Freehand 471 is the Bitstream version of Cascade Script by Matthew Carter. Released by Mergenthaler Linotype in 1965, this design is based on an earlier type by the Ludlow foundry. It's a dark, disconnected script with angular forms. It seems written by heavy marker and thus suitable for informal posters and signage and for advertising and display typography as well. Central European, Cyrillic, and Greek Monotonic characters were designed by Oleg Karpinsky. Released by ParaType in 2011.

Introducing Matty Salde! Is a script font. Written with a marker dipped in ink. With 33 ligatures. We write at a moderate speed so as to produce a solid brush effect. Matty Salde Features: Upper & lowercase characters, numerals, a large range of punctuation and Language Support. 33 ligatures are included for lowercase letters (see image). Matty Salde great for use on larger sizes. I just wanted to let you know that Matty Salde is our first script font. ~ Anugerah

Drawn very small with a brush-tipped felt pen, Messcara has qualities of freedom, toughness, with a few girly loops thrown in for good measure. A true handwriting workhorse.

De La Croix font was inspired by the works of Eugène Delacroix, leader of the Romantic School. De La Croix is a strong yet romantic font that plays well in a wide variety of placements like posters, signage, advertising, fashion, display, wayfinding, publications, packaging, logotypes, and more.

Billo – A Marker Script Style Font Billo, a marker script style font, radiates an unmistakable blend of casual flair and lively charm. With its handcrafted strokes reminiscent of a marker’s fluid motion, this font captures the essence of spontaneity and creativity. Billo’s characters dance across the page with a playful rhythm, infusing any design with a sense of warmth and approachability. The letters exhibit a casual elegance, making it ideal for projects seeking a friendly yet stylish touch. Whether used in branding, invitations, or expressive headlines, Billo effortlessly conveys a sense of authenticity and human touch, inviting the audience to engage with content that reflects the joy of free-spirited expression. Billo is perfect for branding projects, logo, wedding designs, social media posts, advertisements, product packaging, product designs, label, photography, watermark, invitation, stationery, game, fashion and any projects. Fonts include multilingual support for; Afrikaans, Albanian, Czech, Danish, Dutch, English, Estonian, Finnish, French, German, Hungarian, Italian, Latvian, Lithuanian, Norwegian, Polish, Portuguese, Slovak, Slovenian, Spanish, Swedish.

Neat feminine handwriting drawn with a marker.

Crubster is a digitally natured font with a bolder and slightly wider presence. Its Linear/rounded corner features give it a modern style which is suitable for logos, web graphics, headlines and text. Crubster works nicely with white text on a darker background.

Say hello to Supa Mega Fantastic! A casual font duo consisting of a hand-lettered inky script and a casual inked all caps font. The Script comes with a multitude of additional characters as Opentype Alternates, to add a fancy flair to your words as you require. All uppercase characters have a fancy alternate, and all lowercase letters have a selection of alternates for you to select from to suit your wording best. You can have it plain, or fancy shmancy :) The Script comes in two variants - Regular and slightly thinner. The slightly thinner version is best suited to lighter type on darker backgrounds, and the slightly thicker version is better suited to darker type on lighter backgrounds. Perfect for typography based branding, quotes, packaging design, greeting cards, recipe books, cosmetic brands, retro vintage badge design, creative headers and so much more.

Inspired by the hand-lettered sound effects found in comic books, Dave West takes a three-dimensional deep dive into the genre with his extensive onomatopoeic alphabet originally designed for Photo-Lettering, Inc. The sonorous voice of Kerpow’s caps captures “cartoon” brilliantly, while the accompanying lowercase provides options for broader applications. Turn to Kerpow for eye-catching children’s book covers, fast casual restaurant marketing, or family fun centers, and…BAM!…all eyes will be on your design. Originally drawn in the late 1960s, Kerpow was digitized by Allen Mercer in 2011. Please note that the shaded version of the typeface is composed by layering the Regular font and a separate Drop Shadow font. Some assembly required. Like all good subversives, House Industries hides in plain sight while amplifying the look, feel and style of the world’s most interesting brands, products and people. Based in Delaware, visually influencing the world.

A neater version of my font Complete in Him, a hand-drawn marker font. Hand drawn with a brush marker, this font is neat but still has enough twists to make it fun. Perfect for painted or brushed looks.

