Eyebel was an attempt to form letters as simply as possible using only straight lines but still have them legible. The family is low contrast and has a boxy look. Eyebel-Ruff was formed by randomly moving control points. None of these faces have any curves.

Created Modern Display Vintage Font, special glyphs, ornament and multilingual support. It's a very versatile font that works great in large and small sizes. Perfect for editorial projects, Logo design, Clothing Branding, product packaging, magazine headers, or simply as a stylish text overlay to any background image.

Beron Modern Display Vintage Font, special glyphs, ornament and multilingual support. It's a very versatile font that works great in large and small sizes. Perfect for editorial projects, Logo design, Clothing Branding, product packaging, magazine headers, or simply as a stylish text overlay to any background image.

Fiorella Modern Display Font, special glyphs, ornament and multilingual support. It's a very versatile font that works great in large and small sizes. Perfect for editorial projects, Logo design, Clothing Branding, product packaging, magazine headers, or simply as a stylish text overlay to any background image.

Create borders, wallpaper, or repeating patterns using Wallflower II’s unique hand drawn wallpaper tiles and accompanying icons. Wallflowers II are easy to use for borders or wallpaper: simply type the same letter consecutively (i.e., aaa) and the pattern will emerge. See what’s included! http://bit.ly/2bGXbnC

Bageline in a beautiful handwritten style. Equipped with 300 glyphs. Bageline is perfect for branding projects, home appliance design, product packaging, use in business cards, invitation cards, etc. Simply as a stylish text overlay onto a background image or anything that requires a touch of elegance.

Georgina pro is a Unique Modern Elegant Typeface with Web-fonts. It’s a very versatile font that works great in large and small sizes. Georgina would perfect for branding, logos, headlines, Captions. or simply as a stylish text overlay to any background image. 5 Weights Included.

Beriar Modern Display Font, special glyphs, ornament and multilingual support. It's a very versatile font that works great in large and small sizes. Perfect for editorial projects, Logo design, Clothing Branding, product packaging, magazine headers, or simply as a stylish text overlay to any background image.

Create borders, wallpaper, or repeating patterns using 25 unique hand drawn wallpaper tiles and accompanying icons. Winter Wallflowers are very easy to use for borders or wallpaper: simply type the same letter consecutively (i.e., aaa) and the pattern will emerge. See what’s included! http://bit.ly/2bO1mIE

Gaincero Modern Display Vintage Font, special glyphs, ornament and multilingual support. It's a very versatile font that works great in large and small sizes. Perfect for editorial projects, Logo design, Clothing Branding, product packaging, magazine headers, or simply as a stylish text overlay to any background image.

Malachai Modern Vintage Display Font, special glyphs, ornament and multilingual support. It's a very versatile font that works great in large and small sizes. Perfect for editorial projects, Logo design, Clothing Branding, product packaging, magazine headers, or simply as a stylish text overlay to any background image.

Gabriele Modern Display Font, special glyphs, ornament and multilingual support. It's a very versatile font that works great in large and small sizes. Perfect for editorial projects, Logo design, Clothing Branding, product packaging, magazine headers, or simply as a stylish text overlay to any background image.

Margeo Modern Display Font, special glyphs, ornament and multilingual support. It's a very versatile font that works great in large and small sizes. Perfect for editorial projects, Logo design, Clothing Branding, product packaging, magazine headers, or simply as a stylish text overlay to any background image.

Bournue Modern Display Retro Font, special glyphs, ornament and multilingual support. It's a very versatile font that works great in large and small sizes. Perfect for editorial projects, Logo design, Clothing Branding, product packaging, magazine headers, or simply as a stylish text overlay to any background image.

Kailn Modern Display Font, special glyphs, ornament and multilingual support. It's a very versatile font that works great in large and small sizes. Perfect for editorial projects, Logo design, Clothing Branding, product packaging, magazine headers, or simply as a stylish text overlay to any background image.

Ludema is a very informal and adventurous typeface designed by JAM Type and inspired by the many children’s books and the video games of our youth. Perfectly adaptable to be used in such designs as well on shop floors, Ludema is simply a bit of fun.

Cydnel Modern Vintage Font, special glyphs, ornament and multilingual support. It's a very versatile font that works great in large and small sizes. Perfect for editorial projects, Logo design, Clothing Branding, product packaging, magazine headers, or simply as a stylish text overlay to any background image.

