Cardillac Text is the down to earth version of the subtle and high contrasted Cardillac family. More suitable for longer text and for strong headline applications. The Cardillac Text Family consists of 16 styles, provides many features which allow its application for ambitious typography. It comes in OpenType format with extended language support. All weights contain small caps, ligatures, superior characters, proportional lining figures, tabular lining figures, proportional old style figures, lining old style figures, matching currency symbols, fraction- and scientific numerals, matching arrows and alternate characters.

While most script typefaces are slanted, Bryce is an upright script. Bryce can be used everywhere where an informal, handwritten style is desired, for example in signage and on posters. SoftMaker’s Bryce Pro typeface comes with a huge character set that covers not only Western European languages, but also includes Central European, Baltic, Croatian, Slovene, Romanian, and Turkish characters. Case-sensitive punctuation signs for all-caps titles are included as well as many fractions, an extensive set of ligatures, and separate sets of tabular and proportional digits.

Papillon Woodcuts is a digital revival of an ornate alphabet by French engraver Jean Michel Papillon dating back to 1760, when engraving was very fashionable in France. Each letter is displayed with a different themed background, such as a ship at sea; a fancy table topped with a bounty of fruits; flying birds; a parasol with flowers; playful cherubs; rich textured drapes and tapestries; and many more. These woodcut initials are especially beautiful when used at the beginning of a paragraph as in olden texts.

SoftMaker’s Chandler Pro is a flamboyant brush script face. Originally designed with a certain far-Eastern touch in mind, it is great for casual typopgraphy. Chandler Pro contains OpenType layout tables for sophisticated typography. It also comes with a huge character set that covers not only Western European languages, but also includes Central European, Baltic, Croatian, Slovene, Romanian, and Turkish characters. Case-sensitive punctuation signs for all-caps titles are included as well as many fractions, and separate sets of tabular and proportional digits.

Marilyn is a heavy sans typeface; the extreme variations of the baseline of their glyphs cause dramatic typographic effects, flexibility “glamour” with vintage taste. Marilyn has been designed for use in many forms of commercial jobbing and typographic work that have been mushroomed since de visual communication revolution — like posters, brochures, packaging, logotypes, magazines, children books, headlines, booklets, leaflets, websites, and much more. Marilyn comes also with a large set of ligatures, stylistic alternates and pictograms that enlarge visual expressive possibilities and give you more creative chances.

Alf Becker graced many issues of “Signs of the Times” (a trade magazine for the sign industry) with his innovative hand lettered alphabets for others to use as design inspirations. His 134th submission was titled “Post Card Type”, a condensed thick-and-thin stylized Art Deco design. This served as the inspiration for Tourist Postcard JNL, which is available in both regular and oblique versions. Thanks to Tod Swormstedt of S.T. Media Group and the American Sign Museum for providing the work image for this type revival.

Lettering designer Ray Cruz, creator of Bitstream’s VeraCruz, Fat Albert and Cruz Cantera, and many other typefaces, introduces Homeland BT, a finely drawn family of six weights, including two italics. This text and display typeface has a generous x-height and overall body width for great legibility at small text sizes. The exaggerated serifs impart a sense of stability and comfort, and give headlines a unique styling. Available in PostScript OpenType format, Homeland’s extended glyph set covers the Western and Central European, Baltic and Turkish languages.

Kanona JNL is modeled from one of the numerous alphabets created by the late Alf R. Becker for Signs of the Times magazine from the 1930s through the 1950s. Thanks to a wealth of source material provided by Tod Swormstedt of ST Media (and who is also the curator of the American Sign Museum in Cincinnati, Ohio), Jeff Levine has been redrawing many of these alphabets and presenting them in digital form. The original variations in letter widths from Becker’s hand-painted alphabet have been left intact.