Gildan fonts come in 7 measured thicknesses. Inspired by a charming classic style. Equipped with several OpenType features (plain version); Discretionary Ligatures, Small Caps, Stylistic Sets, Oldstyle Figures. We made the italic version simpler but with controlled thickness on each side. Everything is made with the aim of complementing each other and supporting the design well. Regards

Dave West’s Italiano is a smooth and sensuous typographic dish with a few extra savory dashes. The silky semi-serif combines ingredients from eighteenth-century engraved italics and nineteenth-century Italian Modern, softened by fine stroke endings and plump dolloped terminals. Preserve Italiano’s subtle flavors by maximizing its size in headlines, advertising captions, and identity campaigns, or capitalize on its swash characters to sweeten package and poster designs. However you use it, Plinc Italiano is a tasty typographic treat—non ci piove! Drawn in the late 1960s for Photo-Lettering, Inc., Italiano was digitized by Steve Ross with Ken Barber in 2015. Like all good subversives, House Industries hides in plain sight while amplifying the look, feel and style of the world’s most interesting brands, products and people. Based in Delaware, visually influencing the world.

Judo ND is a wide-point italic typeface digitized in close collaboration with Helmut Matheis in honor of his long career and loyalty to typographic beauty. It brings spontaneity and elegance to its uses, always maintaining legibility. Judo is a Trademark of BauerTypes SL

Neat, calligraphy-style handwriting using a chisel-tipped marker.

I don't know why exactly, but I felt the need to create a Western font. Band Wagon is a handcrafted cowboy font. It comes with curly slabs, spurs and ye olde outlaw spirit.

A handwritten font created with a 0.5 - 1 mm felt tip pen that works great with illustrations and comics. It seems a bit creepy because of the strokes getting smaller at the bottom.

Plain Sans Serif Face.

A nice loose hand written brush or marker type script.

Straightfast is a marker script font. With rough stroke and fun character. It has Opentype features a couples of ligature to give you an extra creative work. Straightfast marker font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with sans or serif. Make a stunning work with Straightfast marker script font. Cheers, MaulanaCreative

Organico was created as an organic, hand made font. It is designed to be adaptable and useable across a wide range of markets, brands and disciplines. It has upper and lowercase characters with alternatives for all, as well as all the other glyphs you’d expect. It also utilises a number of opentype features, such as standard and discretionary ligatures, contextual alternates and stylistic sets.

Milonga This is a beautiful and elegant hand drawn font, will emphasize your individuality in any project. Its relaxed feel makes this font incredibly versatile, fitting a wide range of designs. You can also use them to create a logo or templates, invitations, blog, branding, marketing, book covers, magazines, advertising, stationery, logo design and much more. This font is easy to use has OpenType features

Whitelist is a stylish and elegant marker font. Whitelist was designed to keep a naturally handwritten marker-style look. It’s a good choice for watermarks on photography, apparel, website, t-shirt, product design, signature, logo designs, quotes, branding, business cards, and many other design projects.

A messy, markered, painted font in pure whimsical and messy style.

HandXpression was created with a stylus, imitating the experience of writing on a whiteboard with a marker. Its 646 glyphs cover from the Western to a wide part of Eastern European (Latin) alphabets. It also has all Greek letters for Math usage: yes, HandXpression makes formulas, and they look great, especially with LaTeX/XeTeX systems. The font has true italics, as well as some useful OpenType features: fractions, capital spacing, scientific superiors/inferiors, old style numbers, as well as standard ligatures and localized forms. Enjoy!

C.P. Company is a group of types including 4 different forms and it is a complementary sign of communication for the C.P. Company clothes maker. C.P. Company communication makes use of media such as the press and the web and that’s the reason why we have always felt the need for a font that would not show incongruities through the monitor. Therefore we have decided to change the structure of glyphs like a, e, g, s… in the most contrasted versions to prevent the serifs from touching the internal parts of the letters and in this manner we have made a really unusual stylistic choice for a group of types. The difference between the height of caps and smalls is very low (about 20%) so that the smalls are easy to read even when their dimensions are on a very small scale. Moreover this stylistic solution gives the possibility to avoid using the small capitals in case of charts and catalogue codes (i.e. Tricot M5) and provides more vertical compactness between the lines. Even a sentence written in capital letters next to another one written in smalls does not look so much contrasted from a typographical point of view and then it is not unpleasant. The limits due to different constructive principles have been overcome by means of a grid based on the automatic division of EM square of 9-point type and in this manner the letters have a wider face. The font is even more unusual owing to the style chosen that belongs to the classical tradition of hair-lined types for glyphs like e and also thanks to ligatures like ? in the characters set. CP Company is a geometrical font whose alphabet makes use of the style of types that preceded the Helvetica, matched with more experimental and updated solutions. Numbering is monospaced. The bending of number 2, the slight raising of the oblique serif of number 4 and the presence of a hair-line in number 7 are the solutions adopted to make the types match in a more balanced manner.

