PTx Flowers Font Family 2 fonts: regular and silhouette each font - 6 glyphs TTF format Bear in mind that each glyph of the font PTx Flowers Regular is close to the maximum limit of points possible in ttf, which means that despite being tested in several programs, illustrator, photoshop, among others including word, some bugs may occur, depending on the rendering capability of the program you are working on. I found however that most of the time, that by the way the bugs, when tested, were only verified in word, that changing the size of the letter/glyph or even the zoom of the document, the letter/glyph was rendered correctly. These fonts have a very limited number of glyphs because, due to the glyphs having too many points, it can take some time to render. This will depend on the capacity of the machine's graphics card (computer, tablet, mobile phone). Hence a low number to take as little time as possible. See at work in word: https://youtu.be/PIMBlja2I5k See ar work in illustrator: https://youtu.be/RJp9X9TQ4so See at work in photoshop: https://youtu.be/yvrBmCJ80pc

Introducing by Teenage Foundry! Teenage Garde is a bold and neat display typeface font that exudes confidence and modernity. With its strong, clean lines and sharp edges, this font is designed to make a bold statement. Teenage Garde boldness gives it a commanding presence, making it ideal for designs that require attention-grabbing headlines or strong brand identities. Despite its simplicity, the font still manages to maintain a sense of elegance and sophistication. This makes Teenage Garde a versatile choice for a wide range of design projects, including advertising materials, logos, posters, and website headers. There are 2 styles, Regular & Extrude. Features: Uppercase, Lowercase, Numeral, Punctuation & Multilingual. Multilingual contained: Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Breton, Catalan, Chiga, Cornish, Danish, Dutch, English, Estonian, Filipino, Finnish, French, Friulian, Galician, German, Gusii, Indonesian, Irish, Italian, Kabuverdianu, Kalenjin, Kinyarwanda, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Manx, Morisyen, North Ndebele, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Portuguese, Quechua, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish Gaelic, Sena, Shambala, Shona, Soga, Somali, Spanish, Swahili, Swedish, Swiss German, Taita, Teso, Uzbek (Latin), Volapük, Vunjo, Zulu. For any questions please contact me 🙂 Thanks!

MackDutch MackDucth font pair was inspired by old magazine that i saw at barbershop. It was crafted by hand specially to add natural handmade feeling in its brand identity than i make it clean with pentool. We add some rough to make it retro feel, this font is bold so it can look strong if you use it for branding or even title for your retro poster design. Opentype features MackDucth font is a great retro rough font that will looks good in logotype, labels, t-shirt prints, product packaging, invitations, advertising and others. If you looking for retro rough font style, this font is a great choice for you to make your design awesome and flawless. This fonts works with folowing languages: Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Chiga, Cornish, Danish, English, Estonian, Filipino, Finnish, French, Friulian, Galician, German, Gusii, Indonesian, Irish, Italian, Kabuverdianu, Kalenjin, Kinyarwanda, Low German, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Malay, Manx, Morisyen, North Ndebele, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Portuguese, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish Gaelic, Sena, Shambala, Shona, Soga, Somali, Spanish, Swahili, Swedish, Swiss German, Taita, Teso, Vunjo, Zulu Thank you for using this font. LS

Rot is clunky, clumsy, and utilitarian. It comes straight from a second rate oracle’s prognostications of a not-so-distant dystopian future. A place where film noir meets twenty first century computer cards; and rainy melancholy nights meet global warming. It speaks of a world that welcomes everyone; provided that they are romantically inclined to living life at the short end of the stick. Metaphorically, Rot is a shot of hard liquor served in a dirty glass. Rot has a glyph count of 388 and supports the following languages Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Bosnian, Catalan, Chiga, Colognian, Cornish, Croatian, Czech, Danish, Embu, English, Esperanto, Estonian, Faroese, Filipino, Finnish, French, Friulian, Galician, German, Gusii, Hungarian, Icelandic, Indonesian, Irish, Italian, Kabuverdianu, Kalaallisut, Kalenjin, Kamba, Kikuyu, Kinyarwanda, Latvian, Lithuanian, Low German, Lower Sorbian, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Malay, Maltese, Manx, Meru, Morisyen, North Ndebele, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Polish, Portuguese, Romanian, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish Gaelic, Sena, Shambala, Shona, Slovak, Slovenian, Soga, Somali, Spanish, Swahili, Swedish, Swiss German, Taita, Teso, Turkmen, Upper Sorbian, Vunjo, Walser, Zulu

