Cambridge Round provides a rounded version of Cambridge, useful for headings and more informal texts. The family contains four weights in three widths with matching italic forms for all variants.

Franklin Gothic EF is a font family from the Elsner+Flake Library. It had its debut in 2000. In 2016 it was renovated and an additional weight "Italic“ was added.

Gwyner, a strengthened didone with sharp and clean characteristics, comes with thin to bold weights and is suitable in italic for various uses. A condensed family for space-saving design.

This clean sans-serif typeface brings your designs and layouts together in one great looking typeface, uncomplicated and legible large or small. VIRTUS SANS has 4 weights each with italics.

Introducing Elkoga - Round Serif Typeface A modern serif font with a rounded style that makes this font stylish and eye-catching. Comes with 8 families, from regular to bold and italic. You can apply it to your various design projects such as logos, packaging, covers, posters, social media posts, youtube thumbnails, wedding invitations, quotes and much more you can make with this great item for any design! Features: -Uppercase -Lowercase -Numeral -Punctuation -Multilingual -Opentype Features & PUA Encoded Multilingual contained: Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Breton, Catalan, Chiga, Cornish, Danish, Dutch, English, Estonian, Faroese, Filipino, Finnish, French, Friulian, Galician, German, Gusii, Indonesian, Irish,Italian, Kabuverdianu, Kalenjin, Kinyarwanda, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Manx, Morisyen, North Ndebele, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Portuguese, Quechua, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish Gaelic, Sena, Shambala, Shona, Soga, Somali, Spanish, Swahili, Swedish, Swiss German, Taita, Teso, Uzbek (Latin), Volapük, Vunjo, Zulu. Note: Use a program that supports the Opentype features and the glyph panel is available, so you can see the various alternative characters available. Examples of programs such as Adobe Illustrator, Corel Draw or Affinity Designer. Thanks.

Casagrande Collection has been designed in 2020 by the Italiantype Team (Manuel Alvaro, Valentino Coppi and Mario De Libero), working in close collaboration with Italian lettering artist, illustrator and calligrapher Alberto Casagrande, with help from the Zetafonts Team (Francesco Canovaro, Andrea Tartarelli and Cosimo Lorenzo Pancini). The goal of the project was to use as inspiration Alberto's colorful, vintage themed digital illustration style to develop a suite of closely related typefaces that, used together, would allow designers to replicate the nostalgic charme of Italian poster and product design from the thirties and the forties. Two color overprints, coarse dithering, handmade calligraphy, reminiscences of art deco, hints of modernism and pop culture references: all this and more mixed in a exuberant and playful collection, created with illustrators, poster artists and book cover designers in mind. The final product is 24-font package with six display families with styles varying from the thirties-inspired Antifascista (3 weights + 3 dithering weights) and Deco (3 weights + 3 inline weights), to the modernist Casabau (5 weights), to the geometric Grind (4 widths), to the vintage elegance of the two script families, Reclame and Casatiello. The collection is complemented by a two-color icon set font, Casagrande Ornaments, allowing any designer to easily explore the creative possibilities of this incredibly powerful creative collection. Please Note: Casagrande Antifascista Ombra simulates fine dithering and may be processor intensive for some older computers. Use Casagrande Antifascista if it slows down your system.

Grethania Script is a calligraphic script font that comes with beautiful alternative characters. a mixture of copper plate calligraphy with handlettering style. Designed to convey the elegance of style. Grethania is interesting because it is smooth, clean, feminine, sensual, glamorous, simple and very easy to read. Classic style is very suitable to be applied in all types of formal work such as invitations, labels, menus, logos, fashion, make up, stationery, letterpress, romantic novels, magazines, books, greeting / wedding cards, packaging, labels. Grethania Script displays 310+ glyphs and 122 alternative characters. including multiple language support. With OpenType features with changes in style, binder and character swash, which allows you to mix and match pairs of letters to fit your design. To activate the OpenType Stylistic alternative, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or newer versions. (Windows), Font Book (Mac) or software programs such as PopChar (for Windows and Mac). How to access all alternative characters using Adobe Illustrator: https://www.youtube.com/watch?v=XzwjMkbB-wQ How to use font styles that are set in Microsoft Word 2010 or later: https://www.youtube.com/watch?v=NVJlZQ3EZU0 There are additional ways to access alternatives / swash, using Character Maps (Windows), Nexus Fonts (Windows) Font Book (Mac) or software programs such as PopChar (for Windows and Mac). How to access all alternative characters, using Windows Character Map with Photoshop: https://www.youtube.com/watch?v=Go9vacoYmBw

