Introducing Akira - Zenbrush Script, created by ikiiko. Calm brush script type, adapted from Japanese zen culture. Akira typeface uses firm lines with strong curves with lots of alternates & stylistic options to choose. This typeface is perfect for an elegant logo, poster design, beauty product, packaging product, community logo, magazine, quotes, or simply as a stylish text overlay to any background image. What's included? Uppercase & Lowercase Number & Punctuation Alternates & Stylistic Multilingual Support Enjoy our font and if you have any questions, you can contact us by email : ikiikowrk@gmail.com

Inspired by a small fragment of sign-written lettering, discovered by accident, Snag is a robust mono-line font with small, pointed tips on its terminations. These embryo serifs are inspired by the legacy of a sign-writers brush, and add an overall texture and character to this, otherwise minimalist, style of lettering. Snag has a warm and traditional feel with a modern clarity. A strong component for a multitude of graphic design functions, including packaging, shop fronts, bar signs, advertising and clothing. Snag features a large glyph set, suitable for Latin-based languages worldwide.

Core Bandi is a grunge 3D font supported by equivalent ‘flat’ styles named Core Bandi Face. This typeface is very cute and has rhythmic flow line, but not distracted. And you can easily make various color combination with CoreBandi & CoreBandi Face. Its really hard to find doodled 3D Korean(Hangul) fonts even in Korea because Hangul has as many as 11,172 characters. Supported codepages are MS Windows 1252 Latin1 and MS Windows 949 Korean consisting of 11,172 Korean letters and Symbols except Chinese. We recommend to use for books, magazines and posters.

Watford is a textured brush font, a contemporary approach to design, handmade with irregular base lines. Suitable for use in title designs such as clothing, invitations, booklets, stationery designs, quotes, branding, logos, greeting cards, t-shirts, packaging designs, posters and more. Watford includes a complete set of upper and lower case letters, as well as multi-language support, numbers, punctuation, binders, alternatives and additional swash. If you have questions, feel free to contact me via email: madjack.font@gmail, com Thank you very much for finding and enjoying it! Muhammad Zaki

Canadian type designer Silvio Napoleone created this sans FontFont in 2004. The family has 20 weights, ranging from Light to Black in Normal and Extended (including italics) and is ideally suited for book text, editorial and publishing, logo, branding and creative industries as well as small text. FF Hydra provides advanced typographical support with features such as ligatures, alternate characters, case-sensitive forms, fractions, and super- and subscript characters. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths.

Mrs Lollipop is a hand drawn narrow typeface designed for one of our books. You can layer different styles over the background style to achieve lots of colorful effects. Check out the manual for details. Mrs Lollipop has upper and lowercase characters with up to three alternate glyphs. Build in OpenType Contextual Alternates feature will automatically set alternate glyphs depending on frequency of appearance of the same character (even in web font but only in HTML5 browsers). The script doesn’t throw random glyphs. It has lines, frames, hearts, stars, ladybird and two rabbits.

This casual handwriting font adds a touch of personality and charm to any project. With its organic, flowing lines and unique character, it captures the essence of natural handwriting while remaining legible and easy to read. The font is perfect for adding a natural touch to invitations, posters, social media graphics, and more. Its versatility makes it a great choice for a wide range of creative projects. Whether you're looking to add a fun and casual vibe or simply want to create something that stands out, this handwriting font is the perfect choice.

Destructive Decisions is a font based upon the inherent flaws of human nature—presented under the guise of complete legibility. At first impression this font is very readable, but upon closer examination you'll notice the edges are fuzzy and some of the lines are off-kilter. You can read it, but it is also a bit foggy. No matter how hard it strives for perfection. This font was originally designed for a cable tv show about substance abuse, but is now available for use in your web and print designs, too.