Chikita greets you with big, happy eyes, and all the energy in the world. She wants to skip the talking and get to the dance floor, where she owns the beat and sways like a tongue of fire. She doesn't settle for anything less than everyone in the room fixating on her, and every pair of eyes is indeed happy to oblige. Being both the noumenon and phenomenon of the party, she remains in your mind long after closing time. And you just know the next time you see her your heart will skip a beat and a welcome wave of contentedness will wash over you. The Chikita design is rooted in the work of 1930s Dutch lettering artist Martin Meÿer, whose little-known work concerned itself with the beauty of letters mostly as individual forms, rather than part of a flowing alphabet. Chikita was reconceptualized to strike a great balance between singular and flowing beauties, resulting in a cheerful and very memorable expression. Chikita is available in all popular font formats, and the character sets cover a wide range of codepages, including Central and Eastern European languages, Esperanto, Turkish, Baltic, Celtic/Welsh and Vietnamese.

Meet our new brand font design, Shibori which is designed and created by Dumadistyle. Shibori is a playful typeface font created for a multipurpose creative fun project. Its fun, cheerful and joyful characteristics are designed for children-friendly product display. Kids storybook cover, youtube for kids thumbnail, the font will surely be sparkling the joy. What’s Included : + Shibori (OTF) + Standard glyphs + Style Alternate + Ligature + Works on PC & Mac, Simple installations + Multilingual Accent This Font Support Languages : Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Breton, Catalan, Chiga, Cornish, Danish, Dutch, English, Estonian, Faroese, Filipino, Finnish, French, Friulian, Galician, German, Gusii, Indonesian, Irish, Italian, Kabuverdianu, Kalenjin, Kinyarwanda, Luo, Luxembourgish, Luyia, Machame, Makhuwa, Meetto, Makonde, Malagasy, Manx, Morisyen, North, Ndebele, Norwegian, Bokmål, Norwegian, Nynorsk, Nyankole, Oromo, Portuguese, Quechua, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish, Gaelic, Sena, Shambala, Shona, Soga, Somali, Spanish, Swahili, Swedish, Swiss, German, Taita, Teso, Uzbek (Latin), Volapük, Vunjo, Zulu. Accessible in Adobe Illustrator, Adobe Photoshop, Adobe InDesign, even work on Microsoft Word. PUA Encoded Characters – Fully accessible without additional design software. Fonts include multilingual support + Image used: All photographs/pictures/vectors used in the preview are not included, they are intended for illustration purposes only. Thanks

Introducing Espial typeface - 36 fonts Espial is modern and yet vintage, timeless typeface loaded with 36 font styles (display, regular, italics) 87 languages support and ligature glyphs to make you typography truly unique! Language Support : Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Breton, Chiga, Colognian, Cornish, Czech, Danish, Dutch, Embu, English, Estonian, Faroese, Filipino, Finnish, French, Friulian, Galician, Ganda, German, Gusi,i Hungarian, Indonesian, Irish, Italian, Jola-Fonyi, Kabuverdianu, Kalenjin, Kamba, Kikuyu, Kinyarwanda, Latvian, Lithuanian, Lower Sorbian, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Maltese, Manx, Meru, Morisyen, North Ndebele, Norwegian, Bokmål, Norwegian, Nynorsk, Nyankole, Oromo, Polish, Portuguese, Quechua, Romanian, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish, Gaelic, Sena, Shambala, Shona, Slovak, Soga, Somali, Spanish, Swahili, Swedish, Swiss, German, Taita, Teso, Turkish, Upper, Sorbian, Uzbek (Latin), Volapük, Vunjo, Walser, Welsh, Western Frisian, Zulu FEATURES Uppercase, lowercase, numeral, punctuation & Symbol ligature glyphs Display font - regular and italic 17 sans serif weights - regular and italics No special software is required to type out the standard characters of the Typeface. Feel free to contact me if you have any questions! Mock ups and backgrounds used are not included. Thank you! Enjoy!

