The new release is called Noki. A font family Ideal for flyers, label, logos, magazine, product branding, corporate branding, signage, posters and certainly in advertising. Check it out !

Punch was born because we wanted to create a stencil font. At first glance, Punch gives out an audacious persona with its bold shape and form. It’s softer side is revealed in it’s carefully cut stencil lines. The balance of heavy and refined gives the font family its very own charm. Punch Pro comes in six different weights; Slab, Bracketed, Wedge, Deco, Hairline and Sans.

SQUADZONE it’s a young & sportive unicase style font, having both uppercase and a few smallcase alternating letters that gives it a unique look. It’s geometric anathomy of the letters may have two different types of endings or detail: straight and sharp cut out angles at 45 degrees. This offers a few alternatives in headlines or even logotype purposes that are realy encouraged to use for.

Speak quietly but carry a big stick' as President Theodore Roosevelt once said... so, with so much heated rhetoric in the air this -- let's face it, EVERY -- Election season, we felt that it was important to put together a more dignified and sedate lower case edition of our popular Victory Speech font. Bad Hair and Big Sticks not included. See related font: Victory Speech

Catty Purry is a cute and funny cat font. This font is big, bold and unique. The handwriting touch will make your project looks more natural and eye-catching also allow you to create stunning design quickly and easily. Feel free to use this font for logos, handwritten quotes, product packaging, header, poster, merchandise, social media & greeting cards, and more. Check out our font collection for more great and artistic fonts. Pick your most favorite font and use it as you like to reach your goals. To access the alternate glyphs, you need a program that supports Open Type features such as Adobe Illustrator CS, Adobe Photoshop CC, Adobe Indesign, and CorelDraw. More information about how to access alternate glyphs, check out this link ( goo.gl/ZT7PqK )

Mighty Party is a display serif font in thick weights to express friendly, modern nuances. It has a high contrast in curvy final wipe details on some of the letters. Its heights and proportions are not the same, but its simple forms are legible in both small and big text sizes. You can also enjoy the lovely features available in this font. Features: Stylistic Sets Multilingual Supports PUA Encoded Numerals and Punctuations Mighty Party fits for various design projects, such as posters, banners, logos, magazine covers, quotes, headings, printed products, invitations, name cards, merchandise, social media, etc. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great experience using our font. Feel free to contact us for further information when you have a problem using the font. Thank you. Happy designing.

Okay, ya finally wangled yer widget out from between the framistat and the whatchamacallit, ya assembled yer Avengers and ya hooked up yer hoojamajigger to the doohickey. But ya still ain't gonna get yer contraption to work until ya plug the widget into the thingamajig! Sheesh! Wotta Revoltin' development!

Wood Clarendon JNL is based on Hamilton Clarendon Condensed (circa 1899) and is available in both regular and oblique versions. The design of this typeface retains many of the charming (but slight) design irregularities often found within pantograph-cut wood type from the 1800s through the early 1900s.

A condensed neo-grotesque typeface with a quirky personality. Cargi contains 9 weights, obliques and a variable version. Low contrast and clean forms create legibility at small sizes, but display uses are where the real character of Cargi comes out to play. 319 glyphs to support 100+ languages.

Neues Bauen is a Bauhaus inspired font with some interesting glyphs. It is slightly rounded in places, but sharp in others and it will most certainly make your designs stand out. Neues Bauen in other words, like the style that emerged in pre-war Germany, is a statement.

Obsession has taken me completely in its spell. I could go on forever creating new forms for this script. But I have other fonts to do, so this is as far as my obsession goes for the moment. There are six different cuts and all letters can be mixed.

Introducing our newest typeface called Castello - Retro Bold Serif with ligature & alternates. Comes in 2 styles regular & italic, this typeface has many alternates with swashes that can make your lettering / logotype become more interesting. The clean and neat of a serif combined with the swirl swashes makes this font very attractive. This font perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazine headers, books, greeting / wedding cards, Clothing Branding, product packaging, fashion, make up, quotes, stationery, novels,cutting, labels or any type of advertising purpose. No special software is required to type out the standard characters of the Typeface. To access the Opentype Ligatures, you will need software that supports Opentype features in fonts. Current Language Support : Danish, English, Finnish, French, German, German (Switzerland), Norwegian Bokmål, Norwegian Nynorsk, Portuguese, Spanish, Swedish, Swiss German.

