Proudly present Silver Linings Typeface. Say hello to Silver Linings A classy eighties magazine inspired serif condensed - with a complementary lowercase version. In true Eighties style, they also come in varying degrees of Condensed form - mix and match them to create eye-catching effects. Don't forget to use all caps too in your mixing and matching - it adds contrast and impact to your type design. Design tips! : Tighten your letterspacing for larger titles to create a range of looks. Comes with alternatives and ligatures, and helps to create stunning magazine imagery, quotes, posts, blog posts, branding projects, logo, poster and much more. Font Features : Lettres, numbers, symbols, and punctuation 20+ alternates and ligatures No special software required they may be used even in canva, any basic program /website apps that allows standard fonts That's it folks! Multilingual Support Language Support: Danish, English, Estonian, Filipino, Finnish, French, Friulian, Galician, German, Gusii, Indonesian, Irish, Italian, Luxembourgish, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Portuguese, Romansh, Rombo, Spanish, Swedish, Swiss-German, Uzbek (Latin). Follow My Shop For Upcoming Updates Including Additional Glyphs And Language Support. And Please Message Me If You Want Your Language Included or If There Are Any Features or Glyph Requests, Feel Free to Send me A Message. Have a Good Day !

Introducing Seafont - serif typeface , 24 fonts + 26 swashes Seafont is elegant and timeless typeface loaded with 24 font styles (narrower, narrow, regular, wide, wider, widest) 26 swashes, 87 languages support and ligature glyphs to make you typography truly unique! Language Support : Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Breton, Chiga, Colognian, Cornish, Czech, Danish, Dutch, Embu, English, Estonian, Faroese, Filipino, Finnish, French, Friulian, Galician, Ganda, German, Gusi,i Hungarian, Indonesian, Irish, Italian, Jola-Fonyi, Kabuverdianu, Kalenjin, Kamba, Kikuyu, Kinyarwanda, Latvian, Lithuanian, Lower Sorbian, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Maltese, Manx, Meru, Morisyen, North Ndebele, Norwegian, Bokmål, Norwegian, Nynorsk, Nyankole, Oromo, Polish, Portuguese, Quechua, Romanian, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish, Gaelic, Sena, Shambala, Shona, Slovak, Soga, Somali, Spanish, Swahili, Swedish, Swiss, German, Taita, Teso, Turkish, Upper, Sorbian, Uzbek (Latin), Volapük, Vunjo, Walser, Welsh, Western Frisian, Zulu FEATURES Uppercase, lowercase, numeral, punctuation & Symbol ligature glyphs Narrower - 4 weights Narrow - 4 weights Regular - 4 weights Wide - 4 weights Wider - 4 weights Widest - 4 weights Multilingual support - 87 languages No special software is required to type out the standard characters of the Typeface. Feel free to contact me if you have any questions! Mock ups and backgrounds used are not included. Thank you! Enjoy!

- Elegan / Bergaya / Modern - Introducing a beautiful and classy Crayond modern san serif typeface with lots of alternative styles to choose from, planting it firmly in a modern design. It is a careful collaboration between beauty and function. The beautiful modern Crayond sans serif is available in 3 regular and Italic weights including Light, Regular, and Bold. The style of the font family stems from the classic Didone, but makes steps to simplify and modernize some letterforms and make Didone feel more contemporary. If you want to get that classic Haute Couture look - Crayond Sans is a great choice. It is the perfect choice for fashion logos, headlines, short text, magazines, because its simplicity looks great in big typography, branding, identity, website design, album art, covers, posters, advertisements, etc. This purchase includes: Crayond - San serif typeface containing upper and lowercase characters, numbers 0-9, as well as a series of punctuation marks and symbols as well as an alternative style. If you have trouble finding a certain character, you can access it via the glyph panel. You can see all the characters available in the screenshot above, and you can try the font below. Please let me know if you have any questions, leave a comment!

The Red Devil is a handmade script font with clear style and creative projects such as logos, printed quotes, invitations, cards, product packaging, headers, logos, letterhead, posters, clothing designs, labels, as you can use the illustrative qualities of the shapes to create an art piece. The Red Devil Script come with uppercase letters, lowercase letters, numbers, punctuation, and so many variations on each character including alternative opentype, general binder. It's fun to use because each word can be transformed to you like. To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or later versions. How to access all alternative characters, using Windows Character Map with Photoshop: https://www.youtube.com/watch?v=Go9vacoYmBw How to access all alternative characters using Adobe Illustrator: https://www.youtube.com/watch?v=XzwjMkbB-wQ The Red Devil Script is coded with PUA Unicode, which allows full access to all the extra characters without having special designing software. Mac users can use Font Book , and Windows users can use Character Map to view and copy any of the extra characters to paste into your favourite text editor/app. Thanks so much for looking and please let me know if you have any questions.