Though Zigarre can easily be categorized a brush script, Jim Rimmer actually drew it using a big marker. Jim’s original face, inspired by inter-war German poster lettering, was a rough one, with the marker’s juicy ink roughing it out all over the place. The smooth version, Zigarre Script, was produced as part of a major update and remastering the design underwent in 2012. Both Zigarre Script and Zigarre Rough come with extended Latin language support, as well as a few built-in stylistic alternates. 20% of this font’s revenues will be donated to a GDC scholarship fund, supporting higher typography education in Canada.

Based on the popular Girltalk font, cute, cheeky Girlscript, was specially designed for the young-teen market. I felt that it was time for Girltalk to have a "big sister" script font to complete the group. Pretty & feminine, with a large dose of cheek, Girlscript is great for: -- “girl style” stationery -- diary covers -- clothing hang-tags -- party invitations -- greeting cards -- book covers -- movie posters -- CD covers -- game advertising media Girlscript is perfect for hen parties, baby showers, pamper parties and other occasions that bring out the “girl in” women. Think sugar 'n spice, think cute 'n cheeky, add a dash of Girlscript and you're on a winning streak! Girlscript is fully professional, carefully letterspaced and kerned. All upper and lower case characters, punctuation, numerals and accented characters are present.

Marsden is a bold, no-nonsense Grotesque. It was designed for display, branding, advertising, packaging or anywhere a strong voice is needed. Marsden is built on a geometric foundation, with just enough warmth to keep the style confident and lively. The family features 8 widths in 12 weights; from a Slim Hairline to an extremely bold Wide Super. The fonts flow from condensed to wide with design intent. The condensed forms feature flat sides and subtle curves, while the wider forms feature rounded sides and open curves. The character set is robust, covering extended latin. The default forms are contemporary with alternates including: single-story a, two-story g, curved terminal l, raised vertex M, rounded top A, fully rounded G, rounded leg R, straight tail Q and straight descender y, all separated into individual style sets for control and customization. Completing the family are the Text fonts where the weights, widths and spacing are adjusted for smaller use.

This is really Congo from Barnhart Bros. & Spindler, but we felt it would be improved if we smoothed out some of the curves slightly. Conjures up visions of Pacific Islands and other exotic ports of call.

a bold marker display font. Font with round and fat style. Mough imitate round marker pen in a clean way, this font fits perfectly into any background. Mough is perfect for many design such as merch, T-shirts, titles, book covers, social media posts, websites, events, and many more

Cracksmoon was hand-drawn with a marker pen and converted to font - and like the marker, it has natural edges and realistic shapes. Includes bonus ligatures and style swashes. Perfect for designs where you need a font that's a little rougher around the edges. Including : Alternate Multilingual support

Fremont This is a beautiful and elegant hand drawn font, will underline your individuality in any project. Its relaxed feel makes this font incredibly versatile, fitting a wide range of designs. You can also use them to create a logo or templates, invitations, blog, branding, marketing, book covers, magazines, advertising, stationery, logo design and much more. This font is easy to use has OpenType features, and supported PUA encoded.

Cold Snowflake - Quirky Ice Cream And Candy Theme Font is a delightful typeface designed to capture the essence of ice cream and candy in a playful and fun manner. The font features quirky, bold, and chubby letterforms, mirroring the sweet and indulgent theme it represents. It can be effectively used alone or in combination with its twelve charming variations. With twelve distinctive variations inspired by ice cream, candy, cones, sprinkles, sticks, melting treats, and chocolate, Cold Snowflake is the perfect choice for children's projects, crafting, and any design that seeks to evoke a sense of fun, playfulness, and a vibrant, colorful aesthetic. This font suits a wide range of applications, including logos, crafting projects, invitations, packaging, posters, titles, businesses, greeting cards, stickers, children's books, magazines, and any design related to the delightful world of ice cream and candy. With its sweet and cheerful theme, Cold Snowflake adds a touch of whimsy to your creative work, making it perfect for all things sweet and playful.

The Barnhart Bros. & Spindler foundry put out a caps-only face called Dante. We liked it, but felt it needed a lowercase. The result here is a rather nice square design, which has become a personal favorite.

Unlike its predecessor, Andes Neue contains a larger character set of 759 glyphs which support 219 Latin-based languages from 212 countries. The font comes in 4 variants that provide a wide stylistic range. Andes Neue is the most similar to the original Andes design. The Alt1 character set bears some similarity to the old Andes's (yet cleaner); Alt2 uses the alternates in the font as default glyphs; and Alt3 is a mixture of the other three variants that offers a balanced set of characters. Andes Neue also includes new accents and glyphs for a wider language support, and a set of small caps (in each variant). All of these features give the font a strong personality that helps make text look more appealing. Andes Neue varied weights work well with both short and mid-length text sections, providing a wide range of choices for any design project.