Experimental 90s geometric type. Regular and Stencil.

American Revolution is a unique collection of signatures of 84 key personalities from both sides of the American Revolutionary War, one of the supreme dramas in history. A must-have for autograph collectors, desktop publishers, history buffs, or anyone who has ever dreamed of sending a letter, card, or e-mail “signed” as if by one of these famous Revolionary War figures. This font includes signatures from the following American Revolutionary War personalities, from both sides: Ethan Allen, Charles T. Armand, John Armstrong, Benedict Arnold, Pudhomme de Borre, John Cadwalader, George Rogers Clark, George Clinton, James Clinton, Thomas Conway, William Davidson, Philippe du Coudray, The Chevalier Louis Lebegue dePresle Duportail, Chistopher Gadsden, Horatio Gates, Moses Hazen, John Glover, Mordecai Gist, Nathaniel Greene, William Heath, Edward Hand, John E. Howard, Robert Howe, Isaac Huger, William Irvine, Henry Knox, Baron Johann de Kalb, Tadeusz Kosciuszko, Marquis de Lafayette, Charles Lee, Henry Lee, Andrew Lewis, William Maxwell, Benjamin Lincoln, Francis Marion, James Moore, Daniel Morgan, William Moultrie, Peter Muhlenberg, Alexander McDougall, Lewis Nicola, Lachlan McIntosh, John Nixon, Hugh Mercer, Samuel H. Parsons, Thomas Mifflin, John Paterson, Richard Montgomery, Andrew Pickens, Charles Cotesworth Pinckney, Enoch Poor, Count Casimir Pulaski, Israel Putnam, Joseph Reed, Elisha Sheldon, Arthur St. Clair, William Smallwood, Philip Schuyler, John Stark, Charles Scott, Adam Stephen, John Sullivan, Jethro Sumner, Thomas Sumter, James Varnum, Baron Friedrich Wilhelm August Heinrich Ferdinand von Steuben, Lord Stirling, Artemas Ward, Joseph Warren, George Washington, Anthony Wayne, James Wilkinson, Otho H. Williams, John Paul Jones, William Woodford, David Wooster, John Burgoyne, Sir Guy Carleton, Charles Cornwallis, Sir Henry Clinton, Sir Thomas Gage, Richard, Earl Howe, Sir William Howe, Sir Banastre Tarleton. This font behaves exactly like any other font. Each signature is mapped to a regular character on your keyboard. Open any Windows application, select the installed font, and type a letter, and the signature will appear at that point on the page. Painstaking craftsmanship and an incredible collection of hard-to-find signatures go into this one-of-a-kind font. Comes with a character map.

Attention all Space Marines! The battle for legibility in the galaxy is over! Introducing Battlemaze—the font that will help you obliterate any enemy with its heavy techno headline design. Inspired by the legendary Japanese industrial logo designs and fused with the futuristic 1980s computer printer fonts, Battlemaze is the ultimate weapon in your typography arsenal. With its tightly folded line treatment, this font is built to withstand the most intense space battles. Whether you’re fighting on a distant planet or defending your ship from alien invaders, Battlemaze will never let you down. And if you’re looking for an added advantage, check out its ligatures—the “B” flips when it comes before a “J” period, or comma. So gear up, Space Marines! It’s time to unleash the power of Battlemaze and conquer the galaxy with its angled “A” and “V” glyphs. Trust us, your enemies won’t know what hit them! Most Latin-based European, and some Cyrillic-based writing systems are supported, including the following languages. A Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Bulgarian, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Komi-Permyak, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Macedonian, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Russian, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

Nyala is an Ethiopic font designed by John Hudson and Geraldine Wade. The Nyala font features Ethiopic harmonized with Latin characters for bilingual documents. The Nyala typeface is named for the Mountain Nyala, a native antelope found in the mountains of Ethiopia. The Ethiopic characters in the Nyala font were designed by John Hudson based on initial drawings by Geraldine Wade. The Latin characters in Nyala were designed by John Hudson to be in harmony with the Ethiopic characters. The Nyala font supports Ethiopic, Amharic, Tigrinya and Tigre, and also other modern tongues of Ethiopia and Eritrea including Ge'ez - the ancient scriptural language. View Nyala Type Specimen (PDF)

Rutherford is clear, robust and authoritative, and reads well at small text sizes while also having the required heft for larger headlines. A wide range of weights makes it a versatile choice for magazines, branding, brochures and advertising. A slightly condensed obround serif with squared stroke terminals. The t, j and f curve around to harmonize with the terminals on the a and g, as does the tail of the Q. The italic incorporates cursive forms on the ends of the lower right and upper left strokes, and uses a single-story a. Includes full European Latin support and alternate designs for the Q and g in all weights.

