On occasion, one type design's influence can result in a completely different end result. Take the hand lettering found on a 1920s piece of sheet music for the song "Let Me Call You Sweetheart". The simple sans with a few Art Nouveau-inspired characters started out as the basic design of Concierge JNL, but shortly after beginning the project, the lettering took on more of an Art Deco flavor. Add to this the many rounded-edge characters that have a bit of a techno look to it and the typeface takes on many different design characteristics.

Funny Hippo is a stylish display font in a freedom concept to show unique, friendly, fun expressions with smooth, round, curvy accents. The characteristics are the dynamic lines and angles and various letter proportions. In addition, Funny Hippo gives you an extra bonus called the clipart. Use this font for big text sizes for a legibility reason and enjoy the available features as well. Features: Multilingual Supports PUA Encoded Numerals and Punctuations Silentgraph fits for various design projects, such as posters, banners, logos, magazine covers, quotes, headings, printed products, merchandise, social media, etc. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great experience using our font. Feel free to contact us for further information when you have a problem using the font. Thank you. Happy designing.

Step into the beauty of Belda’s elegant form and discover the richness flowing from both its historic influence and its strong elements. At its heart, Belda's graceful style embodies the classical calligraphy of the Roman capital, best known from such Roman monuments as Trajan's Column. To lessen the possibility for error, the builders of these defining structures brushed their templates onto the marble before taking their first cuts from the expensive stone. These simple strokes now mark a simple but wonderful path full of life and mystery. Beyond a copy of the past, Belda has grown from its roots to offer a brave, new world of potential through its still-simple structure. The new design strongly contrasts thickness and stroke. Its delicate shape, curves and sharp serifs provide a unique style of harmony and beauty. The resulting balance? The lighter weight design remains subtle and elegant, while the combination in its bolder counterparts provides an intense luster and sparkle, pulling the reader’s eye to the font’s captivating features. A quick look beyond its surface of standard forms also reveals Belda has more layers to discover with OpenType small capitals, titling capitals and more. With a wealth of weights and many widths beside, the font is capable of serving as both text and titling. While especially strong as a movie title or poster font, it’s also great for book jackets, advertising, and packaging. So start your journey with Belda. The possibilities to explore on this path are practically endless. Production assistance from Lucas Azevedo and ikern.

Heer Halewijn (The Song of Lord Halewijn) is a 13th century Dutch folk tale which survives in folk ballad. The story tells of a man called Halewijn, who lives in the woods and who lures pretty women with his songs (whom he then kills). One day a princess visits Halewijn, but when he wants to kill her, she requests he remove his robe, so as not to stain it with her blood. He obliges and when he is undressing, the princess seizes his sword and chops off his head. Halewyn is a handmade font, which was loosely based on my Languedoc font and Garamond. Use it for product packaging, books and posters. Comes in 4 weights (with italics) and a ballad full of diacritics.

For those of you who require a typeface with an attractive classic, retro, and vintage vibe, Ruihant Retro Condensed is the ideal option. This font was created with an original and striking look, making it ideal for all of your creative projects. Premium features like ligature, alternative, and multilingual support are included with the Ruihant, allowing you to customize the font’s design to suit your needs. This font’s straightforward and compact form will enable you to produce designs that are more well-structured and effective. Ruihant is the ideal option to boost your creative endeavors because of its distinctive style and flexibility to alter the font’s appearance. Purchase this font right away and benefit from its advantages to raise the caliber of your designs. What’s Included : - File font - All glyphs Iso Latin 1 - Alternate, Ligature - Simple installations - We highly recommend using a program that supports OpenType features and Glyphs panels like many Adobe apps and Corel Draw so that you can see and access all Glyph variations. - PUA Encoded Characters – Fully accessible without additional design software. - Fonts include Multilingual support

While I was in Boston in 2014, I visited the Museum of Fine Arts and to my good fortune there was an exhibit of etchings by Rembrandt, one of my favorite artists. As to be expected, many were simply gorgeous, but one especially caught my eye. It was an etching of a priest (Jan Cornelis Sylvius, Preacher) with an extensive amount of writing in Latin. While I'm not certain that it was Rembrandt's own hand, the script was beautiful and I was fascinated by it because it had to be written on the etching plate in reverse. I snapped a few photos using my phone and later found other editions on line. I was so taken by the script that it begged me to create a modern typeface from it. The result is Saskya, named after Rembrandt's wife Saskia. There were many ligatures and glyph variants in the print, of which I captured many of them and made them accessible via OpenType features. The complete alphabet was not present in the sample, however, I discovered some other source material to sensitively fill in those gaps, with a remaining last few that I created myself. A truly romantic hand, Saskya will work well for invitations of many sorts, and when you're looking for that 'old thyme' scripty feeling in your graphics.

