Halloween Island is a unique and bold lettered decorative font. This font comes with cool extras. Add it to your creative Halloween-themed ideas and notice how it makes them stand out! This font is PUA encoded which means you can access all of the glyphs.

a grunge gothc font

I always admired the beauty of Gothic letters, but lamented their low readability. The revivals of Gothic faces are beautiful, but they revive everything, including the traits that prevent readability. Blackletters are fine in ads and titles, but can’t be used in long texts (like books on Middle Ages, Medieval romances etc) where they would be the perfect historical choice. And I wanted to change this scenario. With Giureska, instead of taking one particular face to revive, I chose the best traits from many Gothic faces, i.e. the forms that were pleasant to look and easy to read. For the ‘small caps’, I studied uncial scripts and made a similar selection, adapting everything to make a unified font. With three weights, true italics and the uncials, Giureska can endure a variety of projects, bringing the appeal of Middle Ages much beyond the cover.

The Scriptorium got its start in the early days of personal computers with a few font designs for the Commodore 64, and the very first font which we did back then in the early 1980s was a gothic calligraphy font. That style of fonts - the medieval, gothic and black letter genre - has always been the backbone of our collection, but with recent releases we've stayed away from them to introduce a bit more variety. Well, with our new Zauberer font the antique, medieval and gothic look is back with a vengeance. Zauberer isn't a true medieval calligraphy style. It's based on early printed type from Germany which combines calligraphic elements with decorative embellishments from the woodcut printing era. The result is decorative and antique looking and rather appealing. The name comes from the German word for a magician or illusionist.

For any project that calls for a gothic touch, the Krinah font is ideal. Krinah Blackletter fonts are the way to go whether you’re looking for a font for your logo, label, badge, or your newest music video or movie! Labels, vintage posters, and other items should all be designed using the professional-grade font Blackletter. It’s ideal for any project that calls for a little gothic flair. Additionally, it has a variety of lovely, harmonious forms, allowing you to choose the ideal word for your project.

Notre Dame is a part of the 1990 program Type before Gutenberg, which included the work of twelve contemporary font designers and represented styles from across the ages. Linotype offers a package including all these fonts on its web page, www.fonts.de. Notre Dame was designed by Karlgeorg Hoefer, who was inspired by the structure of forms once used mainly for liturgical purposes. Digital techniques made it possible to add Gothic ornaments and borders to the font, perfect for designing anything which should have a late Gothic feel.

Mailuna Pro is a family of gothic typefaces of weight and oblique stature, finding themselves on a line between modern and historical gothic styles. Originating as a revival and elaboration of a limited lettering specimen from a series of old loose spanish specimen book pages, it finds itself in the visual company of vintage transportation roll signs, wood type gig posters, financial publications, etc. What began as just Capitals, Lowercase and Numerals was expanded to a rich pro glyphset including small caps, unlimited fractionals, superiors & inferiors, ordinals, tabular & proportional figures, a Caps to small caps feature and an expanded language glyph set. From modern letterpress back to historical adverts, book covers, headlines, or anything else you want to give a dash of vintage authenticity to, the Mailuna Pro Family is here to fill your needs. Be sure to download and take Mailuna Pro AOE - Book weight for a spin for free.

Dignus was inspired in two clever and famous typefaces: Bank Gothic and Microgramma. Bank Gothic designed by Morris Fuller Benton for ATF in 1930. Microgramma typeface designed by Alessandro Butti and Aldo Novarese for Nebiolo in 1952. Those typefaces were based on a stable rectangular shape with rounded corners, denoting the constructivist heritage and technological spirit of '50. We'd intended to review that typographic scenery with our contemporary point of view, aiming to obtain the formal synthesis of the signs and increase its legibility. Dignus fonts support Central, Eastern and Western European languages. Each font comes with full OpenType features like: standard and discretional ligatures, swashes, stylistic alternates, old style numerals, Tabular figures, numerators, denominators, scientific superior - inferiors, Case sensitive forms and vectors. The Dignus fonts include 7 weights, from Thin to ExtraBlack. The family is completed with condensed and expanded version all with their corresponding italics.

Wood Poster Display JNL is a more casual sans wood type, with a bold and friendly appeal. This font offers a pleasant design which lends itself perfectly to titling, price cards, event notices and any print or web design that prefers a less formal structure to its typography.

Fergana is a square display sans-serif typeface with an inverted or reverse contrast. It uses a very high contrast to be as loud, bold and noticeable as possible. Fergana is a powerful option at large sizes for use on headings, posters, billboards, magazines, advertisements, from casual to hipster.

Bodine is a bold and geometric looking display font. It can easily be matched to an incredibly large set of projects, so add it to your creative ideas and notice how it makes them stand out! What's Included? Uppercase & Lowercase Numbers & Punctuation Alternate & Ligature Multilingual Support PUA Encoded

Loco is an impacting display typeface playing with simple geometric forms perfect for posters, flyers, magazines and everything that needs to look bold, noticeable and up-to-date. Loco was created to perfectly match Ambassador Plus Sans Light. Their combination offers a flexible tool for your creative designs.

Based on examples of common medieval Gothic typefaces, High German has lots of character, giving an immediate impression of the densely packed pages of the 'traditional' backward looking printers of the day.

inspired in medieval iluminated gotic manuscripts

Prescissa is inspired by Textualis, also known as textura or Gothic bookhand, which was the most calligraphic form of blackletter, and today is the form most associated with “Gothic”. Written manually by hands, and reform into clean Typeface. Natural stroke from original handwriting. It can be used for just Title or even writing. In this font, you will get : Over 449 Glyphs 12 OpenType features Multilingual languages. Get Prescissa now! It will best use for any design requirement, many fonts will coming with a unique concept. Thank you! Best Regards, FM-STCO.

