A set of over 50 ornaments, connecting borders, flourishes and decorative motifs originally designed by Frederic Goudy throughout his career. Many of these designs were used by Goudy at his Village Press and offered by his Village Foundry in the 1920s. The styles range from complex title page illustrations to simple linking borders, but all have the unique Goudy style. This set is completely different from the Goudy Ornaments found in the P22 Goudy Aries Set.

Tourist Gothic is a Lanston Monotype adaptation of Modern Condensed Gothic (a design from the late 1800s.) Rounded alternate caps were designed by Sol Hess in 1928. The alternate version is offered as LTC Tourist Gothic Alt. Tourist Gothic Pro combines both variations and includes a full Central European character set and several other OpenType features. Digitized in 2006 by Paul Hunt.

Obelysk Grotesk was designed by the Lanston Drawing Office in the late 1980s. This face is a reconstruction of Spire (1937) drawn by Sol Hess. The skeleton of Spire Roman stands with the serifs removed. Like Spire, this font has no lower case, but does offer alternate cap styles in some of the lower case positions. Spire and Obelysk have both been used prominently in the fashion industry.

The Lanston Christmas Ornaments collection has a definite nostalgic feel for classic Christmas and Winter iconography. An indispensable set for the Christmas season, they are perfect for custom card creation or any other winter holiday graphics. LTC Christmas Ornaments One features over 80 images. LTC Christmas Ornaments Two-Part features over 30 of the same icons found in LTC Christmas One, but they are set up for two-color combinations. LTC Holly Leaves are available in one and two part for endless holly leaf combinations.

Little is known of the origin of these decorative Initial Caps. Series 448 at 24 point were a different design from the 36 point on which this digital version is based. In addition to the basic 26 characters, there is a negative version contained in the lower case position and a fill character (for two color caps) option in the number and punctuation key positions.

This handy font allows designers of commercial products to add basic circled letters that are uniform in appearance. For example, on music CDs, the Copyright and Publish (AKA Phonogram) symbols often do not match. While most fonts include a circled 'c' for Copyright, they seldom contain a circle 'p' for Publish (note that all P22 fonts include the circle 'p' and 'c'). The circle 'U' and 'K' for Kosher foods are rarely included in fonts and have to be made as needed. This single font contains both a serif and sans serif style caps A-Z as well as figures assigned to regular keys and also mapped to standard Unicode for "Enclosed Alphanumerics".

LTC Holly Leaves consists of three ornament fonts. Holly Leaves A is a solid color set of holly leaves borders. LTC Holly Leaves B is the same ornaments but with just the leaves and LTC Holly Leaves C is just the berries. B & C can be overlayed for a two color effect.

Goudy Sans Bold was originally designed by Fredric Goudy in 1922 as a less formal "gothic" and finished in 1929. The light was designed in 1930 and the Light Italic in 1931. Alternate letterforms are included in these three Goudy designs which are digitized true to their original design. In 2006, designer Colin Kahn drew "LTC Goudy Sans Regular" which is a medium weight version intended for text purposes. Kahn has also designed an experimental "LTC Goudy Sans Hairline" which has a skeletal almost mono-width stroke and results in a surprisingly elegant display face.

Twentieth Century was Lanston Monotypes answer to Futura. In fact Saul Hess's redrawing of Futura is so close that this new digital revival includes alternates of the long lost original letterforms originally designed by Paul Renner for Futura, but were left out of the released version that has become so popular. 20th Century is a modern sans serif with apparent geometry yet still a certain warmth in its design. The OpenType version of LTC Twentieth Century incorporates the alternate Renner glyphs with two sets of alternate lowercase characters. The font also includes oldstyle numerals and a full Western and Central European character set.

Forum Title was originally designed by Frederic Goudy in 1911. It was intended to be the heading font used for a book set in Kennerley. Based on inscriptional Roman stone cut capitals, this face is true to the early Roman forms which did not have a lower case. Forum exemplifies the classic Roman letterform at its finest. If a lower case were desired, Forum Title can be paired with Goudy Oldstyle for a harmonious hybrid font.

