Do you like fat fonts? Well here is a free one from me. Regular & Italic both free. Fat is a caps only font. Because of that if you type something with caps on, as you can see is typing in Greek I decide to make it like this since there no lowercase letters.

Nick and Daddy is a cute comic font, carefully handcrafted to become a true favorite. Its casual charm makes it appear wonderfully down-to-earth, readable and, ultimately, incredibly versatile. Nick and Daddy will look outstanding in any context, whether it�s being used on busy backgrounds or as a standalone headline!

Kathryn attracts a typeface that is smooth, clean, unique, elegant, modern, feminine, sensual, glamorous, simple and very easy to read. Classic style is very suitable to be applied in various formal forms such as invitations, labels, menus, logos, fashion, make up, stationery, letterpress, romantic novels, magazines, books, greeting/wedding cards, packaging, labels.

Pragma ND is a sans serif typeface with calligraphic features. Its vital rhythm facilitates the reading of long texts. It also has an “authentic” italic imitating the movement of handwriting. Its high legibility makes it an ideal typeface for long texts in analog and digital contexts. Pragma is a Trademark of BauerTypes SL

Matthew Woolsen is a sweet, soft hand-lettered font and monogram. Fall in love with its authentic feel and use it to create gorgeous wedding invitations, beautiful stationary art, eye-catching social media posts, Logo, Brand, and cute greeting cards. This display font is the perfect choice for making original and outstanding designs.

Quetzal is a decorative font designed to look like letters formed by mosaic tiles in a Mayan or Aztec style. The font features two different character sets and customizable over-and-under decorative tails which can be added to any character to make hundreds of possible combination forms which nest together attractively.

Winter is coming and Winttra Wonsy is here to celebrate it. Winttra Wonsy is a perfect addition to make your holiday and winter more exciting. Feel free to use it for any craft work, book cover, name card, poster, logo, magazine, cover, banner, t-shirt, or even artwork in a large scale.

Revain has the power to be mindful of typographic design. Equipped with an OpenType feature that can make a variety of style choices, namely: Small Caps, Stylistic Set 1 (for Uppercase), Stylistic Set 2 (for Lowercase). All characters have been PUA Encoded so that they can be accessed on most software in general.

It is a font designed in a balanced manner by optimizing the width and spacing of letters to make use of readability. Serif was treated as a curve to emphasize a soft and comfortable feeling. The serifs of the letters gave a distinct impression and gave it a natural look by adding inclination.

Malina is a sans-serif monoline typeface with some humanist touches creating a clear and legible typeface. The Idea is to make hairline display font that elegant and perfect for use at large sizes, with a set of alternative characters such as K, Q and R for your design in any layout.

Arab Stroke is an exotic typeface with an Arabian touch which makes a variety of applications possible. Whether for products from far away lands travel advertisements or anything needing a dynamic look, Arab Stroke is an excellent choice. The font is particularly eyecatching in headlines and combines well with sans serif fonts.

CIRCUMULUS is a font that designed based on a single circle SOFT AND CURVY Circumulus has soft appearance and curvy lines, which gives it's nice look GEOMETRICALLY RATIONAL Every glyph has a ratio to one another, which makes this font can be used in any kind of rational system like repeating patterns

Kailash is a textured brush font, a contemporary approach to design, naturally handmade and with underscores. It also has alternatives and ligatures that make your design more attractive.Suitable for use in title design such as clothing, invitations, tittle books, stationery designs, quotes, branding, logos, greeting cards, t-shirts, packaging designs, posters and more.

Rocket Aviator is a modern brush font, contemporary design approach, has a bold style and this font also has an underlines that makes your designs more interesting. Suitable for use in title designs such as clothing, invitations, booklets, stationery designs, quotes, branding, logos, greeting cards, t-shirts, packaging designs, posters, and more.

Wreckout is a gorgeous display font that feels bold. It will turn any design project into an eye-catcher! Its trendy and delicate makes Wreckout look gorgeous in wedding invitations, thank you cards, quotes, greeting cards, logos, business cards and much more. It also includes stunning alternates, ligatures and multiple language support.