Fonts can make or break a design, so why not use the best? The ideal Gothic font is QIUBA! You should use this professional-grade font to create labels, retro, stamps, badges, Oktoberfest posters, and other things. It’s ideal for any project that calls for a little gothic flair. Plus, it comes in a variety of beautiful, harmonious forms so you can use the perfect word for your project. This Blackletter font is the way to go whether you’re looking for a font for your logo, label, badge, or your newest music video or movie!

Vicentina has been created starting from gothic cursive calligraphy, widely used in Italy during XIV century. The ductus of Vicentina has been derived from the documents redacted by Master Domenico Dominici from Vicenza, while most of the inspiration comes from books preserved in the archives of Orvieto Cathedral (Archivi dell'Opera del Duomo di Orvieto). As a result, Vicentina takes form with an elegant, but fast and simplified ductus respect to gothic graphs, rich in ligatures and with over 400 OpenType glyphs, in perfect harmony with the rules of readability of a modern typeface.

Meet Kidsnote, where each letter is like a letter in the margins of the page, written with a ballpoint pen. This dissimilar family of different fonts is framed by the atmosphere of handwritten notes. From block and cursive letters to underlining and mini-doodles, every typeface captures the feeling of writing with a real pen. Like the pages of a notebook, written in small handwriting. Features: - Extras - Kerning

Hasan Alquds U is an Arabic display typeface. It is useful for titles and graphic projects where a contemporary, streamlined look is desired. The font is based on the simple lines of Kufi calligraphy, and the uniform slope of its strokes gives it a structured, geometric feel. It supports Arabic, Persian and Urdu languages. Hasan Alquds is the first released typeface of collaboration between Hasan Abu Afash and Mamoun Sakkal.

Tremendo is a gothic sans serif superfamily with a large number of widths and weights that make it a great choice for versatility, clarity, and dynamism. Built with both grotesque and geometric principles in mind, it's remarkably useful for everything from print copy to the largest display applications. If you're looking for a family that will serve your needs, and be noticed Tremendo is it! A note on the name: "Tremendo" is Italian for "too much, insufferable, awful." It's a tongue-in-cheek moniker for a family that's rather monstrous in size and forceful in impact. Give it a try and you'll see that it's much more of a workhorse than it may at first seem to be!

Nubian was one of the first typefaces ever designed by G-Type and is an elegantly proportioned, crisply modern sans serif family. Comprising five weights from Thin to Bold with true matching italics, each font also includes two sets of figures (lining and old-style numerals) and an extended European character set. Nubian has a noticeably open, semi extended appearance providing very even 'colour' and excellent legibility when set as text. The contemporary letterforms work well at all sizes in print and on screen making Nubian a great choice across all media. The family has been updated to OpenType with extended language coverage.

The German designer Emil Rudolf Weiss originally created Weiss Rundgotisch for the Bauer typefoundry in 1937. In their catalog for the typeface, Bauer began with this quote from Leonhard Wagner: The round gothic (rundgotisch) script is the most beautiful kind of script; she is called the mother and the queen of all the rest." While designing Weiss Rundgotisch, Weiss was inspired by Renaissance types cut by the Augsberg printer Erhard Ratdolt. Ratdolt had spent some time in Venice, which is most likely where he became familiar with round gothic letters. This sort of letterform was never as popular in Germany as Fraktur or Gotisch may have been, but round gothic types were used there for centuries to represent arts and craft feelings, as well as old-fashioned handwork. For a blackletter typeface, Weiss Rundgotisch is very similar to normal serif and sans serif designs, especially its uppercase letters, which seem to have some uncial influence in them as well. Therefore, Weiss Rundgotisch is more legible for contemporary readers, making this an excellent choice for anyone looking to set text, logos, or headlines with in blackletter. Weiss Rundgotisch was apparently quite a difficult typeface to design, even for a master designer like Weiss. He began work on the face in 1915; Weiss Rundgotisch's development took over 20 years to complete."

An old narrow Grotesque from Stempel’s early days (possibly Information Bold Condensed) revived and revised for photocomposition.

This is a JAROHY gothic font that you should use to design Labels, Retro, Stamp, Badge, Oktoberfest Poster or others, Packaging, Headline, Beer, Logo, barbershops, Whiskey, tattoo, Music, Movie, certificate, Quotes, This is a font that is perfect for making any type of design. Whether you are creating a label for a beer bottle, a certificate for a whiskey bottle, a tattoo for your arm, or a headline for a poster, this font is what you need to make it happen. It is bold and masculine, making it perfect for any design that calls for a strong and memorable impression. You can choose the one that best suits your needs.

Introducing Fenwick—a typeface that pays homage to Ontario’s rich heritage. With its unique take on late-nineteenth-century sans-serif typefaces, Fenwick is a perfect addition to any vintage-themed graphic design project. At first glance, Fenwick may resemble old-fashioned gothic typefaces, but upon closer inspection, you’ll notice its inspiration from once-popular serif display fonts and elegant clock digits. Fenwick’s unique design blends the best of both worlds, resulting in a timeless font that captures the essence of a bygone era. For added authenticity, Fenwick features proportional old-style numerals that can be easily accessed in OpenType-friendly applications. The typeface is available in Light, Light-Italic, Regular, Italic, Bold, Bold-Italic, and an engraved all-caps style, giving you the flexibility to use Fenwick in a variety of contexts. Whether you’re designing a vintage-inspired logo or creating a custom poster, Fenwick is the perfect typeface to add a touch of Ontario’s heritage to your project. So why not give Fenwick a try and see how it can elevate your designs to new heights? Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.