Luruh are inspired by the flow of running and melting water. Luruh is guaranteed to make your text stand out - perfect for logos, printed quotes, invitations, cards, product packaging, and headers. Publisher: Sebeningjingga

Childos is a handwritten font in rounded, rough sans serifs style, as well as the development of free and attractive ligature to fill the space between letters and make playful children feel designs.

Apud, a typeface with narrow proportions, interchangeable weights that avoid text warping, sharp serifs and square terminals. The clean, contemporary look and rigid structure makes Apud suited for any kind of publication design.

Introducing our latest display typeface called Barbarosa - Vintage Typeface is Display Vintage Serif can make your logotype become more interesting. Best Vintage font multilingual support. inspired by the decorative arts and architecture movement.

Oyange results out of a stunning pairing of a brush pen that makes it look incredibly endearing and authentic. Use this gorgeous and unique script font to bring any DIY project to life!

It’s here! Look no further! LD Twylight. You don't have to be a fan to see that LD Twylight could make spooky Halloween party invitations or great additions to scrapbooking projects. No Question!

Saikon - A Handwritten Sans Serif, every single letter has been carefully crafted to make your text looks beautiful. it's perfect for logos, name card, magazine layouts, invitations, headers, or even large-scale artwork.

Safiya is a lovely script font featuring charming, playful characters that seem to dance along the baseline. Add this font to your most creative ideas, and notice how it makes them stand out!

Springbok is a striking display font. It can easily be matched to an incredibly large set of projects, so add it to your creative ideas and notice how it makes them stand out!

Amerliosa is a lovely script font featuring charming, playful characters that seem to dance along the baseline. Add this font to your most creative ideas, and notice how it makes them stand out!

Silkplum is a lovely script font featuring charming, playful characters that seem to dance along the baseline. Add this font to your most creative ideas, and notice how it makes them stand out!

Tlidia is a modern sans serif font, tall, thin and elegant. Talidia will work perfect for business card design, cover design, advertisement and many more Talidia have 10 families will make great combination

Intentness is an incomparable display font. It can easily be matched to an incredibly large set of projects, so add it to your creative ideas and notice how it makes them stand out!

Introducing, Diamond lake! This font have strong and bold charasteristics that will make your design more standout from the others. this font is perfect for magazine, headline, packaging, branding, logotype, badge,book, etc.

Grischel Is a condensed serif font that comes with tall style for display purposes to make it satisfying, also suitable for minimalist, chic, branding, packaging and merch design to boost your design exploration.

Hyang soo type face is a collection of fonts with the theme of love and affection, this font is made like handwriting in everyday life, which makes this font close to our lives.

Beverly Catherine is a bold hand-drawn all-caps marker font that has really original brush edges and is rough in every stroke. Great for logos, merchandise, product packaging, quotes, comic book text, and hard-hitting titles. It also includes multilingual support.

Butternut’s origins can be traced back to handwriting in felt-tipped marker. Because of this, you’ll find a slight degree of roughness to the edges, yet a fluid softness to the letterforms themselves. As well as some weird, fun details here and there.

Hello Everyone, introduce our new product Font Brigantia This Is Fast Marker Font.This is a Textured Natural Style and classy style with a clear style and dramatic movement. That is has charming, authentic and relaxed characteristic more natural look to your text.

Love Princes is a handwritten script font that was written using a marker on paper and then I made it into a charming and very natural font, with two very cool writing characters if paired or used in one of your works

Saltbush Rough from Estudio Calderón Is the burning version of Saltbush, a dry marker handwritten font with textured lines and multiple personalities! Equipped with a practice and funny smart ligatures group to get a "handcrafted" look for your designs. SEE WHAT’S INCLUDED!

Compliment is a script design which is obviously based on H. Matheis' typeface designed for Ludwig & Mayer in 1965.Ralph M. Unger redrew and digitized this font in 2004. His work is based on artwork taken from old East German font catalogues.

Hello, this is the new font "Bullseye" The font has made by Sharpie Marker. Looks bold but still Elegant and Fresh. The font have a good Readability. What's Character Included ? Uppercase Lowercase Numerals Punctuation Multilingual Support Stylistic Set. Standart Ligature Thank you, Regards!