Doncaster is a bold display face which emphasises legibility and clarity. The seven typefaces have a timeless quality, making them equally at home today or even in Victorian inspired design work. All of the faces are ideal for poster work, signage or for really eye-catching but not ostentatious headings and titles.

Christmas calligraphy is a dazzling formal calligraphy font that exudes sophistication and elegance. Fall in love with its ravishing style and use it to create beautiful designs. This will make the Christmas moment more classy and glamorous. This font is PUA encoded which means you can access all the glyphs and sweeps easily!

Baver Brush is a textured brush font, a contemporary approach to design, naturally handmade. It also has alternatives and ligatures that make your design more attractive. Suitable for use in title design such as clothing, invitations, book tittles, stationery designs, quotes, branding, logos, greeting cards, t-shirts, packaging designs, posters and more.

Introducing Galvitra Display Typeface! A modern display typeface take on a grotesk style, comes in 5 weights and it has opentype features. Galvitra typeface have unique shape and serif on selective characters, that's sure make your design stand out. Use Galvitra for most any aspect of graphic design, from logo to display designs.

Dogiesland! A cute and playful display font was created to bring a playful and little bit infantile feeling to any design. cute clean letters look simple and modern. All node was cleaned in fairly natural shape. Its friendly feel makes this font incredibly versatile, fitting a wide range of kids' design projects.

Introducing Mathelline is a Classy Script font with 2 style regular and italic. Inspired by luxury and branded stuffs make this font looks classy and awesome in many way to your latest project. Mathelline is perfect for logos & branding, photography, invitation, watermark, advertisements,product designs, special events or anything that need handwritting taste.

Glamost is a minimalist and elegant serif with many ligatures that will make your project more stand out. You can use this font for any purpose, such as branding identity, logo, magazine, quotes, etc. With simple steps, you can get an aesthetic touch in your design. This font also support multi language.

Bollofora is a textured brush font, a contemporary approach to design, naturally handmade and with underscores. It also has alternatives and ligatures that make your design more attractive.Suitable for use in title design such as clothing, invitations, tittle books, stationery designs, quotes, branding, logos, greeting cards, t-shirts, packaging designs, posters and more.

Abdo Rajab is the second version of the font FS Rajab which was designed by the type designer Abdulsamiea Rajab Salem for Future Soft company fonts. It is a leading company in Arabization field and producing the Arabic and Islamic programs beside the children programs. This font appeared between 1998 and 2000. In this version there were a lot of adjustments to keep the font in its spirit and uniformity between the various characters. Also added some new characters, which gave him another beautiful addition to be used in both title and text designs. Three weights (Regular, light and bold) have been created. Then the font was converted to OpenType to support Arabic, Persian and Urdu to be compatible with the various operation systems and modern software. The combination of modern Kufi and Naskh styles and varying between straight and curved parts made it a beautiful typeface appropriate to the titles and text, and able to meet the desire of the user in the design of ads and modern designs of various types of audio and visual.

EraMax Radial is a geometric sans serif meant to be set BIG, for big statements. It's the perfect face for signage, packaging posters, branding and so on and on, where a strong voice is needed. It has a modern look that will work in a retro setting. Or, should that be a vintage look that will work in a modern setting. This is the first of what is to be a series to typefaces inspired by the original hand painted signage found in the TH&B train station in Hamilton Ontario. This classic Art Deco, Or, more precisely, Art Moderne building designed by the New York architectural firm of Fellheimer and Wagner and completed in 1933. The original lettering included about 75% of the uppercase letters only, so the balance of the uppercase and the lowercase plus all the other glyphs were extrapolated from the look and feel of the existing uppercase letters. Figures are based on the numerals on the station clock, with adjustments made to harmonised with the letters.

