Typewriter simulation with slight inking imperfections.

TT Travels useful links: Specimen | Graphic presentation | Customization options About TT Travels: TT Travels is a geometric grotesque with wide proportions and peculiar shapes of circles and brackets. TT Travels incorporates two stylistic sets which add completely different characters to the type family. The first set ss01 (aka salt) makes the font more humanistic, thanks to the ductal and smooth design of the characters defining the style. And if you want to work with the futuristic version of TT Travels, we recommend that you enable the second set (ss02). In this set, most of the characters defining the style change to characters possessing experimental forms of graphemes. For the convenience of the TT Travels font family use and for working within a complex text hierarchy, we've created 9 weights (Thin, X-Light, Light, Regular, Medium, DemiBold, Bold, X-Bold, Black) and added 9 true Italics. TT Travels also implements standard and discretionary ligatures, oldstyle figures, slashed zero, and much more. The full list of OpenType features used in TT Travels is: ordn, sups, sinf, numr, dnom, onum, tnum, pnum, liga, dlig, salt, ss01, ss02, case, frac, zero. TT Travels language support: Acehnese, Afar, Albanian, Alsatian, Aragonese, Arumanian, Asu, Aymara, Banjar, Basque, Belarusian (cyr), Bemba, Bena, Betawi, Bislama, Boholano, Bosnian (cyr), Bosnian (lat), Breton, Bulgarian (cyr), Cebuano, Chamorro, Chiga, Colognian, Cornish, Corsican, Cree, Croatian, Czech, Danish, Embu, English, Erzya, Estonian, Faroese, Fijian, Filipino, Finnish, French, Friulian, Gaelic, Gagauz (lat), Galician, German, Gusii, Haitian Creole, Hawaiian, Hiri Motu, Hungarian, Icelandic, Ilocano, Indonesian, Innu-aimun, Interlingua, Irish, Italian, Javanese, Judaeo-Spanish, Judaeo-Spanish, Kalenjin, Karachay-Balkar (lat), Karaim (lat), Karakalpak (lat), Kashubian, Khasi, Khvarshi, Kinyarwanda, Kirundi, Kongo, Kumyk, Kurdish (lat), Ladin, Latvian, Laz, Leonese, Lithuanian, Luganda, Luo, Luxembourgish, Luyia, Macedonian, Machame, Makhuwa-Meetto, Makonde, Malay, Manx, Maori, Mauritian Creole, Minangkabau, Moldavian (lat), Montenegrin (lat), Mordvin-moksha, Morisyen, Nahuatl, Nauruan, Ndebele, Nias, Nogai, Norwegian, Nyankole, Occitan, Oromo, Palauan, Polish, Portuguese, Quechua, Rheto-Romance, Rohingya, Romanian, Romansh, Rombo, Rundi, Russian, Rusyn, Rwa, Salar, Samburu, Samoan, Sango, Sangu, Scots, Sena, Serbian (cyr), Serbian (lat), Seychellois Creole, Shambala, Shona, Slovak, Slovenian, Soga, Somali, Sorbian, Sotho, Spanish, Sundanese, Swahili, Swazi, Swedish, Swiss German, Swiss German, Tagalog, Tahitian, Taita, Tatar, Tetum, Tok Pisin, Tongan, Tsonga, Tswana, Turkish, Turkmen (lat), Ukrainian, Uyghur, Vepsian, Volapük, Võro, Vunjo, Xhosa, Zaza, Zulu.

Respondent is a flowing and handwritten font. Drawn, created and published by Mans Greback in 2021, this script family has a genuine and empathic personality, while being wild and vivid. Respondent can be used in a product or company logo, or in any digital design where you want the appearance of true, released handwriting. Originally inspired by the lettering on the cover of GTA Vice City, over the design process is has evolved to a very diverse typeface that can be used in a wide variety of contexts, much more than a Grand Theft Auto font. The Respondent Family is provided in five weights: Thin, Light, Medium, Bold and Black The different styles supplies a flexibility in both character and size. The font is built with advanced OpenType functionality and has a guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures and more features; all to give you full control and customizability. It has extensive lingual support, covering all Latin-based languages, from North Europe to South Africa, from America to South-East Asia. It contains all characters and symbols you'll ever need, including all punctuation and numbers.

Introducing The Neon Sci-fi Futuristic Font called Leegione A unique font with a futuristic style can make your futuristic logotype more interesting. Inspired by real world neon light signs, this font is perfect for adding your own glowing light effects or can be used to actually design real world neon signs. Leegione fonts with 9 unique ligatures are ideal for your project and will allow you to create beautiful designs, headlines, posters, logos, badges, and much more. It is also best used for posts, logos, posters, labels, and more.

