Dumm DUM. Dumm DUM. Duh dum duh dum duh dum DUMMMM... Just when you thought it was safe to get back in the water, this font surfaces to take one last bite out of your summer vacation skinnydip! Scream and scream again — it won’t do you any good, SHARKSNACK is rough and ready to EAT YOU ALIVE! It’s too late to close the beaches, Chief Brody, this particular set of saw tooth letters has already consumed Dracula, the Werewolf, the Frankenstein Monster and any number of 70s comic book characters foolish enough to dip a toe in its maw!

Storybook is a friendly informal script with rounded features and a generous x-height for enhanced legibility. This distinctive italic typeface comes in three weights and bridges the gap between traditional scripts and contemporary hand-written styling; it adapts to a nostalgic or classic purpose whilst retaining a modern feel at the same time. The design lends itself to subject matters like childrens' books, various literature projects and even speech bubbles in equal measure. The Storybook glyph palette boasts an extended European character set and a well considered series of swash alternates which instantly transform the appearance of any texts when activated.

Designer Sebastian Lester describes his Neo Sans type collection as “legible without being neutral, nuanced without being fussy, and expressive without being distracting.” Featuring rounded, square sans letterforms, the Neo Sans family is available in six weights, ranging from light to ultra, with companion italics. Its forward-looking personality makes it an excellent choice for branding projects, as well as for editorial or publication design. Pair the Neo Sans collection with a serif design for interesting typographic contrast; for more direct continuity, consider the typeface's sister design—the Neo Tech family also from Lester, available in six weights with matching italics.

Controlled casualness is the watchword in this new handwriting script from the prolific young French designer Éric de Berranger, who also designed the sans serif type family ITC Octone. ITC Berranger Hand has its roots in chancery calligraphy, yet its surface looks like contemporary informal lettering that was written quickly with a felt-tip pen on slightly absorbent paper. The counters of some letters appear to almost fill in from ink spread, yet Berranger Hand is admirably readable at small sizes. The capital letters are restrained, without swashes, so they can be used together in all-caps combinations.

Mantul Pro is inspired by the sans-serif style and a little modern touch, making this font luxurious & neat. Mantul itself has a meaning (Mantap Betul = Really Good), because it requires very good accuracy in doing so making this font the best. After a long journey of doing this font work, finally finished.made very carefully has 19 font styles that are luxurious & extraordinary.This font is done for a very long time, and therefore the font can be considered as a very extraordinary and best font. Can be used for designs, logos, labels, badges, clothing designs, letterhead and titles, stationery, etc.

Linotype Zensur is part of the Take Type Library, chosen from the entries of the Linotype-sponsored International Digital Type Design Contests of 1994 and 1997. This fun font was created by French designer Gérarld Alexandre and contains one weight. The characters look as though parts of each of them were censored or removed, leaving just enough left over to know what was meant. The basic forms of this font are sans serif and the rounded corners give it an almost soft character. Linotype Zensur is a distinctive typeface which is especially good for headlines in larger point sizes.

Torus is a simple, rounded monoline typeface that has been designed specifically for logo design, headlines and branding purposes. While the default character set is distinctive in its own right, graphic designers will love playing with the numerous alternate glyphs that will help them create unique wordmarks and logo designs. Torus’ simplistic forms and soft terminals make this a lovely, warm typeface perfect for a multitude of typographic applications. Please also consider: Torus Variations (2018) Torus Pro (2021) Key features: 6 weights 49 Alternates (via 2 Stylistic Sets) Full European character set (Latin) 550+ glyphs per font.

Inspired by Japanese robot animations in 80s such like Gundam and Ideon, Geom Graphic is a square geometric sans serif for wide range of usage. The family give an impression similar to Eurostile but is more squared and geometric. The letterforms of Geom Graphic are designed slightly rounded to appear natural, warm and retro. This family consisting of 4 weights with matching Italics. The wide range of languages is designed targeting use for futuristic product of game, movie, logo and so on. We released 4 big Sci-Fi families in 2013. Check it out! Clonoid Controller Geom Graphic Space Colony

The name FeggoliteHatched comes from the fact that it was created with the help of an old font manipulation program called Incubator Pro. It was an attempt to create a more conventional typeface from the odd monospaced font, FeggoliteMono. As a monospaced font, FeggoliteHatched could be considered a typewriter face, but no typewriter ever produced letters like these. The original version from 1994 is now the italic style and it has a leftward or back slant. The upright or plain version was added much later, in 2018. There is also a choppy upright version included in this family.

