Homenko was the only Ukrainian typeface for metal type casting developed in the last century. It has already become a 'classic'. Vasyl Homenko worked on it from 1964 to 1967. The typeface successfully combines the qualities of lineal humanist typefaces with the Ukrainian tradition of asymmetrical slab serif. The works on its digitization and further development has been in progress since 2000. The present version contains Latin Extended characters, Cyrillic with stressed alternates and several ornaments based on Vasyl Homenko's works. It works perfectly for books for children and is ideal for publications related to culture, history, literature and traditional art of Ukraine and other nations of Eastern Europe.

I am pleased to introduce Brixton Pro, a sophisticated yet approachable typeface that combines the elegance of a suit with the comfort of sneakers. This typeface is designed to make a bold statement while remaining friendly, inviting, and playful. The Brixton Pro collection includes both a serif and a sans-serif typeface (with oblique, and condensed styles available in 4 weights each) that work harmoniously together, providing versatility and flexibility for a wide range of design purposes. These fonts are particularly well-suited for marketing, branding, packaging, and other designs that aim to capture attention and stand out, whether in corporate or non-corporate contexts.

NewYorkerType was one of the first typefaces I tried my hand at in 1985. I meant it as a revival of the typeface used by the New Yorker magazine. I did not scan it in, I just looked at the type and redrew it completely by hand. So it is not just a copy, but rather a redesign. Only much later did I come to know, that there is a bundle of similar typefaces of that period. Rea Irvin's design for New-Yorker magazine was just one of them, but the best. Yours, sincerely honoring Rea Irvin a great type- and magazine-designer Gert Wiescher

As "Zenith" means, in an astronomical context, the highest point reached by a celestial body, my new typeface raises its drawing for carry it to the highest expression. In an effort to design a singular graphic and visual letters system, the contrasts and proportions of “Zenit” boosts up and are squeezed as much as possible, resulting in a very particular aesthetic, while still maintaining a certain grotesque reminiscence. Given its dynamic, postmodern, daring and futuristic style, “Zenit” is an ideal typeface for use in designs that want to discover new space worlds full of color and speed, still unexplored. “Zenit, the typeface that rockets you!.”

Bricbrac is a layered family that allows different combinations. The typeface is full-cap, with a squared style, the font doesn’t contains any curve. The different styles gives 3D effect to the letters and the typeface user can play with the Lines and Pattern effect. Bricabrac consists in a 9 styles family. This is a monoline typeface and the variety of combinations and style make it perfect for magazine and poster design. The fonts have an extended characters set to support Central, Eastern and Western European languages. Notice: The spacing is optimized for the version with volume, therefore the fonts should always be used with the 3d volume effect.

Monofontis is a contemporary, monospaced display typeface full of ligatures and glyphs to keep your designs stylish, modern, and standing out in a crowd. Monofontis typeface has a contrasting character that combines laconic technical forms, extraordinary details, and calligraphic grace, most noticeable in Italic. As a monospaced typeface, Monofontis will be indispensable for magazine titles, headlines, and short text fragments, logos and branding, web and interface design, posters, and advertising due to its unique nature. Furthermore, Monofontis is an excellent match for a tabular design, columns, clear and rigid layouts, and programming code.Monofontis consists of 18 styles: 9 styles in the Basic family, 9 styles in Italics.

Americana was designed by typeface artist Richard Isbell in 1965. The generous forms of this typeface contain large inner spaces. Lines of text look light and airy and require generous line spacing. The high cross strokes and the open inner spaces make this font highly legible even in small and very small point sizes. The triangular serifs are a distinguishing characteristic of Americana. These first appeared in the 19th century in France and inspired by the developments in lithography, which allowed for freer forms. The forms were typical for advertisement and display typefaces. The sophisticated Americana is particularly suitable for advertisements and personal correspondence.

Corpesh was drawn in Adobe Illustrator during the wee hours of the night. It is a single weight set of fonts, no bold version. As is/was much of what I have done over the last year, it was created purely to pass time. As a self taught amateur in this field, I only do this for the enjoyment it brings me. This typeface is being released early, at the same time as 'Brainstroke', for exactly the same reason that typeface is, that being a health crisis. I know this typeface is not complete, with, as mentioned, no bold version, and probably never will have.