Love songs are the perennials of music, outlasting all other popular fads and styles that come and go. The 1920s through the 1940s is considered by some to be the Golden Age of the American love song. Thousands upon thousands of copies of popular sheet music sold, and the cover lettering and art on many titles were from some of the finest illustrators of their time. Love Song JNL recreates the Art Deco-flavored design found on one such piece of sheet music from the 1930s.

Introducing, Shakuro. As you can see, this brush typeface has unique letterforms inspired by japanese kanji typography. Very suitable to use for headlines, titles, logos or anything especially related to Japanese or asian themes. Features : uppercase & lowercase (alternates) numbers and punctuation multilingual PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations. Email us to letterhend@gmail.com if you need something! Happy Designing!

Supra Rounded is the newest addition to my big SUPRA-family. It really rounds of the huge family with a friendly design, that makes it an excellent and elegant text-typeface. It is an OpenType family for professional typography with an extended character set of over 700 glyphs and extensive kerning. It supports more than 40 Central- and Eastern-European as well as many Western languages (except Greek and Cyrillic). Ligatures, different figures, fractions, currency symbols and small caps can be found in all cuts.

The Delivery Matrix typestyle is inspired by the high bleed stamp printing on some shipped packages I've received over the years. An extended techno dot matrix style, good for so many uses at a wide variety of sizes, even with the tight "e" and "s" characters. Do you send out packages to friends...? Do you make techno style art/flyers...? Here is a typestyle for you. Put the power of the Digital and Postal systems in your computer and at your fingertips, get Delivery Matrix today!

Bronx is a contemporary, highly stylized script typeface that captures the effect of quickly rendered brush lettering. The capitals are intended only for initialing purposes but may be joined with the lowercase letters, which can be linked together to reproduce the look of handwriting. This design has great potential for use in work associated with the fashion industry. British designer David Quay originally produced Bronx for Letraset in 1986, and it is just one of the many styles of type developed by this talented and renowned designer.

Introducing Automata, the typeface that combines futuristic appearance and easy readability. Great for titles but also for logos and text at medium/small sizes, making Automata suitable for a wide range of applications. In addition to its smooth, clean lines and geometric aesthetic, Automata offers a variety of customizable options such as stylistic alternates, logo discretionary ligatures and multiple weights including extra-light and black. The support for many languages makes Automata a global typeface. Add a touch of the future to your design work.

Gorva is a geometric sans serif typeface affected by other geometric sans like Product Sans and Avenir. There are more 400 glyphs with special characters with circles on a, g, and r. All special characters are PUA Encoded, which means that you can access all special characters through Windows and Mac and that you can load them into any application. This typeface is suitable for many projects, such as designing for print and digital media. Also supports multilingual languages from Western European to Eastern European.

Bountyman is a slab serif typeface with slant version. Perfectly to be applied to the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Features : Regular & Slant version Uppercase & lowercase Numbers and punctuation Multilingual PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.

Meet Tilson, a versatile workhorse family for both texts and headlines based on a geometric and straight-lined design. It will give your apps, websites, logos, posters and so much more a techy and masculine look and feel. However, some friendly rounded details, such as the i-dot, add a rather pleasant personality to this family. With more than 200 languages covered, many opentype features on board, obliques, and weights ranging from Thin to Black, Tilson is a truly versatile companion for your next design project.

Transat Text is a geometric sans serif typeface, and is the more rational sibling to the unabashedly Art Deco "Transat". Transat Text has a slightly taller x-height than its counterpart, making it easier to read at small sizes, but also performs admirably in larger display settings. Transat Text includes many OpenType features, such as ligatures, small capitals, case sensitive forms, stylistic alternates, arbitrary fractions, and a full complement of proportional, tabular, and oldstyle figures. The Transat Text family includes 5 weights plus optically-corrected obliques.

The Zanerian Manual of Alphabets and Engrossing, published in numerous editions since 1895, featured many elegant and elaborate script typefaces. However, it seems that, from time to time, calligraphers just want to have fun, and this little number is definitely fun. Light, lively and just a little loopy, Red Hot Mama is sure to add just the right amount of spice to your special project. Both versions contain the complete Unicode 1252 (Latin) and Unicode 1250 (Central European) character sets, with localization for Romanian and Moldovan.

