stylistic sets, Discretionary Ligatures, Ornament sets and modern numbers, denominators and numerators, customized and become unique, allowing dinamism to the design.

What does “smart casual” look like as a font? Try Portheras: a fairly wide, contemporary humanist sans with a laid-back attitude. Inspired by the fine Cornish beach of Portheras Cove, this typeface pays homage to British design tradition while incorporating an informal idiom. At ease both in flip-flops and silk blouses, in Bermudas and knit ties, Portheras sports a low x-height and comes with italics between “oblique“ and “true italic”. Despite its approachable look, the font family is equipped for heavy duty—you’ll get 16 styles with 780 glyphs each and OT features such as small caps, numerous figure sets (with old-style figures at mid-cap height), a bunch of arrows, three stylistic sets, and more. Portheras is as classy as relaxed gets.

Donchenko Serif is a leisurely, elegant, minimalist serif typeface that combines references to medieval half-uncials with Art Nouveau motifs. Its styles are well readable and at the same time have individual features, which makes this typeface stand out from the rest. Donchenko Serif is a "universal soldier". It's great for any challenge. It is also good for typing books or articles, designing corporate identity and promotional materials, or creating display cases. A wide range of Latin, Greek, Cyrillic and special characters provides extensive language support for all European languages. Font Donchenko Serif Regular was developed by designer Oleksandr Donchenko in Lviv (Ukraine) in the first half of 2022. His daughter - Sofia Donchenko - took part in the development some letters. Donchenko Serif - Good font for good people!

The Ruby Duo - a retro inspired font duo with a wide range of sans and script styles. Rugged and simple sans with a cool pair of mono line script. The main thing is the possibility of various combinations of using - from Condensed to Extra Expanded and from Light to Black. You will definitely find the best way to use in your projects with more than 50 styles. The sans has underline small caps alternates to use it with conjunctions. The script also has some alternates to change the script mood. Also, you will find a five graphic fonts with 130 elements total! A lot of vintage badge shapes and more than 100 vector vintage mood icons to use it in your badges or logos. PDF graphic navigation

Analogia is a digital interpretation of types used in the mid-18th century in books printed at Leuven by Martin van Overbeke. It is intended primarily for use in running text. The roman is businesslike, yet with a distinct personality; it has a generous x-height and is slightly condensed, though without appearing cramped. It is complemented by a more lively italic, which retains some irregularities in the angle of slant that are characteristic of the original. Analogia provides wide support for west, central, and east European languages that use the roman alphabet. Among its OpenType features are ligatures, small caps, several sets of numerals, contextual alternates, intelligent implementation of long ‘s’, and fractions. For more detail, please see the pdf available in the Gallery.

Vaccine Sans is a humanist sans-serif font family with soft terminals, but stem junctions on the contrary use hard constructions. Such combination of basic design features makes the font distinct and strong in setting and delicate and soft in appearance. This design peculiarity, together with very low contrast, produces a range of qualities needed for small sizes, low quality print and bad reading conditions. Vaccine Sans has a modern stylish design and takes its rightful place among popular faces. The family consists of 10 members — five weights with the corresponding italics. It can be used in a wide range of applications — magazines, advertising, corporate identity, urban navigation, packaging, children books, etc. Designed by Manvel Shmavonyan with the participation of Alexandra Korolkova and Gayaneh Bagdasaryan.

Thinkmore is a playful and modern display font that adds a touch of fun and creativity to your designs. With its clean monoline stroke style, this font exudes a contemporary and stylish look. The all-caps font comes with a complete set of A-Z alternates in a wide playful style, allowing you to experiment and create unique combinations that suit your project perfectly. Thinkmore also supports multilingual characters, making it versatile for various language requirements. Ideal for a range of display projects, Thinkmore is perfect for headings, logotypes, flyers, greeting cards, product packaging, book covers, and printed quotes. Whether working on a fun and quirky design or aiming for a more modern and minimalist approach, Thinkmore has the flexibility to adapt to your creative vision.

Macahe is a modern slab serif with dynamic and irregular shapes. It comes with 7 weights, 3 widths and matching (true) italics. The typeface was inspired and name after the city I was born (Macaé-RJ, Brazil), turning the mixture between nature/beach life and the chaotic urban growth into typography. The options (weight, width and true italics) make the font useful both for web and print in multiple occasions; think websites, posters, logos, signage, packaging and etc. Macahe covers multiple languages, including a wide range of Latin and some Cyrillic languages. It also includes a full range of numerals (included old style figures, numerators, denominators), small caps, standard & discretionary ligatures and stylistic alternates. Those features and variations make Macahe a useful tool for any graphic designer.