Nelliy Modern Vintage Font, special glyphs, ornament and multilingual support. It's a very versatile font that works great in large and small sizes. Perfect for editorial projects, Logo design, Clothing Branding, product packaging, magazine headers, or simply as a stylish text overlay to any background image.

Delphe Modern Display Font, special glyphs, ornament and multilingual support. It's a very versatile font that works great in large and small sizes. Perfect for editorial projects, Logo design, Clothing Branding, product packaging, magazine headers, or simply as a stylish text overlay to any background image.

Galandrie Modern Display Font, special glyphs, ornament and multilingual support. It's a very versatile font that works great in large and small sizes. Perfect for editorial projects, Logo design, Clothing Branding, product packaging, magazine headers, or simply as a stylish text overlay to any background image.

Introducing Billiona "Elegance Serif" - a modern, simple serif font that is perfectly suited for book flyers and corporate materials. This typeface strikes a harmonious balance between elegance and simplicity, making it an ideal choice for conveying professionalism and sophistication. Elegance Serif features clean, refined letterforms with subtle serifs that add a touch of classic charm. Its simplicity is its strength, as it effortlessly captures attention without overwhelming the reader. The minimalistic design of each character ensures excellent legibility, making it easy for readers to absorb the information presented. The timeless appeal of Elegance Serif makes it an excellent choice for a wide range of applications, particularly in the realm of book flyers and corporate materials. Whether you're designing a book cover, promotional flyer, or corporate brochure, this font will lend a sense of polished professionalism to your project.

Acarau is a 6 fonts display typeface with high reverse contrast—since from Roman capitals and calligraphy, usually Latin alphabet letters have thiner horizontal steams and thicker verticals, these features being optical or visual—quite adequate for logos, headlines and posters. Moreover, the style of the typeface is inspired by Italics form factor: lowercase letters having less strokes to make their shapes; A has one story; E has one stroke shape, such as K, G, Y and Z; F has a descent. To give it more calligraphic feeling, there is contrast for uppercases as well, this is very perceived by the diagonal letters like A, K, M, N, V, W, X, Y and Z. J also has a descent. Q and R have natural swashes, but they have alternates in case the costumer want to go for more usual forms—including accent marked letters. Acarau is a 12 months project, the contrast for uppercases were increasing as the process was made. In the middle it is found suitable blend the letter shapes with the history of Brazilian music from the 70’s and 80’s, since the font has a tropical, warm, spicy and nostalgic feeling. Songs from bands and singers that emerged on Rio de Janeiro like Paralamas do Sucesso, Cazuza, Lulu Santos and Kid Abelha bring the beach accent and rhythm that this font has. OpenType features complement the set, which has Multi-Lingual support for a comprehensive Latin set, including Vietnamese—meaning more than 640 glyphs: Case-Sensitive forms, so symbols can properly align to uppercase letters; Ligatures, to better reading for z_y and L_I, and style for s_s, w_w_w; also for ease arrows and punctuation typing; Stylistic Set 1: two story a—including accent marked letters; Stylistic Set 2: two story g—including accent marked letters; Stylistic Set 3: diagonal (usual) z—including accent marked letters; Stylistic Set 4: flower i and j dots; Contextual alternates; Terminal forms, for R and Q; Ordinals.

Words in a blurry world want to be more firmly anchored in the line - this is the task of the Slab-serif, characterized by solid heels. They can be used in extreme sizes – under 6 points – as well as on huge tarpaulins covering trucks, boats and house facades. Carot serves its robust clarity. The eye takes a while to become accustomed to various character simplifications, but then comes a refreshing reading perception, familiar texts get actual sound. The whole Carot system of 64 members offers a modern alternative for all types of design work.

Lourdes is an informal script font drawn with quick, thick brush strokes. The script appears to be quickly dashed down, and the characters were carefully designed to create a subtle rhythm. The strokes are slightly muted to avoid an overly aggressive appearance. Lourdes has a wonderful active tempo that works well for headlines, logotypes and signage.

