HT Trattoria is a lovely brush script with authentic and organic feel.It works best for packaging, magazines, marketing, labels, film and clothing. Holiday Type Project offers retro hand drawing scripts. Inspired by retro script on shopfront lettering, wall paint advertisements in Italy around 1950s. Check out the script fonts from Holiday Type!

Rotterdam Redemption is a beautiful display font with a unique and modern look. It is perfect for elegant and luxury logos, book and movie titles, fashion brands, magazines, clothes, lettering, quotes, and many more. Add it now to your fonts' gallery, and it will make any of your designs stand out! ** Uppercase

Introducing Moline is a modern calligraphy font. Comes with regular and italic, also support multilingual. This is suitable for branding, header, quotes, invitations, stationery, wedding design, logos, watermarks on photography, signatures, advertisement, album covers, business cards, clothing, magazines, posters, and more! Thanks for checking out this font. I hope you enjoy it! AminMario

Glamost is a minimalist and elegant serif with many ligatures that will make your project more stand out. You can use this font for any purpose, such as branding identity, logo, magazine, quotes, etc. With simple steps, you can get an aesthetic touch in your design. This font also support multi language.

Trisquare is an Experimental Display Typeface, which is inspired by the strokes of the Fraktur alphabet but developed through the composition of triangular and square shapes. It has a particular ancient soul with a digital taste but is not monospaced. Trisquare is good to use for Branding, Signage, Packaging, Advertising, Headlines, Magazines, Book titles, or everything you want to use it for.

This is a new version of our popular DIN Stencil family designed with a wider cut than the original. This overcomes the diminishing effect of the stencil at smaller sizes where the cuts tend to disappear, whereas it makes a bold statement at display sizes. Traditionally, stencils have been used extensively for military equipment, goods packaging, transportation, shop signs, seed sacks and prison uniforms. In the old days, stencilled markings of ownership were printed on personal possessions, while stencilled signatures on shirts were typical of 19th century stencilling. DIN Stencil B manages to preserve several traditional stencil features, but introduces additional modernities which enhance its pleasing characteristics and make it an ideal choice for a large number of contemporary projects. It consists of 7 diverse weights from Extra Thin to Black. This version supports Latin, Cyrillic, Eastern European, Turkish and Baltic. DIN Stencil B includes several additions such the recently unicode encoded character of the German uppercase Eszett (ẞ), the Russian currency symbol for Rouble (₽), Ukrainian Hryvnia (₴), Azeri and Kazakh letterforms.

Eat More Fruit JNL is an odd name for a typeface, but then again the lettering style of the font is just as unusual. Named for a 1940s-era poster espousing "Put more pep in your step... eat more fruit", the lettering (although Art Deco in nature) also evokes images of 1960s and 1970s hippie-era concert posters.

Aceituna means ‘olive’ in Spanish. It comes from the Arabic Al-Zeitoun. I am multi-tasking today: finishing this font and thinking about what to cook for my family tonight (yes, I am the one who cooks!). We normally eat Asian food, but I was toying with the idea of serving something Mediterranean and realised we had run out of olives. So there you have it: the super simple trick of naming a new font! But enough of cooking: Aceituna font was made with a Japanese brush pen. It is a very versatile font: tall and thin, elegant and a little messy. A hint of texture and, like olives, it goes with almost anything.

I decided to draw the Regular style of Trivia Humanist not too light and the Bold not too dark. Delicate anatomy and moderate contrasts of serifed humanist typefaces aren’t usually born by interpolating between extremes, but rather by meticulous care for each individual letter. A delicious blend of a trace of punchcutter’s tool and calligrapher’s hand with as few historical reminiscences as possible. It stays away from any strong aesthetic colorations as well, which is a common feature of the Trivia family system. I wanted a clear and majestic typeface for book jackets, LP cover designs, posters, exhibition catalogues and shorter texts. But at the end it turned out excellent for largest books as well.

Grandecort is derived from the OakPark family. It has lost the serifs, and has moved to a more traditional look. The upper case letters are a bit heavier than the lower case letters, but overall the letter shapes are fairly conventional for a bold, display face. In later 2018 the family was expanded to 9 fonts. GrancMitStripes was reworked to make four new faces: GrancAllStripes, GrancTopStripes, GrancBottomStripes, and GrancCaps. The last can be used as a background layer for the others. Also, The interior of GrandecortShadow was separated out to form GrandecortShadowInside. It has the same shapes as Grandecort-Regular but the spacing of GrandecortShadow and can be layered with the shadowed style to easily create bi-colored letters.

It is not only coarse but extremly black, and it is quite right to name it Black Letter in English. Ernst Schneidler, the designer, created the smallest possible counters. Still, this very coarse black letter is sensitive in detail and drawn with a high level of aesthetics. By the way, it was said in Schneidler's design class in Stuttgart that his number one student Walter Brudi had cut some of the characters with �silhoutte scissors� from black paper. Sharing his ideas and work with his students does not at all decrease or lower his copyright.Ganz Grobe Gotisch is not only a distinguised but also a very catchy design.(Albert Kapr in Fraktur -- �Form und Geschichte der gebrochenen Schrift�.)

One day my kids asked me: ‘would you rather be healthy and poor or super rich and sick?’ Without a doubt I answered: ‘healthy and poor’. Having money is nice, but it is not what life is about. At least, that is what I believe. Radical Fortune is a font I made after a period in my life that could have ended with a really nice sum of money in my hands - but which I didn’t take. I had to give up too much of myself and that just didn’t feel right. I made Radical Fortune to keep me from thinking too much - and, symbolically, I used a really old and cheap marker pen to draw out the glyphs!

Morison is an original but versatile serif family. With just about the right amount of personality and character, it can stand out when needed, but works equally well in everyday tasks where legibility is the key. The Morison family consists of separate stylistic ranges for display and text use. Each range comes in eight weights with corresponding italics. The display versions are sophisticated enough for tasks where a certain amount of extra elegance and flair are required, without compromising much on legibility. The text versions, however, are true workhorses, suitable for continuous texts in small sizes. All Morison fonts are equipped with handy Open Type features, such as built-in small capitals and multiple numeral styles.

Huskeseddel is to-do list or memo in English. If you not already guessed it, the font is based upon my own handwriting. Actually not my everyday handwriting, but the kind I use when I make my to-do lists. But it wouldn't look right with a simple font with the same letters repeating all the time, and that's why I added 12 different hastily written versions of each letter. These 12 different versions cycle as you type, making your text look...well, like hastily written letters...you'll have to take a real close look to find out that you are looking at a font, and not a genuine hastily written to-do list! :)

Ribbon type. Holy grail of complex-lettering-turned typeface or an elusive Loch Ness monster that is often teased, possibly seen in the wild, but never confirmed? From the amazing lettering artist and author Martina Flor and masterful type designer Neil Summerour, comes the aptly named Ribbons. Ribbons is a sincere and well-conceived approach to providing a reliable solution to ribbon and ribbon-styled type for creative professionals when a lettering artist just isn’t available. Ribbons provides both flat and ‘folded’ options with the Regular and Fold styles, but then raises the bar with separate layer styles that will allow you to easily create the elegant back and forth movements produced with ribbon-style lettering we have all come to appreciate. These layer options are provided in both ‘smooth’ and ‘pleated’ connected styles. Flor and Summerour didn’t stop there. Each typeface was expanded with a number of stylistic alternates, additional swashed and flourished letters, ligatures, and even more in order to provide as many decorative options as possible to the creative. To round out the nine fonts available in the typeface and to ‘put a bow on it’, they’ve added a separate Shadow style and two different color fonts (available exclusively with family purchases).

Who doesn't love Fridays? For many people it is the end of the working week and the start of the weekend. What's not to like? I tried to put all that great vibe into this font - it is charming and clumsy and ready for a party...just like my Fridays...ehh...my Fridays are actually quite simple - no parties or staying out till early morning...been there, did that...now I love my Fridays, just the way they are! :)

With Redtab I tried to create a typeface that could be used equally well in either in body copy, or in headline form. I like to think that, although it has a more traditional look to it, it still possesses a bit of a creative flourish that sets it apart from similarly designed fonts. Whether used sparingly or in paragraph form, Redtab has the ability to not only read well, but stand out while doing so.

Take a deep breath and tink in a deep and extrange galaxy where texts and signs are extrange for a first human look, with unrecognocible letters standing alone but readables all togheter... this font plays around this idea. Thin lines and simply curvatures define this rare group of characteres, ready to be used to challenge the capacity of adaptation and recognition of readable signs of the human brain. Are you ready to take the trip? Find it out!

»Penta« is a new Sans typeface, designed in the American tradition with contrast between the up- and downstrokes. The contrast is hardly visible on the »thin« cut, but the heavier the weights get, the more contrast becomes visible. That makes this font very useful, almost linear in the lighter weights and very distinct rhythm in the heavier ones. »Penta« is extremly versatile, it can be used for bodycopy in the lighter weights and for heavy headlines.

Rigid Square There is a rule, Octagonal shape and 45 degree cuts. Very geometric shape but designed especially for body text, long sentence such like a mechanical instructions. Capital I and lower l have distinguishable shape. Neo-humanist shape on lowercase b.d.g.p.q is for further smooth readability. However, Also useful for display, titling, captions by their sophisticated glyph shapes and their eye-catching geometry. Consists of seven weights and their matching italics. Supporting almost all latin languages.

Originally created in 2014 but redesigned and improved in 2020, Remah Pro is an eclectic and versatile sans serif font family consisting of 5 weights, from extra light to extra bold with its respective condensed. When looking for something different, Remah Pro is certainly the best choice: the wavy shapes that defines it are intertwined with clean cuts and sharp edges, making it suitable for typographic experimentation and ideal for display work, logo design, posters and billboards.

Mosse Thai is an extraordinary sans-serif typeface that designed for improve readability, formal but casual, with straight cut at terminal and reverse angled at spur and finial give a little bit sweet. Mosse is simple and identical, come with nine weights allowed you to use the right weight to the right proportions. Mosse Thai also support many languages, thanks to extended latin glyphs. Mosse Thai come with standard Adobe Latin 4 glyphs, world-ready and mark2mark support.