Isle Headline is a high-quality serif typeface family, drawn by Måns Grebäck during 2018 and 2019. It is a sharp font with a clear and attentive look, adapted for headlines, titles and large type settings. It comes in four weights, each one as italic, totaling in eight styles: Light and Light Italic, Medium and Medium Italic, Bold and Bold Italic, Black and Black Italic. The font family can be used in a combination with a font of a different style, or together with its sister font Isle Body, also a serif font, which has the same basic structure but with a softer look and adapted for body text and smaller type. Each style contains ligatures and support for a wide range of languages.

Dear friends, we are so excited to share with you our brand new font! Just check out this new typeface called the Upstairs Font. Cool looking and unique typeface that gives your work an awesome look. This font is great for books, magazines, logos, branding, photography, quotes, blog header, poster, advertisements, etc. the Upstairs is a display typeface that comes in two styles: Regular and Wide. This typeface gives your work a cool-looking and unique style also this typeface is great for awesome headlines. So take a dive into “The Upstairs”, it’ll be awesome! Feel free to give me a message if you have a problem or question. Thank you so much for taking the time to look at one of our products. ~Redy

Discover here the Eastman Roman Family See the Eastman Grotesque Family Designed in 2020 for Zetafonts by Francesco Canovaro and Andrea Tartarelli with help from Solenn Bordeau and Cosimo Lorenzo Pancini, the original Eastman typeface family was conceived as a geometric sans workhorse family developed for maximum versatility both in display and text use. The original wide weight range has been complemented with three more additional widths, to give you maximum control over the appearance of text in your page. While Eastman Compressed and Eastman Condensed behave as space-saving condensed families, Eastman Grotesque adapts the family design style to humanist proportions. All share a solid monolinear design and a tall x-height that makes body text set in Eastman extremely readable on paper and on the screen. Influenced by Bauhaus ideals and contemporary minimalism, but with a nod to the pragmatic nature 19th century grotesques, Eastman has been developed as a highly reliable tool for design problem solving, and given all the features a graphic designer needs - from a wide language coverage (thanks to over one thousand and two hundred latin, Cyrillic and greek characters) to a complete set of open type features (including small capitals, positional numbers, case sensitive forms). The most impressive feature of all Eastman fonts remains the huge choice of alternate characters and stylistic sets that allows you to fine-tune your editorial and branding design by choosing unique, logo-ready variant letter shapes. Don’t want to lose too much time with the glyphs palette? Use the Eastman Alternate weights, thought for display use and presenting a selection of some of the more eye catching & unusual letter shapes available for the family.

Austerity Retro Script font is a vintage-inspired typeface that is perfect for creating classic design projects. Its elegant and curvy handwritten style makes it ideal for conveying a sense of nostalgia and timeless sophistication. This font is available in both regular and bold weights and includes uppercase and lowercase letters, numbers and punctuation symbols. Some of its features include: -Vintage Style: Austerity Retro Script font captures the essence of the golden age of typography with its retro-style design. It is perfect for creating vintage posters, product packaging, branding, and more. -Handwritten Appearance: The font has a unique and playful handwritten appearance, with smooth curves and a natural flow. It captures the essence of calligraphy and is perfect for conveying a sense of personal touch. -Bold and Regular Weights: Austerity font is available in both bold and regular weights, giving designers flexibility to mix and match them to achieve a wide range of styles. -Uppercase and Lowercase Letters: The font includes both uppercase and lowercase letters, making it easy to create a variety of typographic combinations for your designs. -Punctuation Symbols and Numbers: Austerity font also includes a range of punctuation symbols and numbers, making it a versatile typeface for a wide range of projects. -Multilingual Support: The font supports multiple languages, including English, French, German, Portuguese, Spanish and more. Overall, Austerity font is a perfect choice for designers who want to create a vintage feel in their design projects. Its handwritten style, bold and regular weights, and range of symbols and numbers make it a versatile and reliable font for any design project.