Dehors is a western display typeface. It is suitable for design needs with a touch of classic western, especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Features : numbers and punctuation multilingual PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.

High-quality ornamental initials superimposed on nursery rhyme backgrounds such as Humpty Dumpty, Ride a Cock Horse, Baa Baa Black Sheep, Tom Tom the Piper's Son, Rub-A-Dub-Dub, the Queen of Hearts, Old King Cole, and many others. Includes one set of A-Z ornamental initials conveniently assigned to both the upper and lower case alphabet characters. Ornate and accurate renderings that can be used for the beginning of paragraphs in any children's publication or texts relating to nursery rhymes and fairy tales.

Reflex update: Now in 18 styles and variable version. Reflex was designed as an alternative to many overused types found on the packaging of pop culture products. Taking its inspiration from Bauhaus design roots, even in its heavy weights it maintains a soft aesthetic that can transparently convey a message of newness and understanding, as well as clarity and evenness. The Reflex set comes with a wide range of linguistic support, at no extra charge, including characters for Central European, Cyrillic, Greek, Turkish and Baltic regions.

An old book found at a Paris bouquiniste contained samples of the typeface “Caractère de finance,” a bâtarde design by 18th century typefounder Pierre Simon Fournier. Rather than revive the type, Kanna Aoki decided to reinvent it, using a felt pen to achieve a rustic, handwritten quality, departing from the 18th century model as she saw fit. MVB Chanson d'Amour conveys a soulful elegance that stops short of the ostentatious, overwrought found in many formal scripts. It is lovely and sweet, but never saccharine.

Among the many display faces Milton Glaser designed during the heyday of Push Pins Studios was the pattern for this dramatically shadowed face, whose original name—for reasons unexplained—was "Kitchen." Well, whatever the reason, it's definitely "what's cooking," so the Italian word for the latter half of that phrase gives this typeface its name. Equally at home being kookie or spookie. Both versions include the complete Unicode Latin 1252, Central European 1250 and Turkish 1254 character sets, with localization for Moldovan and Romanian.

Maine is a modernized book antiqua consisting of six styles and matching italics. Maine's cuts are from Light to Extrabold, of which Regular and Slightly Bolder Book are especially suitable for longer texts. Thanks to its clear features and high x-height, Maine creates a beautiful and legible body text. Maine gives a professional, no-nonsense impression and it’s best used in editorial, books, magazines and everywhere where you can use many different styles and sizes of the same typeface. Go dignified with Maine.

Hangbird is a modern brush script with lots of alternate characters, swashes and underlines. It is very versatile and has many options for customization. You can build up words and phrases that suit your specific needs and liking. That makes Hangbird a good choice for logos, titles and lettering pieces. Hangbird has various alternatives for uppercase, several end swashes, connecting and non-connecting lowercase and options for ascenders and descenders. By altering these options you can have an end result that is almost like lettering.

Smalkis This beautiful script is for those who need elegance and style for their designs and is perfect for wedding invitations, save the date cards and feminine branding. Smalkis includes a full set of Basic Uppercase and Lowercase Characters, Numbers and Punctuation. Also contains ligatures and many stylistic alternatives to perfectly recreate natural calligraphy (check the preview to see all of them) What will you get? Smalkis (OTF) If you have any questions about my products, feel free to write a message on the side.

Romantic Soulmate is a sophisticated condensed serif typeface. Perfectly to be applied to the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Features : Regular & Italic style lowercase uppercase numbers and punctuation multilingual alternates PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.

Hello All!! Introducing!! Teiqulato is a calligraphy script with a perfection style of the letters you want to use, modern handwriting with many alternatives. Now this is an opentype! It's smart and in line with your wishes! You are welcome to use it, suitable for various purposes: logo, corporate symbol, wedding invitation, title, creative, t-shirt, business card, letterhead, nameplate, label, poster, news, badge, quotation, etc. Teiqulato Features 458 glyphs and alternative characters. Includes the initial letter to terminal, alternative, ligature and multiple language support. Thanks...