In 1960 Ludwig & Mayer released this Matheis design which was completely redrawn, digitized and extended for most main European languages, West and East. To take advantage of all ligatures in this font, I recommend to activate both OT features, standard and discretionary ligatures.

Jakob Erbar’s Art Deco font ‚Lux‘, released by Ludwig & Mayer in 1929, completely redrawn and redesign. The German umlaut glyphs Ä, Ö, and Ü come in their original form in the uppercases; in the lowercases the dieresis was placed above the letters.

Luxory is a handwritten font made with natural hand strokes. This font is inspired by handwriting made with markers. Luxory features : • Uppercase and Lowercase characters • Numerals & Punctuation • Ligatures • Alternates If you have any issues or questions, just let me know agamrahmadan36@gmail.com Thanks

Anna Gagarin is the loving matriarch of the Gagarin Family. Her life was full of love and passion. She had several affairs with Futurist and Contstructivist artist in the beginning of the 20th century. She was in love with the Russian poet Vladimir Majakovski (born on July 19th, 1893 and died in Moscow on the April 14th, 1930). She gave birth to his son Boris. She called him 'a cloud with trousers'. After this love story, Anna Gagarin met the designer and artist Gustav Klucis in Italy. His radical and political ideas were much too childish for her. After a period of love and passion Anna gave birth to his son. At that time they were in Italy, which explains his italic forms. After her return to Moscow in the beginning of the 1920's Anna was introduced by Alexander Rodchenko. They were heavenly in love but Ilja Stepanova was very jealous on her husband. Anna once said that 'Alexander fills mine construction with love...' That phrase can be an explanation for the term Constructuvism as an art movement. Alexander was the great love of Anna. She gave birth to their love-baby Dimitri Gagarin. That night Alexander designed his most famous poster. A decade before that Anna told it was
'a time for a change'. In a local bar in Sint Petersburg she met Gregory Rasputin. At that time Rasputin was a well known person and a respected member of the Sint Petersburg upper class.His diabolic character influenced Anna and after several months she gave birth to their son Kurt. He inherited the main characteristics of his father. The Gagarin Family wants to give love and wants be loved...

The "Ma" in "Ma Braille" is used as a minimalist way to say "Negative Space". "Ma" in japanese arts is an "esthetical usage of emptiness". Thus this font explicits the negative space around visible braille dots in each glyph. A. Font user guide a.1. Lowercase glyphs { A..Z } In these glyphs, dots are represented as "black squares" while the negative space is displayed as 1 or 2 white filled polygons. a.2. Uppercase glyphs { a..z } In these glyphs, dots are represented as "white squares" while the negative space is displayed as 1 or 2 black filled polygons. a.3. Digits: they are just the same than a..j, but the "North US version" is also provided in ascii codes 0xE0..0xE4 (1..5) and 0xE7..0xEB (6..0). a.5. "Dashed Border": a.5.1. "Black dashed" border glyphs; { £, ¥, µ, Â, Ä, Ê, Ë, Î, Ï, Ô } a.5.2. "White dashed" border glyphs; { Ö, Õ, °, ô, ö, î, ï, û, u, õ } B. Posters Poster 1: "Font Logo" version 1, it displays "Ma Braille" text surrounded by the "black dashed border" glyphs. Poster 2: "Font Logo" version 2, it displays "MA" glyphs in big size and smaller "Braille" glyphs within "M" and within "A" as well. Poster 3: the classical pangram to test a font "The Quick Brown Fox jumps over the Lazy dog". Poster 4: Article 1 of the Human Rights: All human beings are born free and equal in dignity and rights. They are endowed with reason and conscience and should act towards one another in a spirit of brotherhood. Poster 5: the "Glyph set" (Border glyphs not included) with A..Z, a..z, digits and special characters.