ITC Mudville was Christopher Wolff's entry in the 1998 U&lc Type Design Competition, for which he won an Honorable Mention (Display). Mudville evolved from variations on hand-lettering that Wolff had done on a variety of projects over the years. The underlying shapes of the letters are formal roman letterforms, but the actual strokes retain the look of letters sketched casually on a layout. Mudville straddles the line between inline and outline type designs. It recalls some of the styles of popular lettering used in display advertising in the '20s.

Alexandrya is a subtly modulated block serif font family with a humanist sensibility and all of my personal style for font design. A distant ancestor of the basic letterforms is Minister (a German font of the 1920s) through my first font in the mid-1990s, Diaconia. There are many OpenType features with over 600 characters: Caps, lower case, small caps, ligatures, discretionary ligatures, swashes, small cap figures, old style figures, numerators, denominators, accent characters (including CE), ordinal numbers (1st-infinity: lining and oldstyle), and so on. It is designed for text use in body copy.

Pofukyso, a captivating monoline handwritten typeface, seamlessly blends simplicity with a touch of whimsy. Its uniform strokes and consistent line weight create a harmonious and contemporary aesthetic, making it ideal for a range of design applications. Pofukyso’s graceful letterforms evoke a sense of fluidity and friendliness, adding a personal and approachable charm to any project. Whether used in branding, invitations, or editorial design, this monoline typeface effortlessly bridges the gap between casual and refined, offering a versatile and delightful solution for those seeking a handwritten touch with a modern twist.

Frygia is inspired by the astonishing mythology along with a new method and approach of type design. As an example, the construction of the lowercase g; the line structure which is slightly curved helps to aid the optical illusion and the integration of Industrial San Serif style making Frygia extremely compatible and ready for every usage on the layout. Frygia Family consisted of 20 styles and 10 weights, ranging from the thinnest Hairline to the boldest Black and a Semi Rounded corner to suit the concept of the typeface.

French type designer Xavier Dupré created this sans FontFont in 2006. The family has 14 weights, ranging from Hairline to Fat (including italics) and is ideally suited for advertising and packaging, editorial and publishing, logo, branding and creative industries, poster and billboards as well as small text. FF Sanuk provides advanced typographical support with features such as ligatures, small capitals, alternate characters, case-sensitive forms, fractions, and super- and subscript characters. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths.

German type designers Axel Bertram and Andreas Frohloff created this serif FontFont in 2012. The family contains 4 weights: Light, Regular, Medium, and Bold and is ideally suited for film and tv, editorial and publishing, small text as well as web and screen design. FF Videtur provides advanced typographical support with features such as ligatures, alternate characters, case-sensitive forms, fractions, super- and subscript characters, and stylistic alternates. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths.

Deco Slaughter is a unique typeface that blends the elegant Art Deco style with the visceral and broken aesthetic of horror typography. Each letter is meticulously crafted to evoke a sense of intrigue and mystery. The sophisticated and geometric lines of Art Deco intertwine with shattered and bleeding details, creating a striking contrast. This typeface is perfect for projects that aim to break conventions and stand out with a provocative aesthetic. Deco Slaughter captures the essence of classic style with a dark and disturbing twist, providing your designs with a distinctive and memorable character.

German type designer Jürgen Huber created this display and sans FontFont in 2002. The family has 5 weights, ranging from Light to Regular (including italics) and is ideally suited for advertising and packaging, editorial and publishing, poster and billboards, small text as well as software and gaming. FF Ginger provides advanced typographical support with features such as ligatures, alternate characters, case-sensitive forms, fractions, super- and subscript characters, and stylistic alternates. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths.

Charmini is an exquisite font with a soft and at the same time confident serifs, modern and with a touch of retro. Font lines are strict with smooth, perfect transitions. Charmini family includes 2 types of uppercase letters and has 9 font thickness options - from the lightest weights, suitable for large amounts of text to the heaviest weights, intended for headlines. Tech Specs: 36 fonts in family UPPERCASE and 2 versions of lowercase letters ligature fi ff fl Numbers & basic Punctuation Serif Typeface 9 variants of width + italic OTF font format ld.luxfont@gmail.com

This typeface is a tribute to well-known Italian designer Marcello Nizzoli. Nizzoli is a modern sans serif font that offers a wide range of alternatives—a workhorse type well suited for headlines, posters, corporate identity and advertising campaigns. This modular design is based on geometric shapes and combines straight lines with rounded corners. The whole family is composed of four 7-weight subfamilies: one normal and one alternative plus rounded versions. Each subfamily includes matching italics. This typeface is my own interpretation of those curves and shapes found in Marcello Nizzoli’s designs.