Spencer is a calligraphic semi-serif type family that has been carefully designed to provide easily distinguishable letterforms that are practical in use, as well as aesthetically appealing. It's natural and organic forms comes from a deep consideration of the efficiency of the visible word and provides the typeface with a distinct and unique voice.

 Named after Herbert Spencer, an educator and researcher of legibility at the Royal College of Art in the sixties and seventies, and influenced by other early typographers and legibility researchers, such as Walter Tracy and John Harris. Spencer was designed as part of a legibility study by Sofie Beier and Kevin Larson.

A dotted script typeface Puntino is (maybe the first) dotted script typeface and not made up of grid-based dots. They are optical corrected and there is always the same distance between the dots, with the aim to create more harmonic letterforms. The dots also vary gradually in size to reflect the thickening and thinning of strokes, giving the letterforms a sophisticated overall look. Puntino comes up with 4 styles and is perfectly suited for logos, brands, congratulation cards … The language support includes Western, Central and Eastern European character sets, as well as Baltic and Turkish languages. OPEN TYPE FEATURES: Standard ligatures and contextual alternates should be activated.

Sandena began as an attempt at a harmonic convergence between the classic lines of Palatino and the curved flair of Optima - both favorites of mine from the great Hermann Zapf. As I’ve always loved the Swash characters of the 50’s and 60’s letterforms, I incorporated these alternatives to offer the more complete package that you see here - a humanist font in the truest calligraphic sense. This OpenType font family comes in four weights and includes condensed and Swash Cap alternates. Sandena offers multiple-character foreign language support and is being offered in a number of packages best-tailored for your unique application.

Melothias and Melothias Decorative actually started as an idea for designing the logo of a sports company. Melothias, is inspired by the idea of mixing different "Didone" ,"Greek motifs", " ballgame" design yet features different proportions, curvesyet dignified, which give it a classy, playful and a more contemporary look. The extreme contrast between thick and thin strokes gives Melothias a harmonic, yet dignified and stylish look. It comes in 14 weights. Melothias is an elegant typeface well-suited for editorial design and display work in books, magazines, posters, and billboards. Melothias Decorative can be used independently or in combination with Melothias for initials or headlines.

Punto is not made up of grid-based dots. They are optical corrected and there is always the same distance between the dots, with the aim to create more harmonic letterforms. The dots also vary gradually in size to reflect the thickening and thinning of strokes, giving the letterforms a sophisticated overall look. Punto comes up with 3 weights and 3 italics and is perfectly suited for logos, brands, magazines and special for signage systems and mobile devices. The language support includes Western, Central and Eastern European character sets, as well as Baltic and Turkish languages. The little sister of Punto is Punto Poly : A layered type system for cromatic typesetting.

The 14 symbol and arrow fonts in Vialog Signs were designed to accompany Vialog, a specially developed font family for the transportation industry and information systems typography. These functional and clever signs harmonize with the Vialog alphabets perfectly and they can also be used on their own or with other fonts. The extensive sets have not only the symbols for common transportation industry requirements, but also symbols for the numerous electronic and sporting devices of modern life. Included are four weights of arrows (to match the weights of the Vialog fonts), Sport Signs, Conduct Signs, Communication Signs, Community Signs, Direction Signs, and Transport Signs.

CA Cape Rock, first released in 2007 and now reissued and expanded, is an impressive display typeface. Designed with a fat Clarendon and wood type in mind, the typeface’s bold and distinctive forms add spice and personality to any design that requires a strong display aesthetic. CA Cape Rock is particularly enjoyable for use in headlines and ideal for highlighted text. With already two dozen existing ligatures and many OpenType swashes, the new edition also received letters for use in the Central European and South Eastern European area. Cleaned and harmonized paths, a completely new kerning as well as a newly added Italic (Slanted) style are also among the new features.

Introducing the Gavora sans serif font. Modern strokes are the result of the harmonization of width and height, especially in lowercase letters, to support the best possible readability. Gavora Sans’ goal is to become a universal weapon not only because it works well in headlines, sorts, and long copy, but also because of its subtle neutrality. So that it creates a proportional text. of course, your various design projects will be perfect and extraordinary if you use this font because this font is equipped with a font family, both for titles and subtitles and sentence text, start using our fonts for your extraordinary projects.

Original Arabic Transparent Regular font by Glyph Systems

Original Simplified Arabic Regular font by Glyph Systems

Monosphere is a monospaced font, regular but futuristic.

Kiddie Blokz JNL is a limited character set font in three styles: Regular, Lined and Block, emulating the look of toy blocks for themes with a juvenile motif. For a companion font to set regular copy, use Roughshod JNL.