Hercílio is a typographic family without condensed serif, modern and geometric inspired by the architectural forms of the Hercílio Luz Bridge in Florianopolis | Brazi Comprising eleven (11), weights of which ten (10) business are: Five weights Romans: Light, Normal, Regular, Medium and Bold Five Italics weights: Light, Normal, Regular, Medium and Bold And a weight (FREE) Hercílio Decorative Comprising 430 glyphs in each source, brings support for 56 languages (Latin and West, Central and East European) still has features Open Type, ligatures and tabular figures. http://www.cort9.com/wp-content/uploads/2016/05/Specimen_Hercilio.pdf

This is a family of "Gothic" types from the Monotype Design Studio. The faces named "Gothic No. 1 through 4" were produced by Compugraphic. Gothic No. 1 is a condensed, late 19th century American-style sans serif typeface. Gothic No. 2 and Gothic No. 3 are based on the Metro #2 series, designed by W.A. Dwiggins for Mergenthaler Linotype during the 1920s and 30s. Gothic No. 4 looks vaguely like Gothic number one, but is heavier and smaller on the body. Gothic Extra Light Extended is a very light and wide design.

Alathena was inspired by the French art decade between art nouveau to art deco, comes with 2 style, Alternative swash and Modern deco, with some modified ligatures. Available with 6 Weights, Thin, Extra Light, Light, Regular, Bold, Extra Bold with support 75+ language (Latin Pro), and contains OpenType features. - Matching small caps for all weights. - Old Style Figure. - Full "f" Ligature set. - 20+ Optional (discretionary) ligatures. - Over 400+ Swash Characters. - Automatic Fractions. - Automatic Ordinals. - Extended language support for most Latin-based Western and Central European languages, including all the swash and alternate characters.

Rock it! is a type family that let's you create instant graphic design for any ROCK, PUNK, HARDCORE, HORROR and so on -gig, poster, logo, and whatever you need. Just type your texts and combine all the tree versions for authentic look! Rock It! includes three ultra condensed sans fonts with different eroded textures and partially different letter shapes. Different versions of Rock It! are set as "Light," "Regular," and "Bold", where Light and Regular have eroded holes in them whereas Bold has "dirty print stains" all over the characters.

Ryo is a Japanese kana typeface design composed of hiragana, katakana and some punctuation marks. Available in four weights--extra light, light, regular and medium, Ryo Text has been specifically designed for use when producing text settings. Supplied in the cross-platform OpenType format, this special kana font can be used to supplement or replace the existing kana designs in existing Japanese fonts that contain full character sets. Creative professionals using the Japanese version of Adobe InDesign may use that program's Composite Font tool to easily combine Ryo Text with other typefaces.

Egon Sans is a geometric sans serif typeface family built in ten styles (extra-light, light, regular, bold and black weights all in roman and italic). Egon Sans is an extension to the Egon (Slab Serif) family, designed in 2008. The typeface is designed with industrial and architectural flavor, as homage to Egon Eiermann, one of Germany’s great architects of 20th century. Egon Sans is ideal as text and display font for publication use. Egon Sans is released as OpenType single master with a Western CP1252 character set.

Goudy Sans Bold was originally designed by Fredric Goudy in 1922 as a less formal "gothic" and finished in 1929. The light was designed in 1930 and the Light Italic in 1931. Alternate letterforms are included in these three Goudy designs which are digitized true to their original design. In 2006, designer Colin Kahn drew "LTC Goudy Sans Regular" which is a medium weight version intended for text purposes. Kahn has also designed an experimental "LTC Goudy Sans Hairline" which has a skeletal almost mono-width stroke and results in a surprisingly elegant display face.

Silent is a semi-serif typeface that combines readability with fluidity in a discreet and clean design. It works great on short texts such as captions, charts and graphs. The soft curves offer a calm rhythm. The design is smooth and bring silence and concentration while reading. Silent Alternates was born from the deconstruction of Silent Light, resulting in a most impressive typeface. Ideal for use in large sizes, such as posters and titles, it is an alternative to italics. It can be used to highlight some words in conjunction with Silent Light.

CINQUE is a new Slab Serif Display Font inspired by Avant-Garde, Art Deco & the aesthetics of ‘The Grand Budapest Hotel’. It gives a new meaning to slab serif with a fresh and authentic touch. This playful and contemporary font incorporates various character alternates allowing flexibility and more creative possibilities. Geometric, fun & fancy!