Tofes - Modern Serif Font Tofes - Modern Serif Font is a versatile typeface that exudes elegance and sophistication. This font is perfect for any project that requires a touch of luxury and class, such as branding, packaging, logos, and more. The font's name is inspired by the Hebrew word for "apple," which symbolizes beauty and perfection. With its clean lines and modern look, Tofes is a must-have for any designer looking to create stunning and professional designs. If you're looking to create a romantic and elegant branding, Tofes is the perfect font for you. Its clean lines and modern look give it a timeless quality that works well for a variety of design projects. This font is particularly well-suited for use in packaging and logos, where it can help convey the quality and sophistication of your brand. Tofes comes with a range of features that make it a versatile and useful typeface. The font includes both uppercase and lowercase letters, as well as Opentype features such as alternates and ligatures. It also includes support for a wide range of languages, making it a great choice for designers working on international projects. Additionally, Tofes comes with number, punctuation, and symbol glyphs, allowing you to create a wide range of design elements with ease. In the font package, you will find Tofes in three different file formats: OTF, TTF, and WOFF. These formats ensure that the font is compatible with a wide range of software applications, including Adobe Creative Suite, Microsoft Office, and more. This means that you can use Tofes in virtually any design project, whether you're creating graphics for a website, designing a logo, or working on a print project. In summary, Tofes - Modern Serif Font is a versatile and elegant typeface that is perfect for a wide range of design projects. With its clean lines, modern look, and support for multiple languages, Tofes is an excellent choice for designers looking to create sophisticated and professional designs. Its features, including Opentype alternates and ligatures, make it a valuable addition to any designer's toolkit.

Beady Ready - Bold Display Font Beady Ready is a bold display font featuring a modern style, perfect for creating sporty modern-inspired designs. This font is the perfect choice for designers looking to add a bold and unique touch to their projects. Created with attention to detail, Beady Ready is a versatile font that can be used for a variety of purposes, such as branding, packaging, advertising, and more. When using Beady Ready, the possibilities are endless. This font works well for designs that need bold and eye-catching titles or headings. It can be used in posters, flyers, product packaging and other printed materials that require a strong visual impact. Additionally, Beady Ready can be used in digital designs such as social media graphics, web banners and more. Beady Ready comes packed with features that make it an excellent choice for designers. This includes uppercase and lowercase letters, as well as alternatives and ligatures via the OpenType feature. This feature makes it easy to add a unique touch to your designs by swapping out the letters for different variations. Fonts also include numbers, punctuation, and symbols, making them easy to use in a variety of projects. Finally, Beady Ready has multilingual support, allowing you to use it for projects in multiple languages. If you're looking for a font that is unique, bold, and full of character, Beady Ready is the right choice. This font is perfect for designers looking to add a touch of modern sport to their projects. In short, Beady Ready is a bold display font with a modern style that's perfect for creating sporty-inspired designs. It comes with a variety of features, including alternatives and binders via the OpenType feature, making it easy to add a unique touch to your designs. This font also includes multilingual support, making it an excellent choice for projects in multiple languages. With the Beady Ready font, you can create eye-catching designs that stand out from the crowd.