Mosherif is a type of sherif font created with the aim of using for logo branding and print media. This font has three style that can be combined manually with one another in one word / text so that it looks unique and interesting. One example is in the first preview ( cover ), where the word "MOSHERIF" was made using three font styles ( Mosherif Regular, Mosherif Tall and Mosherif Short ). You can make it manually by making a space and remove some characters between words "MOSHERIF" becomes "M HE F" with using the font "Mosherif Tall" and fill it with "Mosherif Regular" in character "O" and "R" and "Mosherif Short" in character "S" and "I" by stacking them. By bringing the concept of vintage, clean, thick and sharp, hopefully Mosherif can provide choices for designers. Enjoy!

Rhetoric is a friendly display typeface that’s full of personality. The fonts are defined by their roman characters which could be described as “upright italic” – the style traditionally associated with a cursive character set has been applied to the roman glyphs. Rhetoric embraces its curves –exemplified by the voluptuous caps for /A/M/U/V/W/X/Y/ which further enhance this typeface’s quirky nature. This 18-font type family has weights from Hairline to Ultra in both roman and italic. Western European languages are covered in its basic character set, but there are a number of alternates and discretionary ligatures that allow you to embellish your typographic designs. Designed for branding purposes, headlines and short runs of text, Rhetoric will be a worthy addition to your type collection.

Das Riese, a type specimen by the most productive Brazilian type foundry, Intellecta Design, is a mix of victorian and art deco influences. A beautiful display type for tiling with uppercases only. It's shadows and volumes refer to pre-modern age whereas its surface to last century 20's. This heavy sans serif strokes characters have a particular appearance, a parallel line texture that reminds Bifur, typeface created in 1929 by A. M. Cassandre. The sideways absence of volume at some leaning letters right side in addition to the patchy darkness of shadows support its handmade design. A type full of historical references designed to small titles printed in big sizes. It's impossible not to think about posters when you look at Das Riese strong face. - (source Slanted Magazine #8)

The genesis of Apron font type family is inspired by soft-vertical structure of airplane window. On the other hand Apron is making a reference to technological design mentality of early 2000's. In short texts it has stable view and also humanist effect. Very suitable for mobile apps, web designs, sportive & technological product packs and ads designs. Especially Narrow Bold and Condensed Bold Italic weights have fluid and strong expression for striking headlines. User friendly Apron serves rich opentype properties; small capitals, alternative letters (a, c, e, g, k, l, q, s, y, A, C, G, K, M, N, R, S, 3, 6, 9), stylistic sets, standart and optional ligatures, oldstyle figures, tabular linings, arrows, bullets and wide money currencies, fractions and math symbols. Now please fasten your seat belts and enjoy it.

Yink takes big, bulbous, ball terminals up a notch, by repeating the shapes not only in the black but in the white space too. This interplay between black and white shapes is reminiscent of the yinyang symbol in places, which is where the name Yink originates. It's a shamelessly over-the-top font, and should be set large. There's a handful of OpenType features, including ligatures and alternates: Ligatures for ff, fft, ft, tt, gj Alternates are grouped into stylistic sets: 1. An alternate u, possibly more legible, but definitely not as much fun! 2. Again, a more boring version of m, just in case the default is ambiguous. 3. A more exuberant L 4. A blackletter informed T 5. Alternate P and R 6. An alternate 1 (one)

P22 Kelly is a Celtic-styled uncial font with a medieval gothic flavor and an overall contemporary feel. The font is an addition to Ted Staunton’s collection of historical and period-based fonts. It is ideal for uses that need to evoke the Celtic spirit or the medieval period. Based on half-uncial Irish monastic handwriting of the 8th to 10th centuries, but instead of having a traditional upright stress, has an italic slant. Some Gothic influence is evident—like the thorn-like tick-marks decorating the capitals—but the rounded forms of h, m, n, u emphasize a wide, open, horizontal visual texture. The font is named in honor of the Book of Kells, the 8th-century masterpiece of Celtic calligraphic art, which is kept in Trinity College, Dublin.