Besides all the display and script typefaces I design, my real passion is to design typefaces for copy. Safran is the first of my sans serif workhorse families available from Myfonts. Starting from a light version there are nine weights up to the strong ultrabold. All with italics. What was the inspiration for designing the font? I wanted to create a clear and elegant typeface with a wide variety of weights and proportions that are easy to use in corporate branding and magazines. What are its main characteristics and features? contemporary humanist legible sans serif Usage recommendations: corporate branding, magazines and other publications Elegant, clear and very legible.

Gerhard is an early 1900’s Victorian style typeface that has been carefully refined for today. It was inspired from delicately hand painted lettering on a century-old vintage piano. This typeface has an bold and elegant natural aesthetic that can work for eye-catching headlines yet work gracefully enough for wedding invitations. Small caps have been designed for sub headings and allow a visual difference. Put it to use on your next branding, signage or publication project. A number of glyphs and diacritics included make this typeface usable for a wide number of languages. Alternate letters and forms have been included to create some versatility with your design.

We introduce the Mixiwa typeface, which we created with great attention to give it a dashing and stylish appearance. If you choose this typeface, your entire project will be bombastic, striking, and will always grab your audience’s attention. Your entire project will be excellent if you use this font! Logotypes, food banners, branding, brochure, posters, movie titles, book titles, quotes, and more may all benefit from this font. Of course, using this font in your various design projects will make them excellent and outstanding; many viewers are drawn to the striking and unusual graphic display. Start utilizing this typeface in your projects to make them stand out.

Tylaco is a display typeface. Tylaco come with Regular style, it will make this typeface can be used in all design projects and works perfectly for pairing with script typeface or handmade fonts, Headlines, Posters, Packaging, T-shirts, Postcards, Invitation, Wedding Sign, Sign Painting, Signboard, and much more. Try Tylaco, enjoy the richness of OpenType features and let her fun and elegant excitement make you happy and enhance your creativity! You can use this font very easily. • Multilingual Support If you do not have programs that support OpenType features like Adobe Illustrator and CorelDraw X Versions, you can access all alternative flying machines using Font Book (Mac) or Character Map (Windows)

Hanseat is a profonts typeface family by Ralph M. Unger, heavily inspired by Germany’s official DIN 1451 Engschrift. Originally, the German DIN (Deutsches Institut für Normung / German Committee for Industrial Standardization) typefaces were taken as the standard traffic fonts for street signs and house numbers. During the 1980s, the DIN fonts became digitally available for sign making systems, initially again primarily for traffic sign purposes. However, later on, the DIN fonts became also popular in the world of designers and art directors. Hanseat is a modern, contemporary interpretation of the DIN fonts, responding to the ever growing demand for such typeface designs reflecting the spirit of the industrial area.

HS Hadeel Serif is a versatile display typeface designed for use in titles and graphic projects that support Arabic, Persian and English. It draws inspiration from the modern kufi style and features a unique blend of sharp and curved lines that lend a beautiful and geometric structure to each character. Based on the original HS Hadeel typeface, HS Hadeel Serif includes a serif on some of its characters to provide a more traditional look. Two weights are available for this typeface: Regular and Bold. HS Hadeel Serif represents a valuable addition to Arabic typography, offering designers a visually striking and flexible option for their projects.

Introducing Rabble - display typeface - 4 fonts Rabble is fragile and vintage typeface loaded with 4 fonts and multilingual support. It's a very versatile font that works great in large and small sizes. This font is perfect for branding projects, home-ware designs, product packaging, magazine headers - or simply as a stylish text overlay to any background image. FEATURES Uppercase, lowercase, numeral, punctuation & Symbol Regular 2 alternate styles Italic Multilingual support No special software is required to type out the standard characters of the Typeface. Canva friendly Feel free to contact me if you have any questions! Mock ups and backgrounds used are not included. Thank you! Enjoy!

Introducing Motownphilly - Classic Handdrawn Type, created by ikiiko. Motownphilly is a handwritten script typeface inspired by the typography styles of Movie titles and the American Classic Show & Orchestra in 1950s. This typeface is designed to give the appearance of an expressive style. Motownphilly has bold, raw lettering lines, with wild strokes. A style commonly used in print ads, magazine, and sign advertisements of the era. This typeface is perfect for an poster, newspaper, magazine ads, and also good for vintage product, food & beverages, quotes, or simply as a stylish text overlay to any background image. What's included? Uppercase & Lowercase Number & Punctuation Alternates Multilingual Support Works on PC & Mac