I have completely redone the spacing in this font, making the sidebearings more conventional. And after replacing the kerning with fresh pairs working together with the new spacing the font looks like a real gem. I love it! The inline version has a wider spacing after the letters CEK = no connecting words. Otherwise just as lovely and retro! Nick Curtis says: "Here’s a strange hybrid: I took the lower case from the formal script font Stuyvesant, straightened out its rather extreme 22° slant, and combined them with caps from the font Bellevue, again making them upright, and adding an inline effect. The result is a font that flows very nicely, with a nice balance between clean lowercase characters and swashy caps. Thanks to Deb Dunbar for naming this font. Fontleroy Brown is the solid version, produced at the request of the King of Ding, Jeff Levine." ALL fonts from CheapProFonts have very extensive language support: They contain some unusual diacritic letters (some of which are contained in the Latin Extended-B Unicode block) supporting: Cornish, Filipino (Tagalog), Guarani, Luxembourgian, Malagasy, Romanian, Ulithian and Welsh. They also contain all glyphs in the Latin Extended-A Unicode block (which among others cover the Central European and Baltic areas) supporting: Afrikaans, Belarusian (Lacinka), Bosnian, Catalan, Chichewa, Croatian, Czech, Dutch, Esperanto, Greenlandic, Hungarian, Kashubian, Kurdish (Kurmanji), Latvian, Lithuanian, Maltese, Maori, Polish, Saami (Inari), Saami (North), Serbian (latin), Slovak(ian), Slovene, Sorbian (Lower), Sorbian (Upper), Turkish and Turkmen. And they of course contain all the usual “western” glyphs supporting: Albanian, Basque, Breton, Chamorro, Danish, Estonian, Faroese, Finnish, French, Frisian, Galican, German, Icelandic, Indonesian, Irish (Gaelic), Italian, Northern Sotho, Norwegian, Occitan, Portuguese, Rhaeto-Romance, Sami (Lule), Sami (South), Scots (Gaelic), Spanish, Swedish, Tswana, Walloon and Yapese.

Swansbury, Inc. provides handwriting instruction to all ages, accompanied by two exemplar fonts, Barchowsky Fluent Hand.otf and Barchowsky Dot.otf. The basis for the design of the characters is the italic of the Renaissance. With the advantage of contextual alternates, Barchowsky Fluent Hand automatically joins lowercase letters so it can be used in any venue where a clean and elegant appearance of handwriting is desired. The fonts allow maximum instructional flexibility. Aside from their use in lesson plans, educators can customize pages for specific student interests, studies and needs. Included are all math symbols that one typically encounters in school curricula. Nan Jay Barchowsky, designer of this font, believes that children should hone their handwriting skills as they learn all subjects, reading, math, history and foreign languages. Both fonts support all Western European languages and Turkish. Barchowsky Dot is for young children or others who need remediation. The letterforms are identical to those in Barchowsky Fluent Hand. Used at a large point size open dots appear within the lines that form the characters indicating where one should start each stroke in a letter or number. Once formations are learned Barchowsky Fluent Hand can be used with the contextual alternates turned off until students are ready to write in the joined-up manner of a true cursive. Specifications: The technology for fonts that automatically join letters, or allow them to be unjoined is relatively new. At present, both fonts work on Windows XP with Service Pack 1 or later (or Vista), using AbiWord, a free word processor (go to abisource.com). They also work well with InDesign 2. Currently there is an unknown factor in later versions of InDesign for Windows that disallows joining. Macs completely support the fonts using InDesign 2 and later, PhotoshopCS and IllustratorCS. If you do not have these applications, there is an inexpensive word processor for Macs.

Meet AeroBlend Display Font, a modern and futuristic typeface that brings a touch of sleekness to your creative projects. With its clean lines, intersecting curves, and contemporary vibe, AeroBlend is the perfect typography solution for bold and innovative projects. Designed with precision, this font strikes the right balance between style and readability. It offers a single weight/style that effortlessly combines elegance with a touch of technological sophistication. This makes it incredibly versatile and suitable for a wide range of design applications. From attention-grabbing headlines to memorable branding projects, AeroBlend Display Font helps you make an impact. Its strong presence adds a sense of modernity to your designs, ensuring that your message stands out from the crowd. With AeroBlend Display Font, you have access to an extensive character set. It includes lowercase and uppercase letters, numerals, special characters, accented characters, and a variety of symbols. This comprehensive collection gives you the freedom to express your creativity and bring your vision to life with clarity and precision. Crafted with meticulous attention to detail, this font is available in the .OTF (OpenType) file format, ensuring compatibility across various design software and platforms. One of the notable features of it is its set of alternates. Certain letters have carefully designed alternatives, adding even more versatility and creative possibilities to your designs. Whether you’re a graphic designer, web developer, or simply a typography enthusiast, AeroBlend Display Font is a must-have in your toolkit. It’s crafted to meet the demands of modern design, offering versatility, legibility, and a hint of futuristic charm. It’s perfect for branding, headlines, posters, packaging, monogram designs and more. Take your projects to the next level with AeroBlend Display Font and unleash your creative potential. Let AeroBlend add a touch of modern sophistication to your designs and create an unforgettable visual experience.