The talented designer of the well-known Formata typeface, Bernd Möllenstädt was born on February 22, 1943 in Germany. He has lived in Westfalia, Berlin and Munich, Germany, and now permanently resides in Munich. From his earliest years he was interested in typography, first studying as a typesetter (1961-64) and then a student of graphic design (1964-1967). In 1967 Möllenstädt joined the Berthold typefoundry and his career as one of the leading type personalities began. One year after joining Berthold, he became the head of the type design department. For 22 years he worked as the head of that department, under the leadership of Günter Gerhard Lange. Upon Lange’s retirement in 1990, Möllenstädt ascended to the type directorship of Berthold where he was responsible for type design and font mastering. Möllenstädt designed two typeface for the Berthold Exklusiv Collection, Formata (1988) and Signata (1994). Under license from Berthold, Adobe marketed Formata as part of the Adobe Type Library. Formata is now one of the most successful sans serifs in the world, used both in American and European magazines, as well as newsletters in the Far East (Gulf New Kuwait). Formata also was chosen as the corporate typeface of Postbank, Allianz, VW Skoda, Infratest Burke, etc. In addition to his work for Berthold, Möllenstädt has lectured at local Munich schools on typography and graphic design, and designed corporate type identities and diverse logos for major corporations, including Allianz, Commerzbank, Mauser Officer and Hoepfner. Möllenstädt continues his association with Berthold as a designer. He most recently completed small caps and fractions for Formata. He also has substantially contributed to Berthold's Euro symbol program (e.g. adding the Euro symbol design-specific to the most popular families). Möllenstädt currently is working on a new Berthold Exklusiv design.

ITC Christoph's Quill is just about everything you could want in a typeface: it's distinctive, beautiful, and exceptionally versatile. According to designer Russell Bean, ITC Christoph's Quill is the culmination of experimentation with a graphics tablet that spanned several years. Then one day, as if by magic, it all just fell into place. The design seemed to flow from my pen." Bean was born in Australia and, except for a brief stint with a photo-lettering firm in Southern California, has spent most of his career working down under. "I can recall a deep fascination for the written word," he says. "Even before learning to spell, read or write, I think I recognized that this was a means of visual communication." Bean's first job was in a small ad agency as a trainee in the production department, where he learned art techniques and how to handle print, as well as "the value of visual impressions," he says. His career path meandered from one design job to another, but always in the general direction of fonts and typefaces. Today, his workload consists of logo design commissions, font editing, typography and print production consultation to a select group of loyal clients - still leaving time, notes Bean, "to pursue my type design ambitions." ITC Christoph's Quill began life as a simple, visually striking font of caps, lowercase, punctuation and numerals. To this Bean added a bold weight, for when a little more strength is desirable. Next came a flock of alternate characters. Finally, Bean drew a set of decorative caps, a suite of logos, and a sprinkling of beginning and ending swashes. The net result is a type family that can add a signature flourish to a vast range of projects: from invitations and menus to logos, signage, packaging and more."

Conrad X. 'Cobb' Shinn (Sept. 4, 1887- Jan. 28, 1951) was a Fillmore, Indiana-born post card illustrator who sold a series of successful novelty postcard lines which included (among others) Charlie Chaplin, automobiles and the Dutch culture in the beginning years of the 20th Century. After serving in World War I, Shinn found the market for novelty postcards dwindling, and he also lent his artistic skills to cartoon features and illustrating many children's books [including his own, under the nickname 'Uncle Cobb'] which taught easy step-by-step drawing methods. Some time in the 1920s, he eventually migrated into the field of supplying electrotypes and stereotypes of 'stock cuts' of photos and line art to the printing trade. In the days of letterpress printing, this was the forerunner of paper clip art and its successor, electronic clip art. Purchasing many of his designs from 'journeyman' artists of the time, the diversity of Cobb Shinn's stock cuts library grew with the passing years, reflecting changing times, styles and topics. Some of the illustrators whose signed works were presented in Shinn's 'CUTalogs' [as he called his stock cuts catalogs] include Mary Clemmitt, Louis H. Hippe, E.C. Klinge, Nelson White, Harvey Fuller, Bess Livings, Lois Head, Harvey Peake and Van Tuyl. Upon his passing in 1951, it's not known how long the Indianapolis-based company existed before finally closing its doors. One of the more popular series of cartoons were the line illustrations of men and women affectionately called 'little big head guys' by many modern fans of these cuts because the heads of the characters were drawn somewhat larger than the rest of their bodies. Shinn Kickers JNL is a collection twenty-six of these illustrations, and just like a kick in the shin (as the pun in the name implies), these charming cartoons get your attention.