Admire Gustavo is a Handbrushed Font. Our handwritten font takes inspiration from the fluidity and uniqueness of human handwriting, ensuring that each letter carries a sense of character and charm. With its graceful curves and delicate strokes, this font adds an intimate and personal feel to your written words. Perfect for creating notes, memos, journal entries, or beautiful quote designs, our handwritten font elevates your messages with a sense of authenticity and warmth. It transforms your ordinary words into a beautiful composition, breathing life into your writing. - also multilingual support Enjoy the font! Feel free to comment or feedback! Thank you!

Creative Wonder is a Modern Handwritten Font. Our handwritten font takes inspiration from the fluidity and uniqueness of human handwriting, ensuring that each letter carries a sense of character and charm. With its graceful curves and delicate strokes, this font adds an intimate and personal feel to your written words. Perfect for creating notes, memos, journal entries, or beautiful quote designs, our handwritten font elevates your messages with a sense of authenticity and warmth. It transforms your ordinary words into a beautiful composition, breathing life into your writing. - also multilingual support Enjoy the font! Feel free to comment or feedback! Thank you!

Nightmare font is a simple attempt to convey the essence of a handwritten font with strong lines. In a real handwritten font, you would find more variation in line thickness, curves, and other design elements that contribute to the overall style. Creating a visual representation of a handwritten font using lines can be a bit challenging in plain text, but I'll provide a simple ASCII representation that may give you an idea of a strong handwritten style. Keep in mind that this is a very basic representation, and actual fonts would have much more detail and nuances.

Looking for a big, bold, black typeface? Meet the fat solid curves of Blonk! This type is based on hand-drawn letterforms with basic curves and angles, so it still retains softness and has a handcrafted feel. Yet, its boldness suits poster design, packaging, and other uses that needs to draw attention, in an quirky yet distinctive way. All glyphs are handcrafted by illustrative designer Zeptonn. Prepare to make a Blonk statement!

Are you ready to make your branding stand out? Do you dream of creating headings that stand out and inspire creativity, imagination, modernity, and endless fun? Looking for an elegant and stylish font? We've got what you want. Blimps- A Brush Font Blimps is a fantastic font. A display font that is combined with handcrafted script brush font. Designed primarily as a captivating font to add the right amount of modernity and style, This font is an excellent choice to ensure a great font match for your designs and projects! Well suited to titles, poster designs, branding, logos, and many more. Our font always includes Multilingual Support to make your branding reach a global audience. Features: Ligatures Alternates Stylistic Set PUA Encoded Numerals and Punctuation Thank you for downloading premium fonts from Din Studio

Cardust is a bold display font, this font looks funny, cute, kids, cartoon, playful, catchy and easy to use. Cardust Font is the best choice for your professional design projects, including : logo, poster design, t-shirt, headline, flyer, cd cover album, quotes, business card, branding, magazines, social media, advertisements, product designs, or something that need playful or cartoon looks. Highlights: - Fonts are provided in OTF formats. - Standard license - create as use as many of these fonts as you'd like on your own personal projects as well as any commercial ones for clients. - No special software is required, The fonts can be opened and used in almost any program/software that can read standard fonts - even MS Word. What's included: - Cardust OTF

The Helina font pack comes with 9 versions, there are 6 elegant handwritten font styles, 2 sans serif fonts and ornaments. You can use and combine as you like according to your project type. There are open type features such as alternate styles, swash and ligatures. We designed this font to look elegant, classy, ​​easy to read, stylish, attractive and easy to use. Helina Font is a great choice for the design of signature logos, quotes, album covers, business cards and many other design projects. This font is PUA encoded which means you can access all of the glyphs with ease! What's Included? 9 OTF font files Uppercase & Lowercase Numbers & Punctuation Ligature, Swashes & Alternate Ornaments Multilingual Support Regular & Italic PUA Encoded