The unmistakable brush of Angel Koziupa does its unique work again, this time with the elegant strokes made for branding or packaging projects that entail the use of many design elements, and so require clear and simple artistic alphabet to represent the brand elegantly, without clashing with the overall design. Methodical and disciplined, Sinfonieta accentuates the collage just enough to convey class and comfort, art and elegance. Sinfonieta includes alternates that come in handy to help with the precision usually required for logotypes and wordmarks.

Sterling Script was initially meant to a be digitization/reinterpretation of a copperplate script widely used during what effectively became the last decade of metal type: Stephenson Blake's Youthline, from 1952. The years from 1945 to 1960 saw a heightened demand for copperplate faces, due to post-war market optimism, as well as the banking and insurance industries booming like never before, which triggered the need for design elements that express formal elegance and luxury. The name Sterling Script is a tip of our hat to England, the Stephenson Blake foundry's country of origin. It is also a historical hint about copperplate scripts having been used mainly for banking and bonds in the 19th century. Originally we just wanted to resurrect a gorgeous metal type from the ashes of forgotten history. But after the main font was done we saw that the original s really needed an alternate. We made one. But we felt sorry for the original s and didn't want to see it dropped from use altogether, so we saved it by building a set of ligatures that solve the minor connection problem with the s at large sizes. Before the completion of the ligatures, a few different alternates were also drawn, and we were faced by the fact that the single font we set out to do was now a much larger set than we anticipated. While thinking about how to split up our unexpected bundle of large characters, we drew a few more alternates and some swashes. This abundance "problem" reached a certain point where there was no looking back, so we just decided to go all the way with this font. We added many more alternates, swashes, ligatures, and two full sets of each beginning and ending lowercase letter. The result is over 750 characters of sheer elegance. Sterling Script has many features that set it above and beyond other copperplate scripts: - It has 2 beginning and 2 ending alternates for every single lowercase character. The beginning and ending variants on the vowels are also available in accented form in the appropriate cells of the character map. - Sterling Script is the ultimate elegant font choice for luxury design. Very elegant, but not too soft. Its strong and confident shapes convey a message that is real, comforting and assuring. - One of the eventual purposes of expanding Sterling Script this extensively was to create a script that finds the middle ground between formal and informal without compromising either trait, a script where the degree of formality can be gauged, tweaked, cranked up or toned down depending on the layout's needs. Aside from beginnings and endings, there are multiple variations for the majority of the basic characters. This is a formal script on steroids, where twirls and swashes can be set to come out unexpectedly from any place in the word, which is great for reducing the inherent rigidity of words set in copperplate scripts and "humanizing" them whenever needed. This is especially useful for wedding, postcard and invitation design, where not every viewer of the collateral material has something to do with banking or insurance. - With such an extensive character set, a designer can easily set a word or a sentence in 10 or more different ways, and choose the perfect one for the task at hand. This is particularly useful for work where details are of utmost importance, like logos, slogans, or elegant engravings that consist of one to three words. Let those swashes and twirls intertwine for maximum elegance. The Sterling Script complete package consists of 7 fonts: Sterling Script, Alternates, Beginnings, Endings, Swashes, Swash Alternates, and Ligatures. Sterling Script is available in five different purchase options and price ranges. But with such a massive offering of variation, the Sterling Script complete package is definitely the most value-laden set in its class. Once you use Sterling Script, you will never want to go back to other copperplates.