Alethia Next is a grotesque sans-serif typeface with high contrast in all weights. It has been designed to serve as a display typeface in various editorial projects, such as magazines or corporate brochures, as a sans-serif pair to serif types of modern style. Alethia Next comes in 7 weights + matching italics and upright italics, each supporting numerous Latin-based languages as well as major Cyrillic languages including Bulgarian local forms. It is packed with OpenType features like ligatures, small caps, and numerous alternatives.

Cicada is an elegant and modern sans-serif font family. It includes upright and Italic style, each of them has five weights from Extra light to bold. This is a multi-purpose font that is perfect for any project, it is contrasted, modern and easy to read. With it, you can create logos, use in advertising, packaging, book covers and magazines, headings, descriptions and much more. Also use Italic style to add dynamics to your project. This font is easy to use has OpenType features.

The Urfa font family comes in nine weights of Normal and Italic. In addition, all weights contain small caps in both italic and normal. With the Urfa font family, you can create beautiful works for the web, including logos, banners, body copy, and presentations. Urfa typeface also works nicely in print formats such as posters, T-shirts, magazines, and affiches. Because of its eye-pleasing style, this font is both effective and versatile. It supports a wide range of languages, including Extended Latin and Cyrillic.

Dutch type designer Evert Bloemsma created this serif FontFont in 2000. The family contains 4 weights: Regular, Italic, Bold, and Bold Italic and is ideally suited for book text, editorial and publishing, small text as well as web and screen design. FF Avance provides advanced typographical support with features such as ligatures, small capitals, alternate characters, case-sensitive forms, fractions, and super- and subscript characters. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths.

Thought Balloons. No use for them any more. You can't be taken seriously when your thoughts are floating above your head in cute, puffy clouds. Doesn't look good. When the streets are extended gutters and the gutters are full of blood, a thought bubble just isn't noir enough, is it? It's gotta be GRIM. It's gotta be GRITTY. Let's face it... It's gotta be GRIM'N'GRITTY. In Italic and Bold Italic. Also Regular and Bold. But I've little use for them either. Talk is cheap.

A Renaissance style typeface in 4 series Le Monde Livre Classic works beautifully on text and titling settings. Designed as an extension of Le Monde Livre, this family distinguishes itself by its historical forms and by its numerous stylistic effects. Le Monde Livre Classic’s italics follow the models of the Renaissance and feature italic capital and lowercase swashes. Le Monde Livre Classic works beautifully for book typography, magazine settings from text to display. Le Monde Livre Classic revisited Type Directors Club .44 1998 European Design Awards 1998

Quta Rounded "derivative typeface from Quta" is a sans serif typeface produced by FoDa foundry, that meets all the needs of professionals who search a family of clean rounded geometric font, very well suited for headlines, newspaper and many purposes. With a basic character set in Five weights with their italics. Quta Rounded covers many features like: -Five main weights (Light, Regular, Medium, Bold and Extra Bold) -Matching italics for all weights. -language support for many Latin-based scripts -Ligatures and many other OpenType features.

Erbar or Erbar Grotesk, designed by Jakob Erbar (Ludwig & Mayer) in the early 1920s, is a truly key design from a historical viewpoint. None other than Paul Renner studied Erbar and used this knowledge in the design of his famous Futura. Erbar is a beautiful constructive Grotesk perfectly mirroring the Zeitgeist of the 1920s. The newly expanded Erbar family of URW++ comes in nine styles, of which seven have been digitally remastered recently in URW's design studio (light, book, medium, bold, italic, bold italic).