Introducing Heather Flourish font Heather Flourish is a signature font created to impress an elegant and luxurious look Heather Flourish is perfect font for branding & logo projects, such a photography studio, clothing/fashion studio, also suitable for Product Packaging, Title on your article or book cover, Stationary, and many more. this font has a ligature and swash which you can access by typing the letters a-g You can try it first by typing the name you want below, I hope you can create amazing custom personal signature or logo with this font you can buy this font at https://www.myfonts.com/foundry/krntype-studio/ Enjoy the font, feel free to comment or feedback, send me PM or email at krntype@gmail.com. Thank you!

Looking for a font that will make your branding stand out? Do you sometimes have an appetite for a bit more wholesome typography? Looking for a fabulous, stylish, and adventure font? We've got what you want. Glowing Midnight-A Script Font Glowing Midnight is a unique script font with retro touch. This font features thick and angular letters that easy on the eyes and nice to look while it’s also easy to read. Glowing Midnight becomes more special with extruding version option. Well suited to titles, poster designs, branding, logos, and many more. Our font always includes Multilingual Support to make your branding reach a global audience. Features: Ligatures Stylistic Set Swashes PUA Encoded Numerals and Punctuation Thank you for downloading premium fonts from Natha Studio

Earlier this year I visited a bakery in Newport Beach, CA and fell in love with the organic design and typography of the place. Hand-drawn menus, table cards, chalkboards, and wall quotes surrounded the charming spot. It inspired me to create a new font family based on the combination of hand drawn fonts. Included in this package are 5 font families, with 2 graphic ornament fonts. Each font family contains at least a light, medium and bold. Here is a breakdown of what's cookin' at Catalina's Bakery: Catalina Anacapa: Tall and skinny, this font comes in 3 weights for both sans and slab serif styles. It includes contextual alternatives (giving 3 versions of each letter), stylistic alternatives for select letters (A, K, P, Q, R, Y) and also includes Small Caps. Catalina Avalon: Based off Anacapa, this sub family has a high contrasting line weight. It comes in light, regular and bold as well as an inline alternative for both sans and slab serif styles. Avalon also includes opentype features such as contextual alternatives (giving 3 versions of each letter), stylistic alternatives for select letters (A, K, P, Q, R, Y) and small caps for each letter. Catalina Clemente: In a more standard width, Clemente is one of the two sub families that can be used for paragraph text as well as headlines. It's organically geometric in style and comes in ALL CAPS and lowercase, includes upright and custom italics, and has the opentype feature giving 3 versions of each letter. Catalina Script: A great compliment with the display sub-families, Catalina Script rounds out the package with a hand-drawn cursive flair. It includes contextual alternatives (giving 2 variations to each letter) as well as stylistic alternatives for many of the capital and lowercase letters. It has special ligatures for some letter combinations, and titling alternatives for all the capital letters. Catalina Typewriter: The second of the paragraph text sub-families, this typewriter inspired hand-drawn font family works great as either a display or paragraph text. It has contextual alternatives with 3 versions of each letter, and comes in both upright and custom italics versions. Catalina Extras! These two fonts go perfectly with the Catalina Family. They includes borders, frames, arrows, banners, flourishes and more. Catalina Flourish has all of it's options in a light and bold style, to use the light version type all lowercase letters, then to make something bold, used it's uppercase (or shift+) characters. For a breakdown of graphic/letter correlation, see the breakdown PDF. All of Catalina was drawn by the same hand, using the same ink and technique. While they contrast in their type styles, they work together perfectly to create one cohesive font family.

SAMURI is our newest font with Japanese style features, developed with an exotic and relaxed shape, this font is extremely attractive to match your extraordinary project, using this font will instantly make your project look exquisite, charming, and everyone will be glad to view the look. Unlike the rest, your project will be one-of-a-kind. Logotypes, food banners, branding, brochure, posters, movie titles, book titles, quotes, and more may all benefit from this font. Of course, using this font in your various design projects will make them excellent and outstanding; many viewers are drawn to the striking and unusual graphic display. Start utilizing this typeface in your projects to make them stand out.