The three largest sizes of type made by the Caslon foundry are strangely unlike the famously consistent text faces cut by William Caslon. Perhaps they were the work of other hands—or of the master in a funky mood. Caslon’s text types have often been revived, but the display sizes, forceful and a touch eccentric, had no digital version until Matthew Carter’s Big Caslon. With striking Italics and rich design features , this typeface shines at BIG sizes.

Nonchalant was inspired by an old Peter Sellers poster from the around 1970 (the year that I was born!) I wanted to keep the funky look of the 70's but update with a more modern 21st century look. That's how Nonchalant ended up looking like a hybrid between funk, grafitti and sans serif! Use Nonchalant for your posters, commercials, postcards, invitations, shout-outs or whatever needs something funky! Comes with an extensive amount of international letters!

I was cleaning out my pencil box and found an old marker pen. I wanted to throw it away, because it was leaking all over my stuff, but decided I could use it one more time. The result is Full Blast font: a ‘brush’ font (made with that leaking old marker pen). Use if for your fireworks packaging, fiery pepper sauce bottles and whoopee cushions (and just about anything else as well). Comes with an explosive amount of diacritics.

JP2 has some special roots being inspired by the actual handwriting of Pope John Paul II. Franciszek Otto took this source material and transformed it into a high quality font. The result is a rough, but intelligent, design with letters that slightly bounce along the baseline to mimic typical writing. Their short x-height, long extenders, and unique capital letters make this a very beautiful and distinctive typeface. Try it out for greetings, invitations, or posters!

Isbellium is a sans serif version of Dick Isbell’s Americana type, designed in 1967 and the last type cut in metal by the American Type Founders Co. (ATF). Isbellium retains the large x-height, open character, wide stance and elegance of Americana, but with a quieter voice and polite authority. Isbellium is a display face with broad Latin support along with small caps, fraction support and other typographic niceties are included in the ten font family.

Emotional Expression is a cute and simple lettered handwritten font. It can easily be matched to an incredibly large set of projects, so add it to your creative ideas and notice how it makes them stand out!

Wenykidos is a cute and quirky display font. It will add an incredibly joyful touch to your designs. Add this beautiful display font to each of your creative ideas and notice how it makes them stand out!

Funny Munk - Cute and Thick display Font, Its friendly for design, kid store, seasonal party or banner, fitting a wide range of contexts. Add it to your creative ideas and notice how it makes them stand out!

Quickly is a cute and quirky display font. It will add an incredibly joyful touch to your designs. Add this beautiful display font to each of your creative ideas and notice how it makes them stand out!

Banyu Langits is a cute and quirky display font. Its friendly feel makes this font incredibly versatile, fitting a wide range of contexts. Add it to your creative ideas and notice how it makes them stand out!

Sun Summer is a cute and casual display font. It will add an incredibly joyful touch to your designs. Add this beautiful font to each of your creative ideas and notice how it makes them stand out!

Foodpacker is a cute and quirky display font. It will add an incredibly joyful touch to your designs. Add this beautiful display font to each of your creative ideas and notice how it makes them stand out!

Spedora is a curly and cute display font. Expertly designed to make your creation look out of this world, this font will look gorgeous on a variety of ideas such as posters, stickers, social media materials, etc.

Avenus Type is a cute and quirky display font. Its friendly feel makes this font incredibly versatile, fitting a wide range of contexts. Add it to your creative ideas and notice how it makes them stand out!

Ranille is a modern, classy, bold serif and display font. It includes a great number of of alternates and ligatures. Ranille is inspired by retro curves style from the 50-60s era and brings it into modern design with bold weight. Ranille comes with over 200+ alternative characters (PUA Encoded) that give you a wide range of typographic design results. Ranille is a versatile font that ready to make your designs more stand out such as posters, magazines, branding, logos, label, merchandise, presentation, advertising, cards, quotes and so much more! Check out Novante which is a great pair for Ranille.

Introducing our newest cute typeface, After Winter, Cute and Playfull font. This font perfectly made to be in poster funny, and the other various formal forms such as invitations, labels, logos, magazines, books, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose

Introducing our newest cute serif typeface, MEGLORIA, a cute typeface font. This font perfectly made to be in poster funny, and the other various formal forms such as invitations, labels, logos, magazines, books, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose.

#boldisbeautiful, and there's a whole lotta bold in this hand painted brush font, Stay Bold! With extra chunk in the trunk and a rough paintbrushed edge, Stay Bold cuts straight to the point; ideal for designing big impact merchandise, eye catching social media & marketing posts, and attention-grabbing product packaging & branding projects. Stay Bold supports uppercase, lowercase, numerals and a large range of punctuation. Includes multilingual support for the following languages; English, French, Italian, Spanish, Portuguese, German, Swedish, Norweigen, Danish, Dutch, Turkish, Polish, Finnish, Indonesian, Filipino, Malay Thanks for checking it out, and don't forget; Fortune favours the bold.