When you go traveling you always fall in love with something… At this time, it is the inscription of Holland America Line which is sparkling on ‘New York Hotel’, Rotterdam-Holland. Based on the letters I had at my disposal from the Holland America Line inscription at ‘Hotel New York,’ I started to complete the alphabet in the same style as the original text. Eventually, I digitized everything in order to acquire a usable and modern font to be able to use it for all graphic purposes. The font is ideal for head text, posters, logos, editorial, branding, signage, web applications, modern design, etc... Don't hesitate to use this unique historical font! It will give your work that glamour that you will find in this extraordinary font. Enjoy the New York Line. The Holland America Line was founded in 1873 as the Dutch-America Steamship, a shipping, and passenger line. Because it was headquartered in Rotterdam and provided service to the Americas, it became known as Holland America Line (HAL). From 1901 the iconic building on the Kop van Zuid shines. It previously housed the Holland America Line; now it houses the hotel-restaurant, Hotel New York. A building with a great history. Hotel New York has a beautiful history. Built in 1901, many ships sailing away and opened in 1993 as a hotel and restaurant. The New York Line Font comes with uppercase, lowercase, numerals, punctuations so you can use it to customize all your designs. Perfect for Logos, Letterhead, Poster, Apparel Design, Package design, Label design etc. The New York Line Font is designed by Coert De Decker in 2018 and published by Kustomtype Font Foundry. Enjoy your journey with the New york Line!

Swansbury, Inc. provides handwriting instruction to all ages, accompanied by two exemplar fonts, Barchowsky Fluent Hand.otf and Barchowsky Dot.otf. The basis for the design of the characters is the italic of the Renaissance. With the advantage of contextual alternates, Barchowsky Fluent Hand automatically joins lowercase letters so it can be used in any venue where a clean and elegant appearance of handwriting is desired. The fonts allow maximum instructional flexibility. Aside from their use in lesson plans, educators can customize pages for specific student interests, studies and needs. Included are all math symbols that one typically encounters in school curricula. Nan Jay Barchowsky, designer of this font, believes that children should hone their handwriting skills as they learn all subjects, reading, math, history and foreign languages. Both fonts support all Western European languages and Turkish. Barchowsky Dot is for young children or others who need remediation. The letterforms are identical to those in Barchowsky Fluent Hand. Used at a large point size open dots appear within the lines that form the characters indicating where one should start each stroke in a letter or number. Once formations are learned Barchowsky Fluent Hand can be used with the contextual alternates turned off until students are ready to write in the joined-up manner of a true cursive. Specifications: The technology for fonts that automatically join letters, or allow them to be unjoined is relatively new. At present, both fonts work on Windows XP with Service Pack 1 or later (or Vista), using AbiWord, a free word processor (go to abisource.com). They also work well with InDesign 2. Currently there is an unknown factor in later versions of InDesign for Windows that disallows joining. Macs completely support the fonts using InDesign 2 and later, PhotoshopCS and IllustratorCS. If you do not have these applications, there is an inexpensive word processor for Macs.

Sharp End fonts support Latin Based Languages only (see Tech Specs). Sharp End's creation is inspired by Gothic sharpness shape but only applied to the ends of normal letters. Make the font look beautiful and elegant, look as semi-serif, as calligraphic touch or others. The base of the Capital Characters is set a little bit lower than the small cases/lowercases. On small/normal size typing, the difference is less visible (obscure), but will be more visible/more clear as the typing set larger. Thus, Sharp End fonts will work well for both text and display. The fonts has also character variants. The character variations (in PUA) set in 5 stylistic sets ss01 ... ss05 (see Sharp End opentype features poster). So, these character variations will be easier accessible in more common application such as MS Words, Text Edit or the others. The glyphs may also be accessed via Character Map, Character viewer, insert character, insert symbol or other similar tools. You can use Sharp End for most of typing and design means such as: greeting, invitation, wedding and other cards; books, magazines, news, banners, logos, Pamphlets, advertising etc., for printing or digital/web display. As addition, with 3 weight variants, the regular will fit for longer text for normal use, while the bold and semi-bold is more suited for the covers, impressions, titling, Logos, design or other usage. With its smoothness curve and sharp ends, Sharp End will pairs well to most fonts of various kinds: Sans Serif, Serif, Handwritten, Scripts and others. As the example in one poster, Sharp End is paired with Astonice and Apresia Script (ornamented script font, one of the richest letter variations and ornaments). Thank you for visiting. Again, thank you very much for downloading this awesome fonts.