Introducing Broadster - Classic Brush Type, created by ikiiko. Broadster is a decorative sans serif typeface, inspired by typography from classic 60s American advertising & automotive visual styles of the time. This typeface is designed to give the appearance of a formal yet expressive style. The Broadster has bold, contrasting strokes. A style commonly used in print, magazine, and sign advertisements of the era. This typeface is perfect for an formal layout, poster, newspaper, magazine ads, and also good for vintage product, food & beverages, quotes, or simply as a stylish text overlay to any background image. What's included? Uppercase & Lowercase Number & Punctuation Multilingual Support Works on PC & Mac

La tipografía Qátana es una tipografía inspirada en el estilo románico serif y sans serif. Su estilo elegante y de fácil lectura ha logrado ser una tipografía esencial para redacciones de documentos, textos o libros. Cuenta con tres pesos bien marcados que dan un juego visual de resaltados y tenues. Además de las formas itálicas. The Qátana typeface is a typeface inspired by the Romanesque serif and sans serif style. Its elegant and easy-to-read style has become an essential typeface for writing documents, texts, or books. It features three well-marked weights that give a visual play of highlights and lows. In addition to the italic forms.

Super League is a display typeface created for the sports industry. The typeface itself doesn't lean too much in a particular sports category direction which makes it versatile in use across various sporting categories. Super League has loads of. options to make use of including; small caps, stylistic alternates, ligatures for vs, st, nd, rd and th that are very useful when handling typography for sports in particular. Use Super League in all your printed material or on screen. Create badges or print names and numbers sports kits. All weights come with an oblique version which makes the total number of 16 fonts in this typeface.

Octopuss is an energetic titling typeface designed in 1970 by Colin Brignall for Letraset dry transfer sheets. Brignall expanded the basic alphabet with an outline variation with a shadow, which makes the typeface look three dimensional, almost like it is floating. Octopuss font displays the unmistakable signs of the typefaces of the 1970s, as do Countdown and Harlow, also designed by Brignall. The circular strokes of the capitals that drop well under the base line are striking and unique. Because of the small white spaces of its lower case letters, the rounded, robust Octopuss is meant exclusively as a headline font and should be set in large point sizes.

URW Form by Volker Schnebel is the quintessence of a modern sans. Originally inspired by the timeless classic Futura, URW Form is a mix of classic and modern geometric typefaces, yet still incorporates the fundamental rules of design and looks and functions like a contemporary sans. In addition to its strong identity, URW Form has all the quality characteristics we come to expect from a Schnebel typeface. Available in 80 styles and four widths, there is also a much sought-after semi-condensed extension to broaden its creative spectrum. Weights range from the filigree Thin to the forceful Poster, making it a truly versatile sans serif typeface.

Shubbak ('window' in Arabic) is a highly flexible Arabic Sans (Kufic) typeface that was designed to work with a wide range of Latin counterparts. A friendly and human typeface family that is very flexible to use when coupled with many popular fonts you may use. Full set of Arabic, Farsi (Persian) and Urdu character sets as well as a basic Latin set are included. There is also a Variable version of Shubbak. Designed originally by British designer Ruh Al-Alam, further developed by Mohammed Gabr, Muhammad Hadi and then fully expanded by Abdelrahman Farahat. Archetype Foundry aims to help revolutionise and spread the use of beautiful Arabic and multi-lingual typefaces.

This font is one of the most used broken letter fonts today. Fette Fraktur is used to invoke a nostalgic or rustic feeling and found often on restaurants with hearty homemade food’ or breweries who use the good old recipes’ of the founder. The font was designed in the 19th century and from the beginning intended as an advertisement typeface. The lower case letters have a gothic character with only the ornamental flourishes making them broken letters, while the capital letters are more characteristic of broken letter typefaces. One could say Fette Fraktur is a true mix of styles, not unusual for typefaces created at the turn of the 19th century.

It’s time for Primal. It’s time to Rock! Primal is a polygonal typeface created with primeval times in mind. All forms have been created using few lines, angles and points. This typeface will enable you to create type that will almost scream off the page. Raaawwhrrr! Very useful for concert posters, techno parties or caveman signs. Whichever you prefer! Primal contains uppercase, smallcaps and underscored lowercase letters. By turning on standard ligatures the underscored letters will automatically connect, resulting in one single underscored line. Primal also contains a number of opentype ordinals and catchwords. The latter can be unlocked by using discretionary ligatures. This typeface is created by illustrative designer Zeptonn.