I had a chat recently with a customer who is a big fan of lettering from the psychedelic poster era. The discussion got me thinking about poster lettering we hadn't yet made into fonts, and a particular sample from a Jimi Hendrix poster I had played around with but never finished making into a font. So I went back to the drawing board and the result is the new Hendrix font. Unlike many of our other Psychedelic fonts which are stripped down to their basic character forms, this font includes the outlines characteristic of a lot of poster lettering from that period. It also includes variant versions of a number of the characters

Ekeras is an original design by Alex Kaczun. It is a display font not intended for text use. It was designed specifically for display headlines, logotype, branding and similar applications. Primarily a display, this extremely versatile font has generous proportions, large counters and loose fitting which also allow the font to work well across a wide range of text sizes. The entire font has an original look which is strong, dynamic, machine generated and can be widely used in publications and advertising. Ekeras is a futuristic, techno-looking and dynamic typeface with an appearance of machined-like parts with sharp and rounded edges. The large Pro font character set supports most Central European and many Eastern European languages.

Benar is our newest san serif, and it has amazing fonts for your projects. This typeface is ideal for branding, advertising, posters, banners, packaging, headlines, magazines, websites, logo designs, banners, social media designs, and many other uses. Light, Regular, Medium, and Thick are the four available weights. It features a clean and beautiful aesthetic that can help your project appear more serene, and unique and grab the attention of the audience. of course, your various design projects will be perfect and extraordinary if you use this font because this font is equipped with a font family, both for titles and subtitles and sentence text, start using our fonts for your extraordinary projects.

Stencil Round Ends, is just that, a stencil typeface with rounded terminations to each line rather than the squared terminations found in your typical stencil font. This design was developed while designing a typeface for engraving. The end mill tools used to engrave a font are round, thus the lines will all end with a rounded edge. While designing the engraving font I also designed this font to make sure that the single line version will have the desired aesthetic. Unlike many stencil fonts that have a limited range of glyphs I made this to contain the majority of letters, accents, ligatures, and mathematic symbols commonly used in most latin based languages.

Wilderness X is a font name that has a very wide wilderness concept. This font has a very large variety of characters, including isolated characters with strong definition and small text. It is also a font which can be used as a random display font. There are also many other options, such as: different stroke thickness and size, change the glyphs and so on A wilder a wilderness, the more rewarding the journey...I love the idea of exploring and staying on the edge, getting dirty and making my path is challenging. Wilderness X is not a bland font but has a bit of badness in it which makes it more interesting and attractive.

ATHYRKI is a bold serif font inspired by the evolving world of sports that has recently expanded into digital verse. ATHYRKI’s round and sharp appearance represent its unified nature, equipped with different alternate and ligature features, this font displays its modern mixed style. Accented fonts with the ability to spice up your project for that extra flair to the visuals. What’s Included : File font All glyphs Iso Latin 1 Alternate, Ligature Simple installations We highly recommend using a program that supports OpenType features and Glyphs panels like many Adobe apps and Corel Draw, so you can see and access all Glyph variations. PUA Encoded Characters – Fully accessible without additional design software. Fonts include Multilingual support

Clauques Family includes four fonts and, in addition, a very useful extra elements. 
Clauques Script and Clauques Script Light are elegant and youthful fonts with many stylistic variations, swashes and ligatures. Clauques Sans and Clauques Sans Light add a little seriousness. Both are designed to be combined but they also work great on their own. Clauques Ornaments has a lot of beautiful ornaments that work very well with the two styles of fonts. With all this, Clauques Family Font will allow you to create elegant works. 
 This family font is the great choice for any project from logos, magazines and book covers, children’s material, fashion, headlines, cards, posters, websites, packaging and, basically, anywhere you want.

Ford's Folly is a lively yet sophisticated handwriting font designed by Ascender's Jim Ford. It captures the look and spirit of the designer's handwriting using a using a Sharpie™ Extra Fine felt pen. This casual script font evokes an energetic feeling, and has very legible letterforms without quirky distractions. Jim Ford took his hand global by creating a massive multilingual character set. The font features the WGL Pan-European character set (Eastern Europe, Cyrillic, Greek and Turkish) and advanced typographic features for use with OpenType-savvy applications. The font is a fun and attractive handwriting font that is great for greeting cards, menus, advertisements, scrapbooking and many other projects that can benefit a personal appearance.