Aure Sable embodies the entrancing mistique of an adventurous spirit. The fluid forms of this brush font engage the reader with a subtext of serendipitious happenstance. Sable Regular brings the soft touch of familiarity to text and titles and imbues astrological expressions and chartwheels with an exotic intrigue. The graceful forms of Sable Italic add the flowing touch of a personal comunique. Sable is an original design developed by Aurora Isaac. After more than a decade in development, 2018 marks the first release of the CJ and KB glyphsets in regular and italic. The CJ glyphset is a full text font with an extended set of lowercase and uppercase glyphs supporting a variety of European languages. Additional glyphs include standard ligatures, four variations of the ampersand, and check-mark and happy-face with their companions x-mark and grumpy-face. Numbers are available in lining and oldstyle versions, with numerators and denominators for forming fractions. Companion glyphs include Roman numerals, specialized glyphs for indicating ordinals, and a variety of mathematical symbols and operators. The CJ glyphset also includes an extended set of glyphs for typesetting Western Astrology. These glyphs are also available separately in the KB glyphset: a symbol font re-coded to allow easy keyboard access for the most commonly used glyphs. Aure Sable is engaging as a text font, but its empathic nature radiates against more traditional fonts that provide the perfect foil to Sable's casual persona. Pair Sable with the formal look of geometric fonts such as Aure Jane and Aure Declare to accentuate Sable's heartfelt nature. Give Aure Sable a trial run! You may discover a permanent place for this font family in your typographic palette. AureFontDesign.com

A friend once jokingly told me that what I really do is mine extinct arts for parts to use in modern things, like going to the scrapyard to pick up bumpers, quarter-panels and dashboards off of Datsuns and Ponies to build a shiny new Ferrari. I still kind of grin at that, but I certainly do spend a lot of time looking at old things and imagining ways they would work today. This shiny new Ferrari here is called Bibliophile, and it contains scrap heap parts from various pages by Louis Prang, the Prussian-American printer and publisher who inspired my Prangs fonts. This is my second engagement with the late 19th century man, and it’s quite a bit more intricate than just an italic Didone with a connected lowercase. Bibliophile marries Round Hand calligraphy with Italian capitals, two styles not often relayed in the same alphabet, but work together beautifully when combined well. When you combine them well with a few long-practised tricks of the trade, then mix in a few trusted features from my previous work over the years, you get my usual crazy exuberance, like 17 different shapes for the d, 21 different forms for the y, endings, beginnings, swashes, ornaments, and so on. It’s no secret that I can get carried away when I’m so consumed by an idea. — Bibliophile comes in 2 weights, each of them with over 900 glyphs covering all the latin languages. Bibliophile also comes with a bold weight, something I’m always reluctant to do with something as adventurous and complex as the structure of this historical mashup. But I couldn’t chase away the idea of increasing the contrast while maintaining the hairlines in a lowercase this narrow. Part of it was the curiosity about the outcome, and part was the sheer challenge of it. I think it turned out OK. Words set in either weight will show delicateness and elegance, and the more time you spend inside the font and micro-manage the setting, the more ways you will find to magnify either. Bibliophile can be as muted or luxurious as you want it to be. This is the kind of alphabet that fits well in fashion marketing and high-end packaging, from the very subdued to the super-exquisite. Enjoy the gleaming new vehicle made with freshly polished old parts.

Good Slient Night is handmade fresh typeface, created with brush and ink. contemporary approach to design hand-painted natural and also a combination of delicate script with an irregular baseline. Suitable for use in watercolor design or as a hand brushed bold letters. Such as Novel tittle, Apparel, Invitations, Quotes, Books tittle, Stationery Design, Branding, Logos, Greeting Card, T-shirt, Packaging design, Poster and more. Good Slient Night includes a complete set of uppercase and lowercase letters, as well as multi-language support, numbers, punctuation, ligatures and alternative character. How to access all alternative characters, using Windows Character Map with Photoshop: https://www.youtube.com/watch?v=Go9vacoYmBw How to access all alternative characters using Adobe Illustrator: https://www.youtube.com/watch?v=XzwjMkbB-wQ If you need help or advice, please contact me by e-mail. Thank you.!