Mayence is the French name of Mainz, German city where Johannes Gutenberg was born. It's a manuscript font inspired in the author's calligraphy, with an angular structure, marked by a certain impulsiveness. Besides being a continuous-line font, Mayence explores some deviations and imperfections in the calligraphy practice, as accumulations of paint and anomalies in the thickness variation, characteristics which gives it more naturality. Its main difference is the set of over 430 ligatures (Premium version), based on the research and selection of important character sequences, rather frequent in several languages. For this, a study was done about the diphthongs, triphthongs and di-tri-tetra-pentagraphs more common in languages such as English, Spanish, French, German, Italian, Portuguese, Dutch, Hungarian, Croatian, among others. Ligatures with up to 2 characters are enabled by default and with more than 2 characters are enabled by the Discretionary Ligatures option. Mayence also contains several ligatures based on common words in English and Spanish, exclusive ligatures with numbers and another standard, discretionary, historic and Unicode ligatures. It has 9 different ampersands (&), which can be chosen by the user according to the application context. When you enable the Titling Alternates (in OpenType-savvy programs), these 9 ampersand styles are converted to their forms of seal, with different purposes of use. To enrich your graphic applications, Mayence brings the Ornaments Version, for construction of impressive lines, borders, textures and the geometric shapes that you want, according to your creativity! To see the features available in each version, open or download the User Guide pdf, in the Gallery section. All text fonts are available in OpenType PS format and have extended character set to support CE, Baltic, Turkish, as well as Western European languages and additional Celtic characters.

Say Hello to Gegor, an experimental serif display font. Gegor is freedom of our hand when creating the letterform without many references. We try to let the pen tool flow and dancing according to our imagination. The characters of this typeface are adopted from the letter "r". She was born and influence each other. The simple shape on the shoulder are slightly pointy at a thick weight and curves at a thin weight have a big influence on other letters. The unique form of letter "r" takes us to further development to get achieve a distinct harmony as a display typefaces. If you look at the teaser images and get an idea, we are in line. Gegor consists of 14 families from thin to black, and 1 outline style in black weight equipped with discretionary ligatures, case-sensitive forms, ordinals, small capital, and fractions. Consists of multilingual support including Western European, Central European, and Southeastern European. Gegor is perfect for posters, logos, branding, magazines, websites, and more. Gegor will give a unique vibe to your works. Supports languages: Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Bosnian, Catalan, Cebuano, Chiga, Colognian, Cornish, Corsican, Croatian, Czech, Danish, Dutch, English, Estonian, Faroese, Filipino, Finnish, French, Friulian, Galician, Ganda, German, Gusii, Hungarian, Icelandic, Ido, Inari Sami, Indonesian, Interlingua, Irish, Italian, Javanese, Jju, Jola-Fonyi, Kabuverdianu, Kalaallisut, Kalenjin, Kinyarwanda, Kurdish, Latvian, Lithuanian, Lojban, Low German, Lower Sorbian, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Malay, Maltese, Manx, Maori, Morisyen, North Ndebele, Northern Sami, Northern Sotho, Norwegian Bokmål, Norwegian Nynorsk, Nyanja, Nyankole, Occitan, Oromo, Polish, Portuguese, Romanian, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Sardinian, Scottish Gaelic, Sena, Shambala, Shona, Slovak, Slovenian, Soga, Somali, South Ndebele, Southern Sotho, Spanish, Swahili, Swati, Swedish, Swiss German, Taita, Taroko, Teso, Tsonga, Tswana, Turkish, Turkmen, Upper Sorbian, Vunjo, Walloon, Welsh, Western Frisian, Wolof, Xhosa, Zulu