Hello Everybody,. Hurry up, your choice to design your business product with writing that has a natural and firm impression ! Billions Gates is a dazzling script font, neatly crafted and highly detailed. This font perfect for many projects such as logos & branding, stationery, logo designs, social media posts, advertisements, product packaging, product designs, label, watermark, Product branding and others. Features: Multilingual Support for 83 Country Stylistic alternates Collection Ligature Collection PUA Encoded Numeral and Punctuation Language Support : Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Breton, Catalan, Chiga, Colognian, Cornish, Croatian, Czech, Danish, Dutch, Embu, English, Esperanto, Estonian, Faroese, Filipino, Finnish, French, Friulian, Galician, Ganda, German, Gusii, Hungarian, Inari Sami, Indonesian, Irish, Italian, Jola-Fonyi, Kabuverdianu, Kalaallisut, Kalenjin, Kamba, Kikuyu, Kinyarwanda, Latvian, Lithuanian, Lower Sorbian, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Maltese, Manx, Meru, Morisyen, Northern Sami, North Ndebele, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Polish, Portuguese, Quechua, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish Gaelic, Sena, Serbian, Shambala, Shona, Slovak, Soga, Somali, Spanish, Swahili, Swedish, Swiss German, Tait, Teso, Turkish, Upper Sorbian, Uzbek (Latin), Volapük, Vunjo, Walser, Zulu. Thank you and happy design !

Hello, Are you looking for a Comic/Cartoon font? Do you want of creating Something that stand out and inspire creativity, imagination, and endless fun? Wait no more, we will give you the best choice. Square Blast a Playful Square Font Square Blast a Playful Square Font, Inspiring from playful bouncy cartoon style typography. This font is perfect for a design that makes it more attractive and playful. made with a very good level of aesthetics making this font suitable for book cover, children book, comic, poster, packging, merchandise, logotype and much more. Square Blast font includes Multilingual Support, among others : Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Breton, Catalan, Chiga, Cornish, Danish, Dutch, English, Estonian, Faroese, Filipino, Finnish, French, Friulian, Galician, German, Gusii, Indonesian, Irish, Italian, Kabuverdianu, Kalenjin, Kinyarwanda, Luo, Luxembourgish, Luyia, Machame, Makhuwa, Meetto, Makonde, Malagasy, Manx, Morisyen, North Ndebele, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Portuguese, Quechua, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish Gaelic, Sena, Shambala, Shona, Soga, Somali, Spanish, Swahili, Swedish, Swiss German, Taita, Teso, Uzbek (Latin), Volapük, Vunjo, Zulu FEATURES : Uppercase Lowercase Number Punctuation Multilingual PUA Encode Opentype

Benchmark Pro is a carefully structured geometric typeface which works amazingly well in body text due to its simplistic nature and large x-height. The design of Benchmark Pro started out as an attempt to convert the minimalistic structure of a technical and purely geometric design into a readable modern and friendly sans serif. This was achieved by selectively changing and turning the straight lines of the initial drawings into curves and applying legibility techniques to the transformed letterforms. These letterforms have a distinct personality which is bolstered by its angular curves and open counter terminals. The result is a contemporary text typeface that looks quite fashionable. Benchmark Pro gets away from the ultra modern and mechanical structure but keeps its display nature, it gets away from the classical but still remains legible. This robust san serif type family offers an extended character set which supports simultaneously Latin, Cyrillic and Greek. All Benchmark Pro font variants have a companion italic, rounding the total family members at 14 fonts. Each font includes more than 750 glyphs and is powered with 17 opentype features. PDF Specimen Benchmark on Behance