The family tree of this friendly face runs deep. Its primary inspiration is Twentieth Century, designed by Saul Hess as a monoline version of Paul Renner’s Futura. The design was reinterpreted by Herb Lubalin as Avant Garde in the 1970s. This version softens the harsh geometry of the original designs with rounded line endings: the result is a warm, inviting face that is elegant, confident and inviting. All versions of this font include the Unicode 1250 Central European character set in addition to the standard Unicode 1252 Latin set.

Slovakian type designer Peter Bil'ak created this sans FontFont in 2001. The family has 20 weights, ranging from Light to Black in Condensed and Medium (including italics) and is ideally suited for book text and editorial and publishing. FF Eureka Mono provides advanced typographical support with features such as ligatures, alternate characters, case-sensitive forms, super- and subscript characters, and stylistic alternates. It comes with tabular lining figures. This FontFont is a member of the FF Eureka super family, which also includes FF Eureka and FF Eureka Sans.

Pandtos is a clear sans serif typeface based on geometric shapes. Precise lines and accurate curves are the main characteristics of this fresh and modern font family. While unique letterforms constitute Pandtos’ distinctive appearance, extended widths, tall x-heights and clear shapes provide good legibility and nice readability even at smaller sizes. With its contemporary feel, Pandtos is suitable for almost any type of analogue and digital application. The Pandtos font family includes unique letterforms, exclusive ligatures and extensive OpenType features. Pandtos comes in four weights with matching italics.

Urbane is a versatile all-purpose sans-serif family of six weights plus italics. It explores the same idea-space as early geometric modernist sans such as Futura, Erbar, Spartan and Elegant Sans, with a single-story a, a contemporary high x-height and very slightly condensed bowls. Perfect for headlines and running text, it is clear, classic and authoritative. Unusually for a geometric moderne sans, letter-widths are optically balanced, giving an even colour in setting. Includes a full international character set, lining, tabular and old-style numerals.

Words in a blurry world want to be more firmly anchored in the line - this is the task of the Slab-serif, characterized by solid heels. They can be used in extreme sizes – under 6 points – as well as on huge tarpaulins covering trucks, boats and house facades. Carot serves its robust clarity. The eye takes a while to become accustomed to various character simplifications, but then comes a refreshing reading perception, familiar texts get actual sound. The whole Carot system of 64 members offers a modern alternative for all types of design work.

Matthew Carter’s Miller is a seminal reinvigoration of the 19th-century Scotch Roman, serving forthright, authoritative body copy and headlines since 1997. Miller Text has always been the epitome of a reliable publication workhorse. Alongside the three-quarter-height Scotch numerals, Miller Text includes optional oldstyle and lining figures, each with appropriately aligned currency and other symbols. A complete set of fractions, with arbitrary superiors and inferiors, is also included. Miller Text features an Extended Latin character set, which covers all major languages and dialects written with the Latin alphabet.