Introducing our new Lincoln Road Font Collection. Deco, but not too Deco. A Lincoln Road is a family of 9 fonts including 2 weights of Deco and 6 weights of a coordinating Sans and an Elements font that contains the frames and elements you see used in the previews. Each Deco weight has a corresponding Sans weight. Lincoln Road was inspired by art Deco styles, but is a modern interpretation - in other words - not too deco. It works for modern projects that need a hint of a decorative look and can also be used for a more vintage vibe. Check out the previews to see some of the ways you can use this family.

We designed Mrs White for our next book for children. We needed a clean script that would give a feeling of a primary school handwriting. Mrs White is filled with ligatures and contextual alternates which gives her very smooth line of text. Scripts shouldn't be used without lowercase letters so we added a small caps for headlines and acronyms. Check out the manual for more information on how to use Mrs White. Polish language use latin characters but we would like our Eastern neighbors to be able to enjoy Mrs White so we added cyrillic alphabet (script and caps).

fonde is a elegant chic font for brand, logo and quotes design. Based on our experience as a graphic designer who works for a lot of companies, we often are requested to design a logo in a unique style but with an elegant shape. So, we try to brainstorming and create this font to make the idea is going out. This is perfect for BRANDING and LOGO DESIGN. You will get classy, elegant, and certainly unique logos with this font. fonde is also included full set of: uppercase and lowercase letters multilingual characters numerals punctuation Wish you enjoy our font. :)

Introducing Gomoku—the chunkiest, sweetest, most playful paper cut-out typeface you’ll ever lay your eyes on! With its bold and thick slab serifs, this typeface is sure to make a statement and add a touch of whimsy to any design. Gomoku’s foreground font is the star of the show, featuring a thick and chunky design that demands attention. But why stop there? Gomoku’s optional background layer adds a whole new level of depth and texture to your typography, making it stand out from the crowd. Whether you’re designing posters, greeting cards, or social media graphics, Gomoku is the perfect font choice to add a quirky and playful touch to your project. So why settle for boring, basic fonts when you can have Gomoku’s delightful paper cut-out design? Get your hands on Gomoku today and start creating bold and beautiful designs that are sure to make a lasting impression. Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

Moden Type is Sans Serif fonts great for product logo, poster, headline, card logo, web, magazine, packaging, stationery and much more. Easily creates your own logo type with fonts. Moden Type has an Open Type feature to access a large selection of unique alternative letters and many ligatures to make it easier for you to create. Moden Type can be accessed perfectly on design applications such as Adobe Illustrator, Adobe Photoshop, Corel Draw, Affinity Designer but does not rule out the possibility that it can also be accessed using web-based applications such as kittl, canva, artboard studio and others.

Pro Font is Sans Serif fonts great for product logo, poster, headline, card logo, web, magazine, packaging, stationery and much more. Easily creates your own logo type with fonts. Pro Font Sans has an Open Type feature to access a large selection of unique alternative letters and many ligatures to make it easier for you to create. Pro Font Sans can be accessed perfectly on design applications such as Adobe Illustrator, Adobe Photoshop, Corel Draw, Affinity Designer but does not rule out the possibility that it can also be accessed using web-based applications such as kittl, canva, artboard studio and others.

“Marne” is a new font inspired by letter designs from the 80's but updated. Standing out for its condensation, its angular touch, its slight slant and its thick and thin lines, “Marne” is the perfect mix of elegance and informality. Open Type features include a full complement of international characters, alternatives and ligatures. With all this, the text will look alive and dynamic, without the monotony of repeated letterforms. “Marne” can be the choice to create titles, logos and posters for branding and packaging, invitations, greeting cards, magazine and book covers, children's material, fashion, and wherever you want!

Mocer is Modern Serif fonts great for product logo, poster, headline, card logo, web, magazine, packaging, stationery and much more. Easily creates your own logo type with fonts. Mocer has an Open Type feature to access a large selection of unique alternative letters and many ligatures to make it easier for you to create. Mocer can be accessed perfectly on design applications such as Adobe Illustrator, Adobe Photoshop, Corel Draw, Affinity Designer but does not rule out the possibility that it can also be accessed using web-based applications such as kittl, canva, artboard studio and others.

