Now here's a font that is named Like Butterflies, but has got nothing to do with butterflies! What? Why? Well, I recently heard the song "Even flow" by Pearl Jam and took a trip down memory lane - back to my early twenties. I remember how the lyrics affected me, and had an impact on how my life changed the years to follow. Maybe the style of the font does not reflect the inner meaning of the song, but it does reflect a look back in time for me - and the change that took place. Nevertheless, I hope you enjoy the somewhat simple, handmade style of Like Butterflies and the 4 versions that works very well together! Please notice that each letter has got 5 slightly different versions to choose from!

Life Mission is a stylish handwritten script font. It is suitable for logo, branding, packaging, apparel, social media, and more.

Best life - This cool one line handwritten font is very stylish and elegant that has a great style for your work with hearts in the middle and also lowercase swashes in front and back and lowercase swashes on back and hearts in front of letters to connect.

The concept for ‘Scroll’ came to me fully formed when setting out to design a bold display typeface. The premise for this was to base the letter-forms on a rolled strip of paper. A simple enough idea in principle but one I hadn't seen before. After working out the basic characters I set about completing the full effect I was after. This was achieved by applying a suitably incised line following the curve at each turning point to convey the important three-dimensional aspects of a scroll. Although the phonetic name personifying the font was there as a working title from the outset, I didn't commit to it fully until everything was completely resolved.

Marek is a slab serif font it takes it's name from a football player from the Naples soccer team  “Marek Hamsik”. It is composed of 5 weights (thin, light, regular, bold and black with matching italics), it's ideal for big headers as for magazines, t-shirts, branding and much more. It is available in open type format and includes alternative fonts (a,K,k,g), ligatures, oldstyle and linear number. Moreover, it includes the glyph of the new bitcoin currency, supports more than 80 languages and it's composed of 392 glyphs.

ITC Merss proves that sometimes accidents work out just fine. Late one evening Eduardo Manso, an Argentinean graphic and type designer, spilled coffee on his desk. When he began to wipe up the mess, he noticed that one of the splashes looked like a roman letter 'l' - complete with serifs. This triggered his imagination. “What if a complete alphabet was created with this same irregular flow to the character designs?” ITC Merss was the result of Manso's experiments with “fluid” letter shapes. The oddly handsome design looks aged and spontaneous at the same time. Its irregular texture is striking-the result of careful modeling of character shapes. While Manso wanted to maintain the free-form character of spilled liquid, he also knew the individual letters had to work together with an underlying harmony. When not experimenting with typefaces - or spilled coffee - Manso creates award-winning graphic and publication designs. A contributor to the design magazine el Huevo (the Egg), he also writes articles on type and typography and is part of the publication's design team.

The square icons focus on maximizing the meaning by minimizing the symbols. Let your viewers understand your data without disorientation. Use a metaphorical icon library, designed for fast, intuitive human recognition.

Take a classic hand lettered Art Deco alphabet, add in a treatment of dual straight vertical lines and the resulting typeface is Double Line Deco JNL.

A font with boxes, bullets, large brace segments, etc. Plus six pt. wide line segments which will generate lines in 16 weights, in any program which supports fonts.

The square icons focus on maximizing the meaning by minimizing the symbols. Let your viewers understand your data without disorientation. Use a metaphorical icon library, designed for fast, intuitive human recognition.

The square icons focus on maximizing the meaning by minimizing the symbols. Let your viewers understand your data without disorientation. Use a metaphorical icon library, designed for fast, intuitive human recognition.

A makeup ad in the December, 1937 issue of Modern Screen magazine inspired Single Line Deco JNL, an Art Deco monoline which is available in both regular and oblique versions. The font is based on the hand lettered headline touting “Modern Eyes”.

A special offer by RMU Typedesign for those who like it old-style. Now finally with the possibility to create a Greek Meander frame.

The square icons focus on maximizing the meaning by minimizing the symbols. Let your viewers understand your data without disorientation. Use a metaphorical icon library, designed for fast, intuitive human recognition. All square icons crafted with precision and eye for quality with 32x32 grid system. The metaphors and the compositions designed with pieces from everyday life and popular culture, thus your viewers will never get lost and enjoy a unique and simplified visual style.

The square icons focus on maximizing the meaning by minimizing the symbols. Let your viewers understand your data without disorientation. Use a metaphorical icon library, designed for fast, intuitive human recognition.

The square icons focus on maximizing the meaning by minimizing the symbols. Let your viewers understand your data without disorientation. Use a metaphorical icon library, designed for fast, intuitive human recognition.