The new Fabrizio™ types, designed by Ari Rafaeli, have made their first appearance in Saggi di Letteratura Italiana: Da Dante per Pirandello a Orazio Costa, by Lucilla Bonavita, printed at Pisa in March 2016 by Fabrizio Serra Editore for whom the type was specially designed. The types are now offered for general sale. Each style (roman, small capitals, italic, semi-bold, bold) contains Cyrillic and ‘polytonic’ Greek letters and letters for many European languages (Czech, Hungarian, Icelandic, Lettish, Polish, Romanian, Serbian, Ukrainian, Welsh etc.), non-kerning fs, long ſ, ligatures and fractions. Alternative forms are supplied in ‘B’ versions of each style. A set of swash letters and sets of superiors, inferiors, fractions and phonetic letters are also offered. Two ‘Special’ fonts (roman and italic) containing special accents, letters for transliteration, Vietnamese letters, mathematics signs and symbols, arrows, commercial signs, pictograms, figures in circles, scansion marks, braces & benzene rings and the Rafaeli-Meruba Hebrew letters, as well as Latin, Cyrillic and Greek letters, are included in the Fabrizio family.

Abdo Salem is the second version of the font FS_Salem which was designed by the type designer Abdulsamie Rajab Salem for Future Soft company fonts. It is a leading company in Arabization field and producing the Arabic and Islamic programs beside the children programs. This font appeared between 1998 and 2000. In this version there were a lot of adjustments to keep the font in its spirit and uniformity between the various characters. Also added some new characters, which gave him another beautiful addition to be used in both title and text designs. Three weights (Light, bold and black) have been created. Then the font was converted to OpenType to support Arabic, Persian and Urdu to be compatible with the various operation systems and modern software. The combination of modern Kufi and Naskh styles and varying between straight and curved parts made it a beautiful typeface appropriate to the titles and text, and able to meet the desire of the user in the design of ads and modern designs of various types of audio and visual.

Teo Tuominen’s Trevor took its first breath as a revival of an 18th century antiqua, but culminated in an entirely new and good-natured family. Trevor is an affable slab serif in nature: both heavy and kind. Known for their familiarity and their dark colour, the terminals of slab serifs put additional weight along the line to maintain an inky presence. Their clunky forms reveal slight immaturity and arouse the reader’s sympathy for the subject at hand. Trevor connects with others by consciously riding the line between being personal and commanding. One goal with Trevor was to pair the robust nature of a low contrast slab serif with more sophisticated elements, such as the ball terminals. So wherever one looks in Trevor, rounded corners rule the day, softening the overall appearance by mimicking ink spread made by old metal type. The easygoing look is tempered by very few inktraps and sharp corners, mostly to the inside of characters and in acute angles. Whatever Trevor is paired with, it has an altruistic outlook in that it sees the best in others. It’s the neighbourly type family
 — the neighbour you actually want. Trevor’s almost monolinear weight and high x-height give it a typewriter look in the extralight and light weights, but the whole family was made to work with many other font styles, design work, and information structures. It certainly finds its home in packaging and advertising, its sturdy verticality and narrowness fit the needs of headlines and intro text, and its seven weights are primed for plays and involved text needing many layers of distinction. The black weight is treated like a separate display style with altered ball terminals and serifs to capitalise on the added heft. Trevor’s seven roman weights cover the Latin A Extended glyph set to bring its kindly and commanding outlook to your projects. Along with alternate version of the ‘R’ in the black weight, its OpenType features include both tabular and proportional lining and oldstyle figures, ligatures, and fractions. The complete Trevor family, along with our entire catalogue, has been optimised for today’s varied screen uses.

Aquawax Pro PDF Specimen Aquawax Graphic Project on Behance Created as a custom brand typeface in 2008 by Francesco Canovaro, Aquawax is one of Zetafonts most successful typefaces - having been chosen, among the others, by Warner Bros for the design of the logo for the Aquaman movie. Its logo design roots are obvious in the design details, from the blade-like tail of the Q and the fin-like right leg of the K to the intentionally reversed uppercase W, as well as the rounded edges softening the stark modernist lettershapes. While this details make the typeface extremely suitable for logo and display design, especially in the bolder weights, the open, geometric forms of the letters and a generous x-height make it extremely readable at small sizes, making it perfect for body text and webfont use. In 2019 the family was completely redesigned by the Zetafonts team, expanding the original glyph set to include Cyrillic and Greek and adding three extra weights and italics to the original six weights, for a total of 27 weights (including 9 pictograms). The restored and revamped version, named Aquawax Pro, also includes full Open Type features for Positional Figures, Stylistic Alternates, Discretionary Ligatures and Small Caps, and adds to the typeface new alternate glyph shapes, accessible as Stylistic Alternates. Optimized for maximum screen readability, it covers over 200 languages that use the Latin, Cyrillic and Greek alphabet, with full range of accents and diacritics.