Cyber ​​Graph is a rounded futuristic font with 2 styles light and regular. This font is very suitable for headlines, logos, movie titles, game titles, labels, sci-fi magazines, packaging, or all kinds of advertising purposes. This font is equipped with PUA Encoded so that the OpenType feature (ligatures & Stylistic alternates) can be accessed on design software such as Adobe Illustrator, Adobe Photoshop, Adobe InDesign, and even work on Microsoft Word. To access all characters in Microsoft Word "click Insert-Symbol-More Symbols" If you have any questions, don't hesitate to contact us; we will be happy to help. Support for 82 languages Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Breton, Catalan, Chiga, Colognian, Cornish, Croatian, Danish, Dutch, Embu, English, Esperanto, Estonian, Faroese, Filipino, Finnish, French, Friulian, Galician, German, Gusii, Hungarian, Indonesian, Irish, Italian, Kabuverdianu, Kalenjin, Kamba, Kikuyu, Kinyarwanda, Lithuanian, Lower Sorbian, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Manx, Meru, Morisyen, North Ndebele, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Polish, Portuguese, Quechua, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish Gaelic, Sena, Serbian, Shambala, Shona, Soga, Somali, Spanish, Swahili, Swedish, Swiss German, Taita, Teso, Turkish, Upper Sorbian, Uzbek (Latin), Volapük, Vunjo, Walser, Zulu.

I designed Conium to be a sister font to Nightshade. It was meant to have the appearance of the hemlock plant without being too derivative; it’s thin drooping stems conjure images of Hamlet’s mad Ophilia clutching sickly weeds while thinking them to be flowers. It also projects the appearance of an ice cold, wrought iron, cemetery gate. The sort that one might pass on a damp overcast day. A fitting compliment to an Edward Gorey illustration from top, right down to the frigid ground from which it sprang. Conium has a glyph count of 388 and supports the following languages Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Bosnian, Catalan, Chiga, Colognian, Cornish, Croatian, Czech, Danish, Embu, English, Esperanto, Estonian, Faroese, Filipino, Finnish, French, Friulian, Galician, German, Gusii, Hungarian, Icelandic, Indonesian, Irish, Italian, Kabuverdianu, Kalaallisut, Kalenjin, Kamba, Kikuyu, Kinyarwanda, Latvian, Lithuanian, Low German, Lower Sorbian, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Malay, Maltese, Manx, Meru, Morisyen, North Ndebele, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Polish, Portuguese, Romanian, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish Gaelic, Sena, Shambala, Shona, Slovak, Slovenian, Soga, Somali, Spanish, Swahili, Swedish, Swiss German, Taita, Teso, Turkmen, Upper Sorbian, Vunjo, Walser, Zulu

Carve is an African font that was inspired by fonts such as Othello and Neuland designed in the mid-1920s. Rather than attempting to re-create these fonts in a digital form as so many others have done, I have tried to capture the “spirit” of the period and emphasize the “woodcarving” style of the font, while simultaneously giving it a contemporary feel. As a result the characters differ markedly any of the original styles and have much less of an “Art Deco” look to them. To further modernize Carve, I have included all the characters required for a full character set (lower case, as well as all punctuation, numerals, diacritics, special characters etc). The result is a thoroughly modern re-interpretation. The numbers (0 to 9) bear no relation to any originals but, I believe, are fully in keeping with the upper and lower alphabetic characters of my font. Carve comes in two styles: --Regular: contemporary, angular African style --Incised: exaggerating the chunky, hand-carved "woodcut" effect. The "in-line" effect has been hand-crafted to avoid the mechanical effect of computer-generated inline effects.