Born in the 70s Personal influences are unavoidable in type design and usually find their way through into finished fonts. At Fontsmith, one period in particular provides inspiration, according to FS Pimlico designer, Fernando Mello. “Jason and Phil have always known that I’m very into the visual language of the 70s. I know that Jason shares my love of the 70s and Phil will sometimes admit to being a fan, too. I think that’s the reason they were both so supportive in the development of this font. “And, of course, we all share an interest in good-humoured and intelligent design. We like to think it’s a Fontsmith characteristic.” Back from black FS Pimlico started in an unusual place: with a tubby, penguin-like lowercase “a” that Fernando Mello had been sketching. From “a” grew the rest of the alphabet – a bubbly, fat, friendly family with a brush-written quality that became FS Pimlico Black. The black weight certainly isn’t the normal starting point for creating a regular and bold weight, but Fernando pressed on, driven by a glut of influences: brush-writing; Letraset and early digital systems catalogues; the type of Herb Lubalin and Tony di Spigna; 70s clothes and vinyl; and 70s revival disco nights in London’s Pimlico and Vauxhall. Natural or flourished Not often do fonts come along that seem to span the ages. FS Pimlico is at home in an office environment providing a fresh clear identity in communications or providing text that’s clear and easy to read. But it likes to party, too, 70s style. With the OpenType features switched on, a designer can totally change the look of their work, and create point-of-sale, headlines and titles that stand out and get noticed.

Passport48 exclusively in otf. opentype format, originally debuted in 1997 as Passport, close to the beginning of the indie typographer boom. Almost 25 years have passed since it was introduced at MyFonts as PS1 and later in 2003 in TT TrueType.** It was designed by Joseph Coniglio of Coniglio Type as a revival. Historically, Passport was digitized from a shiny black enamel 1948 Royal Silent Deluxe portable. Kept on the ship of merchant marine, Captain John O’Learn, it was a salty manual typewriter with no intrinsic value as a collectable, even though it is awash as a work horse and a fine communicator of it’s time.. **NOTE: Little Passport family leaves the nest: The old weight variations, styles and formats have been eliminated to allow the original face to be stand alone, on its own attributes. For those purchasing their first typewriter fonts and to our diehard collectors as well, Passport presents a friendly new port-of-entry. A simple set, that is freed of many of the normal distressed points and paths that had made most “typewriters” authentic looking, but difficult to print and manipulate in layouts back in the day. It’s smooth nature comes from its impressions struck directly onto a piece of carbon paper bypassing the silk ink ribbon and going directly from metal to carbon paper transferring to a piece paper with very little tooth. Examine the glyphs to be certain you have what you need from this minimalist set, Passport48 is intended for ease of use and affordability. This is a warm font in a cold cruel world and a real port in the storm! It is versatile in today’s layouts with 24 years of worldwide sales. …Please enjoy the fruits of its travels, hoping your destinations and explorations into graphic design and letter composition are happy ones. -Joe Coniglio, the Pacific Northwest (2021).

Kilkenny is a decorative, Victorian-style font based on the metal type named Nymphic that was designed by Hermann Ihlenberg. Ihlenburg was born in Germany in 1843 where he studied art and worked for several German type foundries. He moved to the USA in 1866 and worked for the L. Johnson & Co. foundry, later MacKellar, Smiths & Jordan. American Type Founders acquired this typeface when they took over the MacKellar, Smiths & Jordan foundry and Nymphic appears in the ATF catalog of 1896. For this digital version, the character set has been expanded to include accented characters, punctuation, and currency symbols—and most everything you would expect to find in a digital font. The original metal font consisted of swash caps, upper case characters, and a “morticed” lower case, which was raised off the baseline. This mortcied form was designed to nestle inside the ornate swash caps as well as to work with the upper case. The five digital versions contained in this set are basically different configurations of these different alphabet sets, they differ as follows: Kilkenny—the original upper case version with a modified lower case that has been enlarged, shifted to align along the baseline, and given taller ascenders to give it a more “regular” appearance. Kilkenny Eureka—true to the original design with the “morticed” or superior lowercase forms. Kilkenny Swash—original swash caps with the modified lower case. Kilkenny Swash Caps—original swash caps with the original caps as the lower case. Kilkenny Swash Eureka—swash caps that have been adjusted to match the weight of the original lower case forms. The OpenType version contains all of the above, plus additional Central European and Cyrillic characters for a total of almost 1000 glyphs.