Mercusuar font FAMILY – an expansion on Mercusuar that includes 16 fonts, regular and italic, from Thin weight to Bold, and still has all the clean lines and trendy minimalist vibes! Mercusuar is a stunningly crisp upper and lowercase typeface that looks incredible in both large settings as a display text. Includes: Mercusuar Thin (Regular & Italic) Mercusuar Extralight (Regular & Italic) Mercusuar Light (Regular & Italic) Mercusuar Regular (Regular & Italic) Mercusuar Medium (Regular & Italic) Mercusuar Semibold (Regular & Italic) Mercusuar Bold (Regular & Italic) Numbers & punctuation Foreign language support Hope you enjoy. Intuisi Creative

A modern squarish sans inspired by machine-readable typefaces of the 1950s, including OCR-A and B. Smooth curved contours with a humanist touch sit in harmony alongside pure straight lines. Contrasting shapes create a modern aesthetic pleasing to the eye and pixel perfect execution for modern-day scenarios. Details include seven weights with matching italics, six variable widths and 445 characters per style. Opentype features consist of five variations of numerals with stylistic zero’s, inferiors, superiors, fractions, case sensitive forms, ligatures, arrows and language support covering Western, South and Central Europe.

Decorative, Display, Headline, Serif, 1920s, Hand Lettered, Engraved, Incised, Bold, Extra Bold, Retro, Vintage, Nostalgic An ad in the July 27, 1928 issue of The Film Daily for FBO Pictures was an encouragement to all theaters to accept the emergence of 'talking pictures' and "Don't be Panicked by Sound". The headline text was hand lettered in an extra bold serif type face with engraved [incised] lines. The lettering has been redrawn as the digital type face Movie Usher JNL, and is available in both regular and oblique versions.

Bale Mono is the monospaced companion of Bale. This Mono font brings a technical edge to the cool professionalism of Bale. Originally developed as a part of a corporate identity, Bale is a warm and confident sans-serif font. With its generous counters and angled terminals Bale is a dependable work horse with enough flare to add interest to any typographical landscape. This hardworking font comes equipped with small caps, automatic fractions, proportional/tabular lining and old style figures and alternative glyphs and is the must for any typographic toolkit.

Introducing OXLAIDE: The Bold and Playful Display Font that's designed to capture attention and add a touch of whimsy to your projects. With its rounded corners and playful style, Oxlaide font is the perfect choice for a wide range of creative endeavors. Its robust, thick lines ensure that your message stands out, whether you're designing posters, banners, logos, or any other project that needs to grab attention. Oxlaide font also plays exceptionally well with others. Its bold and playful style complements handwritten fonts beautifully, creating a harmonious balance between structure and personality in your designs.

A few scant examples of some condensed Roman style water-applied decals inspired Sign Letters JNL. The decals were once part of the gold and black "Signmaker" letters and numbers once manufactured by the Duro Decal Company of Chicago and were sold through hardware and variety stores across the country. The condensed letters (which were eight inches in height) did not sell as well as Duro's mainstay sizes of 1/2 inch to 3-1/2 inches and were discontinued long before the rest of the line was supplanted by self-adhesive lettering.

ฟอนต์ยิ่งใหญ่ เป็นอักษรแบบแซนเซอริฟ ที่มีความหนาของเส้นมากว่าปกติ สังเกตุได้จากน้ำหนัก Black ให้ความรู้สึกหนักแน่น หนา ใหญ่ และ ทันสมัย มีทั้งหมด 9 น้ำหนักและตัวเอียงของแต่ละน้ำหนักรวมทั้งหมดมี 18 สไตล์ รองรับหลากหลายภาษา เหมาะสำหรับการใช้ผาดหัว ป้าย เนื้อความ ฟอนต์ยิ่งใหญ่สามารถช่วยส่งเสริมให้งานของคุณดูสะดุดตาอย่างยิ่ง เหมาะกับผู้ที่ต้องการให้โฆษณาสินค้าและบริการดูสะดุดตากว่าใคร ๆ Yingyai is a sans serif typeface with a large line stroke thickness more than usually, especially Black weight. It gives a heavy, big and modern feel. Comes with 9 weights and italics of each weight total 18 styles. Support multi-languages. Suitable for headline, sub-headline or text body. Yingyai can make your work more eye-catching, for those who want to advertise products and services more eye-catching than others.