Hello Everybody Hurry up and take handwritten works with natural scribble effects to design your product to make it look more memorable & attract everyone's first glance ! Real Dreams is a stylish and brushed handwritten font. This gentle font will look gorgeous on a variety of design ideas. It will add a joyful and romantic touch to each of your projects! Features: – Swash Collection – Unique Ligatures – Special Underline – Multilingual Support 83 Country – PUA Encoded – Numerals and Punctuation Language Support : Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Breton, Catalan, Chiga, Colognian, Cornish, Croatian, Czech, Danish, Dutch, Embu, English, Esperanto, Estonian, Faroese, Filipino, Finnish, French, Friulian, Galician, Ganda, German, Gusii, Hungarian, Inari Sami, Indonesian, Irish, Italian, Jola-Fonyi, Kabuverdianu, Kalaallisut, Kalenjin, Kamba, Kikuyu, Kinyarwanda, Latvian, Lithuanian, Lower Sorbian, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Maltese, Manx, Meru, Morisyen, Northern Sami, North Ndebele, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Polish, Portuguese, Quechua, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish Gaelic, Sena, Serbian, Shambala, Shona, Slovak, Soga, Somali, Spanish, Swahili, Swedish, Swiss German, Tait, Teso, Turkish, Upper Sorbian, Uzbek (Latin), Volapük, Vunjo, Walser, Zulu. Thank you and happy design !

Hastings was inspired by my appreciation for old fashioned English murder mysteries set in the early part of the twentieth century. No one seems to capture the ambience of the roaring twenties or thirties better than the Brits. Everything from the clothing, to the cars, to the telephones, down to the smallest accessories like the pens, all seem to have been appropriated from the local museum. I'm hopeful that this typeface also embodies similar feelings with its sleek and streamlined Art Deco features. Hastings has a glyph count of 389 and supports the following languages; Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Bosnian, Catalan, Chiga, Colognian, Cornish, Croatian, Czech, Danish, Embu, English, Esperanto, Estonian, Faroese, Filipino, Finnish, French, Friulian, Galician, German, Gusii, Hungarian, Icelandic, Indonesian, Irish, Italian, Kabuverdianu, Kalaallisut, Kalenjin, Kamba, Kikuyu, Kinyarwanda, Latvian, Lithuanian, Low German, Lower Sorbian, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Malay, Maltese, Manx, Meru, Morisyen, North Ndebele, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Polish, Portuguese, Romanian, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish Gaelic, Sena, Shambala, Shona, Slovak, Slovenian, Soga, Somali, Spanish, Swahili, Swedish, Swiss German, Taita, Teso, Turkmen, Upper Sorbian, Vunjo, Walser, Zulu

FA Berlewi is inspired by stencil lettering of a vanguard creator, Henryk Berlewi, who was a precursor of contemporary typography, a painter and a creator of the mechano-facture (Mechano-Faktura) theory. In 1924 he designed a poster for his mechano-facture one-man show in Warsaw Austro-Daimler car salon. An attention-grabbing composition with stencil lettering was doubtless a real innovation and according to Berlewi - the first typographic poster to be made in Poland.

Rickslord is an uppercase display font that transports you back in the early 20th century. Some characters show high contrast between thick and thin strokes, creating a dramatic visual impact, while others maintain a more consistent weight for a balanced appearance. This blend of contrasts adds an unexpected dynamic quality to the text, making every word a work of art. Beautiful ornaments are included as a bonus. Rickslord fits in headlines, logos, branding materials, and many more.

Quavo is a round sans font family, including regular and oblique font styles. Round corner of letters show the soft and friendly vibe and some letters for instance: letter a, b and d, they all have a tail at the end. It's sort of personal preference, for I want to add some ornamental elements in this font. Quavo can be applied in lots of areas. Including but not limited in titles, posters, book pages and big display canvas.

Tomate started in 2006 as a brush lettering exercise for a poster and was later used for the ReType identity. In 2008 its author decided to turn it into a super fat typeface suitable for packaging and mass consumption products. The possibilities of ultra heavy forms are explored in this alphabet; trying to solve the design problems that these sort of forms present. Tomate shows influences from the beautiful Goudy Heavyface Italic which is a design the author admires.

Jugendstil Kunsthand is based on a sample of late 19th century lettering in a style often associated with artists of the Jugendstil Art Nouveau movement in Germany. The characters are done in heavy outline with a rough-hand drawn look. The style is interesting because it shows the influence of the Arts and Crafts movement on Art Nouveau with many of the characters featuring alternate versions that nest together in a manner typical of Arts & Crafts lettering.