Presenting the 🎃 Hellghost Typeface 🦇 by alitdesign. Hellghost typeface is designed for the needs of design concepts themed about Halloween and events in October and November. The Hellghost font uses a serif font style that varies by distorting its shape randomly but still looks good to look at and makes the designs it creates look bold and unique. In addition to the standard type, Helloghost also has a rough version which makes the design look more rusty and suitable for the Halloween concept. The Helloghost font also gets a bonus character of 100 Halloween-themed illustrations that make creating designs even easier. Simply by downloading the Helloghost font, creating a Halloween themed design is very quick and easy. The Hellghost Typeface is perfect for magazine cover designs, brochures, flyers. Instagram ads, Canva Design and so on with halloween and dark concepts. besides that this font is very easy to use both in design and non-design programs because everything changes and glyphs are supported by Unicode (PUA). The Hellghost Typeface contains 623 + 100 bonus glyphs with many unique and interesting alternative options. Language Support : Latin, Basic, Western European, Central European, South European,Vietnamese. In order to use the beautiful swashes, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Photoshop CC, Adobe Indesign and Corel Draw. but if your software doesn't have Glyphs panel, you can install additional swashes font files.

Introduction to Monaz – Bubble Font Monaz – Bubble Font, a playful and airy display font, is inspired by the lightness and roundness of bubbles and balloons. Perfect for creating eye-catching headings, logos, and children’s books, this font not only grabs attention but also serves as an ideal choice for fun and whimsical projects. Design and Aesthetics In its design, Monaz – Bubble Font features characters that resemble bubbles, with rounded edges and a bouncy feel. Furthermore, the letters mimic the floating appearance of balloons, thus adding a cheerful and lighthearted touch to any design. Additionally, its rounded forms are easy on the eyes, ensuring readability while preserving its playful charm. Versatility and Usage Monaz – Bubble Font boasts high versatility, fitting a variety of design needs effortlessly. Not only does it shine in party invitations and product packaging, but it also excels in promotional materials. Moreover, its effectiveness extends to educational materials for children, making learning engaging with its friendly appearance. As a result, its readability and unique style make it a top choice for designers seeking to add a fun element to their projects. Accessibility and Appeal Designed for a wide audience, Monaz – Bubble Font features a simple and clear style that is easy to read. It appeals to all ages, capturing the whimsy of childhood while still being sophisticated enough for adult projects. In summary, this font brings a unique joy and playfulness to any design, making it a valuable addition to any font collection.

Edison, is it Victorian or is it Art Nouveau? While this typeface may be found in Petzendorfer’s Treasury of Art Nouveau Alphabets, I believe the decorative spirals are more Victorian than “New Art.” To me, they looked tacked on, rather than organic -- with the industrial mechanics of a coiled spring, rather than the tendrils of a growing plant as the philosophical wellspring. Originally released by ATF in 1894 as Houghton, this typeface was re-released shortly thereafter by Bauer and Berthold in Germany as EDISON. Please do not make the mistake of thinking the font we offer here is no better than freeware fonts in cheap rip-off collections. This font has a set 218 characters and represents many hours manipulating the bezier curves to produce acceptable results. Available freeware fonts are often little more than raw scans with little accuracy of letterform. The muddy line intersections are a dead give-away. Frequently all you get is the alphabet itself. No numbers, no punctuation and don't even think about diacriticals. The font we offer represents a tremendous value. Considering the hours of work involved, I have no business charging so little. I could make better money cooking hamburgers or bagging groceries. But we want very much to encourage you to purchase and enjoy these fascinating historical typefaces and are making it as easy as possible for you to do so. So please encourage us and order Edison today.