Neutral and universal are two words that could describe a kind of perfection. The search for neutrality and universality is part of history in type design; it was specially important in the so-called Swiss Style. Samplex is a typeface that joins this particular search. The design gets rid of unnecessary elements and stays away from style conflicts. The large and slightly condensed body of lowercase letters makes Samplex a good choice for long paragraphs, and especially appropriate for screen devices. Letters with a blocky appearance give shape to a text in perfect order, ideal for grid lovers and layouts with a strict structure. The design of Samplex is clean and efficient. The diagonal cuts are reserved to the italic letterforms, setting some distance between the solid upright characters and the dynamic oblique forms.

girl love Script is a sweet calligraphy writing while maintaining its elegance. This will increase your design stand out! girl love is the perfect typeface for all your types of projects, such as advertising, branding, graphic design, quotes, wedding designs, logos for online or offline businesses, photography, and more. Make your business more beautiful! girl in love has 2 VERSIONS of the regular script with slanted tails. Feature: - Uppercase and lowercase letters (including PUA coded extra glyphs) - Numbers and Punctuation - Most Multilingual Accent - Can be used in any software, such as Adobe Photoshop, Illustrator, Silhouette Studio, even Microsoft Word, PowerPoint and others. HOW TO ACCESS SWASH: PC: Using the character map. Easier to use Character Map UWP (Free Download from Microsoft store) Feel free to chat with us if you have any questions. Thank you :)

Epilepsja is an all-caps type family perfect for display works. It has been derived from stencil-sprayed and painted letters in the city space. The glyphs are simple but unordinary. Every letter has something from 3D illusion, but is flat simultaneously. The main feature and asset of this family is the ability to create multicolor text. Epilepsja consists of three styles: Outline, Solid and Fill. Outline is the base from which the other two styles are created. When you mix Solid with Fill, you can create two-color Outline style. Solid is neat and legible in small sizes. There are alternative uppercase/lowercase characters, digits, diacritics of western, central and southeastern Europe and Africa, punctuation and symbols including currency. Use it for posters, headlines, magazines, websites or anything you like.

The ornamented and magnificent type design used with the color plates of Owen Jones' “The Grammar of Ornament” has served as a model for this nineteenth century typeface. Astoria Antique possesses an intricate and spidery-like quality. Its v-shaped wedge endings make it look like something straight out of an old curiosity shop. In addition, lowercase letters have been added for design convenience. Astoria Antique will make a great choice whenever a period or Victorian look is desired. Astoria Antique is also available in the OpenType Std format. Some new characters have been added to this OpenType version. Advanced features currently work in Adobe Creative Suite InDesign, Creative Suite Illustrator, and Quark XPress 7. Check for OpenType advanced feature support in other applications as it gradually becomes available with upgrades.

Willard T. Sniffin deserves the credit for this charming little stationery and greeting card typeface developed for American Type Founders in 1930. Capital letters show an occasional hint of ornamentation and lowercase letters are of the linking variety. The original set of exquisite alternate characters (A,B,G,T,V, W, o, s) has been included in this digital version. Adonis Old Style is ideal where a 1920s or 30s script-like lettering look is required. Adonis Old Style with Alternates is also available in the OpenType Std format. Some new characters have been added to this OpenType version. Advanced features currently work in Adobe Creative Suite InDesign, Creative Suite Illustrator, and Quark XPress 7. Check for OpenType advanced feature support in other applications as it gradually becomes available with upgrades.

Omnibus is one of my absolute favourites. My intention was to design a typeface as easy to read as Baskerville, without being a copy of it. It is easy to see that I was influenced by Baskerville, e.g. in the open lowercase g. I had in mind to design a Baskerville with the looks of the Baskervilles used in earlier typesetting. I put aside those plans for a while (but fulfilled them later on) and dedicated myself to Omnibus. In both cases my aim was to achieve a typeface with darker looks than the most used Baskerville. The name has nothing to do with buses, it is Latin with the meaning of for all". It is also in the name of Omnibus Typografi. Omnibus was released in 1993.