La Portenia pays homage to the spirit of early 20th-century show card writers and type designers. This face has two variations: La Portenia de Recoleta is slightly more formal and polite, while La Portenia de la Boca has longer, more extravagant flourishes and indulges in more interletter space. This showier variant is reminiscent of signs found in Buenos Aires. Both have been designed by Diego Giaccone and Angel Koziupa, and engineered and expanded by Alejandro Paul.

Patterned after cheap neon signage, this face has class, all of it low. Uppercase only, the lowercase positions are filled with an assortment of cheesy neon graphics, intended to be used at twice the point size of the caps. Named after a 70s TV show about a hotel with a defective neon sign. Both versions of this font contain the Unicode 1252 Latin and Unicode 1250 Central European character sets, with localization for Romanian and Moldovan.

This font was inspired by the bricks of my wall, I stared at them all the time thinking, wouldnt be great if fonts live in cooperation with bricks, and then, it came to my mind…A font family that shows naked bricks, like it is RIGHT on the middle of design process. The main features are the informal and wired look that make it worthwhile for bands and informal invitations, flyers, for concerts or infantile designs.

Wine Cellar JNL is a bold, yet casual display face found on some 1930s-era sheet music entitled "Everybody Wants a Key to My Cellar". Since the subject of the song had a number of good times underneath the house, it's a fitting name for the font. The hand lettering for the original song sheet showed strong influence of the 1920s and the Art Nouveau style, and has hints of the popular metal type "Hobo" in its character shapes.

This font take inspiration by the Venetian famous typographers in 1500s. Is a font designed to perform better when used in high dimension like Headline in Ad, Titles in Magazines or Blogs, Logos, Naming, Packaging... Is easy to have great result using contextual & stilistic alternatives, ligatures and other SS alternatives, as show in the posters. Is highly raccomended graphic applications with OpenType tab, such Adobe Illustrator or Photoshop or Quark Xpress InDesign, for the use of OpenType Features.

Overbold is an unapologetic display typeface inspired by an illustration in Eric Gill's Essay on Typography (p.51), in which he demonstrates �how not to make letters�. In particular, he shows that increasing the weight of the downstroke in a serif �A� without structural adjustments yields an absurd, �overbold� result. I found the letter so charming that I decided to blatantly disregard Gill's wisdom and draw an entire overbold typeface. Here is the result. I'm not sorry.

Hasnabilla is a sweet handwritten font with a romantic look. Fall in love with its authentic feel and use it to create gorgeous wedding invitations, beautiful stationary art, eye-catching social media posts, and cute greeting cards. This font is PUA encoded which means you can access all of the cute glyphs and swashes with ease! It also features a wealth of special features including alternate glyphs and ligatures. Let's show your love with this lovely fonts.

If you're in need of a sophisticated sans serif font, look no further than type designer Jason Castle’s Carisma (Paul Shaw in HOW magazine). Carisma, a CastleType Original, combines the elegance of classic capitals, the simplicity of clean-cut, geometric lowercase letters and the warmth of sensuous curves, subtle contrasts and sensitively tapered terminals, making it the perfect typeface for an understated, modern, sophisticated look. Available in two styles: Carisma Classic (the original), and Carisma Gothic, plus Carisma Inline.

Dx Sitrus a new fresh & modern serif with a contemporary touches with strong shape! So beautiful on invitation like greeting cards, branding materials, business cards, quotes, posters, and more! Dx Sitrus Display Typeface is the part of a strong and modern display family. This typeface both impressive at display sizes and easily readable in text size, while the sharp shapes of the triangular serif and the distinctive letter shapes show their strength in logo design and impressive editorial use.

"Atnew" is a modern typeface that includes six individual fonts (ExtraLight, Light, Regular, Medium, SemiBold, Bold) and a variable font ranging between Light (50pt) and Bold (200pt). Keeping geometric shapes but with soft curves gives fonts a playful feel. They can be used in interfaces, websites, posters, stationery, tv show credits, and many other purposes. It could be for your everyday activities like journaling. The variable font version provides more flexibility for your needs by fine-tuning weight points.