Ghost Sign JNL is a spurred serif type design based on the faded lettering of an antique brick wall sign for Homer Hardware [located in Homer, NY] and is available in both regular and oblique versions. From Wikipedia: “A ghost sign is an old hand-painted advertising sign that has been preserved on a building for an extended period of time. The sign may be kept for its nostalgic appeal, or simply indifference by the owner. Ghost signs are found across the world with the United States, the United Kingdom, France and Canada having many surviving examples. Ghost signs are also called fading ads or brickads. In many cases these are advertisements painted on brick that remained over time. Old painted advertisements are occasionally discovered upon demolition of later-built adjoining structures. Throughout rural areas, old barn advertisements continue to promote defunct brands and quaint roadside attractions. Many ghost signs from the 1890s to 1960s are still visible. Such signs were most commonly used in the decades before the Great Depression. Ghost signs were originally painted with oil-based house paints. The paint that has survived the test of time most likely contains lead, which keeps it strongly adhered to the masonry surface. Ghost signs were often preserved through repainting the entire sign since the colors often fade over time. When ownership changed, a new sign would be painted over the old one.”

Since my first contact with blackletters in 1999, I became more and more fascinated by these artistic looking typefaces. It all started in the USA at the age of 16, when I took an art class. I decided to trace some blackletter typefaces because they looked very interesting. From this point on I was intrigued by blackletter fonts from all over the world. I studied their different body structures and their cultural background as well as the type designers behind it. Full of information and inspiration I started to draw my own blackletter typeface in 2006. While studying in Hamburg I got in touch with the studio of URW++, where I got skilled in type software and development. Creating a type takes an eye for detail and patience but also lots of time and so it took almost 4 years until the project was finished. And so Ruca was born. Ruca is a refined and expanded typeface. When you look at the spines, the tails or the flags you can see the detailed drawing, which makes the font also extremely good looking in very tall letters. The full character set contains over 400 characters, many ligatures, two number sets and all important currency symbols. Over 300 kerning pairs and many OTF-features make the font easy in use for professional type applications. The typeface is very well applicable for strong headlines and mastheads. Because of its unique appearance, Ruca is perfectly suitable professional graphic applications such as fashion design or branding.

Merengue Script is the second typeface designed by Panco, once again together with Ale Paul, who supervised the whole development. In this opportunity, the process of shape research and the systematization of signs led him to dive into new waters. The objective was to generate a system of signs in which the construction of such was not directly bound to traditional calligraphy, nor to texts typography. Instead, the point was to create signs inspired in “Brush pen” calligraphy but with their main features drawn or literally illustrated. The result was a font with personality, authenticity and uncommon formal aspects that make Merengue Script an interesting, highly attractive and rather unusual font. From the very beginning, the search was based on creating a font with weight and good presence in big formats, but, at the same time, efficient for brief texts of small formats. The aim was to make it usable mainly in candy, sweets and chocolate packaging. The predominance of round shapes, harmonious modulations and funny and friendly-looking visual rhythms spark a special effect in the usage of Merengue Script. Texts are enhanced with an interesting visual charm, capable of transforming a very simple text into a virtual illustration that semantically reinforces the messages in a simple way, without putting legibility at risk. With a basic set of stylistic alternatives full of frills and flounces for initials, ornamental and final letters, plus a set of disconnected signs, Merengue Script offers a wide and versatile range of options for graphic designers in the process of packaging design.

History is always in sight; it is constantly being reconsidered and reformulated in the context of now. We see approaches to art, fashion, textiles, homewares, furnishings … not to mention music, graphics and everything else that culturally enriches our daily lives, revisited and made anew for today.    Address Sans indulges in the spirit and aesthetics of mid-century Modern – Italian industrial design, sleek coffee makers, stylish cars, seductive jazz pressed on vinyl – with a charm and charisma that defies time. It evokes history but is decisively created for today.    Its design, in reality, is rooted in the condensed structure and block modulation of early 1950s German lettering intended for use in street signage, but when we started to work on the various weights and widths, the result was a set of fonts in a style similar to the typographic work developed by Butti and Novarese in the 60s. The multitude of potential applications for Address Sans then became clear.    In a range of 3 widths and 8 weights each, Address Sans includes little verses, true italics, small caps and numerous alternative signs for a total of 48 fonts. The result is a functional typeface that is effortlessly seductive, with geometric features and design details that ooze cool, and take it away from mere reinterpretation towards typographic forms that adapt perfectly for contemporary use.