Kudryashev Display is a set of light and high-contrast faces based on Kudryashev text typeface . In addition to Kudryashev Display and Kudryashev Headline faces, the type family includes also two sans-serif faces of the same weight and contrast, with some alternates. The graceful nature of the typeface, along with carefully designed details, allows to use it in large point sizes, for example in magazine layouts, packaging design and in many other ways. The serif styles were designed by Olga Umpeleva in 2011, the sans styles were created by Isabella Chaeva in 2015 with the participation of Alexandra Korolkova. The typeface was released by ParaType in 2015.

Enfluence is a modern typeface perfect for titles and short texts. It could worked in print and digital mediums. It depicts a fresh and modern image but with some winks to older typefaces. About the shape of the letter, it was built with a wide “x” height, short ascendants and descendants, a high contrast, angular serif, and some round terminals. Some letters such as “m, n, h” show a light inclination in the right stem. These characteristics give this typeface great readability with a strong attraction to the eye for its cool forms. Not enough? Also includes a set of ornamental capital letters perfect for the creation of awesome designs.

Marit Otto about Picastro: The revolutionary typeface. Picastro is a fusion of Picasso and Castro. Don’t be alarmed by the second name! It is no political statement. Both characters represent different qualities in the typeface. The Picasso influence is the artistic, freestyle and frolic part. The Castro influence is the firm, square, perseverant look with a hint of propaganda to it. To combine two opposite inspirational sources (innovative versus persistent) makes the shape a bit edged. This typeface is very suitable for all kinds of graphic design (flyer, posters, CD covers and artworks) but also casual enough for (non academic) letter and text writing.

Introducing Gleed - serif typeface - 3 fonts Gleed is versatile and minimal typeface loaded with 3 fonts and multilingual support. It's a very versatile font that works great in large and small sizes. This font is perfect for branding projects, home-ware designs, product packaging, magazine headers - or simply as a stylish text overlay to any background image. FEATURES Uppercase, lowercase, numeral, punctuation & Symbol Regular Alternate Italic Multilingual support No special software is required to type out the standard characters of the Typeface. Canva friendly Feel free to contact me if you have any questions! Mock ups and backgrounds used are not included. Thank you! Enjoy!

This multipurpose script typeface includes many different alternatives for each lower case. Make this typeface cool in your Font Library. It is a lot of fun to use as each word can be changed to your liking. This typeface works really well for Logo and Apparel Designs. It's also great for making Prints or Merchandise, as you can use the illustration quality of shapes to create artwork. Mix and match with a bunch of alternative characters to fit your project. The alternative characters in this font were divided into several OpenType features such as Stylistic Alternates, Ligature and Ligature Alternates. Mail support : maculinc@gmail.com Thank you! Maculinc

Hilmar Sans is a neo-grotrsque typeface family in 7 weights, support most European Languages and features. The typeface is versatile to blend in your design- with 7 weight, ranging from thin, extra light, light, regular, medium, semi bold, bold variable type. Perfect anywhere you need a right finas touches for branding, publishing, titles, book, magazine , and use on UI/UX design.The typeface is versatile to blend in your design- with 7 weight, ranging from thin, extra light, light, regular, medium, semi bold, bold variable type. Perfect anywhere you need a right finas touches for branding, publishing, titles, book, magazine , and use on UI/UX design.

Bric Sans is squared, it was inspired by colleges typefaces. Capitals aren't contrasted, giving a raw aspect to this typeface. The variety of styles makes this sporty typeface ideal for editorial projects, posters, packaging, branding, etc… The default setting of the numerals is tabular, proportional figures are available through OpenType Features. Bric Sans consists in a 12 styles family, including 6 weights in Condensed from UltraThin to ExtraBold. Each font includes OpenType Features such as Proportional Figure, Tabular Figures, Numerators, Superscript, Denominators, Scientific Inferiors, Subscript, Ordinals, automatic arrows and Fractions. The fonts have an extended characters set to support Central, Eastern and Western European languages.

Trigot is a modular typeface. Every form and every character is constructed from the basic geometric form of the triangle. The simple construction trigot resembles strongly is a gothic blackletter font. The letters are inspired by the ductus and forms of medieval typefaces and have a similar complex expression. The main singularity of Trigot lies in the strong contrast between clear geometry and the complex expression of a blackletter typeface. The name, "Trigot", hints the gothic influence and the triangular modules. Trigot is a modern display font -- it can be used for posters, striking visuals and titles but also for longer phrases and quotes.