Boutique in Heaven is casual brush font with multilingual support. It is ideal for t-shirts, magazines, phone covers, social media, restaurant menus, greeting cards, invitations, weddings, headers and many more. This brush font comes with a complete set of lowercase and uppercase characters, a large range of punctuation ligatures, numerals, lowercase alternates and and multilingual support. For access to Stylistic Alternates is required software with glyphs panel like Photoshop, lllustrator, Inkscape etc. Ligatures shows up automatically.

In a much needed break from complex scripts and polished packaging fonts, Koziupa and Paul decide to show their playful side. Chicle is bold, stretchable, kid-proof, pet-resistant letters. This font is made to take the abuse of software used to put together the elaborate, attention-scrambling artwork of candy, cereal, and toy packaging, or whatever boxed obscenity contains cat and dog treats. Chicle is Spanish for bubble gum. It's a definite sugar fix — no substitutes.

Pentagram is a typeable three-letter Pentagon monogram font. You can type Monogram a pentagram with a mapped border on the numbers 0-9. With the support of alternative contextual features It works automatically so all you can do is just type. If you liked this feel free to show your appreciation by giving this project a simple like, I will be making a font with a similar feature in the future. Hope you enjoy. Intuisi Creative

A photo of the now closed [circa-1953] Lowell Municipal Pool (at 1601 N. 28th St.) in Boise, Idaho shows the words “Municipal Pool” formed into the cement of the entrance to the above-ground swimming facility. Both the lettering and building entrance designs harken back to the Art Deco era and the sign features stencil-like characters. This inspired a typeface aptly named Municipal Pool JNL, and is available in both regular and oblique versions.

Deconstructed JNL is another set of rubber stamp alphabet letters and numbers from a 1930s toy printing set. The original typeface of this set is Cheltenham Open. The stamps were printed out and scanned, creating this limited-character font with dual characteristics. At small point sizes it replicates inked rubber stamp impressions, but in larger format it shows angular lines and erratic character shapes as if made from cut paper or lettering that was intentionally made to look damaged.

Anona brings the upright italic to fruition and shows the handwriting shapes in a sans serif great to use in packaging and branding. Anona is an upright italic sans serif typeface perfect for packaging and playful identities. Explore the stylistic sets to see all the different shapes. Fruity and friendly upright italic sans serif come to brighten your projects. A warm and friendly sans serif will work for your identity. It has a complementary slanted version.

The inspiration for this proto-Art Nouveau typeface showed up in the 1887 type specimen book of Farmer, Little & Co. under the name Vassar. Its bold, sinuous curves, which take unexpected turns now and then, make it the perfect choice when you want to command attention...in a dignified, Ivy League kind of way, of course. All versions of this font include the complete Latin 1252 and CE 1250 character sets, with localization for Romanian and Moldovan.

Up until the advent of vinyl plotters, computers and a myriad of other typesetting and printing changes the world has experienced over the past few decades, the art of hand lettering flourished. An early 1900s book on show card writing displayed a nice example of a Grotesk typeface (a popular style of sans serif of the time). This has been redrawn digitally as Simply Grotesk JNL and is available in four varieties - regular, oblique, condensed and condensed oblique.

Add flair to your designs with border-twins! The BorderTwins typeface offers a unique assortment of border elements - great for any project requiring decorative accents. The twin pairs can be used in repeated patterns on their own, paired with other complimentary twins or simply to surround your text with charms. The combination possibilities are endless so we've included a PDF guide showing many of the pairing options. Have fun and experiment to create your own unique designs!

Ovane a new fresh & modern Sans serif with a strong style, a dancing baseline! So beautiful on invitation like greeting cards, branding materials, business cards, quotes, posters, and more! Ovane Clean Display Typeface is the part of a strong and modern Bold display. This typeface both impressive at display sizes and easily readable in text size, while the sharp shapes of the triangular serif and the distinctive letter shapes show their strength in logo design and impressive editorial use.