AwanZaman has a three-phase story, beginning with Dr Mamoun Sakkal’s two Arabic styles and culminating with Juliet Shen’s Latin extension. AwanZaman started as simply Awan, a commission for a modern, clean, monoline typeface for writing headlines and story titles in a forward-thinking Kuwaiti newspaper. Awan was based on the geometric forms of Kufic script, while in phase two, a second typeface (Zaman) was designed to add enough calligraphic Naskh details to make it easy to read in demanding newspaper settings. Together these two phases give the typeface a warm, familiar, and progressive look, as well as an explanatory two-part name — AwanZaman. Since most editorials use typical Naskh headline fonts with an exaggerated baseline, Awan’s rational forms immediately distinguish it as a modern and progressive voice in the crowded field of Arabic editorial typefaces. As the companion Arabic typeface, Zaman has the same basic proportions and forms as Awan, but with many cursive, energetic, and playful details. And since modern monoline fonts are increasingly being used to set extended texts, more features were borrowed from Naskh calligraphy to expand the typeface’s use from headlines into text setting. When using the AwanZaman Arabic family, Awan (geometric Kufic forms) is the starting point. To add the sweeping, energetic personality of Zaman (calligraphic Naskh forms), simply activate an alternate character through the option of 20 stylistic sets available in any OpenType-savvy software. The two typefaces function as one file — the AwanZaman Arabic family — allowing users to combine features from both designs to transform the appearance of text from geometric and formal to playful and informal. The third phase of AwanZaman’s development introduced a companion Latin typeface designed by Juliet Shen to fulfil the persistent need in the Arabic fonts market for modern and geometric bilingual type families. Due to the Arabic’s monolinear strokes, AwanZaman Latin was destined to be a sans serif with a tall x-height, larger counters, and corresponding stem thickness to harmonise with the Arabic’s overall text colour and page presence. But it needed much more. One of AwanZaman’s chief assets is making the two languages look on a par when typeset side by side. Arabic and English readers will have a different sense of what that entails, but this type family defers to the Arabic — graceful and artistic with a good mix of straight stems and curved forms. Latin in general doesn’t aesthetically flow the way Arabic does, yet the tone of the Latin needed to mirror both the Arabic’s more squarish curves and formal personality of Awan and the undulating and more playful shapes of Zaman without looking outlandish. That need was met by creating some novel Latin characters, which are accessed through four stylistic sets the same way as AwanZaman Arabic. The alternates are not just clever in the way they look and how they echo the Arabic aesthetic, but also in harmonising the disparate languages and serving designers well when needing a balanced, bilingual text face with a warm and lively voice. AwanZaman is a clever, seven-weight powerhouse that makes extensive use of OpenType’s stylistic sets (20 in the Arabic and four in the Latin) so writers and designers can make the most of everything from a single glyph in display sizes down to dense text in paragraphs. As AwanZaman Arabic has no italic, neither does the Latin; contextual distinction normally handled by italics is achieved by exploiting the family’s seven weights. AwanZaman’s intricate OpenType programming supports Persian and Urdu, with features such as the returning tail of Barri Yeh treated properly. From its inception in geometry to its melding of two worlds with novel forms, AwanZaman is a personal labor by designers Dr Mamoun Sakkal and Juliet Shen, and embodies the TypeTogether ideals of serving the global community with innovative and stylish typeface solutions. The complete AwanZaman Arabic and Latin families, along with our entire catalogue, have been optimised for today’s varied screen uses.

A mix of Renaissance & tropical atmosphere Basco is an exploration of the Renaissance style, a period in which letterforms were informed primarily by hand writing. It is clearly a contemporary interpretation of calligraphic shapes forms. The serifs are subtly asymmetrical. Slightly curved arches on the n, m and u are noticeable, creating an interesting tension in the text. Bruno Mello’s distinctive style is most obvious in his mastery of super fluid curves. It is a result of his extensive exploration of calligraphic forms, their tensions and dynamics, mixing angularities with curves. The roman weights include alternate swashes, as well as initial and terminal glyphs. The italics, based on chancellery script, feature simple stroke endings, most visible on the s and c. ➼ Basco minisite

Le Amatcky is elegant sans serif typeface that look aesthetic. Perfect for Logo brand, advertisement, product packaging, social media post, clothing brand, magazine headers and many more complete with ligatures alternates regular italic icon kerning multilingual support

Clear Prairie Ornaments were designed as a set of ornaments and border elements to complement Clear Prairie Dawn. Many of the glyphs are based on rural and urban prairie motifs, including stars, wheat and even stylized outhouses.