Introducing "Aero Flux", the cyber mecha font that will take your designs to the next level. This font is designed with a perfect blend of modern and squared feel, giving it a unique and futuristic aesthetic that is perfect for a wide range of applications. The bold and sleek design of Aero Flux makes it an ideal choice for logos, headlines, and branding materials. It's all-caps design with punctuation, numerals, and foreign support allows for flexibility in creating unique and engaging visual designs. Aero Flux's squared feel makes it perfect for projects that require a strong and sturdy look, such as designing video game or movie titles, product packaging, or creating futuristic posters. This font's bold, industrial look is perfect for capturing the essence of the mecha genre, with its sharp angles and futuristic design. The squared feel of Aero Flux adds a sense of strength and solidity to your designs, making it the perfect choice for projects that require a bold, commanding look. Moreover, Aero Flux's industrial, mecha-modern design makes it the perfect font for creating digital interfaces and user interfaces (UIs), especially those that require a futuristic or high-tech feel. In summary, Aero Flux is a highly versatile font that is perfect for a wide range of applications, from logos and branding to digital interfaces and futuristic posters. With its modern, squared feel and unique design, Aero Flux is the perfect font to add a touch of futurism to your projects and captivate your audience. Aero Flux features: A full set of uppercase Numbers and punctuation Multilingual language support PUA Encoded Characters OpenType Features Cyber Mecha Style +246 Total Glyphs

Introducing VSOP - Elegant typeface. 70 font styles included VSOP is elegant and timeless typeface loaded with 70 font styles (narrowest, narrower, narrow, regular, wide) 87 languages support, alternate and ligature glyphs to make you typography truly unique! Language Support : Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Breton, Chiga, Colognian, Cornish, Czech, Danish, Dutch, Embu, English, Estonian, Faroese, Filipino, Finnish, French, Friulian, Galician, Ganda, German, Gusi,i Hungarian, Indonesian, Irish, Italian, Jola-Fonyi, Kabuverdianu, Kalenjin, Kamba, Kikuyu, Kinyarwanda, Latvian, Lithuanian, Lower Sorbian, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Maltese, Manx, Meru, Morisyen, North Ndebele, Norwegian, Bokmål, Norwegian, Nynorsk, Nyankole, Oromo, Polish, Portuguese, Quechua, Romanian, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish, Gaelic, Sena, Shambala, Shona, Slovak, Soga, Somali, Spanish, Swahili, Swedish, Swiss, German, Taita, Teso, Turkish, Upper, Sorbian, Uzbek (Latin), Volapük, Vunjo, Walser, Welsh, Western Frisian, Zulu FEATURES Uppercase, lowercase, numeral, punctuation & Symbol ligature glyphs alternates Narrowest - regular, italic with 7 weights Narrower - regular, italic with 7 weights Narrow - regular, italic with 7 weights Regular - regular, italic with 7 weights Wide - regular, italic and styled with 7 weights Multilingual support - 87 languages No special software is required to type out the standard characters of the Typeface. How to access alternate glyphs? To access alternate glyphs in Adobe InDesign or Illustrator, choose Window Type & Tables Glyphs In Photoshop, choose Window Glyphs. In the panel that opens, click the Show menu and choose Alternates for Selection. Double-click an alternate's thumbnail to swap them out. Feel free to contact me if you have any questions! Mock ups and backgrounds used are not included. Thank you! Enjoy!

Designed in 2020 for Zetafonts by Francesco Canovaro and Andrea Tartarelli with help from Solenn Bordeau and Cosimo Lorenzo Pancini, the original Eastman typeface family was conceived as a geometric sans workhorse family developed for maximum versatility both in display and text use. The original wide weight range has been complemented with three more additional widths, to give you maximum control over the appearance of text in your page. While Eastman Compressed and Eastman Condensed behave as space-saving condensed families, Eastman Grotesque adapts the family design style to humanist proportions. All share a solid monolinear design and a tall x-height that makes body text set in Eastman extremely readable on paper and on the screen. Influenced by Bauhaus ideals and contemporary minimalism, but with a nod to the pragmatic nature 19th century grotesques, Eastman has been developed as a highly reliable tool for design problem solving, and given all the features a graphic designer needs - from a wide language coverage (thanks to over one thousand and two hundred latin, cyrillic and greek characters) to a complete set of open type features (including small capitals, positional numbers, case sensitive forms). The most impressive feature of all Eastman fonts remains the huge choice of alternate characters and stylistic sets that allows you to fine-tune your editorial and branding design by choosing unique, logo-ready variant letter shapes. Don’t want to lose too much time with the glyphs palette? Use the Eastman Alternate weights, thought for display use and presenting a selection of some of the more eye catching & unusual letter shapes available for the family.