The sources of inspiration for the Atyp typeface are spread out widely both stylistically and chronologically. The basic proportions of the uppercase refer to the elementary geometric constructions of the Bauhaus. The subtle details in the drawing of the characters and the microscopic adjustments, which evoke the illusion of uniformity and mechanical purity, pay homage to the rationalism of the typefaces popular in the International Style. The increased contrast of the joints of the bowls and shoulders in the Display weight, which in certain diagonal curves transition into almost deconstructive permutations. For a change these take delight in doing things on purpose, teasing readability and breaking the rules of the new millennium's typography. Atyp was created by adapting a typeface originally made for a commercial television station. The potential of the neutral grotesque, proven by its excellent readability on screens, gave the impetus for its preparation into an extremely wide character set with full support for three language scripts. Coherence across all eight key masters lays the groundwork ideally for using the variable font format. The key benefits of this technology are a significant reduction in data consumption in the case of web fonts, as well as an unlimited access to the full range of styles, which in turn is a significant benefit in the area of responsive design.

Presenting the ✨The Broking Typeface✨ by alitdesign. The Broking Typeface is inspired by stylish designs from the 80s to 90s. At that time the font style like "The Broking Typeface" had a firm and trendy impression. The Broking Typeface has a wide selection of alternative characters and swashes that make it easy to create bold retro-style designs. The Broking Typeface is very suitable for making designs with retro concepts, simple and playful designs, for example making magazine cover designs, music covers, YouTube thumbs, text headers, logotypes and so on with an elegant retort theme. Besides that this font is very easy to use both in design and non-design programs because everything changes and glyphs are supported by Unicode (PUA). The Broking Typeface has a total of 806 glyphs including symbol, multilingual and alternative glyphs. We really enjoyed the process of making The Broking Typeface, we hope you are also happy when using The Broking Typeface. Language Support : Latin, Basic, Western European, Central European, South European,Vietnamese. In order to use the beautiful swashes, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Photoshop CC, Adobe Indesign and Corel Draw. but if your software doesn't have Glyphs panel, you can install additional swashes font files.

Presenting the ✨The Bulland Typeface✨ by alitdesign. The Bulland Typeface is inspired by stylish designs from the 80s to 90s. At that time the font style like "The Bulland Typeface" had a firm and trendy impression. The Bulland Typeface has a wide selection of alternative characters and swashes that make it easy to create bold retro-style designs. The Bulland Typeface is very suitable for making designs with retro concepts, simple and playful designs, for example making magazine cover designs, music covers, YouTube thumbs, text headers, logotypes and so on with an elegant retort theme. Besides that this font is very easy to use both in design and non-design programs because everything changes and glyphs are supported by Unicode (PUA). The Bulland Typeface has a total of 1065 glyphs including symbol, multilingual and alternative glyphs. We really enjoyed the process of making The Bulland Typeface, we hope you are also happy when using The Bulland Typeface. Language Support : Latin, Basic, Western European, Central European, South European,Vietnamese. In order to use the beautiful swashes, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Photoshop CC, Adobe Indesign and Corel Draw. but if your software doesn't have Glyphs panel, you can install additional swashes font files.

Presenting the ✨The Matolha Typeface✨ by alitdesign. The Matolha Typeface is inspired by stylish designs from the 80s to 90s. At that time the font style like "The Matolha Typeface" had a firm and trendy impression. The Matolha Typeface has a wide selection of alternative characters and swashes that make it easy to create bold retro-style designs. The Matolha Typeface is very suitable for making designs with retro concepts, simple and playful designs, for example making magazine cover designs, music covers, YouTube thumbs, text headers, logotypes and so on with an elegant retort theme. Besides that this font is very easy to use both in design and non-design programs because everything changes and glyphs are supported by Unicode (PUA). The Matolha Typeface has a total of 843 glyphs including symbol, multilingual and alternative glyphs. We really enjoyed the process of making The Matolha Typeface, we hope you are also happy when using The Matolha Typeface. Language Support : Latin, Basic, Western European, Central European, South European,Vietnamese. In order to use the beautiful swashes, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Photoshop CC, Adobe Indesign and Corel Draw. but if your software doesn't have Glyphs panel, you can install additional swashes font files.