A typical Art Deco font. I have redesigned the uppercase “S” to mach the lowercase, tweaked a little here and there - and completely redesigned all the diacritics (which didn't really match the letter designs). Nick Curtis says: "The inspiration for this font came from a poster for an Austrian trade show from the 1920s, credited simply to Wasserman." ALL fonts from CheapProFonts have very extensive language support: They contain some unusual diacritic letters (some of which are contained in the Latin Extended-B Unicode block) supporting: Cornish, Filipino (Tagalog), Guarani, Luxembourgian, Malagasy, Romanian, Ulithian and Welsh. They also contain all glyphs in the Latin Extended-A Unicode block (which among others cover the Central European and Baltic areas) supporting: Afrikaans, Belarusian (Lacinka), Bosnian, Catalan, Chichewa, Croatian, Czech, Dutch, Esperanto, Greenlandic, Hungarian, Kashubian, Kurdish (Kurmanji), Latvian, Lithuanian, Maltese, Maori, Polish, Saami (Inari), Saami (North), Serbian (latin), Slovak(ian), Slovene, Sorbian (Lower), Sorbian (Upper), Turkish and Turkmen. And they of course contain all the usual “western” glyphs supporting: Albanian, Basque, Breton, Chamorro, Danish, Estonian, Faroese, Finnish, French, Frisian, Galican, German, Icelandic, Indonesian, Irish (Gaelic), Italian, Northern Sotho, Norwegian, Occitan, Portuguese, Rhaeto-Romance, Sami (Lule), Sami (South), Scots (Gaelic), Spanish, Swedish, Tswana, Walloon and Yapese.

Porker was an experiment in making a barely readable but very simple and very bold typeface with no curves. It is caps only with some of the letters on the lower-case keys giving alternate versions. Include are three variants, a tall version, a striped version, and a randomized version. The striped version can be placed in a layer above the regular version to give two-colored letters.

Tannen is an interpretation of the Emil Meyer’s Tannenberg, the result is a fun and cool blackletter display built without curves and casual look with a lot of personality and expressivity. It has 3 independent styles (regular, inline and shadow) that can be combined with each other, plus a stencil style. Tannen counts with 3 weights per style, OpenType features (ligatures, alternates, fractions and more) and supports dozens of latin languages.

ITC Minska is the work of Carl Crossgrove, who used a combination of upper and lower case shapes together to create new letter forms. Crossgrove created unconventional yet immediately recognizable variations in two different alphabets, which cannot quite be classifed as upper and lower case in themselves. With opulant curves and sharp angles, ITC Minska projects an unorthodox energy which is ideal for unusual effects and display settings.

Fisterra Morte and Fisterra Fora: one typeface, two perspectives. The duality between the calm and the intensity with which we can face with each situation. Informal, serif and display in two flavors: Morte has the softness and the humanism of its voluptuous curves; Fora, the precision and accuracy of its sharp angles. They share a single skeleton of condensed uppercase letters, with expanded nuances in some alternate characters and ligatures.

Tecna is a modern sans typeface with straight cuts, rounded angles and curved thinnings at the endings that make the letter shapes fresher. The rounded characters are squarish giving to the layout a very structural appearance. Its wide proportions give big impact to the texts. It has a tall x-height that enhances its legibility in smaller sizes. Its character set has coverage for Western and Central European languages.

Migoan Serif is a display typeface with dynamic curve ,very suitable as to make a design choice for Headline, Movie Title, packaging, branding and more other creative project. Migoan's also has alternative characters such as Stylistic Alternates, Stylistic Set, and Swash variant. To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7. and more

Blippo Black with its constructed style is a typical headline typeface. Its robust figures with their even strokes were composed using the basic forms of the circle and rectangle. Its curves are often not completely closed. The figures of Blippo Black form dark, heavy lines, making the typeface suitable only in middle and larger point sizes. Blippo Black will make an impression when used for flyers and correspondence.

Super Rich Inspired by Vintage style and combined with Hand Lettering style. Each curve has a touch of my personality because I use my manual handling brush. Great for creating logotypes, branding, promotional ads, quote designs, packaging, t-shirt designs. merchandise, posters, merchandise, social media and much more. FEATURE : Uppercase lowercase Number punctuation Multilingual PUA coding open type If you have any questions, please contact me. Thank you :)