Griggs is a variable type family with six-axis. Available as both static and variable font built to maximize versatility. This is a single variable font that can morph between a wide range of stylistic variations with each of its axes: Weight, Serif, Grade, Stylistic Set 1, Stylistic Set 2 and Slant. Also offer a variable subtle grade axis for slight weight adjustments, to user different preferences. For slant axis will automatically apply stylistic set 2 or set custom values on each axes for more options. A multi-purpose sans serif and serif typeface with high contrast, inktraps, sharp form, clean cuts and playful details, to convey the impression of opulence, elegance with a distinctive look. It comes in 3 distinct individual cuts within the Sans, Flare, and Serif subfamilies. Allows for many variations across its subfamilies, weights and styles. Each typeface contains with a warm personality and contemporary look. With different stylistic sets, you can choose the best-desired result for your design. You can change the feel of your design from more delicate, to bold to its sharpest most style. Griggs family with various styles will be an handy tool for a wide variety of designs. Excellent for text large and small. It’s a brilliant choice for branding, identity design, editorial design, logo design, display and packaging design etc. Typeface Features: * 325 Glyphs * 3 Subfamilies: Sans, Flare, Serif ( Each 8 Styles + Slant ) * 6 Weight: Thin, Light, Regular, Semi Bold, Bold, Black * Complete Collection: 144 Styles + Variable Font * Opentype Features: Stylistic Set 1, Stylistic Set 2 * Latin Language support including * Kerning * Autohinted Thank You.

Discover the complete Eastman type family: Eastman Grotesque and Eastman Condensed! Designed in 2020 for Zetafonts by Francesco Canovaro and Andrea Tartarelli with help from Solenn Bordeau and Cosimo Lorenzo Pancini, the original Eastman typeface family was conceived as a geometric sans workhorse family developed for maximum versatility both in display and text use. The original wide weight range has been complemented with three more additional widths, to give you maximum control over the appearance of text in your page. While Eastman Compressed and Eastman Condensed behave as space-saving condensed families, Eastman Grotesque adapts the family design style to humanist proportions. All share a solid monolinear design and a tall x-height that makes body text set in Eastman extremely readable on paper and on the screen. Influenced by Bauhaus ideals and contemporary minimalism, but with a nod to the pragmatic nature 19th century grotesques, Eastman has been developed as a highly reliable tool for design problem solving, and given all the features a graphic designer needs - from a wide language coverage (thanks to over one thousand and two hundred latin, cyrillic and greek characters) to a complete set of open type features (including small capitals, positional numbers, case sensitive forms). The most impressive feature of all Eastman fonts remains the huge choice of alternate characters and stylistic sets that allows you to fine-tune your editorial and branding design by choosing unique, logo-ready variant letter shapes. Don’t want to lose too much time with the glyphs palette? Use the Eastman Alternate weights, thought for display use and presenting a selection of some of the more eye catching & unusual letter shapes available for the family.

Who doesn't want or need an expansive contemporary extended sans that has a sense of style and swagger… what if it had a lowercase, small caps and various numeral options… how could you say no? This was the foundational argument I made for myself when I drew the initial alphabet on my birthday last year (something I do each year, draw a new font, kind of a fun OCD thing). I wanted to see a wide, utilitarian sans that had more to it than just a basic character set and didn't resemble standard geometric models. As I continued sketching, the letterforms were being influenced more by my 'lettering tendencies' than the normal mechanical trappings of drawing flat, wide letters. The letters have retained aspects of letters created by hand — stresses, modulation, naturally ending terminals. Truncation and quick clipping of strokes became antithetical to the letterforms I drew, so I continued this once I brought the design into the computer. I kept it precise and dependable, but made every attempt to keep a conscientiously crafted typeface and not let it devolve into a grid-based drone. As such, it works just as well looking back in time as much as it does assuming a lead role in a sci-fi movie. Halogen does deliver and opts not to take a short cut and provide an anemic offering of glyphs — a modern typeface offered today must provide more than just the basics and this one does — lowercase, smallcaps, old style numerals, tabular forms, stylistic and titling alternates, fractions, case-sensitive features, and even an alternate uppercase ordinal set is included. So go make cool print and digital things with it, now.

