Transport yourself back to the vibrant era of the 1970s with Comisc Hippie, a groovy font that embodies the essence of that extraordinary decade. This typeface is a nostalgic journey through time, with its swirling curves and playful letterforms. Inspired by the counterculture movement, Comisc Hippie exudes a sense of peace, love, and individuality. Its bold and psychedelic style captures the free-spiritedness of the era, making it an ideal choice for adding a touch of retro charm to your designs. Whether you're working on posters, album covers, or any project that calls for a dose of nostalgia, Comisc Hippie will transport you to a groovy world of colorful expression and timeless coolness. Let the spirit of the 70s shine through with this font that embodies the era's iconic aesthetics.

Graham Cracker is a fun, cartoony and child-like font that can't help but fill you with happiness! The font was inspired by hand-drawn lettering on an old 1960s movie poster, and contains over 175 interlocking ligatures that add a hand-lettered feel. Stylistic substitutions like this are where the OpenType technology really shines, allowing computer fonts to more closely mimic the variations of hand drawn lettering. The ligatures can be found under the Discretionary Ligatures OT feature, or applied from the glyph palette. Jukebox fonts are available in OpenType format and downloadable packages contain both .otf and .ttf versions of the font. They are compatible on both Mac and Windows. All fonts contain basic OpenType features as well as support for Latin-based and most Eastern European languages.

Introducing Aquene – Display Serif Font Are you in search of a unique serif font with a captivating flow for your display requirements? Look no further than Aquene – Display Serif. This meticulously crafted font is designed to make your text stand out and captivate your audience. Unique Flow for Captivating Text Aquene – Display Serif font boasts a distinctive flow that sets it apart. Firstly, its elegant curves and graceful lines lend a touch of sophistication. Secondly, it’s perfect for eye-catching headlines and titles that leave a lasting impression. Versatile Usage for Various Design Needs Moreover, Aquene is remarkably versatile. It’s suitable for posters, banners, or website headers, making it ideal for different design contexts. Whether you’re working on a promotional campaign, crafting a logo, or designing social media graphics, Aquene’s adaptability shines.

Botanique is a hand-drawn typeface based on Schmalfette Bernhard Antiqua by Lucien Bernhard. The original face was released in 1912 by Flinsch Type Foundry, which was later acquired by Bauer. Schmalfette means ‘bold condensed’ in German and Botanique adds a charming roughness to these attributes, evoking an organic and somewhat retro mood. Its uppercase glyphs shine with adorned stylistic alternates and cool blooming swash versions for both initial and final forms, all cleverly programmed into OpenType font features. Botanique is a ​great pick for display purposes, branding, packaging, editorial design, poster work and many more. The original face counts more than one hundred years, but yet communicates quite well, you bet. Specially if loaded with some contemporary flair and smart features such as this one. Let it bloom.

Who is not totally captured when looking at those marvelously handmade old manuscripts, where letters, borders and elements were so masterfully realized with some touch of Gold leaf (or Silver in some cases) that was making of an ordinary book a piece of art? The name of the pack “Illuminated” comes, like the ancient art used for the old manuscripts, from the latin word “Illuminare” (to light up) and it’s symbol of great value, preciousness and beauty skilfully created with patience and love from artists for centuries. What we at Fontscafe wanted to give you was the opportunity to get a whole “ready to use” set of fonts that could, in a modern and revised form, give that “Illuminated” feeling to our “Digital Era”. A set of new tools to make your art shining!

Benda is a modern geometric script font with roots in the calligraphy and lettering of legendary artist Jaroslav Benda. With bold, predominantly low joins, the robust monolinear character strokes shine in one-word and short inscriptions as well as in longer headlines. The practical letterforms do not clutter the space with loops and curlicues, while the emphasised baseline helps to underline the importance of the message. What’s more – Benda is a smart font, automatically replacing conflicting characters with suitable alternatives as you write so that the final text flows seamlessly. Because Benda is the sequel to Jaroslav, it derives the slant, colour, and geometric characteristics from the sans typeface, forming the perfect companion to the font. So much so, it can serve as a second italic emphasis in long texts.

Lumien – Display Serif: All-Caps Elegance Introduction to Lumien Meet Lumien, a captivating all-caps display serif font that exudes elegance and sophistication. Its timeless design makes it a versatile choice for various applications. Design and Style Lumien boasts a classic serif design with all-capital letters. Its clean lines and sharp edges give it a modern yet timeless appeal, making it suitable for a wide range of display projects. Versatility and Usage This font shines in display settings, making headlines, titles, and logos stand out. It’s an excellent choice for branding, editorial design, and high-impact graphics that demand attention. Distinctive Features Lumien’s all-caps characters ensure clarity and legibility, even at smaller sizes. Its versatility extends to both digital and print media, enhancing the visual impact of any project.

Benedictus Brush is a stylish, fresh new layered brush script font family. With lots of alternate characters (415+) and more than 340 realistically created standard ligatures. The letters are made with brush pen and scanned thereafter carefully drawn into vector format. Benedict Brush is a versatile multilungual font family and comes with several of OpenType features: - 340+ Standard Ligatures - Stylistic Set - Character Variant - Terminal Forms - Proportional Figures - Tabular Figures - More than 1140 Glyphs - Multilingual To make you more better eye-catching and colorful designs, Benedictus Brush is a layered font! There are 7 variants of Benedictus Brush, to add even more flexibility to your designs: Solid Base, Shine Solo, Shadow Solo, Combo One, Combo Two, Combo Three and Complex. These are features that offers virtually endless variation. Enjoy!

Introducing our newest font named Sutiya This font is surnamed calligraphy script with cute and beautiful nuances, designed with beautiful curves for each letter, with opentype support you can change each character easily like magic. It also has a charming modern character, perfect for Halloween and Cristmast nuances. Of course, the beautiful and beautiful letterforms make this font look charming for you to use as a title, logo or anything else in your every design project. This charming font also offers the beauty of abstract typography harmony for a wide variety of design projects, including digital natural handwriting for designs, quote designs, for social media business designs, advertisements, trademarks, food and beverage promotion banners, text, posters, a signature, and all designs require handwriting or whatever design you want. This font is equipped with uppercase, lowercase, numbers, punctuation marks, swhases and several variations on each character including multi-language. ================================================== This font is best suited for open type friendly applications. How to get alternative glyphs from open type fonts: http://adobe.ly/1m1fn4Y PUA Character Code - Fully accessible without additional design software. do not hesitate anymore start using this font. and Feel free to send any message you want to convey.

Introducing our newest Afire Love Font. This font is created with original hand drawn strokes for a relaxed, beautiful and elegant impression. This font also offers beautiful abstract typographic harmony for a wide variety of design projects, including natural handwriting in digital form for designs, quote designs, for social media business designs, advertisements, trademarks, promotional banners, posts, posters, signatures, and all designs require handwriting or whatever design you want. This font is equipped with uppercase, lowercase, numbers, punctuation marks, swhases and several variations on each character including multi-language. In this font purchase package you will also get a special bonus package from us, namely: 1. 10 vector landing page design packages 2. cute monsters cartoon kit with vector format 3. Premium banner ad template with ppt format 4. cartoon animal ice cream pack with vector format 5. EDITABLE ESPORT logo design This font is best suited for open type friendly applications. How to get alternative glyphs from open type fonts: http://adobe.ly/1m1fn4Y PUA Character Code - Fully accessible without additional design software. we hope you enjoy this font. Feel free to send whatever message you want to convey. thank you Regards Twinletter

Blue Signature is a playful and expressive handwriting font that exudes a wild and untamed feel. Its looping, flowing strokes and elegant curves give it a unique and authentic look that is perfect for adding a personal touch to your designs. Designed with a focus on creating a signature-like quality, Blue Signature is perfect for anything from logos and branding to social media posts and invitations. Its cute and expressive style is sure to make a lasting impression on your audience. Blue Signature comes in four styles: Regular, Italic, Bold, and Bold Italic, allowing for versatility and creativity in your designs. Use underscore _ anywhere in a word to make a swash. Example: White_sign Use multiple underscores to make different swashes. Example: Love____letters Use * to make flowers! Pink*Roses Spring***Party The font is built with advanced OpenType functionality and has a guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures and more features; all to give you full control and customizability. It has extensive lingual support, covering all Latin-based languages, from Northern Europe to South Africa, from America to South-East Asia. It contains all characters and symbols you'll ever need, including all punctuation and numbers.

The kiddy and rough cha­rac­ter and the huge capital height with the tiny x-height (plus the cute giraffe character dingbats), gives the type­face a high reco­gni­tion value and uniqueness. Application Area The warm, child-like, bold and striking handmade font “Giraf­fen­hals” would look good at logos, dis­play size for poster, flyer, comics and gra­phic novel let­te­ring, head­lines in maga­zi­nes or web­sites, packa­ging, music covers or webbanner etc. Technical Specifications ■ Font Name: Giraffenhals ■ Font Weights: Regu­lar-Condensed + Bold-Condensed + DEMO (with redu­ced glyph-set) ■ Font Cate­gory: Dis­play for head­line size ■ Font For­mat:.otf (Open­Type Font for Mac + Win) + .ttf (True­Type Font) ■ Glyph Set: 443 gly­phs ■ Lan­guage Sup­port: Afrikaans, Albanian, Catalan, Croatian, Czech, Danish, Dutch, English, Estonian, Finnish, French, German, Hungarian, Icelandic, Italian, Latvian, Lithuanian, Maltese, Norwegian, Polish, Portugese, Romanian, Slovak, Slovenian, Spanisch, Swedish, Turkish, Zulu ■ Spe­cials: Alter­na­tive let­ters, sty­listic sets, auto­ma­tic con­text­ual alter­nates via Open­Type Fea­ture. Euro, kerning pairs, stan­dard & deco­ra­tive liga­tures, Ver­sal Eszett (Ger­man Capi­tal Sharp S), extras like Ding­bats & Sym­bols, arrows, hearts, emojis/smileys, stars, fur­ther num­bers, lines & shapes ■ Design Date: 2011–2017 ■ Type Desi­gner: Manuel Vier­gutz ■ License: Desk­top license, Web license, App license, eBook license, Ser­ver license

Watermint Script is a formal typeface that epitomizes the essence of elegance and sophistication. Envisioned for formal settings, its calligraphic strokes evoke a sense of classic beauty, making it an ideal choice for invitations or logotypes that demand a touch of class. Watermint Script is a harmonious blend of cute and lovely, wrapped in a feminine and romantic design. Its light and fresh appearance breathes life into each word, offering a clean and flawless presentation. The font's perfection lies in its attention to detail, with each character exuding a classy aura that enhances the overall visual experience. The font is built with advanced OpenType functionality and guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures and more automatic and manual features; all to give you full control and customizability. It has extensive lingual support, covering all Latin-based languages, from North Europa to South Africa, from America to South-East Asia. It contains all characters and symbols you'll ever need, including all punctuation and numbers. Designed by Mans Greback, Watermint Script is a testament to his commitment to creating fonts that are not just tools of communication, but artworks that enrich the visual landscape.

Mollusca is font that include three amazing typefaces! First, you will get a Mollusca Display - a bold and fun display typeface which is very suited for your cartoony design. It also included Mollusca Display Extruded version which can be useful for any doodle-like style! Then, second typeface is Mollusca script - a script and and stylistic typeface that include ligatures and unique feel! Combine both of display and script version to make your outstanding design! The last but not least, you will get super unique handcrafted doodle font which we called Mollusca doodle! This three-musketeers will make an incredible combo for your beloved project! Don't forget, we also give you a beautiful ornaments to make your combo more perfect! This font is really perfect for logo design, t-shirt, vintage and cartoony badge, quotes, branding, packaging, comic, cartoon design, cute wallpaper, book cover, etc. Mollusca features: A full set of upper & lowercase characters Numbers & punctuation Multilingual language support PUA Encoded Characters Swashes and Ligatures Ligatures OpenType Features Doodle Font! Ornaments Bonus For more information about accessing alternative, you can see this link: http://adobe.ly/1m1fn4Y Tutorial for Mollusca font trio: https://youtu.be/p4S4216jq1A

Honeycomb Script is a delightfully charming handwriting font, boasting a cute and quirky aesthetic. With its naive and endearing style, it's perfect for adding a touch of craft-inspired charm to your creative projects. The birth of Honeycomb Script was sparked by blooming wildflowers and bustling honeybees. The harmonious dance of the bees in their natural habitat inspired the unique and playful letterforms of Honeycomb Script, capturing the magical essence of the natural world's sweetest architect. Use one or multiple underscores _ anywhere in a word to add a decorative underline. Example: Sweet_____Honey Try using # before or after any word to make lovely swashes. Example: #beehive# The font offers six high-quality styles: Thin, Regular, Bold, and their italic versions, giving you the flexibility to adapt to any design context. The font is built with advanced OpenType functionality and has a guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures and more features; all to give you full control and customizability. It has extensive lingual support, covering all Latin-based languages, from Northern Europe to South Africa, from America to South-East Asia. It contains all characters and symbols you'll ever need, including all punctuation and numbers.

I just returned from a short holiday in Japan. I stayed in hostels and small guesthouses and noticed a peculiar thing they all had in common: they love little notes, telling you where to go, what to do, how to use the microwave oven and when to check out. These notes were sometimes printed, but more often they were handwritten. I found that the Japanese way of writing roman characters is a little, well, unusual. The letters are correct, but they have that typical ‘Japanese look’ - most notably the a and A the b, d and g, the p and P and the t and T. I can’t really tell you what makes them look different, maybe it’s the proportions, but I do know that a Nippon Note is highly recognisable. So, here is Nippon Note, a highly recognisable, handmade font. You don’t really have to be in Japan to use it, but it will give your designs that extra cachet. And don’t forget Nippon Note Kawaii - the cute doodle font which is free if you download the Nippon Note family! Comes with extensive language support, but unfortunately not Japanese…

Yesterday Night is a lively handwriting font that captures the essence of an active and cute brush style. This handmade calligraphy font is perfect for fashion projects, adding a sense of energy and excitement to your designs. The font family's handbrushed appearance brings an authentic, personal touch to your creative work, making it feel warm and approachable. The Yesterday Night font family includes four engaging styles to suit various design needs: Regular: A balanced and energetic style for everyday use Regular Italic: Adds a playful touch and a sense of movement Bold: Offers a bolder, more assertive presence for impactful designs Bold Italic: Combines the strength of bold with the flair of italic Built with advanced OpenType functionality, Yesterday Night ensures top-notch quality and provides you with full control and customizability. It includes stylistic alternates, ligatures, and other features to make your designs truly unique. The font offers extensive lingual support, covering all Latin-based languages, from Northern Europe to South Africa, from America to South-East Asia. It contains all the characters and symbols you'll ever need, including all punctuation and numbers.

Bieta is a sans-serif font family designed by Naghi Naghashian in four weights. Bieta Light, Bieta Regular, Bieta Bold and Bieta Heavy. Width of this font family is almost condensed therefore specially space saving. Bold and heavy versions are suitable particularly for big titles. This font family is a contribution to modernisation of Arabic typography, gives the font design of Arabic letters real typographic arrangement und provides more typographic flexibility. Bieta supports Arabic, Persian and Urdu. It also includes proportional and tabular numerals for the supported languages. Bieta design fulfills the following needs: A Explicitly crafted for use in electronic media fulfills the demands of electronic communication. B Suitability for multiple applications. Gives the widest potential acceptability. C Extreme legibility not only in small sizes, but also when the type is filtered or skewed, e.g., in Photoshop or Illustrator. Bieta’s simplified forms may be artificial obliqued in InDesign or Illustrator, without any loss in quality for the effected text. D An attractive typographic image. Bieta was developed for multiple languages and writing conventions. Bieta supports Arabic, Persian and Urdu. It also includes proportional and tabular numerals for the supported languages. E The highest degree of calligraphic grace and the clarity of geometric typography.

Haboro Slab. It’s a nose-to-the-grindstone kind of font like the first of its family. This slab serif pushes through the clutter powerfully in editorial and corporate work such as business websites and software. The Haboro hyperfamily as a whole is known for its ability to make the work clear and simple, even with the fonts’ advanced angle--and Slab is no change here. Consistent with Haboro, too, the simplified geometric features of the slab face just make sense, no matter where you use it. Its timeless wedge-molded serifs give this family the formula it needs to function flexibly in jobs from fashion to packaging. Enhance your output with the font’s wide range of ligatures and alternates, including OpenType alternates. Use Haboro Slab’s large pair of solution glyphs and various other OpenType specifics, too, to give your message the clarity it deserves. Even more, it couples well with the sophisticated didone of the Haboro hyperfamily to further expand your capabilities. Haboro Slab has every quality you need for successful lettering. Use this modification on a classy tradition to mold and shape your next layout, whether website, iPhone app, advertising, or newspaper. There is no work Haboro Slab won’t power through.

Jaleh is a sans-serif font family designed by Naghi Naghashian in tree weights, Jaleh Light, Jaleh Regular and Jaleh Bold. Width of this font family is Extra-expanded; a unique typeface. It is extremely legible even in very small size. This font family is a contribution to modernisation of Arabic typography, gives the font design of Arabic letters real typographic arrangement und provides more typographic flexibility. Jaleh supports Arabic, Persian ( Farsi ) and Urdu. It also includes proportional and tabular numerals for the supported languages. Jaleh design fulfills the following needs: A Explicitly crafted for use in electronic media fulfills the demands of electronic communication. B Suitability for multiple applications. Gives the widest potential acceptability. C Extreme legibility not only in small sizes, but also when the type is filtered or skewed, e.g., in Photoshop or Illustrator. Jaleh’s simplified forms may be artificial obliqued in InDesign or Illustrator, without any loss in quality for the effected text. D An attractive typographic image. Jaleh was developed for multiple languages and writing conventions. Jaleh supports Arabic, Persian and Urdu. It also includes proportional and tabular numerals for the supported languages. E The highest degree of calligraphic grace and the clarity of geometric typography.

Sommet Slab Round is the latest in the Sommet series, designed as a slab serif companion to Sommet Rounded. The typeface features slightly wider counters to accommodate the serifs and this more generous whitespace allows the typeface to display well on-screen and as a webfont. Rounded serifs give the face more warmth than the original Sommet Slab, which is strong, rigid and technical. Sommet Slab Rounded’s serifs are not just blunted, but slightly obliqued, giving the face dynamic forward momentum. This geometric typeface is based on bold and clean rounded rectangles. It’s soft and friendly look lends itself to a number of applications. It would be a fine choice for tech company logotypes, magazine headlines and can be used for body copy. The typeface family also includes some alternate titling forms. These alternates can be accessed by activating OpenType features and style sets. In order to use these OpenType features, you will need a program with advanced typography capabilities such as the Adobe Suite or Quark. These alternates include a group of simplified forms that can be accessed under the swash alternates. Sommet Slab is just the latest in the versatile Sommet superfamily from insigne. Be sure to check out the rest of the design family that includes serif and sans members.

Axalp Grotesk™ is a post-Swiss-Style modernist sans serif type family characterized by the play between elegant rounded shapes and sharp angular details. It is minimal, legible, well balanced and charismatic. Its heavy weights deliver powerful yet friendly impact. Thin ones emanate elegance, fine lines and precision. The family has very versatile proportions and generous x-height allowing a successful use for user interfaces, all sorts of display and branding scenarios, as well as a paragraph text typeface. Contemporary minimalistic approach makes Axalp Grotesk an outstanding design tool for creating modern visual identities and user interfaces. A truly universal sans serif family where beautiful forms and proportion work together with careful spacing, kerning and hand-hinting. Axalp Grotesk is an attractive contemporary alternative to the classics of Swiss Design School such as Akzidenz-Grotesk, Univers and Helvetica. It is bright, crisp, modern and friendly in character, and features an alternative stylistic set for more minimalistic and neutral look, simplifying such characters as “Q”, “J”, “a” and “y”. The family has extended latin language support, as well as broad number of OpenType features, such as stylistic alternates, case sensitive forms, ligatures, contextual alternates, lining, oldstyle, tabular and circled figures, slashed zero, fractions, superscript and subscript, ordinals, currencies and symbols.

Ahmed is a modern Arabic headline face, first produced by Linotype-Hell Ltd. in the early 1980s. Originally developed as a simplified face, its design recalls the inscriptional and decorative tile work lettering of the medieval period. The strong treatment of the tails of certain characters departs from the more traditional style of tapering these finials, introducing a modern feel to the design. The contrasting proportions of the tall vertical strokes and the rather elongated counters lend a monumental look to Ahmed, allowing its effective use in titling. During the later 1980s Ahmed was developed into a traditional typeface, with the introduction of medial forms to improve character spacing and balance. Recently, Ahmed has been converted into the OpenType font format, ensuring its continued popularity as a heading face for newspaper typesetting. The Ahmed typeface contains two weights, Ahmed and Ahmed Outline. Both of the OpenType fonts include Latin glyphs from Clearface Gothic Roman inside the font files, allowing a single font to set text in both most Western European and Arabic languages. The two Ahmed fonts include the Basic Latin character set and the Arabic character set, which supports Arabic, Persian, and Urdu. They include tabular and proportional Arabic, Persian, and Urdu numerals, as well as a set of tabular European (Latin) numerals.

Albireo is a typeface for those times when you have more to say than space to say it. It also looks fantastic spread out across the page as though space doesn’t matter. Expertly crafted with a high level of attention to detail, Albireo is an immensely practical and flexible typeface that’s neutral enough to be used almost anywhere a highly condensed, sans-serif face is needed. Despite its down-to-earth functionality, this is a typeface that definitely isn’t lacking in style. It really shines when used for headlines or subheadings in magazines, brochures, posters, newspapers, flyers or on the web. With 42 weights, widths and italics, there’s enough flexibility to make every word fit perfectly. You may buy one font at a time or save money by purchasing packages consisting of the 14 fonts in each width (Extra Condensed, Condensed or Semi Condensed). Save even more by purchasing the entire collection and, in addition to the 42 separate fonts, you'll receive two variable fonts (upright and italic) that cover all the weights, widths and everything in between. So where does the name come from? Well, look upwards at night. Albireo is a binary star in the constellation Cygnus. Through a backyard telescope, Albireo (the star) resolves into two brilliant component stars — one orange and one blue. The beginnings of the typeface were the result of me needing a newspaper feature headline about space exploration. I couldn’t find the right typeface, so I drew my own letters and eventually expanded it out into an entire mega-family. Given its origins, naming it after my favorite star seemed totally appropriate. Check it out. I think you’ll love it. Albireo deserves its place as a shining star in everyone’s font collection. It’s that good — really.

The aviation world contains loads of stylish logotypes, from handwritten scripts to geometric styles and so on. The Avionic Condensed family finds its origins of inspiration in the Air China company logotype, and from there has been expanded upon to create a large stylistic family of 40 fonts. Avionic celebrates the geometric sans serif styling of the original logotype, evolving beyond the condensed all capital set logo to include a lowercase designed in parity with the original design style, as well as many weights and widths to offer a fresh diversity. Each subfamily includes a full standard character set with expansive international support of latin based languages, and 5 weights jumping from book to black, along with 5 accompanying obliques. This family is ready to chart a course for your design destination, whatever it may be. Here's what's included with the Avionic Family bundle: 370 glyphs per style - including Capitals, Lowercase, Numerals, Punctuation and an extensive character set that covers multilingual support of latin based languages. 5 weights in each subfamily: Book, Regular, Bold, Heavy, & Black. • 4 widths in the collection: Condensed, Regular, Wide, and Extra Wide. Accompanying Obliques with each weight/width style. Fonts are provided in TTF & OTF formats. The TTF format is the standard go to for most users, although the OTF and TTF function exactly the same. Here's why the Avionic Collection is for you: You're in need of a dynamic geometric font with a variety of weights and widths for your designs You're an aviation junkie and have to have anything inspired by Air China You love the style of Bank Gothic, but really want something just a little different You are looking for a pseudo-techno style font family with versatility You just like to collect quality fonts to add to your design arsenal

Bushcraft is a fun geometric monoline script and sans serif font. This family includes five weights, a sans serif font and art. Bushcraft Basic and Pro scripts are simplistic with a geometric look. Bushcraft Basic scripts comes with one set of 63 alternates and ligatures. Bushcraft Pro scripts includes 278 alternates and ligatures. Both versions supports extended Latin Pro and OpenType. Bushcraft Sans is an all caps, vintage inspired font that pairs nicely with the scripts and artwork. Bushcraft is well-suited for type art, murals, product design, books, film, television, branding, magazines, signage and other creative projects. To use the OpenType ligatures/alternates you will need to use any program that supports OpenType features such as Adobe Illustrator CS and Adobe InDesign. Fonts designed by Cindy Kinash.

Alonzo is a modern cosmopolitan who speaks several languages fluently. Alonzo comes in six weights and two widths, as well as corresponding italics, making a total 24 styles. Alonzo is an elegant, simplistic, high-contrast sans that is at home in high-end fashion and cultural environments, as well as in the world of restaurants and nightclubs. While Alonzo Condensed is more illustrative and works best in display use, headlines, logotypes, labels and all that, Alonzo Regular works in a wider range of contexts, from body text to editorial and catalogs and more. Alonzo is equipped with several OpenType features such as oldstyle figures, small caps, Standard Ligatures, Superior and Inferior Figures. In addition Alonzo has Stylistic Alternate lowercase "a" with round Bowl. Me llamo Alonzo. Mucho gusto, piacere di conoscerti, nice to meet you!

Once, Blackletter was a calligraphy style. Full of ligatures, with letters bumping into each other to create an unapologetic picket-fence pattern. Some even claimed that the regularity improved legibility! But then Blackletter was cast into metal, and only a handful of established ligatures survived, while most interletter connections were disentangled. Everyone since followed suit, and hundreds of years later, digital Blackletter fonts were modelled mostly on the metal fonts that prevailed rather than the original handwriting. Up until now! AJ Quadrata is an authentic revival of the textura quadrata hand, and its major inspiration is a 15th-century Latin manuscript of the Bible from Zwolle, the Netherlands. The typeface is delivered in two flavors. The default cut is a modern take on textura quadrata that can be useful for today and tomorrow. The standard ligatures feature employs nearly all letters. The tittle of i retains its original, hasty squiggle form (except for the Turkish localization). Discretionary ligatures include medieval ligatures da, de, do, pa, pe, po (and their mixed-case counterparts!). Stylistic sets allow to use historic letter variants such as long s and rotunda r, closed-counter a, and alternate capitals. AJ Quadrata Medieval is perfect for setting Latin. Default forms of capital F, H and O are swapped with the alternates. The squiggles above i only appear for disamibiguation nearby m, n or u, as in original manuscripts. Discretionary ligatures and historic variants are promoted to the standard ligatures feature to make room in the discretionary ligatures feature for a variety of scribal abbreviations. Dedicated stylistic sets include medieval punctuation and justification alternates — glyphs with elongated terminals used for lengthening lines that end up too short. The Rubrum styles can be layered and colored to create the illuminated effect on the capital letters. Besides a faithful rendition of extended Latin including Vietnamese, numerous synthetic additions are included: polytonic Greek, Armenian, and Cyrillic (with Bulgarian and Serbian/Macedonian localizations). Both flavors of the typeface can be considered a starting point that can be further customized using OpenType features, including Stylistic Sets (some features differ between AJ Quadrata and AJ Quadrata Medieval): ss01 Alt E ss02 Descending F / Roman F ss03 Uncial H / Roman H ss04 Angular O / Round O ss05 Contextual closed-counter a ss06 Diamond-dot i j / Always dotted i, j ss07 Contextual rotunda r / No r rotunda ss08 Contextual long s / No long s ss09 Dotless y ss10 Serbian Cyrillic ss11 Alt Cyrillic de ss12 Alt Cyrillic zhe ss13 Alt Cyrillic sha ss14-ss17 [reserved for future use] ss18 Scribal punctuation ss19 Alt linking hyphen ss20 Justification alternates

Matahari (English : Sun) is the power source of life. The symbol of power and energy that synergies with other part of daily lives. It is one of the most fundamental thing us humans need, just like communication. And like Matahari itself, words are powerful enough to make a living. Referring to Grotesque Font and influenced by the works of Eric Gill, Matahari Typeface is available in 3 widths and 7 weights, also in Oblique version in each font. The font uses oldstyle and transitional letters (double-story ‘a’ and ‘g’). It has a humanist gesture, the thickness of the font is semi-monolinear where the horizontal and vertical size is almost equal, making the font reach its maximum optical readability even in small sizes. The font anatomy refers to the basic geometric square-sized of the letter ‘M’, while the letters of S/C/G/c/e have uneven curve shape which give the sense of humanist and flexibility. This typeface is ideal for various design needs, from Printing to On-Screen/Digital Reading, from Brand Identity, Posters, Caption, Headline, to Body Text. With the numbers of widths available, the font can be used for all kinds of purposes (Label, Signage, Packaging, Website, etc). Supported well over 75+ languages, including Greek & Cyrillic, Matahari Typeface will give you an excellent way in aesthetic communication and message-delivering.

Hibernica is a new genuine Irish sans in the classical modern style. With Hibernica it is possible to express Irishness in an up-to-date fashion rather than the traditionalist way. The design of Hibernica is based on my Lapidaria family. With Lapidaria it shares the classic appearance and coolness, stroke pattern, proportions and dimensions. Therefore Hibernica and Lapidaria are a perfect couple for bilingual text editing, e.g. Irish–English (not to forget the Greek parts of Lapidaria!). All fonts contain the full set of dotted ḃ ċ ḋ ḟ ġ ṁ ṗ ṡ ṫ in upper- and lowercase and an additional set of a dozen celtic ornaments. Hibernica also ows its “Minor-Medior” concept to Lapidaria, that is a special uncial-style variant set for lowercase letters. Choose from the six Hibernica fonts which suits your needs best! The Minor fonts are performing elegantly even in longer text bodies, whereas the Medior sorts offer a brillant and entirely new typographic look for headings and captions. Use Hibernica for outstanding designs – for a contemporary Irish understatement in typography. Wether you’re designing menus or shop signs, banners or ads, wether you do textwork upon historic topics or create T-shirts for St Patrick’s day – Hibernica is your new friend! For more new wonderful Irish fonts look at Ardagh and Andron Gaeilge!

Ooh so soft, so curvaceous, so voluptuous and so swash-buckling. Hey, I'm talking ’bout Petals BF! Here’s a design inspired by the work of Dave West and infused with a plethora of pleasingly plump letterforms, with swashes reminiscent of 60s and 70s types. But here’s the twist: where you might typically expect to find ball terminals, you'll experience some sensuous curls; and some playful letterforms such as lowercase h, k, m, and n, may even call to mind that groovy look of ’60s bell-bottoms. Spread across its capitals and lowercase are swash variants for beginning, middle and ending letterforms —candy for your eyes. Petals BF is where Didone style happily marries the organic and curvaceous forms of Art Nouveau. Strange I know, but so is a duckbill platypus —and somehow they all seem to work surprisingly well. Among the many typographic niceties you'll discover, are such Opentype features as Contextual and Stylistic alternates, Ligatures, Case-sensitive forms and Fractions. Please note: these magical features demand the use of opentype-savvy applications such as Adobe Creative Suite, QuarkXPress and etc. Petals BF is multilingual, and speaks the languages of Western, Eastern and Central Europe, in addition to Turkish and Baltic. It gets around. So let your creativity blossom with Petals in projects that involve headlines, magazine layouts, product packaging, logos, signage, branding and etc.

The Core Sans G Family is a part of the Core Sans Series, such as Core Sans N SC, Core Sans N, Core Sans NR, and Core Sans M. Core Sans G is constructed of straight, circular or square shapes. These geometric shapes are inspired by classic geometric sans (Futura, Avenir, Avant Garde etc.). Every stem is a rectangle or a straight line and every letter, lowercase or uppercase, seems to be in perfect geometric form and even weighted. The small x-height makes readability clean and clear. Core Sans G can be used equally well in headings or in body copy. The Core Sans G Family consists of 9 weights (Thin, Extra Light, Light, Regular, Medium, Bold, Extra Bold, Heavy, Black), 3 for rounded (Medium, Bold, Extra Bold) with matching Italics. It also includes 4 effects fonts (Outline, Neon, Shadow, Dimensional), Alternate Characters (a,g,t) and a bunch of ligatures. The Core Sans G provides a wide range of character sets to support (Cyrillic, Central and Eastern European characters) and advanced typographical support with features such as proportional Figures, tabular Figures, numerators, denominators, superscript, scientific Inferiors, subscript, fractions, standard ligatures, discretionary ligatures and stylistic alternates. Core Sans G is an ideal font family for use in magazines, web pages, screens, displays, and so on.

FF Bauer Grotesk is a revival of the metal type Friedrich Bauer Grotesk, released between 1933 and 1934 by the foundry Trennert & Sohn in Hamburg Altona, Germany. The geometric construction of the typeface, infused with the art deco zeitgeist of that era, is closely related to such famous German designs as Futura, Erbar, Kabel and Super Grotesk that debuted a few years earlier. However, FF Bauer Grotesk stands out for being less dogmatic with the geometry, lending the design a warmer, more homogenous feeling. The oval “O” is a good example of that, as well as characteristic shapes like the capital M or the unconventionally differing endings of “c” and “s” which make for a less constructed look. The design was started by Thomas Ackermann, and he collaborated with Felix Bonge to evolve his original ideas into this fresh, modern geometric typeface family. FF Bauer Grotesk contains 6 weights with accompanying italics, and a wide range of OpenType typographic features including small caps, figure styles, fractions and contextual alternates. NEW: the new FF Bauer Grotesk W1G versions features a pan-European character set for international communications. The W1G character set supports almost all the popular languages/writing systems in western, eastern, and central Europe based on the Latin alphabet including Vietnamese, and also several based on Cyrillic and Greek alphabets.