Mello is a bold, easy going Grotesque. It was designed for display, branding, advertising, packaging or anywhere a strong but friendly voice is needed. Mello features soft curves and rounded corners; set in 4 widths and 8 weights. The character set is robust, covering extended Latin. The default forms are contemporary with alternates including: single-story a, two-story g, rounded top A, traditional G, rounded leg R, rounded K, and rounded form y in both uppercase and lowercase, all separated into individual style sets for control and customization. A set of icons rounds out the character set, with hand signs and shapes.

Australian typographer Harry Pears continues to explore ancient type forms while maintaining his consultancy business Typeface Research Pty. Ltd., of Lake Cathie, Australia. Born in Quirindi, Australia, Harry has had a long career in printing and graphic arts and has been the guiding force behind the creation of the Lindisfarne Nova family. Lindisfarne Nova Incised and Lindisfarne Runes are wonderful illustrative companions to the Lindisfarne Nova text fonts. In a unique partnership, Harry develops the concepts, and calligrapher Margaret Layson brings the designs to life. They both then work on the digital incarnation in a true collaboration.

Korolev Rough is an inky, distressed version of Korolev , designed to mimic vintage letterpress, photocopies or hot metal on rough paper. A 20-weight sans serif family based on lettering by an anonymous Soviet graphic designer from the propaganda displays at the Communist Red Square parade in 1937, it has been named in honor of Sergey Pavlovich Korolyov, or Korolev, considered by many to be the father of practical astronomics. Every weight and style comes with an alternate double-story “a”. The complete Korolev family includes standard, italic, condensed, and compressed versions, each in five weights.

FF Berlage started as a research project about the typography of the prominent Dutch architect Hendrik Pieter Berlage (1856 1935). Donald Beekman based the design on a great number of sources, but mainly lettering found in two of Berlage s most quintessential buildings, the Amsterdam Commodities Exchange building (called Beurs van Berlage), and the ANDB building for the Amsterdam diamond cutters union (called De Burcht). Berlage is considered the father of modern architecture in The Netherlands due to his revolutionary theories on architecture and design, that would greatly influence many Dutch architect groups, like the Amsterdam School and De Stijl.

This humanistic sans serif distinguishes itself by its Japanese calligraphy influence. Being written with a felt tip rather than with a brush, its Japanese connotation is remote and non-dominant, thus providing excellent readability and a charm of its own. Parametra is a very elegant and modern typeface achieved by the strong form reduction of the individual characters and at the same time harmonizing them by given parameters. It is something of its own, but quite legible and well-suited for small text. Also, Parametra and Bohemian can be mixed perfectly since their proportions and dimensions are the same.

Welcome my new hand lettered, cute and decorative font Good Day. The font family includes two fonts – Regular and Italic – both with Latin multilingual uppercase letters, lowercase letters, numbers and basic punctuation. With so many stylistic alternates and swashes it’s easy to create cute designs and signs for wedding branding, quotes, ads, logos, prints, social media texts, blogs, and so much more. Swashes are controlled by adding 0/1/2 before or after any letter while alternates can be chosen from the glyphs panel in Adobe apps. Really very easy to use! Both OTF and TTF are included for each font.

Speener is a handwritten font designed by Tom Nikosey, an American Graphic Designer specializing in Typographic Design and Illustration. Speener is based on his son Spencer’s printing style. “I love the way Spence prints. There’s a loose control in a vertical stroke that has his personality built into it. I wanted to create a font to see how it would look & feel and it looks and feels right to me”. Speener is a nickname. CozyFonts Foundry is Tom's intro into the world of font design. Speener is a casual, handwritten font and the seventh font for CozyFonts Foundry.

The type “Vandalismo 26” is a tribute to the calligraphy style that 'screams' over the front of the buildings in the center of São Paulo/Brazil. This underground calligraphy, known as "pichação" or "pixo”, is a movement that expresses disagreement and rejection against the system. For some critics, this “vandalism” is considered to be the most disruptive and conceptual contemporary art today. It is a type to be used in headlines. Vandalismo 26 is a mix of the chaotic pixo style representing the nonconformity of a generation. It is a protest to the system in a typographic format.

Fast Food is a font based on the former (and now revived) logo of a hamburger chain. It has that look of the 1970s & 1980s, yet also has a futuristic, alienesque, sci-fi look about it. It can be used for projects aimed at consumers waxing nostalgic for their good old days, or for movie posters or books about the great final frontier, and much more. There’s an alternate uppercase E & F, both of which are really stylin'! You may even develop such an appetite that you'll want to supersize your order! Digitized by John Bomparte.