An Uber-Black Sans Serif with a Warm Personality Latitude Sans began as a digitization of a film typeface from LetterGraphics known simply as "Free". The original specimen included standard Capitals and Lowercase, Numerals and minimal Punctuation, a bare bones character set. We've fleshed out the Latitude Sans typeface to include a full standard character set, an extended international set, and more so it can be a strong heavyweight sans typestyle. See the last graphic for a comprehensive character map preview. Opentype features include: - Full set of Inferiors and Superiors for limitless fractions. - Tabular, Proportional and Oldstyle figure sets. - Ligatures for a collection of "f" paired sets: fi, fl, ft, ffi, ffl, etc. Approx. 652 Character Glyph Set: Latitude Sans comes with a glyphset that includes standard & punctuation, international language support, and additional features.

Marathon was originally designed by Rudolf Koch in 1931 for Schriftgiesserei Klingspor. It is a roman with short ascenders and descenders. The serifs are small, but longer at the ends of the arms of E, F and L, M is rather splayed and is without top serifs, like M in other typefeaces designed by Rudolf Koch. The lowercase g has no link and an open tail, again like the g in other Koch types. U has the lower-case design. In the W the middle strokes cross, the lower case w has no middle serif. The figures are short-ranging. Ute Harder from the Fachhochschule Hamburg had redesigned Marathon with the help and supervision of Professor Jovica Veljovic. She has added a book weight to offer more flexibility with this beautiful typeface.

Sevigny is for the poetic eye. It sings to readers - luring and promising - sweet like candy. Even though it is different, you feel that you've already seen it. Sevigny seduces you to look. Look twice. Déjà vu Ease the lure. Allow your eyes to follow the rhythmic ribbon. Enjoy the wavy ride on the weavy patterns. Let Sevigny enrich your design ideas. Recommended for Christmas windows, ribbon candy packaging, lingerie labels, book covers, everything that smells good, everything for grown ups, everything for kids, Christmas carol titles, wedding invitations and wedding magazines. Sevigny is offered in three versions: standard latin letters (upper and lowercase), numbers and symbols. Sevigny PRO is packed with extra ligatures, alternate letters, OT features, more symbols, extended support for foreign languages. Sevigny CAPS has only uppercase letters & numbers.

2015 First Prize TipoType award. Neftali is a type family designed for continuous reading in long texts & editorial design, created as an interpretation of Pablo Neruda’s “Poema 20”. This work delivers a subtle experimentation of Baroque and Roman styles, rescuing features from some of the most successful chilean typefaces such as “Australis”, “Berenjena” and “Biblioteca”, along with its particular calligraphic details, medium weights, accentuated strokes, and wide curves that seek to project Pablo Neruda’s particular way of reciting. This typeface contains uppercase, lowercase, small caps, oldstyle, and tabular numbers; in addition to a true italic for every weight; and calligraphic details designed to compose his poems. A typography to talk about everything, except love… (Special thanks to: Francisco Gálvez & Patricio Truenos; without the help of the latter, this project wouldn’t have had an ending)

Rig Sans is a streamlined geometric typeface, that speaks in a confident, affable tone. Its open, clean structure lends text a neutral, transparent quality. Distinct features enable Rig Sans to thrive, both in print and on screen: Minimalist Design Terminals clipped at 90º Generous x-height Wide apertures Distinct I,l,1 (uppercase i, lowercase L, Number 1) Rig Sans’ sturdy characters produce text settings with excellent clarity and readability. Their shape has been adapted from robust letterforms originally designed to withstand 3D distortions. This unique approach has resulted in an original sans serif rendition and an adaptive, durable type family. Rig Sans is comprised of eight weights and accompanying italics. Each weight contains 514 glyphs. OpenType features include: Alternate characters Three figure styles All caps punctuation Fractions Ordinals Superscript Subscript

Australian designer and art director Wayne Thompson has loved typography “ever since I received a battered second-hand Letraset catalog at the age of 10.” He based ITC Django on the handwriting of an acquaintance -- “a fellow I know who writes and illustrates children's books and is also a commercial artist” -- who called himself Django, after the jazz guitarist Django Reinhardt. “I felt that that name Django suited the funky, lively feel of the face,” says Thompson. But he adds, “Django has a split personality: it appears loose and easy at first, but after looking at it for some time I felt an edginess come through that was slightly psychotic.” The looseness of the lowercase contrasts with the spikiness of the capitals. The “edginess” is especially apparent in words in all caps.