Tabarnak started out as an assessment and correction of an old concept by George Wilkens. The original idea was for a bold upright alphabet reminiscent of Oz Cooper’s work, but ornamented with some shocard/signage traits. That idea was radically redrawn and reinvented to become a simple 21st century font made to turn heads and induce a friendly rush. Tabarnouche is Tabarnak’s “jittery” incarnation. Just as great for packaging as they are for ads, posters, book and magazine covers, both Tabarnak and Tabarnouche come with about 600 characters, including tons of alternates, and support for the majority of Latin-based languages.

Bedontes is an unique handwritten brush font. Created with brush pen to give a great contrast between thick and thin curves. Drawn, Scanned & Vectorized from paper to screen. I wanted to create an authentic brush typeface leaving the texture and imperfections the way they are, but perfect for any awesome project that need hand writing taste. Comes with regular and italic, also support multilingual. This is suitable for branding, header, quotes, invitations, stationery, wedding design, logos, watermarks on photography, signatures, advertisement, album covers, business cards, clothing, magazines, posters, and more! Thanks for checking out this font. I hope you enjoy it!

Helotypo is Sans Serif fonts great for product logo, poster, headline, card logo, web, magazine, packaging, stationery and much more. Easily creates your own logo type with fonts. Helotypo has an Open Type feature to access a large selection of unique alternative letters and many ligatures to make it easier for you to create. Helotypo can be accessed perfectly on design applications such as Adobe Illustrator, Adobe Photoshop, Corel Draw, Affinity Designer but does not rule out the possibility that it can also be accessed using web-based applications such as kittl, canva, artboard studio and others.

Object is a geometric sans serif especially designed for contemporary typography and comes with 8 weights from ultralight to black plus handslanted obliques. A large x-height not only creates space for smaller sizes, but also lends Object an open and generous character for print and screen. Many OpenType features including 642 ligatures, contextuel alternates, inits and stylistic set built into all cuts. The font contains 1.118 glyphs with a wide range of flexibility for Latin language support for every typographical needs. Object is a contemporary geometric typeface, special for logotypes, brands, magazines and corporate design.

Peosa is Modern sans serif fonts great for product logo, poster, headline, card logo, web, magazine, packaging, stationery and much more. Easily creates your own logo type with fonts. Peosa has an Open Type feature to access a large selection of unique alternative letters and many ligatures to make it easier for you to create. Peosa can be accessed perfectly on design applications such as Adobe Illustrator, Adobe Photoshop, Corel Draw, Affinity Designer but does not rule out the possibility that it can also be accessed using web-based applications such as kittl, canva, artboard studio and others.

Maga shares the skeleton with one of our first typefaces (Quaestor, from 2004), but we didn't want to simply expand an existent design, so we took a step forward—not just with improved features and new weights, but also making the italics more usable than its predecessor. The balance between the counters and the space between letters makes this a very space-saving typeface with plenty of legibility, yet stylish enough for contemporary magazine design.

The name of this robust typeface is adopted quite literally from the slice taken out of certain characters. The same sliced angle is also applied to many of the terminals, creating a clean-cut styling throughout the family. Tilted versions emphasise the descriptive name further, with an implied cutting stance. Wider versions go even further still, taking on a more thrusting, squat dynamic compared to the condensed styles. The standard Sliced family is complemented by Sliced Open, a lighter, more open set which extends the versatility and design flexibility of the typeface and comprises a total of 14 font styles, all with extended European character sets.

A hand-drawn font inspired by the menu from a tearoom in York. York Handwriting is simple but with accentuated features, creating an effect that is decorative and distinct while still being clear. Giving the look of chalk or wet-wipe pens, this font will provide you with texture to make your work stand out, almost literally. With York Handwriting, any design can be granted the humble, homely look of a small, side-alley tearoom, especially with the emphasised x-height helping the text to stand out.

HANNAH & CLAY | handwritten serif font After the love that MILK & CLAY received, I thought I would make a serif version for all you serif typeface lovers out there. It is the handwritten version of one of my favourite fonts 'hannah hannah'. I absolutely love how this turned out and the unpolished warm feeling this font has. It feels very high-end, but still approachable, inviting and grounded because of its soft edges and human feel. I hope you love it as much as I do xx

A funtastic and playful typestyle, Wintermint started as a digitization of a film typeface called Lori by LetterGraphics. This font is filled with bounce and liveliness taken from its original limited character set and fleshed out to a fully functional typeface. Flare serifs along with the occasional weird and wonderful curl gives this typeface a festive holiday vibe, but it could easily blend into a psychedelic design space, or just an all out wacky groove. Give it a spin, and see where Wintermint takes you.