Yotta was created for situations where a thin sans with a little extra style is required in branding, advertising promotional projects — it is especially suited for the FASHION retail industry. The extended stroke feature (in u/c B,DP,R and l/c a,b,dg,h,m,npq,u,y) is discreetly applied so it does not dominate. I guess “quasi-serif” might be a way to describe Yotta. “Yotta Thin” and “Yotta Thin Italic” is a friendly Opentype and ready for you to unleash your creativity! btw. Yotta is big, very big: the name comes from YottaByte, as in Megabyte (one million bytes), Gigabyte (one billion (109)Terabyte (one million million (1012), Petabyte (a million gigabytes), Exabyte one quintillion (1018), Zettabyte one sextillion (1021), & Yottabyte (one septillion (1024)

The original typeface was designed by Albert Kapr between 1971 and 1973 for Typoart in Dresden. Kapr was the font designer and teacher as well as book author on type design of former East Germany. He also was an expert on this kind of type design, and thus, it is no surprise that he created Leipziger Antiqua, a design combining features of both Latin and broken scripts. The result is a stunning and unique gem from earlier times although it does not come along too distinguished or artsy. The digital version of Leipziger Antiqua was developed by Ralph M. Unger exclusively for profonts in 2005. During the work, Unger fell so deeply in love with this typeface that he couldn't help but add an expert font with small caps etc.

This delicate condensed typeface evokes a distant 1930s style with its pointed and sloping capital letters. The splayed capital M gives the design a very a definite retro flavor. But deco quickly becomes modern day with the use of slab serifs. The thick body of Kingsbury Condensed is neatly anchored to long thin serifs giving the face an unusual and at the same time contemporary appearance. Great for book covers and large capital letter assignments where a modern revivalist look is appropriate. Kingsbury Condensed Book is also available in the OpenType Std format. Some new characters have been added to this OpenType version. Advanced features currently work in Adobe Creative Suite InDesign, Creative Suite Illustrator, and Quark XPress 7. Check for OpenType advanced feature support in other applications as it gradually becomes available with upgrades.

Pounder Fonts were designed by Tom Nikosey / CozyFonts Foundry. This font, as all my fonts started with pencil sketches based on the letter O. Once I arrived at the comfortable shape I worked out the C, G, & Q. The H, M, T matched the visual weight and so I moved on to E & S. As the E & S are 2 of the most repeated characters in fonts' I wanted a little bit extra here. The font is obviously heavy weighted yet very legible and almost architectural in presence. There are flashes of Art Deco yet futuristic style. After sketching the feel of this font I was excited by the possibility of the numerals styling. I can see these used for many applications. Why the title Pounder? Why not it seems to fit.

Bombay is serif type family by ManVsType. It is ideal to use at larger sizes as a display font. The family comes in 5 weights in 2 styles (normal stem height and low stem height). This font is variable in its weight and "connection" heights in the letters a, b, d, h, m, n, p, q, r and u. The typeface has a number of ligature including an R+s ligature that automatically turns into the ₹ (rupee symbol) to solve a major problem in the Indian subcontinent where people don't know how to type it. Bombay is inspired by the colonial version of the city. The city being a melting pot of all kinds of people. Poets, writers, filmmakers enjoyed the city and it quickly became the cultural hub of the entire country.

The genesis of ApronSoft font type family is inspired by soft-vertical structure of airplane window. On the other hand ApronSoft is making a reference to technological design mentality of early 2000's. In short texts it has stable view and also humanist effect. Very suitable for mobile apps, web designs, sportive & technological product packs and ads designs. Especially Narrow Bold and Condensed Bold Italic weights have fluid and strong expression for striking headlines. User friendly ApronSoft serves rich opentype properties; small capitals, alternative letters (a, c, e, g, k, l, q, s, y, A, C, G, K, M, N, R, S), stylistic sets, standart and optional ligatures, oldstyle figures, tabular linings, arrows, bullets and wide money currencies, fractions and math symbols. With reduced file size, it’s softer now!

Proudly present this bold font inspired by current trends in sport headline typography or digital product. Beautiful geometric cut outs to perfection. Feel free to use it on futuristic or gaming designs, gui and hud or t-shirts design.

Fukurō recalls diurnal and nocturnal birds of prey. It instills the cutting shapes, the wings, the movement of those animals and translate them into signs. The font experiments new shapes and contrasts that give to it some Japanese aspects.

Typesetter JNL is based on an old-style 'grotesk' (or 'grotesque') text face popular with printers and rubber stamp makers since the 1800s. The nonconformist character shapes and line widths are reminiscent of hand-cut type of the era.

Miscellany JNL collects numerous images of various genres into one dingbat font. There are vintage stencil patterns, old-time ad cuts and decorations, line spacers [number keys 1 through 7], conversation balloons, parking lot symbols and other assorted goodies.