Donald DBXL Beekman needed a break. And he took it too. While sitting there consuming a sandwich and a half-pint of milk, he took up his ruler and pencil. By the time there was no milk left and only some bread crumbs remained on his plate, VLNL Breakz was finished. That’s DBXL for you. Get your letters during your break. VLNL Breakz was originally designed as the headline and logo font for the breakdance competition Amsterdam Breakz, but turned out to be very versatile. It has 4 variations, Regular and Condensed widths / Bold and Light weights.

Megabold is the overweight champion of type. Designed to consume as much space as possible while retaining a modicum of legibility, Megabold is ideal for posters, logos and bold headlines. Simple yet immense letterforms make it friendly but at the same time, unstoppable. Express your own slant with left and right oblique styles ranging from 2–16 degrees, or fine-tune precisely with the included variable font ¹. ¹ Variable fonts are widely supported by web browsers, but not all desktop applications support them fully yet. Adobe Illustrator, Photoshop and InDesign support variable fonts if you’re using the latest versions.

Smooth but crazy wilder, say hello to Claudio! The coolest display font with more than 40 stylish ligatures. As an all caps sans serif, Claudio has different vertical size between uppercase and lowercase. You can mix them to create something wild and eye- catching typography on your work. Claudio is flexible font that can be used for classic retro or vintage project and also great for another modern projects with fresh and colorful design. It's give you all control to use Claudio in any style you need. Features: Uppercase (a taller version) Lowercase Numeral and Punctuations 44 Ligatures Multilingual Supports (AÀÁÂÃÄÅÇEÈÉÊËIÌÍÎÏNÑOØÒÓÔÕÖŠUÙÜÚÛÝŸŽÆŒß) PUA Encoded

Monoicono is a graphics font which contains various iconography related to environmental, health, weather, emergency, quality control, and synergy. There are a total of sixty-six items which includes a light version in the lowercase letters and a bold version in the uppercase letters as well as various numbers that have additional icons. See the poster examples provided for all the dingbats/icons in the font. Recommended size usage would be approximately 62 points or above in size, although some icons will read fine much smaller. Note parenright and left, braceright and left have additional icons.

FF Berlage started as a research project about the typography of the prominent Dutch architect Hendrik Pieter Berlage (1856 1935). Donald Beekman based the design on a great number of sources, but mainly lettering found in two of Berlage s most quintessential buildings, the Amsterdam Commodities Exchange building (called Beurs van Berlage), and the ANDB building for the Amsterdam diamond cutters union (called De Burcht). Berlage is considered the father of modern architecture in The Netherlands due to his revolutionary theories on architecture and design, that would greatly influence many Dutch architect groups, like the Amsterdam School and De Stijl.

PostScript fonts are constructed by connecting dots, dots that have special attributes that control the shape of the connecting lines. In designing Minimalist, I wanted to see how few dots could be used to construct each letter. This is the source of the name--it is (or was) a minimum-point alphabet. I did not expect much from it, and was surprised that it turned out as well as it did. Since I originally drew it, I have added some points to some of the letters to get them to generate proper bitmaps, so it no longer has minimum points.

The late 70s and early 80s is sometimes considered to be the period when headline typography went off the rails. Growing up in that period, some designers may beg to differ. Many geometric designs were available in dry-transfer and for the typositor, and were used everywhere a youth-culture look was appropriate - annuals, comics, club flyers, high-street boutiques, TV-advertised compila tion albums. Nightclubber is a fond homage to the excesses of the period, and should be used back-lit in pink neon or at a rakish 45 degree slant across a blurred photograph of a glitter ball.

Comma Base is a sans typeface for it has no serifs. No wait, it is a typical serif typeface because it has a high contrast. Strictly speaking, Comma Base is a missing link between serif and sans, offering the best of both worlds. Comma Base supports several OpenType features for advanced typographic control. It consists of 16 styles, 8 weights from Hairline to Ultra, in both roman and italic. Comma Base is a uniwidth font. This means changing a text from normal to bold doesn’t effect the set width, a professional feature that is highly appreciated by graphic designers.

FINALLY! We’re telling you for The Last Time! This is not a Threat! This is not a Negotiation! Refusal to cooperate with the terms of this font will be considered an Act of War! There can be no Dispute! The Crisp, Sharp hooks and corners of this typeface are Not To Be Reasoned With! Gosh Darn it, we have grown tired of asking and this is merely a formality precedent to the outbreak of hostilities. It’s a little corporate, it’s a little bureaucratic, but our lawyers insisted that we propose a settlement of compromise. Ipso Facto.