TAN - THE LAUNDRY ROOM is a fun display serif. Wonky yet composed and retains the legibility. *the italic font used in the display is TAN - ANGLETON (italic) — Our fonts are supported by most design software, please make sure it can read the OpenType fonts to be able to access all ligatures. Please be informed that while our font works well in Canva, but Canva itself doesn’t support advance opentype features such as special characters. For support, please don’t hesitate to contact us at tantypeco@gmail.com.

Puanto is a elegant serif font that includes two styles: regular and true Italic. This font has a lightweight and looks amazing in logos, branding, arranging wedding invitations, business cards, packaging, titles and much more, it is very readable and recognizable. This font includes alternates and ligatures for Uppercase and Lowercase, with them you can make your project more elegant and unique and italic style will add dynamics to your design, it also includes alternates and ligatures This font is easy to use has OpenType features.

Dear and Fans is all class. A stylish modern font that is a mix of serif and sans serif. It's soft curves mixed with high contrast glyphs lend it self to both feminine and masculine qualities. With a contrasting light italic, Dear and Fans works great in layout design for quotes or body copy. The Elegant curves also make for a unique logo or masthead. Dear and Fans comes with multilingual support also. Full upper/lower case, numbers, punctuation and multilingual support. Full italic style included also.

Calendula is a humanistic font with low contrast and one-sided serifs. There are eight styles: four regular of different weights from Light to Bold and corresponding italics. The main set of regular styles is close to upright italics, so the font is percieved as informal and friendly. However, Calendula allows you to combine business with pleasure by switching the stylistic set, and turns into a calm text font with traditional upright forms. The font was designed by Natalia Vasilyeva and released by Paratype in 2017.

Gildersleeve evokes the spirit of the Arts and Crafts movement of the 1920s. Think of a hand-cut Roman display face, with loving care lavished over each serif and letterform. Gildersleeve is offerered in the classic combination of a regular face, a bold face, an italic and an italic bold. Any of them are ideal for poster or cover work, as well as for chapter and section headings in a longer document, in combination with a text face such as Vertrina or Clementhorpe Text.

Rozelle Fonts are serif fonts with rounded edges. These fonts are formed as a unique multipurpose font, you can use them in vintage, retro, and modern designs. These fonts are perfect for a variety of projects, such as branding, poster displays, logo designs, magazine covers, and more. These fonts are perfect for you who need unique serif fonts! Rozelle fonts feature opentype, kerning, and alternates packed in 4 fonts: Regular, Italic, Bold, Bold-italic. Rozelle fonts include uppercase letters, lowercase letters, numeral, punctuation and multilingual support.

Gistra - Modern Beauty Elegant Aesthetic Sans Serif - Expressive Feminine Branding Logo Font Gistra Sans Serif comes with several styles, Regular, Italic, Outline, Outline Italic, so you can use it to create the perfect typography design. It's perfect for your upcoming project. Such as luxury logos and branding, classy editorial designs, women's magazines, cosmetic brands, fashion promotions, art gallery branding, museums, architectural history, boutique branding, stationery design, blog design, modern advertising design, invitation cards, art quotes, home decoration , book titles/samples, special events, and more.

New York vibes FS Irwin was born in New York while Senior Designer, Fernando Mello, was studying an intensive 5 week typeface design course at the Cooper Union. His brief was to design a perfectly clear typeface that could communicate well, without loud or overtly mannered design features. Fernando was influenced by the subway font in New York: ‘It is very in your face and clear, always in bold. It doesn’t shout much but at the same time is very present and unique. The design is completely different but it was this spirit I wanted to capture for FS Irwin.’ And the vibe of the city: ‘In a similar way to London, New York is so mixed and so cosmopolitan. I was amazed by the different styles and identities I saw there, and tried to encapsulate this essence to create something new, relevant and very now.’ Incisive quality Rather than focusing on quirks or distinctive characteristics, the key to FS Irwin is the quality of its design and spirit of simplicity. The design, proportions and details are usable and authentic and it is suitable for countless situations, without running the risk of being instantaneously noticeable. Families like this can be used on nearly anything, from more playful designs to serious corporate IDs. ‘Extensively tested and precisely drawn text-oriented typefaces are what I enjoy designing the most. There is a beauty and a different approach, a different way of making them interesting, sellable and usable rather than adding flicks or unexpected details.’ Inscriptions and calligraphy FS Irwin’s origin lies in Fernando’s studies in inscriptional lettering and writing-calligraphic exercises at the Cooper Union. Mello started the process by digitising his explorations and adapting them into a more workable sans serif structure. The traditional forms of writing which gave the basis to Latin type as we know it today were the perfect place to start. This influence can be seen in the proportion of the capitals and in slight writing-calligraphic details in the lowercase, such as the slightly angled, chiselled spurs and their open terminals.

Bradley Texting: a clear, friendly and easily legible calligraphy font, also suited to electronic devices With Bradley Texting, Richard Bradley has published another calligraphic typeface that recalls the style of Bradley Hand and Bradley Type. In this case, however, Bradley has advanced the style with clearer forms for display on electronic instruments and on other formats. Two other font families paved the way to the newly introduced Bradley Texting. In the mid-1990s, Bradley published Bradley Hand, with its rough contours. Since these coarse forms do not cut a good figure in the larger font sizes, Bradley Type followed, with smooth letters. During the development of Bradley Type, the idea for a further font came about ? one in the style of the two other calligraphic typefaces, but with simpler, easily legible forms and suited to electronic devices like mobile phones or tablets. The letters for Bradley Texting began with a marker on paper. Looking back, Bradley describes one of the biggest challenges as having the calm required to draw the relaxed-looking letters repeatedly while still making them fit the general style.The somewhat narrow and dynamically designed letters have round line ends, like those left by a felt-tipped pen. As a hand-written print font, the individual letters are not connected to one another. Nonetheless, they demonstrate the influence of a written font, such as the extended ends and the flowing transitions. Clear forms with open counters and a large x-height guarantee Bradley Texting good legibility in the smaller font sizes. Bradley Texting is also effective under more challenging conditions, such as on mobile phones, e-book readers or tablets; the fonts friendly and lively character comes through. With Regular, Semibold and Bold, Bradley Texting is adequately equipped for use as a headline or text font in various sizes. The selection of characters covers the Western European languages and German typographers will be happy to note the presence of the upper-case ß. Use the dynamic and clear forms of Bradley Texting anywhere you need a friendly character with a personal accent. Bradley Texting is persuasive in the print realm, in advertisements or on posters, as well as on electronic devices.

TT Hazelnuts useful links: Specimen PDF | Graphic presentation | Customization options About TT Hazelnuts: TT Hazelnuts is a display sans-serif font family containing a set of elegant and delicate decorative elements. Initially the family was designed for highly specialized areas, but we've decided to extend the number of typefaces and to make the family more universal. Despite its geometric essence, TT Hazelnuts reflects a touch of human hand—you can take a calligraphic tool and, by turning it, draw pretty much the whole font. TT Hazelnuts font family is perfect for small text arrays, for instance, for fashion or advertising industries, and will also fit perfectly into layout of longer and more complex typographic systems thanks to a large variety of font weights (Thin, ExtraLight, Light, Regular, Medium, Bold, ExtraBold, Black, Heavy) and its true italics. It has already become a good tradition to include broad support of OT features into our new fonts. TT Hazelnuts is not an exception, it uses a large number of useful features: ordn, sinf, sups, numr, dnom, tnum, onum, frac, case. FOLLOW US: Instagram | Facebook | Website TT Hazelnuts language support: Acehnese, Afar, Albanian, Alsatian, Aragonese, Arumanian, Asu, Aymara, Banjar, Basque, Belarusian (cyr), Bemba, Bena, Betawi, Bislama, Boholano, Bosnian (cyr), Bosnian (lat), Breton, Bulgarian (cyr), Cebuano, Chamorro, Chiga, Colognian, Cornish, Corsican, Cree, Croatian, Czech, Danish, Embu, English, Erzya, Estonian, Faroese, Fijian, Filipino, Finnish, French, Friulian, Gaelic, Gagauz (lat), Galician, German, Gusii, Haitian Creole, Hawaiian, Hiri Motu, Hungarian, Icelandic, Ilocano, Indonesian, Innu-aimun, Interlingua, Irish, Italian, Javanese, Judaeo-Spanish, Judaeo-Spanish, Kalenjin, Karachay-Balkar (lat), Karaim (lat), Karakalpak (lat), Kashubian, Khasi, Khvarshi, Kinyarwanda, Kirundi, Kongo, Kumyk, Kurdish (lat), Ladin, Latvian, Laz, Leonese, Lithuanian, Luganda, Luo, Luxembourgish, Luyia, Macedonian, Machame, Makhuwa-Meetto, Makonde, Malay, Manx, Maori, Mauritian Creole, Minangkabau, Moldavian (lat), Montenegrin (lat), Mordvin-moksha, Morisyen, Nahuatl, Nauruan, Ndebele, Nias, Nogai, Norwegian, Nyankole, Occitan, Oromo, Palauan, Polish, Portuguese, Quechua, Rheto-Romance, Rohingya, Romanian, Romansh, Rombo, Rundi, Russian, Rusyn, Rwa, Salar, Samburu, Samoan, Sango, Sangu, Scots, Sena, Serbian (cyr), Serbian (lat), Seychellois Creole, Shambala, Shona, Slovak, Slovenian, Soga, Somali, Sorbian, Sotho, Spanish, Sundanese, Swahili, Swazi, Swedish, Swiss German, Swiss German, Tagalog, Tahitian, Taita, Tatar, Tetum, Tok Pisin, Tongan, Tsonga, Tswana, Turkish, Turkmen (lat), Ukrainian, Uyghur, Vepsian, Volapük, Võro, Vunjo, Xhosa, Zaza, Zulu.

Pour ceux qui souhaitent utiliser la famille de fontes Natom Pro en version variable, cette famille se décline en 3 fichiers avec la Roman, la Roman italic et la version Title.

Dabi is a bold sans serif type family of three weights plus matching italics. It is suitable for logos, titles, posters, etc. Made from a compilation of all his design projects.

A tribute to Jan Tschichold. His hot-metal font Saskia was released in 1931 by Schelter & Giesecke. This elegant italic font was finally redrawn, extended and digitized for present-day use.

JoyRider is an 8-font family consisting of 4 weights with italics. Its bold appearance is strongly influenced by motor racing and the fast car modification culture, hence the name JoyRider.

Adept Sans is a rounded, modern and clean font that make it suited for small text to high-impact headlines. The family contains six fonts, 3 weights and its matching italics.

Civolis is a small and modest humanist sans family. Accompanied by a friendly italic, wide latin language support, oldstyle figures and ligatures, it is ready for a wide array of applications.

This display stencil typeface is extension from Gazeta font family, where the letterform cuts are more mechanical without loosing their own natural structure. Italic versions are not available, only roman characters.

Jh Flynn is modern tall sans serif typeface; a variable type including eight weights: light / regular / medium / bold and the italics; Ideal for headlines, logo design, signage and short text paragraphs.

Becka Script was designed by David Harris in 1985 and is a wide running typeface with varying stroke contrasts. This font looks as though written with a broad tipped pen and its slight slant to the right makes clear its similarity to callipgraphy fonts. Becka Script is reminiscent of the 1950s and its strong strokes make it best for headlines or shorter texts.

Luxury Modish is Modern Calligraphy font presentation from Ergibi Studio. Inspired by beautiful writing that has a luxurious feel with additional swash lines This font includes uppercase, lowercase letters, numbers, punctuation, symbols, swash and multilingual support. Luxury Modish is perfect for branding, photography, invitations, quotes, watermarks, advertisements, product designs, social media posts, stationery, labels, and more! I hope you enjoy this font. If you have any questions please don't hesitate to drop me a message :) Thank You, Ergibi Studio