Toxia is a creepy—yes, eerie face, like something wet and poisonous clambering out of the swamp. It’s spooky too—yes, but it’s also frighteningly easy to read. Just don't let it drip on you! Toxia is just one font in a package of five known as Wild Bunch Pak #1.

This font is artistic. The shape of the letters was taken from the dot art that I worked on consistently. Letters are read by habit and feeling. Sometimes I also think for a moment about what this letter is. But, you soon find out. A brief pause and continuation is refreshing.

Here are 29 hearts to say "I love you" through out the year. Some are stand-alone hearts and others have matching hearts for creating all-over heart patterns or a series of similar but slightly different hearts. Created in the same style as Outside the Line's other Doodle fonts.

Mooono is retro futuristic monospaced font. The bright side (uppercase) is straight and to the point but the dark side (lowercase) is fat and funky. Mix up the upper and lower to create some serious spaced out vibes. I only saw the crescent, you'll see the whole of the mooono!

Neacademia is a Latin and Cyrillic type family inspired by the types cut by 15th century punchcutter Francesco Griffo for Venetian printer Aldus Manutius. Beyond the letterforms themselves, however, the digital fonts themselves are based on the techniques and methods Griffo employed. The family comprises four distinct variants optimised for specific point sizes, as was traditional in metal type. While the display sizes maintain a visual link to calligraphic roots, text sizes exhibit more typographic qualities, following the hand of the carver. Likewise, Neacademia maintains its even colour on the page by carefully employing alternative letterforms, rather than leaning on a multitude of kerning pairs. A geeky little detail you’ll likely need to point out with a magnifying glass to your type friends, but creating a neat texture that works in readers favour nonetheless. Neacademia’s historically sensitive eye is put to work for modern typographers’ needs. It incorporates Griffo’s italic capitals and harmonizes them with the lowercase and the romans — where the original Aldine italics had no capitals of their own and simply re-used the uprights. It was designed with specific allowances for letterpress photopolymer printing. Printed digitally, it can tolerate – and even benefit from – low resolution, rough paper, and low-grade presswork. In many ways, it feels like using metal type again!

What's that, bub? Looking for a whole train full of whupass? A six pack of adamantium shred? Listen, are you talking to me or chewing a brick? Either way you're gonna get all your teeth broken. And if you think that's all just Tough Talk, make your move, bub. (Our new font, ToughTalk, put the words in Wolverine's mouth in the pages of Steve Skroce's WOLVERINE: BLOOD DEBT, but don't tell the short Canadian over there, he's likely to get upset at the mere suggestion that people put words in his --) What? No, I didn't, uh, say you were -- ulp -- short...

Madayuki Brush handmade It comes with a signature and unique style that is perfect for making any design stand out! This font is perfect for branding, wedding invitations, magazines, mugs, business cards, quotes, posters and more. Help File Madayuki Type Features: Uppercase - Lowercase Numbers & Punctuation Perfect for Headlines, Logotypes, Signs, Posters, Letterheads, T-Shirts and more. Supports International Languages Hope you enjoy with our Fonts Thank You!

Meet the new font family! This font came to my mind while I was sitting in line at the dentist. There are often different magazines at the front desk to read and pass the time while waiting. One of those magazines turned out to be about fashion. When I opened it on a random page, I saw beautiful pictures. But you know what the first thing that catches my eye? The font! The font in which the headline or quote is written. After you read it, you look at everything else. And I wondered what my font would be in this case. I present to you my version of a font for fashion lettering. Good luck and love to you, friends!

I bought a pineapple the other day, because my kids really like pineapples. Ok, ok, it may not sound like something special to you - but keep in mind that pineapples in Holland are an expensive fruit. We mostly get the canned ones (which I don’t like too much). Anyway, when I was slicing up the pineapple, I thought I should name a font after this bizarre, but tasty, fruit. And so I did. Pineapple Daydream is a handmade serif. I am not sure how to classify it, but I am sure you’ll figure that out. Comes with a plantation of diacritics.

Sardines is a project by Jacques Le Bailly aka Baron von Fonthausen. This original version is the one that saw the light as a monospaced font student project and which would eventually grow into Vette Letters’ largest font family (see VLNL Neue Sardines). Sardines is an eclectic mash of classic curves and mathematical measurements, leaving a very distinct typographic flavor. While most of our type is market-fresh, this one comes out of the can, but it’s delicious nonetheless. And it’s great for adventurous BBQ-ing!