Baldufa is a charming typeface with strong personality, which looks very comfortable in text. There is a search to obtain complicated curves and detailed features, which gives the typeface a touch of beauty and elegance. However, this is also a self-conscious design that claims through the rounded serifs and irregular vertical stems appreciation for quirkiness and human imperfection. The letterforms are inspired by the slight distortions and idiosyncrasies that came with old printing methods. It has distinct, features such as rounded serifs, irregular vertical streams, ink traps and extremely thin junctions. In the Italic, serifs have been removed to enhance movement and expressivity. These experiments in form have not come at the cost of legibility: The typeface remains suitable for both small and display text. Baldufa Cyrillic Latin contains Cyrillic Extended and Latin.

Record Title was designed by Frederic Goudy in 1927 as a proprietary commission for the Architectural Record magazine. Based on classic Roman letter proportions, Goudy considered this one of his most successful commissions ever. It is an all caps titling face originally digitized by Jim Rimmer for Lanston in 2001. It was remastered in early 2007.

Law Italic was designed as an imitation of a formal style of penmanship used in legal documents. It has a more pronounced angle than standard italics. It is intended to be used by itself but can be combined with other faces to suit a designer's inclination. Historically, this face was once used by Bruce Rogers strictly for headings.

Frederic W. Goudy originally designed Pabst in 1902. This lettering was used by the Pabst Brewing Company for their promotional materials. It was later developed into type for ATF. Goudy later licensed Pabst Oldstyle to the Lanston Type Library. Lanston Pabst Oldstyle features several differences from the more familiar ATF version. Some caps are narrower while some lower case characters are wider than the ATF version. The descenders are also shorter in the Lanston version. Logotypes of italic words and, of, and the are included as originally designed as well as ligatures including the unusual tt ligature.

Natural, authentic cursive handwriting. Legible, yet imperfect.

LTC Goudy Initials has been a best-seller since it was reformatted to font format by P22 in 2005. We decided that while it works very well at medium sizes, when it was used extra large, the outlines were not as true to Frederic Goudy’s 1917 drawings as they could be. We decided to redraw from the ground up—and here we have the NEW LTC Goudy Initials! Meticulously redrawn by Miranda Roth, these ornaments referenced original proofs of large sizes of Cloister Initials. In our quest for artwork for this project, we even arranged a quickly sold out recasting of the 120 point size and have produced a limited edition letterpress print from this casting This new digital version features two additional layers to allow for quick colorizing of the central letter and/or the floriated background. Registered users of the previous version of LTC Goudy Initials may upgrade to the set at a discount.

Remington Typewriter, whose original designer is unknown, was one of the earliest Lanston Monotype designs. The italic was designed by Frederic Goudy in 1927. His approach was to make an unconventional typewriter form that looked well-spaced even though all letters shared the same width.

Assembled for those less commercialized holidays, LTC Holiday Ornaments features over 80 printers' ornaments from Lanston Monotype and other historical foundries such as BBS and ATF. Holidays include Easter, Valentine's Day, St. Patrick's Day, April Fool's Day, Thanksgiving and 4th of July. There¹s even a pirate to represent international "Talk Like a Pirate" day. LTC Holiday Ornaments joins the Lanston Collection alongside the popular LTC Halloween and Christmas Ornaments. LTC Holiday Ornaments contains additional Halloween and Christmas ornaments as well.

Old English is a digital font that was produced by Monotype's design staff, circa 1990. But its roots go much further back: the face's design is based on that of Caslon Black, a Blackletter type cast by the venerable William Caslon foundry in England, circa 1760. This design has been popular throughout England for centuries. Its style of lettering, conveniently also called Old English, can be found all over the UK. Old English-style typefaces belong to the Blackletter category. They nicely combine the design attributes of both the medieval and Victorian eras. This is mostly because their Textura forms, which were born during the Middle Ages, became quite fashionable again in the late 1800s! This Old English font is very legible for a Blackletter face. Perhaps that is why it is more familiar to readers in the UK and North American than German Blackletter varieties, like Fraktur. A favorite once again today, Old English is ideal for certificates, diplomas, or any application which calls for the look of stateliness and authority. It's a sturdy and sure bet for newspaper banners, holiday greeting cards, and wedding announcements.

LTC Ornaments Three combines ornaments previously released as "Printers Vine Leaves C", "Printers Fleurons C" and "Water Garden Ornaments Round" plus additional Lanston ornaments for a total of over 70 printers ornaments for single accentuation or combined for border creation.