After creating an original light bulb symbol from scratch, I incorporated it in all letters and punctuation signs, ensuring a distinct rhythm and creative variation. The result is a highly recognizable font with a unique appearance, which can inspire you as a designer in many imaginative directions. This font is especially fitting for Christmas-themed projects where light installations take center stage. Similarly, if you represent a light bulb company, consider utilizing it in your indoor presentations or social media posts to showcase the playful voice of your brand. After all, everybody needs their light bulb moment.

Virtue Serif is a variation of the Virtue Script which is more friendly to use as the body of your design without losing its unique and authentic features while still being a workhorse in display use. The rugged and spacious look is armed with a stylish set that is easy to control due to the simple design of the nodes. with a full range of weights from thin to black, it also includes multilingual support this typeface is truly complete. Used for logo design needs, posters, magazines, mockups, web ui, branding, Cover art and more Virtue Serif font family is ready for that.

Fodecumbers is a strong FontFamily and Sans sophisticated look. Inspired by dynamic squares can be felt through controlled letterforms and a modern twist. Balance of hard lines and smooth curves. Each font in the family can be standalone, dynamic, and authoritative on its own, or mix it with italics for the tagline in a logo. it's really worth it. Fodecumbers includes all thirteen uppercase fonts: Four weights, two outlines, seven italics. FEATURES Four weights / Italics / Lines / Numbers & Punctuation / Extensive Language Support USE Fodecumbers works well in every branding, logo, magazine, film. The different weights give you the full Fodecumbers is a strong FontFamily and Sans sophisticated look. Inspired by dynamic squares can be felt through controlled letterforms and a modern twist. Balance of hard lines and smooth curves. Each font in the family can be standalone, dynamic, and authoritative on its own, or mix it with italics for the tagline in a logo. it's really worth it Fodecumbers includes all thirteen uppercase fonts: Four weights, two outlines, seven italics. FEATURES Four weights / Italics / Lines / Numbers & Punctuation / Extensive Language Support USE Fodecumbers works well in every branding, logo, magazine, film. The different weights give you the full range to explore a whole host of applications, while the fonts outlined give a real modern feel to any project. Any specific license questions or questions, feel free to contact zamjump@gmail.com zamjump

HU Flat White is a retro vibe headline typeface. It has a full module, but, the inner space created by large strokes' contrast gives a cool feeling. Overall, the extended typeface with a wide width is attractive, and the shape of every alphabets' tip create a retro feel.

Rush Turbo is a cool and bold display font. This typeface is perfect for an elegant & luxurious logo, book or movie title design, fashion brand, magazine, clothes, lettering, quotes, and so much more. Rush Turbo is PUA encoded which means you can access all glyphs and swashes with ease!

Bright Burn is cool, retro and fun display font. Bright Burn have 2 fonts,regular and brush. This font is PUA encoded which means you can access all of the glyphs and alternates with ease! It will look great on headlines, magazines, logos, branding and so much more!

Thorm Black is a spectacular Display font with a Fatty and Cools graffiti style for your design look awesome. It will elevate a wide range of design projects to the highest level, be it branding, headings, designs, invitations, signatures, logotype, Streetwear, wall art illustration, apparel, labels, and much more!

This is a "Grunge" style font that looks as if it was overexposed on film. It is funky yet still very readable. It is best used in sizes over 12 points but really looks cool when used over 16 points. This is a favorite for use in video graphics.

Organic handwriting gesture from a cool brush that useful for multipurpose projects. This is Attomi Gilbert, an elegant script font with passionate handmade feels in each characters. You can use it for vintage or urban projects style. Features: Ligatures Swashes Access All Alternates Special Characters (Multilingual) PUA Encoded

Cirque is a lively Western/Circus/Victorian/Whatever font—it'll fit in wherever you want to stick it to old Tschichold and make something cool instead. Mix up caps and lower case for curious results. To see more check out the Frost Foundry page at http://facebook.com/frostfoundry

Rockgen is a sans serif font that has 4 cool styles. It has a strong and unique look and it is perfectly suited for branding, logos, magazines, films, websites, headlines, titles and more. What's Included? 4 Font Style Regular, Expanded & Rounded Uppercase & Lowercase Numbers & Punctuation Multilingual support PUA Encoded