Boneous is a display font. Inspired by the shape of the bones. Comes in two font styles, regular and oblique. Boneous comes with 400+ glyphs, which also includes multilingual languages. It's perfect for headlines, branding, and many more.

Cintra font family has been designed for Graviton Font Foundry by Pablo Balcells in 2014. It is a sans serif, bold, geometric typeface with subtle rounded angles, which provides a soft, pleasent appearence. Cintra consists of 8 styles.

Introducing CANDY NIGHT! A Hand Drawn slab serif font! Made by hand to provide a natural, unique and modern style. This font is carefully designed to maintain the balance of each letter. Very easy and convenient to use.

Jeff Levine Fonts offers its interpretation of Tea Chest, an Art Deco serif stencil font originally designed in 1939 by Robert Harling for the Stephenson-Blake type foundry. Pekoe JNL is available in both regular and oblique versions.

This is a geometric font suitable for modern designs. designed according to strict geometry. It's geometric, but it has also humanly rough styles. and added various alternative glyphs. includes ligatures and alternate characters inspired by famous geometric fonts.

Black Ornaments is a family of ornament/dingbat fonts, inspired by the CalligraphiaLatina font series. Is excellent for use in editorial works of art and publishing, as the cover of books, headpieces, packaging, magazines and many other solutions.

RMU Bison is my revival of Julius Kirns hot-metal font, which first was released by Weber in 1935. The versatile timeless brush font was extended as to cover the main Western and Central European languages plus Turkish.

Aery is a Typeface designed by Daily Studio. This font is a slim type font. Every letter has its design, so it makes your projects look professional and outstanding. Aery contains full uppercase, lowercase, punctuation, and multilingual letters.

Salysta Victoria is an elegant script font with a contemporary atmosphere and impeccable form, inspired by timeless classic calligraphy. This font is PUA encoded which means you can access all of the amazing glyphs and ligatures with ease!

Divina Proportione is based from the original studies from Luca Pacioli. Luca Pacioli was born in 1446 or 1447 in Sansepolcro (Tuscany) where he received an abbaco education. Luca Pacioli was born in 1446 or 1447 in Sansepolcro (Tuscany) where he received an abbaco education. [This was education in the vernacular (i.e. the local tongue) rather than Latin and focused on the knowledge required of merchants.] He moved to Venice around 1464 where he continued his own education while working as a tutor to the three sons of a merchant. It was during this period that he wrote his first book -- a treatise on arithmetic for the three boys he was tutoring. Between 1472 and 1475, he became a Franciscan friar. In 1475, he started teaching in Perugia and wrote a comprehensive abbaco textbook in the vernacular for his students during 1477 and 1478. It is thought that he then started teaching university mathematics (rather than abbaco) and he did so in a number of Italian universities, including Perugia, holding the first chair in mathematics in two of them. He also continued to work as a private abbaco tutor of mathematics and was, in fact, instructed to stop teaching at this level in Sansepolcro in 1491. In 1494, his first book to be printed, Summa de arithmetica, geometria, proportioni et proportionalita, was published in Venice. In 1497, he accepted an invitation from Lodovico Sforza ("Il Moro") to work in Milan. There he met, collaborated with, lived with, and taught mathematics to Leonardo da Vinci. In 1499, Pacioli and Leonardo were forced to flee Milan when Louis XII of France seized the city and drove their patron out. Their paths appear to have finally separated around 1506. Pacioli died aged 70 in 1517, most likely in Sansepolcro where it is thought he had spent much of his final years. De divina proportione (written in Milan in 1496–98, published in Venice in 1509). Two versions of the original manuscript are extant, one in the Biblioteca Ambrosiana in Milan, the other in the Bibliothèque Publique et Universitaire in Geneva. The subject was mathematical and artistic proportion, especially the mathematics of the golden ratio and its application in architecture. Leonardo da Vinci drew the illustrations of the regular solids in De divina proportione while he lived with and took mathematics lessons from Pacioli. Leonardo's drawings are probably the first illustrations of skeletonic solids, an easy distinction between front and back. The work also discusses the use of perspective by painters such as Piero della Francesca, Melozzo da Forlì, and Marco Palmezzano. As a side note, the "M" logo used by the Metropolitan Museum of Art in New York City is taken from De divina proportione. “ The Ancients, having taken into consideration the rigorous construction of the human body, elaborated all their works, as especially their holy temples, according to these proportions; for they found here the two principal figures without which no project is possible: the perfection of the circle, the principle of all regular bodies, and the equilateral square. ” —De divina proportione

Urban Graffiti Font Busky Introduction Meet Urban Graffiti Font Busky, a vibrant display font inspired by street art. This font captures the essence of graffiti culture. It’s perfect for adding a playful touch to your designs. Busky’s bold and lively appearance is sure to grab attention. Design and Style Busky features bubble letter forms, giving it a fun and bouncy feel. Each character is crafted to resemble graffiti bubbles. The font’s rounded edges convey a sense of movement and fluidity. This style is ideal for projects needing a touch of urban flair.

Lead Paint is a font designed by Ethan Dunham that is very rough and grungy looking. It was created using ink and a piece of shredded wood.

Blogh is fat and quirky display font. Its heavy weight and sturdy letterforms with characterized by extreme artificial inktrap, make it uniquely perfect for headlines and titles.

Thellor is an elegant handwritten script font. Get inspired by its unique shape and character! Thellor contains standard characters, lowercase, uppercase, numbers, punctuation, ligatures, and international characters.

The Depot Trapharet 2D is based on lettering of Lviv tram stands describing the city tram routes. The font is characterized by brutal simplicity bordering with primitivity.

Ankara is a display font that inspired by the forms of high windows, doors and gates of buildings that constructed in the early years of Turkish Republic.

The elegant and cute Brownie Girly font was inspired by children's handwriting and is very suitable for book covers, magazine covers, packaging products, birthday gifts, and more.

A friendly sans serif font inspired by sign written lettering. Brushed Sans captures the nuances that come from the action and speed of the sign writing process.

This font was inspired by lettering found on old stock certificate on the 19th century and comes with two guilloche borders, which makes national currency very useful.

Handwritten letters inspired by various ancient & modern scripts. Ballers is a "gangsterish" tag font that avoids overlap & features long acenders & decenders for an eye catching unique style.

The inspiration for this font was a two-sided piece of paper. The glyphs were created by bending strips of this paper, then scanned and recreated digitally.

Aborm a classy, contemporary of Sans Serif font, Inspired by 1980’s. Ideally suited for advertising and packaging, festive occasions, editorial and publishing, creative industries and posters.

This font is designed by me for the use in my friend´s invitation for her childrens birthday party. I hope you can use it in yours.

Aldous Vertical is a headline typeface designed by Walter Huxley in 1935. The Aldous Vertical font is a monoline all-capitals design, good for logos and titling.

A "serious"(serif) font with a crazy touch. The idea was born on dozens of papers, thanks to a not-steady-at-all hand guided by coffee.

Bell Centennial was created by Matthew Carter in 1976 for the American telephone company Bell. Its bold, clear characters make it an extremely legible and distinctive font.

Gothic Revival Layered is a new layered font by Chyrllene K - Intellecta Design. Whith it you have three wonderful ways to use and apply in yours projects.

Elegant custom font with rounded corners, great for logos, posters, motion graphics and t-shirts. The name is inspired by the sleek curves and its smooth look.

Create your own design by choosing this wonderful handwritten font. Albiol has an effortless yet refined quality, making it an excellent fit for projects of all types.

Inspired by printed texts from 18th century France, Millesime has a gritty grainy texture that adds a natural and sentimental feel to this stylish rusty style font.