Home Sweet Home Dingbats is a 30 dingbat font of home things. Use them as dingbats or enlarge the small pictures and use them as clipart. Silhouettes include several lamps, clock, chaise, chairs, sofa, nightstand, chest, TV & remote, tables, stool, steps, beds, mirror, art, a fireplace and even a baby grand piano.

Give a touch of elegance in each of your projects with Bennedik, in a modern style that will make your design more grand and attractive The feature in Bennedik: 1. Uppercase, Lowercase 2. Numbers and Punctuation 3. Support for multiple languages 4. Ligatures 5. Alternate Email me asep.rendi16@gmail.com with any questions.

Balega is stencil-like display font, created by German designer Jürgen Weltin in 2002. Balega's letters are very bold, and have a slight italic slant. While some of the uppercase forms appear somewhat sharp, the lowercase is definitively round and friendly. Text set in Balega has a very forward moving motion, as the slant makes all of the letters seem to be lunging toward the right. This gives the typeface a very dynamic feel. Because the counterforms in and between the letters are very narrow, we recommend using Balega in posters and other larger displays, where its design may be truly appreciated. Balega is part of the Take Type 5 collection, from Linotype GmbH."

The mystic sadness of the sight Of a far town seen in the night. Like the poetry movement of the early 20th century, from which the font takes its name, Imagist relies on the power of concrete images and brings an organic vibration to the words it forms. Imagist is a lively and decorative serif typeface with prominent features that appear especially in the letters K, R, M, N, W, V, k, w, v and y. Powerful ball terminals also bring recognizable attraction. Imagist contains six weights and corresponding Italics. Italics have a cursive-style letter s for as Stylistic Alternate. Old Style Numerals and Small Caps can be found in all cuts. Poem by T. E. Hulme.

ITC Drycut is the work of Vancouver-based designer Serge Pichii and gives a twist to the tradition of heavy, woodcut-like typefaces. The font includes all the realistic features of a true woodcut, sharp edges, white cut marks and black slivers. The slivers around the edges suggest traces left after awkward movements of a knife, which are often visible on old woodcuts...Folk artists often didn't care much about refining their carvings and the slivers would have been left as long as the letters remained readable." The lower case alphabet is actually small caps proportioned to match the capitals. The letters of ITC Drycut have a slight slant to the right which lends the font a dynamic character."

Gulden Display - Introducing our new psychedelic display font, perfect for adding some trippy vibes to your designs. This bold and eye-catching font features swirling, abstract shapes and patterns that seem to move and shift right before your eyes. With its unique, otherworldly aesthetic, this font is perfect for album covers, concert posters, and any project that wants to make a bold, unconventional statement. Whether you're a graphic designer, artist, or just looking to add some visual interest to your personal projects, this font is sure to make an impact. Give it a try and let your creativity take flight! Features: - Uppercase & Lowercase - Narrow and Wide Versions - Number - Multilingual Support - Punctuation Stay pop and inspiring! Regards, Studio Gulden.

Morison is an original but versatile serif family. With just about the right amount of personality and character, it can stand out when needed, but works equally well in everyday tasks where legibility is the key. The Morison family consists of separate stylistic ranges for display and text use. Each range comes in eight weights with corresponding italics. The display versions are sophisticated enough for tasks where a certain amount of extra elegance and flair are required, without compromising much on legibility. The text versions, however, are true workhorses, suitable for continuous texts in small sizes. All Morison fonts are equipped with handy Open Type features, such as built-in small capitals and multiple numeral styles.

For that tight fit, STF Chevron is perfect. An ultra-condensed display font, with a complete character set. The name? It's named after an oil company, but the shapes of the serifs reflect that as well. With some art deco overtones, try Chevron in places that you might want a simple art deco typeface. How should you use it? It's perfect for posters, packaging and advertising, CD covers and publications. Fully hinted and exquisitely kerned, Chevron will be one of your favorite faces for tall copy that need to get noticed. It's really ideal for calendars, when you want big numbers without losing space for writing in the date fields. License it today!

I had a really weird dream the other night, but when I woke up, I had forgotten it. I had the feeling it was about something important, but I cannot, for the life of me, recall what I dreamt about! Forgotten Dream is a horror brush font, which I made with a brushy brush and Chinese ink. It looks like something right out of a nightmare, but you can also use it for something important. Like a ‘keep your distance’ poster, or a sign about the importance of washing ones hands. But then again, if you play in a death metal band, then Forgotten Dream font could be exactly what you need for your album cover!

Some scribbles on a bar napkin, a note from a cute girl passed in history class, what is there to say but why not a typeface? Actually it's that late night, �let's get this typeface done� madness that causes these flights of fancy. Anything to relieve the boredom of doing all those kerning pairs. Or maybe it's sunspots? Ms Kitty is all uppercase letterforms so there are two versions of each letter, one in the cap position, another in the lowercase position. Besides the regular weight and bold, there�s a bolder and much bolder in the works. And perhaps there will be a "too bold to be believed" version. Depends on the sunspots.

Ready to release your inner urban planner? Next time you need to lay out some buildings for an illustration, use LOLO City. The concept for LOLO City originates partly from my childhood, spending many hours playing a city simulation game, and also from my schooling -- which included architectural drafting and civil engineering studies. The building designs themselves are largely from my imagination -- but much inspired by architecture seen in my travels around Canada, America, Thailand, and Japan. The zoning of LOLO City is easy to remember, so you won't get lost in its streets: Small Letters (a-z): Light Residential(a-m), Light Commercial(n-t), Light Industrial(u-z) Capital Letters (A-Z): Dense Residential(A-M), Dense Commercial(N-T), Dense Industrial(U-Z) Digits, Shift Digits & Punctuation: random extras, small utilities (cars, trucks, traffic signals, park bench, etc.) Whenever you need a prefabricated city design --- think LOLO City!

Bourton Hand is a new typeface by Kimmy Design. It’s the hand drawn version of Bourton and a sans-serif cousin to Burford. In addition to a new look, it boasts more layering options, stylistic alternatives, graphic extras and even comes with its own script font! Okay...so here’s everything you get with Bourton Hand: • 6 Base Layer Fonts (Base, Inline, Marquee, Stripes A, Stripes B, Stripes C, Sketch A, Sketch B) • 6 Top Layer Fonts (Base Drop, Dots, Line Light/Medium/Bold, Outline Light/Medium/Bold) • 6 Extrude Fonts (Extrude, Outline, Shadow, Extrude Outline) • 5 Drop Shadow Fonts + 5 solo styles (Drop Shadow, Drop Extrude, Drop Line, Drop Stripes A, Drop Stripes B) • 2 Line Fonts for secondary text (Line Medium, Line Bold) • Bourton Hand Script Light • Bourton Hand Script Bold • Bourton Hand Extras - Ornaments, banners, frames, borders, flags and line break • Bourton Hand Extras - Flourishes Happy Creating!

Bestowens is the perfect handwritten font: Elegant, Sweet, innocent, light and charming, this one-of-a-kind typeface will add a unique charm to any design project! Bestowens was created to look as close to a natural handwritten script as possible by including 44 ligatures. With built in OpenType features, this script comes to life as if you are writing it yourself. You can see it in the pictures shown. A wide range of swashes (a-z) and alternates (A-Z, a-z) are included so that you can give your logo or name a custom, hand-calligraphy look. This font is available in 10 Styles in 1 typefaces: Thin, Light, Regular, Semi Bold, Bold, Thin Italic, Light Italic, Italic, Semi Bold Italic, Bold Italic and most importantly, Bestowens is perfect for you! don't wait anymore, put it in your shopping basket :) and follow me, because there will be many promos!

Does the world really need one more vernacular pop culture typeface? We here, at astroluxtype shout a resounding yes! Sure, at myfonts.com, you can find the apex of fine font design that will have your mind and eyes burst with joy at the level of sophistication and craftsmanship they exhibit- Koo Koo Puff Light Condensed and Regular Condensed are not one of those fonts. But if kooky goofy is your thing, we're selling it at the astroluxtype booth. Koo Koo Puff Regular Condensed is the companion font to Koo Koo Puff Light Condensed. Both fonts includes an upper and lowercase glyph set. Regular Condensed has a different upper and lowercase “O” from the original Koo Koo Puff Light Condensed. Spacing metrics are looser, as well. The font is not a match for Light Condensed, it is a separate font. Both are headline display faces, for optimum usage it is recommended to be set at 48 points or larger in size. Look to astroluxtype’s Sugarbang ! as the first in a series of fonts inspired by vintage product packaging, Koo Koo Puff is the second release in the Cerealboxx series. The third font is in the fridge getting cool now, watch for it in the future. Rave on you design genius.

Sharung, our newest font family, is now available! This font family is opulent and one-of-a-kind. This collection includes 18 various styles, making it ideal for a wide range of projects. Each style was built from the ground up to optimize beauty and personality. This font was created specifically for a wide range of display design and branding requirements. Sharung has everything you’ll need to create stunning graphics, including titles, texts, banners, posters, and more. Get a unique design look with this font right now! of course, your various design projects will be perfect and extraordinary if you use this font because this font is equipped with a font family, both for titles and subtitles and sentence text, start using our fonts for your extraordinary projects.

Dave West’s Italiano is a smooth and sensuous typographic dish with a few extra savory dashes. The silky semi-serif combines ingredients from eighteenth-century engraved italics and nineteenth-century Italian Modern, softened by fine stroke endings and plump dolloped terminals. Preserve Italiano’s subtle flavors by maximizing its size in headlines, advertising captions, and identity campaigns, or capitalize on its swash characters to sweeten package and poster designs. However you use it, Plinc Italiano is a tasty typographic treat—non ci piove! Drawn in the late 1960s for Photo-Lettering, Inc., Italiano was digitized by Steve Ross with Ken Barber in 2015. Like all good subversives, House Industries hides in plain sight while amplifying the look, feel and style of the world’s most interesting brands, products and people. Based in Delaware, visually influencing the world.

Have you been looking for a script font with touch of retro style? Do you dream of creating headings that stand out and inspire creativity, imagination, and endless fun? Then we’ve got just the font for you! Introducing Stay Retro-A Script Font This bubble script font can be used for a host of different content needs and projects. An excellent choice to add the right amount of street vibe and playfulness. Create gorgeous printed quotes, standout packaging, or beautiful t-shirts! You can even use it to create amazing headings, logos, menus, and social media graphics. Stay Retro includes multilingual options to make your branding reach a global audience. Features: Standard Ligatures Stylistic Sets Swashes Multilingual Support PUA Encoded Numerals and Punctuation Thank you for downloading premium fonts from Din Studio

We’ve created Jinkay, a display typeface with a Japanese style that’s similar to original. Don’t be afraid to use this font in all of your special projects right now; imagine how beautiful and appealing your design will be; your project will instantly captivate all of your audience at first glance; they will easily remember the appearance of your project if you use this font, because it will be unique, different, and stand out from the crowd. Logotypes, food banners, branding, brochure, posters, movie titles, book titles, quotes, and more may all benefit from this font. Of course, using this font in your various design projects will make them excellent and outstanding; many viewers are drawn to the striking and unusual graphic display. Start utilizing this typeface in your projects to make them stand out.

Yotta was created for situations where a thin sans with a little extra style is required in branding, advertising promotional projects — it is especially suited for the FASHION retail industry. The extended stroke feature (in u/c B,DP,R and l/c a,b,dg,h,m,npq,u,y) is discreetly applied so it does not dominate. I guess “quasi-serif” might be a way to describe Yotta. “Yotta Thin” and “Yotta Thin Italic” is a friendly Opentype and ready for you to unleash your creativity! btw. Yotta is big, very big: the name comes from YottaByte, as in Megabyte (one million bytes), Gigabyte (one billion (109)Terabyte (one million million (1012), Petabyte (a million gigabytes), Exabyte one quintillion (1018), Zettabyte one sextillion (1021), & Yottabyte (one septillion (1024)

Hello! I'm happy to present you my new ethnic font family. I tried to create Latin letters font in Arabic style. Right now, you can type your text with Latin characters, and it can be read internationally. So, can you read this script? This font family consists of two font styles (regular and rough). Both of them will make an Arabic feel to every text you type using this font. I paid a lot of time for ligatures to provide flowing effect to every lettering. You can easily design Ramadan advertising, Islamic quotes posters, Arabic style greeting cards, Eastern brand logos, and others. You'll get: * Uppercase and lowercase * Mültîlíñgúãl Sùppört * Special Alternates and ligatures * Numbers * Symbols * Punctuation Please feel free to request to add characters you need: kaer.pro@gmail.com Best, Roman.

Experience the precision, elegance and history of the Chalet font family. This collection of ten typefaces in three unique styles is the creative genius of acclaimed clothing designer René Albert Chalet. Originally used in his early advertising campaigns, Chalet appropriately echoes the attitude of its creator: function with flair. Modest and unpretentious yet bold and daring, Chalet’s distinctive air allows for a variety of uses ranging from text to display applications. Add modern panache to any design with the Chalet font family. CHALET CREDITS: Typeface Design: Ken Barber, René Albert Chalet Typeface Production: Rich Roat Typeface Direction: Ken Barber, Andy Cruz Like all good subversives, House Industries hides in plain sight while amplifying the look, feel and style of the world’s most interesting brands, products and people. Based in Delaware, visually influencing the world.