Chefira is a modern and stylish sans-serif font that exudes simplicity and sophistication. With its clean lines and contemporary look, it's the perfect choice for a wide range of design projects, from branding to editorial design. Featured: Standard, Uppercase & Lowercase Numeral & Punctuation Multilingual : ä ö ü Ä Ö Ü ß ¿ ¡ Alternate & Ligature PUA encoded We recommend programs that support the OpenType feature and the Glyphs panel such as Adobe applications or Corel Draw, so you can use all the variations of the glyphs. Hope you enjoy our fonts!

Online auctions offer a treasure trove of lost or forgotten merchandise, and many items pertaining to lettering just beg to be digitized into a typeface. Case in point is a partial set of brass stencils that were the visual model for Ultra Thin Stencil JNL. While most of the brass interlocking stencils available now and in the past have bold lettering for easy readability, this particular set consisted of condensed letters with thin lines. Available in both regular and oblique versions, they join a long list of stencil designs available from Jeff Levine Fonts.

Decalcomania JNL is based on examples of gold and black water-applied initial decals made by the Transfer Monogram Company of Chicago circa the 1940s. It is presumed the patterns for the letters were hand cut, possibly explaining the variations in line widths and character shapes. These eccentricities were left intact and followed through to the other characters in order to represent a more "authentic" digital version of these vintage decals. Decalcomania JNL is available in both the regular (outline) version, and a solid black version, as well as obliques of both styles.

Boldstrom is a heavy-handed, all caps, display font available in 5 versions. Emphasis was put into strong line weight, minimal contrast, and tight curves. This family is defined by very broad stems with comparatively thinner cross strokes. Spacing was condensed to ensure the characters fit snug against one another. This was done in part to minimize negative space while also creating tension. The result is a powerful looking sans serif designed to command attention and make a statement. Boldstrom will be best used in large format print, titling, books, movie posters, or company logos.

Kimbiso is one of the most advanced fonts on the market. Its clean lines and ultra-modern style make it perfect for high fashion branding, cinematic videos, social media posts, and more. Best of all, it's easy to read and looks sophisticated and stylish. What do you get when you get this font? - Modern Sans is one font you need - Affordable and versatile - Multilingual support and complete characters set - Designed by a Typeface Designer - Get one font for any occasion - Multilingual support in this modern sans serif font - Well known for its exceptional readability

Towards Minimalis Stencil Our latest product inspired by the famous logo is simple but classy, made with precision and measured. very good for combining your design work with a clear line and a circle with several different weights that are very comfortable in the design area you are easy to read and as a title on a blog or magazine page Towards Elegant Sans Family has symbols and punctuation and unique alternative letters perfect for logos & branding, photography, invitation, watermark, advertisements,product designs, stationery, wedding designs,label ,product packaging.

Swiss type designer Cornel Windlin created this display and slab FontFont in 1995. The family has 9 weights, ranging from Thin to Black and is ideally suited for advertising and packaging, editorial and publishing, logo, branding and creative industries as well as poster and billboards. FF Magda provides advanced typographical support with features such as ligatures, alternate characters, case-sensitive forms, and stylistic alternates. It comes with tabular lining and tabular oldstyle figures. This FontFont is a member of the FF Magda super family, which also includes FF Magda Clean and FF Magda Clean Mono.

Sanitation JNL is a bold Art Deco sans design inspired by some stylized hand lettering on a 1930s-era WPA (Works Progress Administration) poster and is available in both regular and oblique versions. The topic of the poster was "Your home is not complete without a sanitary unit" and that was recommended by the State Department of Public Health. A "sanitary unit" is the formal name for what rural folks called an "outhouse", and it's presumed the target group were homeowners not hooked up to major sewer lines such as in those rural areas.

German type designer Yanone created this sans FontFont between 2009 and 2010. The family has 10 weights, ranging from Thin to Black (including italics) and is ideally suited for advertising and packaging, festive occasions, editorial and publishing, logo, branding and creative industries as well as poster and billboards. FF Kava provides advanced typographical support with features such as ligatures, small capitals, alternate characters, case-sensitive forms, fractions, and super- and subscript characters. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths.