Introducing Russell - An organic and expressive handwritten brush script font designed for versatility. It's legible; making it perfect for product packaging, editorial work, and poster design, and it oozes personality; great for branding, invitations, and more. This font packs a real punch with super duper textures and a ton of useful extras (that line is certainly getting copyrighted!) including custom catchwords, ink splatters, underlining brush strokes, and italics! Take a look below to see everything that's included. ---------------------- What's Inside? ---------------------- - Russell: The original Russell script font boasting a full glyph range with multilingual support. - Russell Alternative: An entirely new font with slightly different lowercase and uppercase letters - perfect for improving the handwritten aesthetic. - Russell Extras: A font full of useful extras (Swashes, strokes, and splatters) that look great with the Russell fonts. Simply select the 'Russell Extras' font and start typing. - Russell Catchwords: Just like the extras above, this font is packed with 23 bonus custom catchwords that beautifully complement the family. - Russell & Russell Alternative Italic: Both Russell and Russell Alternative have italic options included, opening up more design possibilities.

Rabento is an original serif family, with articulate and big letterforms. The typeface was drawn and created by Mans Greback between the years 2018-2021, and is designed to assure a unique and confident character to any headline, logotype or title. A display typeface made for large text displays, it is still clear and legible. With great contrast, this lettering has precise hairline thin horizontal parts, a bold and expressive outline and fat slab serifs. It has traditional traits, but a new and modern design, which together makes for an impactful and notable type setting. Rabento is provided in six high-quality styles: Regular, Italic, Bold, Bold Italic, Black & Black Italic. The font is built with advanced OpenType functionality and has a guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures and more features; all to give you full control and customizability. It has extensive lingual support, covering all Latin-based languages, from North Europe to South Africa, from America to South-East Asia. It contains all characters and symbols you'll ever need, including all punctuation and numbers.

This family was inspired by the beautiful roman font used by Aldus Manutius in Venice (1499) to print for the first time Hypnerotomachia Poliphili..., the well known book attributed to Francesco Colonna. Francesco Griffo was the punchcutter. The present font contains all of the specific latin abbreviations and other ligatures used in the original. The Italic style, carved by Francesco Colonna, the so called "Aldine" style, was inspired from various documents, all printed with this first Italic font. We offer the complete set of ligatures (about 60) we have been able to find, contained in the original font. In the two styles, we have made differences between I and J, V and U, to make easier a modern use. Added are the accented characters and a few others not in use in this early period of printing. The Italic style may be used as a complement to our 1470 Jenson Latin. The font contains all characters for West European (including Celtic), Baltic, East and Central European and Turkish language.

PT Serif Pro is an universal type family designed for use together with PT Sans Pro family released earlier. PT Serif Pro coordinates with PT Sans Pro on metrics, proportions, weights and design. It consists of 38 styles: 6 weights (from light to black) with corresponding italics of normal proportions; 6 weights (from light to black) with corresponding italics of narrow proportions; 6 weights (from light to black) with corresponding italics of extended proportions; and 2 caption styles (regular and italic) are for texts of small point sizes. The letterforms are distinguished by large x-height, modest stroke contrast, robust wedge-like serifs, and triangular terminals. Due to these features the face can be qualified as matched to modern trends of type design and of enhanced legibility. Mentioned characteristics beside conventional use in business applications and printed stuff made the fonts quite useable for advertising and display typography. Each font next to standard Latin and Cyrillic character sets contain alphabet glyphs of title languages of the national republics of Russian Federation and support the most of the languages of neighboring countries. The fonts were developed and released by ParaType in 2011 with financial support from Federal Agency of Print and Mass Communications of Russian Federation. PT Serif family together with PT Sans won the bronze in Original Typeface category of ED-Awards 2011. Design – Alexandra Korolkova with assistance of Olga Umpeleva and supervision of Vladimir Yefimov

Authentica is a modern, caligraphic script. It contains a full set of lowercase and uppercase letters, various kinds punctuation marks, numbers, and multilingual support. The font also contains several alternative ligatures and Stylistic Sets for those of you who have software which can work OpenType (Photoshop / Illustrator / InDesign).

I know what you're thinking: Where can I find a Lycian font that looks good and is easy to use? Look no further! This font has the Lycian characters both in their unicode positions, and where you can find them on the keyboard. The glyphs in this font were based on those on a Kerei monument in Lycia. I am not an archaeologist, so your feedback would be most welcome.

Take your reader far away to a tropical morning, where the inviting aroma of a fresh roast introduces them to a gentle breeze and the first, warm light of day. Take them there with Barcis. This organic face with its tall x-height and neo-humanist attributes shows its free spirit through unique terminals, calligraphy-inspired strokes, and a rich variety of OpenType alternates All insigne fonts are loaded with OpenType options. Barcis is geared up for pro typography. The font features many numeral sets, with fractions, old-style figures, superiors and inferiors. OpenType-capable programs like Quark or the Adobe suite allow you to quickly change ligatures and alternates. You can see these options shown in the .pdf brochure. Barcis also features the glyphs to aid a variety of languages, together with Central, Eastern and Western European languages. In all, Barcis supports around forty languages that utilize the Latin script, earning Barcis the pick for for multi-lingual publications and packaging. Barcis features three different widths and seven weights from exceptional Light-weight to dense Black. Each of these individual fonts offers its own authentic italics and alternate glyphs as well. With its high versatility, Barcis is without a doubt an amazing titling font, a great choice for journals, a solid option for web use, or even for clearly defining your mark in logotype. Bring Barcis into your library, and use it to carry your audience away.

Last year I went to visit a friend in Tuscany. One day he took me to meet his neighbor, a nice old man; Mr. Giulio. After giving us a tour of his small vineyard, he insisted us to try his production: a delicious Vernaccia! When his wife left the bottle containing the gold liquid on the table, I fell in love with the label: it was handwritten by herself, as if to highlight the "homemade" feature. As a tribute to this beautiful and hardworking couple, I asked permission to be inspired to make a typeface ... and here goes! The family Font Vernaccia... Vernaccia is a type family of four fonts: Regular, Bold, Condensed and Condensed Italic. Is a modern and casual calligraphy family font.
As an exclusively Open Type release, with 759 glyphs and 45 ornaments, it has several special alternatives for all letters with lots of possibility and an infinity of combinations. Most of the ornaments can be used alone, but really were especially designed to combine with the different glyphs. There are plenty of options to allow you to create something unique and special: standard and discretionary ligatures, several swashes and stylistics alternates for each letter, catchwords, tails that can be added to the beginning or end of each letter, ornaments, and much more. These lovely fonts have already an extended character set to support Western European languages. Vernaccia was made to make your project more beautiful and attractive! Have fun with it!

Ametrine is a beautiful super-casual style font with an authentic handcrafted feel. It is great for signature logos, posters, social media, wedding invitations, blog posts, headlines and more. Ametrine includes 2 styles (Regular & Italic), 203 glyphs with numbers, punctuation, ligatures, multilingual support.

Anele is a classic grotesque in the bedt sense of the word in 5 weights and Italic that communicates in 140 languages. The font is created by the danish designer Ole Sondergaard who is also behind the award-winning FF Signa super family.

Ratatouille was inspired by wooden faces of old with pointed serifs. Very suitable for Packaging greeting cards magazines posters and Advertising Ads. Designed in four weights from Extra-Light to Bold including Italics, covering a large range of editorial and advertising applications.

I know there are already quite a few Stencil type fonts but maybe this fills a niche. A very chunky serif stencil where the serifs are closely aligned and help form the the curves of the letters. An Italic is also available.

Estz is an All-Caps Font with a Modern feel. suitable for branding, logotype, technology stuff, modern & futuristic vibe, social media, products, and so on. contains standard English letters, numbers, punctuation, ligature, Italic version, and several accents that support multilingualism. Thank you!.

Lenolove is a cool and classy display font. Add this minimalistic and techno-style font to any web design, logo, Title, or anything else that needs a smart, cool touch. What's Included? Uppercase & Lowercase Numbers & Punctuation Multilingual Support Regular & Italic PUA Encoded

Scratchedman Font is a natural handwritten font. This All Caps typeface is strong to stand out in your design projects. Scratchedman Font has two font styles Regular and Italic so you can customize it in your design project, as well as multilingual support.

Lamberet is a geometric sans-serif typeface, all caps display font. Has a clean, sharp and emphatic form especially suitable for headlines, headings, branding, posters, packaging, titles, logos or whatever. It comes in its italics forms for regular sharp and soft versions. - Uppercase

Falcon Sport is a square typeface with a bold, easy design. The typeface includes Latin and Cyrillic uppercase, numbers and punctuation. Falcon Sport comes two styles and includes italics. This typeface works great for logos (also sport logos), packaging and other display settings.

Gyahegi is modern serif font that look elegant and aesthetic with beautiful ligatures. It is good for Logo brand, advertisement, product packaging, social media post, clothing brand, magazine headers and many more complete with ligatures alternates regular italic icon kerning multilingual support

Summerhaven JNL and Summerhaven Italic JNL were partially inspired by sign lettering spotted in an old black and white movie. These fonts are somewhat reminiscent of the Art Deco style, and their casual look can be applied to both formal and informal messages.

Grandi is a sans-serif in ten different styles. Carefully designed by Måns Grebäck, this typeface's great variation makes it adaptable to any size and context. It is confident and catchy, and comes in five weights, each one as upright and italic.

Kareemah is humanist typography, composed of roman and italics with 16 styles and 8 weights (800 glyphs) including ligatures, alternates, small caps,old style figures, fractions, superiors, inferiors and more. Perfectly legible and clean for long, simple texts in headlines. "Specimen Kareemah PDF"

These Oksana Text Swash Cyrillic fonts have swashed initials and ampersand for Oksana Text italics in six weights from Thin to Black. They support basic Latin and European Cyrillic. For all-in-one fonts please look at that OpenType version of Oksana Text.

Steclo is a semi-closed narrowed display sans-serif typeface with pronounced technical character. It comes in 9 weights from Thin to Black accompanied by corresponding oblique italics. Steclo features rich language support including pan-European Latin and basic Cyrillic glyph sets.

Matrice is a sans serif (Semi Extended) display font family in 8 weights plus matching natural italics. support 75+ Languanges (Latin Based) influenced by the grotesk typefaces developed in the early 20th century, perfect for branding (Identity), logotype, headline text, and caption.

Mile High is an airy and elegant font featuring exceptionally thin and tall characters suitable for text as well as display. Featuring 4 weights and italics, Mile High offers versatility for cohesive graphics applications. Especially lovely is text set in all caps.

Gingar – a headline face, playful and classic – a proper font. Gingar includes swash-characters and ligatures in a wide range of weights from UltraLight to ExtraBlack, plus Italics. Typeface for life, fashion, food, wellness, magazines, corporate design projects and more. Rock with Gingar!

Sahur Bosku is a beautiful handwritten font. This family consists of a script and comic style with matching italics. This font is suitable for branding, quotes, logos, magazines, posters, promotional advertisements, films, and more. The fonts have multilingual support and are PUA Unicoded.

This humanist slab-serif style is an extension from Gazeta font family, the letterform are more sharp, racional and mechanical. Italics are having small differences from roman letterforms, the characters are slightly more narrow (weight) and the proportions are less open (width).

Bramble is a lively organic font that draws reference from Roman characters rather than Italic forms. Use Regular for small point-size setting to retain legibility. For invigorating display settings try combining Regular and Wild. Warning: you may become attached to Bramble!

Oksana Greek has only basic Latin and monotonic Greek characters from multilingual Oksana. It has six weights with real italics, and Alt faces with Old Style figures, ampersand, alternative characters -a-g-k-y- and Greek -Ε-Ξ-β-ε-θ-φ-.

Oksana Cyrillic has only basic Latin and european Cyrillic characters from multilingual Oksana. It has six weights with real italics, and Alt faces with Old Style figures, ampersand, alternative characters -a-g-k-y- and Cyrillic -а-в-д-з-у-ў-.

Konega is a handmade typeface with a unique and modern style, comes in two versions, namely regular and italic, and is available in uppercase, lowercase, ligature and alternate. Konega is suitable for business brands, magazines, comics, t-shirts, banners and many others.

Timenhor is a Latin-script font whose glyphs are based on the uncial letterforms of Coptic manuscripts. Timenhor is compliant with Unicode encoding and has an extended character set, supporting Celtic and Eastern European languages. It has both regular and italic styles.

The name Vedo is derived from the Latin word for "I see". Vedo is a new, sturdy Sans Monoline in 7 weights and 7 Italic cuts. The Thin cuts are free of charge. Yours designing new fonts in the Bauhaus tradition - Gert Wiescher

This hand-lettered italic script is another versatile font produced by Jeff Marshall. Named after the late Ron Aplin, who mentored Jeff as an apprentice sign writer early in his career. This font includes 19 unique ligatures and 15 alternate special ending glyphs.

Roble is a Slab Serif Font, from a mix between Andes and Sanchez, following a harmony with both fonts one sans and one serif with a fresh and dynamic result. Roble is a family of 16 display fonts 8 weights plus italics.

Carlgine is a unique and modern family of serif fonts. Carlgine has 18 families Regular and italic font, starting from the small thin to the largest black. This typeface is versatile and can be used successfully in magazines, posters, branding, websites, etc.*

Restrick is a strong display font. uses curved corners for flexible use on a variety of media displays. This font is very suitable for use as a headline in a newspaper, poster, or magazine. This font is available in regular and italic format.

Betm is a geometric sans-serif font family created by Chatnarong Jingsuphatada (a Thai type designer) and published by Typesketchbook. Inspired by clean modern and, somewhat, mild geometric lines, Betm comes in 10 very useful weights along with complementary italics. You’ll love Betm!

Esenka is a family sans that comes with 9 weights, 9 italics and 2 outlines. Esenka has an expanded uppercase alternate, with a choice of 2x and 3x width options. Esenka is PUA encoded which mean you can access alternate with ease.