Slowglass is a geometric semi-serif accompanied by geohumanist italics. Softly rounded edges lend it a friendly tone. The typeface includes two categories of stylistic alternates, available as font features as well as complementary font subfamilies. Text forms for increased legibility (Slowglass Text) and uncial-inspired unicase variants (Slowglass Alt). At over 1500 glyphs per weight, the fonts support 80+ Latin-based languages (incl. Vietnamese), 14 Cyrillic-based languages and polytonic Greek. OpenType features: Six sets of figures: proportional / tabular × oldstyle / lining / petite (ss20) Superscript and subscript figures Fractions, numerators, denominators Optional slashed zero Case-sensitive forms Glyph composition/decomposition (support for Navajo and Greek) Localization (Dutch, Marshallese, Bulgarian) Stylistic Sets: ss01 Roman: Two-story a, loopy α / Italic: Loopy α ss02 Roman: Simple g / Italic: Simple k ss03 Unicase r ss04 Alt f t г п т γ ss05 Descending η χ ss06 Unicase β ζ θ ξ ss07 Alt в г д ж з к п т ю ss08 Latinized ς, cursive и й ss09 Round Δ Λ Д д Л л Љ љ ss10 Full-stem a q ss11 Seriffed I ss12 Unicase A ss13 Unicase E Ω ss14 Descending F T Г П ss15 Descending G P Q Y ss16 Unicase M N И H Y ss17 Extending Φ Ψ ss20 Petite figures

Cinecav X is a family of typefaces based on Cinecav™ which is a system of fonts designed for closed caption television (CCTV) applications. Cinecav X cannot be used in closed caption systems that require specialized character sets. Closed caption fonts for television makers can be found at ccfonts.com. Most Latin-based European, and some Cyrillic-based writing systems are supported, including the following languages. A Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Bulgarian, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Komi-Permyak, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Macedonian, Makhuwa, Malay, Maltese, M?ori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Russian, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Ukrainian, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

Presenting Valley of Winter! A Calligraphy Font. This font made with the perfect combination of each character. You can combine with Extra to get a unique combination. It looks original and can be used for all your project needs. Each glyph has its own uniqueness and when meeting with others will provide dynamic and pleasing proximity. This font can be used at any time and in any project. You can see in the presentation picture above, Valley of Winter looks versatile on design projects. So, Valley of Winter can't wait to give its touch to all your design projects such as quotes, poster design, personal branding, promotional materials, website, logotype, product packaging, etc. Besides that, Valley of Winter also has some ligature that gives a surprise when you type certain characters combining. The ligatures are tt, ll, rr, ss, ee, and cc. WHAT'S INCLUDED? 1. Valley of Winter • It comes with uppercase, lowercase, ligatures, numeral, punctuation, symbols, and Standard Latin Multilingual Support (Afrikaans, Albanian, Catalan, Danish, Dutch, English, French, German, Icelandic, Indonesian, Italian, Malay, Norwegian, Portuguese, Spanisch, Swedish, Zulu, and More). Also included some alternates for ending glyphs; a, e, d, g, h, i, j, k, l, m, n, q, r, t, and u. 2. Extra Swash • You can feature all with typing c_1 until c_4 A Million Thanks Colllab Studio

Mark van Bronkhorst designed MVB Celestia Antiqua at a time when font choice was limited. Design was characterized by overuse of the few fonts that came with laser printers. A rustic typeface, recalling the roughness and irregularity of pre-digital printing, was a response to the cold crispness of DTP. MVB Celestia Antiqua holds its own among a large group of other “weathered” serif fonts, in part due to the size of the family: three weights, small caps, italics, and two titling styles. But it's also successful because it's simply drawn well, the contours only as rough as they need to be, enabling text at any size, large or small.

Proudly present Monday Tuesday - Retro Type, created by ikiiko. Monday Tuesday is an thick slab font with a touch of retro style. This type has a character bold, sturdy and also short. Tight font spacing makes this font has a retro impression and is more fun to explore. This type is very suitable for making a poster, magazine layout, brand logo, packaging, food & beverages, cartoon style, quotes, or simply as a stylish text overlay to any background image. What's Included? Uppercase & Lowercase Numbers & Punctuation Multilingual Support Works on PC & Mac Enjoy our font and if you have any questions, you can contact us by email : ikiikowrk@gmail.com

Introducing Ruminate - serif typeface - regular and italic fonts Ruminate is feminine and elegant typeface with multilingual support. It's a very versatile font that works great in large and small sizes. This font is perfect for branding projects, home-ware designs, product packaging, magazine headers - or simply as a stylish text overlay to any background image. FEATURES Uppercase, lowercase, numeral, punctuation & Symbol 3 fonts - regulat, alternate, italic alternate glyphs Multilingual support No special software is required to type out the standard characters of the Typeface. Canva friendly Feel free to contact me if you have any questions! Mock ups and backgrounds used are not included. Thank you! Enjoy!

Proudly present Hypebuzz - Hipster Type, created by ikiiko. Hypebuzz is an urban sans serif font with a distinctive wide shape. This type has a character of streetwear vibes, hip-hop, youth, urban culture, etc. Hypebuzz had a 2 types of letters allows us to explore the text with creativity. This type is very suitable for making a poster, magazine layout, brand logo, sleeve cover, party flyer, quotes, or simply as a stylish text overlay to any background image. What's Included? 2 Weights : Regular & Outline Uppercase & Lowercase Numbers & Punctuation Multilingual Support Works on PC & Mac Enjoy our font and if you have any questions, you can contact us by email : ikiikowrk@gmail.com