The famous Catalan architect, Antoni Gaudí, used to say “there are no straight lines or sharp corners in nature…” However, with Between The Lines that’s exactly what you’ll find: straight lines, parallel and perpendicular, all in a glorious display of Art Deco style. Here the verticals and horizontals dominate while the diagonals “sit this one out”. Curvilinear lines also run free here: they serve as refreshing counterpoints to prominent straights. These forms suggest a somewhat expressive script-like characteristic, (especially in lowercase) wherever the font’s many initials, terminals and contextual alternates are employed. Between The Lines offers many options for alternate letterforms (ligatures, stylistic alternates, contextual alternates, etc.). When these OpenType features are used judiciously and selectively, your typography will be greatly heightened. You’ll find BTL right at home in a number of environments: music album covers, snack food packaging, magazine headlines, cosmetics, signage and more. PLEASE NOTE: due to its very tall ascenders, Between The Lines benefits from generous leading (line spacing). Multilingual support included.

The square icons focus on maximizing the meaning by minimizing the symbols. Let your viewers understand your data without disorientation. Use a metaphorical icon library, designed for fast, intuitive human recognition.

Enjoy this exclusive set of line vector icons font pack including 3700 icons with a cheat sheet. They are pixel perfect and infinitely scalable. You can use these icons to design websites, apps, blogs prints. Created with taste and passion! Please Send a message to info@howcolour.com with your order code to get a link to Cheatsheets file.

The cover of the 1943 sheet music for the song "Jeannie" offered up a hand lettered monoline Deco sans with varying width letterforms. From this design comes the aptly-named Thin Line Deco JNL.

The square icons focus on maximizing the meaning by minimizing the symbols. Let your viewers understand your data without disorientation. Use a metaphorical icon library, designed for fast, intuitive human recognition.

The square icons focus on maximizing the meaning by minimizing the symbols. Let your viewers understand your data without disorientation. Use a metaphorical icon library, designed for fast, intuitive human recognition.

The unusual, thin line hand lettering on the cover of the sheet music for 1936's "If You Love Me" was the basis for Light Line Deco JNL, which is available in both regular and oblique versions.

Spotted amongst the online page scans from a vintage lettering book, the typeface originally called “Didot Moderne” served as the basis for Dual Line Roman JNL, which is available in both regular and oblique versions. Caps Only Fonts.

A set-aside work file featuring a bold sans serif typeface that may or may not have had a vintage source history was given a new treatment. Initially, the solid design was converted to a stencil format and an experiment was undertaken to see what the alphabet would look like with a dual line treatment. Surprisingly, it turned out quite well and the end result is Dual Line Stencil JNL; available in both regular and oblique versions.

The square icons focus on maximizing the meaning by minimizing the symbols. Let your viewers understand your data without disorientation. Use a metaphorical icon library, designed for fast, intuitive human recognition.

The square icons focus on maximizing the meaning by minimizing the symbols. Let your viewers understand your data without disorientation. Use a metaphorical icon library, designed for fast, intuitive human recognition.

Sheet music for the title song from the 1933 Jean Harlow-Clark Gable film "Hold Your Man" has the movie title hand lettered in a dual line sans serif with Art Deco influences. This is now available as Dual Line Deco, and is available in both regular and oblique versions. The song itself was written by Arthur Freed and Nacio Herb Brown, whose vast catalog of musical compositions was tapped for the 1952 musical classic "Singing in the Rain".

A 1926 travel brochure for a steamship line provided the basis for this darkly sparkly spritely font. Smooth curves and an off-center inline treatment gives this typeface a strong architectural feel.

National Champion is the overly confident geometric slab that comes in four weights and twelve line styles. He's got a 3/4 cap lowercase, lots of language options, and opentype fractions!

Thanks for checking out LineArt ECLECTRICE (pronounced EHCK-LEHCK-TREES) Light Aligned font by Rene Toussaint (otherwise known as DJ THINK) of LineArt Foundry and Brand. This font is designed in the vein of graffiti art with stylings of hip-hop and hieroglyphic appearance. Try it in a preview window and check out if it will meet your needs for something cool and hip for your next flyer design or other type of graphic art image. Keep in mind that this is a light design and may require extra thickening in your vector program of choice with outline thickness options.

The square icons focus on maximizing the meaning by minimizing the symbols. Let your viewers understand your data without disorientation. Use a metaphorical icon library, designed for fast, intuitive human recognition.

The square icons focus on maximizing the meaning by minimizing the symbols. Let your viewers understand your data without disorientation. Use a metaphorical icon library, designed for fast, intuitive human recognition.

Hard Lines - A Fun Display Font With Shadow Decoration inside. It will elevate a wide range of design projects to the highest level, be it branding, headings, wedding designs, invitations, signatures, logotype, wall art illustration, apparel, labels, and much more!

The square icons focus on maximizing the meaning by minimizing the symbols. Let your viewers understand your data without disorientation. Use a metaphorical icon library, designed for fast, intuitive human recognition.

The square icons focus on maximizing the meaning by minimizing the symbols. Let your viewers understand your data without disorientation. Use a metaphorical icon library, designed for fast, intuitive human recognition.

Coffee and tea related, pixel perfect, editable stroke, up scalable square line vector icon set.