Ultra legible forceful sanserif in 32 fonts Parisine was born as official parisian métro signage typeface. This family of typefaces has become over years one of the symbols of Paris the Johnston for the London Underground or the Helvetica for the New York Subway. The Parisine was created to accompany travelers in their daily use: ultra-readable, friendly, human while the context is a priori hostile. Meanwhile, Parisine is now a workhorse and economical sanserif font family, highly legible, who can be considered as a more human alternative to the industrial-mechanical Din typeface family. More human, but not fancy: No strange “swashy” f, or cursive v, w etc. on the italics, to keep certain expected regularity, important for information design, signages, and any subjects where legibility, sobriety came first. Born as signage typeface family, the various widths and weights permit a wider range of applications. In editorial projects, the Compress version will enhances your headlines, banners, allowing ultra large settings on pages. The Narrow version will be useful as direct compagnon mixed to standard width version when the space is limited. The various Parisine typeface subfamilies Parisine is organised in various widths and subsets, from the original family Parisine, Parisine Gris featuring lighter versions of the usual weights and italics, Parisine Clair featuring extra light styles, to Parisine Sombre with his darker and extremly black weights as we can seen in Frutiger Black or Antique Olive Nord. Many years of adjustments were necessary to refine this complex family. Initially, Parisine was designed by Jean François Porchez in 1996 for Ratp to solely fulfil the unique needs of signage legibility. Parisine remain the official corporate typeface of the public transport in Paris, the worldwide capital for tourism, and now integral part of the French touch. Directly related, Parisine Office was initially created for Ratp’s internal and external communication, Parisine Office is available at Typofonderie too. Not connected with Ratp and public transports, Parisine Plus was created as an informal version of Parisine. Parisine: Introducing narrow and compressed families About Parisine Parisine helps Parisians catch the right bus Observateur du design star of 2007

The Catalpa font family is José Scaglione and Veronika Burian’s wood type inspired design for an overwhelming headline presence. It has no regular weights, only four slender and four hulking weights. Catalpa wasn’t made to be normal; it was made to overwhelm, to stand out, to bellow. Catalpa is the first font family within a trilogy that will be released through 2020. Each of the three have a distinct purpose and their own look, but they serve a common goal: to act as a complete family covering an editorial’s wide array of needs. As the first of the three, Catalpa is the bookend font family with a headlining purpose. What requirements are there for a great headline typeface? Distinction, weight, and cohesiveness are a good start. Its distinctiveness must catch attention, it must have a range of weights applicable to its purpose, and its internal consistency and external look must create a cohesive family. Catalpa is a distinct and unified family whose weights are attuned to its single-minded purpose — headlines and large text. Catalpa has only eight styles that are divided into two ranges of weights — four very light weights (Hairline, Thin, Extralight, and Light ) and four very bold ones (Extrabold, Heavy, Black, and Extrablack). The thin and heavy ends of the spectrum also have their own variable fonts, each with one axis of weight so designers can fine-tune their work. The geometric influence of the design is more obvious in the light range, with their line thickness increasing in the classical manner. The bold weights increase more in width and substance to serve well in websites, mobile apps, posters, advertisements, and magazines that aim for impact more than spreading information. As a family, Catalpa gels in big headlines, short sentences, and isolated words. The family has many recognizable features, in the bolder weights especially, like the reversed contrast ‘S, s’ or the angular design of ‘Q, M, W, w, a, f, 2, 3’. Catalpa’s headlining mixture of geometry and quirkiness leaves an impression that is so characteristic of wood type, but designed for substrates and screens.

The shapes of the f-holes on a violin reminded German designer André Maaßen of an italic letter "f". Maaßen used these captivating contours as the theme for his type family, Varius. The name "Varius" is an homage to the manufacturer of the violin that inspired Maaßen's project, Antonio Stradivarius, the most famous manufacturer of violins in music history. Varius has three separate styles. Varius 1 and its italic are the base style of the family, and are typefaces in the baroque serif manner. Varius 2 and its italic are slab serif egyptiennes, slightly heavier than Varius 1's more classical forms. Varius 3 and its italic are semi serif faces; their characters are serifed, but some of the serifs have been cut off. The family is rounded out with two pi faces: an ornaments font (which can be used in conjunction with the text fonts, or on its own to create beautiful borders or individual decorative elements), and a font of musical symbols and notations. Each of the six text fonts has dozens of supplemental ligatures included in their character sets. When these fonts are used in an OpenType-supporting application, such as Adobe InDesign, these ligatures automatically appear in text when the "Discretionary Ligatures" feature is activated. Additionally, the character sets include added alternate glyphs, such as a swash "m" or "n" to finish off a line of text. These can be inserted manually in applications that include glyph palettes (e.g., Adobe InDesign or Illustrator CS). All of the Varius family's letterforms appear slightly narrow, and traces of the wide-nibbed pen can be seen within their forms. Additionally, the shape of a violin's f-hole is a reminiscent element within all of the family's curves. Varius is particularly suited for use many applications, such as body text, newspaper text, display text, headlines, posters, books, screen design, and corporate identity. Use in sizes ranging from body copy text to display and poster format allow the different facets of the typeface to effectively present themselves. The effects can be as versatile as the possibilities! Due to its special character, the typeface could be used in the design of a logo, or within an appropriate corporate design context, to particularly stress individuality.