Old Landmark is a monoline script typeface, that inspired by the old advertising posters. Old Landmark comes with uppercase, lowercase, numerals, punctuation and many variations on each character, including OpenType alternates to let you customize your designs.

Designed by Robert Hunter Middleton in 1928, Delphian is one of Middleton's most handsome display typefaces. The Delphian face has many uses, from book titles to corporate identity material, where a modern, yet classic look is desired.

Roman Stencil JNL is a condensed version of the classic Roman typeface found on many vintage hand-punched brass stencils made for packing and shipping merchandise. This digital interpretation is available in both regular and oblique styles.

The original Lawabo was started many years ago by Rainer Scheichelbauer. Its ­minimalistic and rounded shapes are reminiscent of bathroom ceramics, hence the name. Schriftlabor designer Miriam Surányi added bold and italic shapes, and produced the family.

Lots of Fall fun, many Halloween icons... black cat, haunted house, witch hat, ghost, scary masks, pumpkins, bat, BOO! and more. Plus back to school icons... bus, pencil, flashcards, paste, leaves and an apple for the teacher.

Ignazio is a powerfull sans serif font family with modern touches. A balance of hard lines and smooth curve makes them able to stand on their own dynamically Ignazio includes all-caps fonts Features - Support for MAC or PC - Simple installation for Adobe Illustrator, Corel Draw, Photoshop, or Procreate (New Updated) - Support Multi-language Ignazio works great in any branding, logos, magazines, films. The different styles give you a full range to explore a whole host of applications.

Fragille – Modern serif typeface This font is great for designing elegant logos, quotes, magazine covers, wedding cards, invitations, and brands. Its highly contrasting lines are best used in headlines and projects of a large type. Fragille adds timeless beauty, heavenly curves, and a classic look to any project. It is recommended to use Adobe Illustrator or Adobe Photoshop. Hope you enjoy our fonts and if you have any questions feel free to send a message & I’m happy to help

Introducing Afrocultures - Exotic Typeface created by ikiiko. A handwriting with unique and exotic line curves typeface with ton of alternatives to choose. This typeface is perfect for an elegant logo, magazine layout, headline font, header page, beauty product, packaging product, quotes, or simply as a stylish text overlay to any background image. What's included? Uppercase & Lowercase Number & Punctuation Alternates & Swashses Multilingual Support Enjoy our font and if you have any questions, you can contact us by email : ikiikowrk@gmail.com

Astrone - Classic Retro Font, with very soft curves and lines making this font look beautiful and realistic. With 301 Characters, Astrone is perfect for all your design projects, such as invitation cards, product logos, food brands, logos and more. Astrone is also supported by Ligatures, Stylistic Set 1, Stylistic Set 2, Stylistic Set 3, Stylistic Set 4, Stylistic Set 6, Stylistic Alternate, and Swash which will help you get a beautiful style with your own creations.

Simple Crush is my down-to-earth-comic-font with no hassle! Well, actually Simple Crush might take you by surprise here and there - because there is no real rules to height, width, curves and thickness…or whatever. When it comes to Simple Crush, you’re in luck - because Simple Crush is legible and stands out as a strong comic font, ready for action…even though the mission is a party invitation, birthday, poster or products for kids and pets!

Ladybird is an unabashedly playful face for joyful, summery, and youth-oriented settings. The fittingly named Ladybird sprouts gently arcing ascenders and cutely curved descenders from its cozy, compact letterforms. A sprinkling of ligatures and alternates give this font a sprightly variety. See what’s included! http://bit.ly/2bGRnnR This font has been specially coded for access of all the swashes, alternates and ornaments without the need for professional design software! Info and instructions here: http://lauraworthingtontype.com/faqs/