Rodge is a unique display typeface perfect for headlines, big text, branding, logotypes & graphic design purposes such as posters, flyers and advertisements. This all-caps font can be an excellent choice for creating outstanding logos, promotional content, and marketing presentations that can bring uniqueness and freshness at its level best. The typeface comes with OpenType Stylistic Alternatives feature giving you the option to add some unique characters. Please see the examples shown above to get an idea of the capability of this typeface. Rodge comes with extended language support including Western European, Central European, and South-Eastern European character sets (total of 238 glyphs).

Introducing Dree - typeface - 6 serif and display fonts Dree is creative and minimal typeface loaded with 6 fonts and multilingual support. It's a very versatile font that works great in large and small sizes. This font is perfect for branding projects, home-ware designs, product packaging, magazine headers - or simply as a stylish text overlay to any background image. FEATURES Uppercase, lowercase, numeral, punctuation & Symbol Serif and Display Alternate Italics Multilingual support No special software is required to type out the standard characters of the Typeface. Canva friendly Feel free to contact me if you have any questions! Mock ups and backgrounds used are not included. Thank you! Enjoy!

Gemas is a wide typeface that looks incredible and has attractiveness when you see it. Each letter shape has been designed to have a character that is easily recorded in the mind. This font has cute and classy characters, clean lines, and smooth curves giving any project an extra touch of class. A serif modern and wide typeface that his own unique style & modern look. This typeface is perfect for large point size, for example in magazine layouts, packaging, book, title design, fashion brand, clothes, lettering, quotes design, and many other ways to your work. A-Z Character Set a-z Character set Numerals & Punctuations Multilingual Thanks, Alamsa

Americana was designed by typeface artist Richard Isbell in 1965. The generous forms of this typeface contain large inner spaces. Lines of text look light and airy and require generous line spacing. The high cross strokes and the open inner spaces make this font highly legible even in small and very small point sizes. The triangular serifs are a distinguishing characteristic of Americana. These first appeared in the 19th century in France and inspired by the developments in lithography, which allowed for freer forms. The forms were typical for advertisement and display typefaces. The sophisticated Americana is particularly suitable for advertisements and personal correspondence.

“PGF-Trajanite” is a simple Roman typeface, with capital letters inspired on classical Trajan schemmas such regular square and circle, simple and double root five, early ideas based on the golden ratio, while lowercase have more organic but yet balanced proportions with short ascenders/descenders stems allowing more air to flow between textlines, both (capitals and lowercases) optically adjusted to deliver a better reading experience. Due to simple and universal look it result in versatile typeface perfectly suitable for branding, packaging, label design, UI Interface design. Include standard and discretionary ligatures, alternate glyphs, oldstyle numers, various numerical arrangements. Altogether you will find this a very clean, fashionable, and elegant typeface.

Introducing Alora - serif typeface - 4 fonts Alora is elegant and fragile typeface loaded with 4 fonts and multilingual support. It's a very versatile font that works great in large and small sizes. Alora is perfect for branding projects, home-ware designs, product packaging, magazine headers - or simply as a stylish text overlay to any background image. FEATURES Uppercase, lowercase, numeral, punctuation & Symbol Regular Style 1 and 2 Italic Multilingual support No special software is required to type out the standard characters of the Typeface. Canva friendly Feel free to contact me if you have any questions! Mock ups and backgrounds used are not included. Thank you! Enjoy!

Flamme was designed by Alan Meeks and appeared with ITC in 1993. It is a strong brush script with each stroke doubled and has a nostalgic, retro style. The 1930s and 40s saw an increase in the production of modern script typefaces in foundries all over the world. Expanding markets and their advertisements demanded more and more new typefaces, which then also appeared in newspapers and magazines. A distinguishing characteristic of these typefaces is their informal hastiness and calligraphic roots, a combination which was to embody progress and modernity. Flamme is best used for headlines and short texts in point sizes of 14 and larger.

Introducing Poespa Indah - Old Type, created by ikiiko. Poespa Indah was inspired by vintage store signs in the classic era of indonesia around the 60s. In particular, this typeface is designed to give a formal yet old style look. Poespa Indah has a sans serif typeface with bold to light contrast. This typeface is perfect for an formal layout, newspaper, magazine cover, and also good for vintage product, quotes, or simply as a stylish text overlay to any background image. What's included? Uppercase & Lowercase Number & Punctuation Multilingual Support Works on PC & Mac Enjoy our font and if you have any questions, you can contact us by email : ikiikowrk@gmail.com