Technik is a constructed typeface, which is almost strictly designed from basic geometrical elements consisting of mainly circles, also squares and diagonal shapes. Another characteristic is the connection of diagonals, verticals and diagonals, and also of some circle shapes touching each other at one point. It gives this type an original look, and prevents the problematic dark places in some letters. The technical feeling of the type (mainly in uppercase letters) is balanced by the design of lowercase which looks more friendly and fresh. Technik is not designed as a text typeface, it is recommended mainly for display typesetting. You can use it for example in fashion industry or in branding typography, or everywhere where you need the technical feeling of the constructed typefaces to look less cold and more friendly.

Alonzo is a modern cosmopolitan who speaks several languages fluently. Alonzo comes in six weights and two widths, as well as corresponding italics, making a total 24 styles. Alonzo is an elegant, simplistic, high-contrast sans that is at home in high-end fashion and cultural environments, as well as in the world of restaurants and nightclubs. While Alonzo Condensed is more illustrative and works best in display use, headlines, logotypes, labels and all that, Alonzo Regular works in a wider range of contexts, from body text to editorial and catalogs and more. Alonzo is equipped with several OpenType features such as oldstyle figures, small caps, Standard Ligatures, Superior and Inferior Figures. In addition Alonzo has Stylistic Alternate lowercase "a" with round Bowl. Me llamo Alonzo. Mucho gusto, piacere di conoscerti, nice to meet you!

NarrowWay is a family of 18 condensed and ultra-condensed sans-serif typefaces. The family started with the ultra-condensed widths, then the condensed and regular widths (the regular is still quite condensed) were added. All widths have three weights and each weight has an italics style. These 18 styles lack a true lowercase but rather have a set of alternative characters, some based on lower-case forms, on the lower-case keys. Some alternative letters can be reached with the OpenType feature of stylistic sets. The character spacing in most of the styles is quite loose and it can be tightened with an application's character spacing if needed. These typefaces are display faces that can be useful for squeezing tall lettering into tight spaces. They are not readable at small point sizes.

Although ITC Styleboy has a retro feel, it isn't based on any earlier typeface. As far as inspiration goes," says designer Chester Wajda, "I'd have to say comic strips of the '20s and '30s, and silent-film marquee lettering from the '20s - with a hint of a Chinese brush?" He originally created the typeface for a children's book he was working on. "I wanted it to be fun, but still somewhat formal in its underlying structure," he says. "It's largely based on right and 45-degree angles, with slight tucks inward on the stems and bowls, and a few flourishes here and there." Styleboy's top-heavy look is most noticeable in the caps, but it's exaggerated too in the "8" and the lowercase "g." Styleboy is Wajda's first typeface design."

Mowaq es una tipografía limpia, abstracta, moderna, minimalista y de trazos sencillos pero elegantes. Sus cuatro pesos hacen un juego visual de degradados muy marcados. La tipografía Mowaq fue inspirada a partir de los estilos mayúsculas sans-serif, como uso de encabezados y subtítulos en dos libros donde se necesitaba mostrar un aspecto limpio, moderno y minimalista. Los tipos minúsculas fueron adaptados posteriormente a la familia Mowaq. Mowaq is a clean, abstract, modern, minimalist typeface with simple but elegant lines. Its four weights make a visual game of very marked gradients. The Mowaq typeface was inspired by sans-serif uppercase styles, used for headings and subheadings in two books where a clean, modern and minimalist look was needed. The lowercase types were later adapted to the Mowaq family.

Claudium started as an attempt to create a sans serif version of Garamond. As time went on it gradually became a meditation on the nature of French typography from Garamond to Excoffon. It was especially influenced by Cassandre's type for the Orly airport which seems to epitomize certain aspects of the French character�at least in typography. Attempts to create an italic met with disaster. Gradually, after lots of Cotes du Rhone, a cursive, based on Garamond�s Greek forms, emerged. It came at a time when I was looking at lot at Victor Hammer�s uncial and Andromaque cursive. So Claudium Cursive was developed as a lower case only and mated to the Claudium Regular caps ala Griffo�s original italic type. In keeping with the cursive lowercase there are cursive oldstyle numbers.

Dulcet is a hand lettered, rough binding script with high ascenders & low-descenders. It is both elegant and grungy and will work wonders on your invitations or love letters, make beautiful posters, frightening t-shirt designs or logotypes. It is equipped with OpenType features such as common ligatures, double letter ligatures, contextual and stylistic alternates for a varied and hand drawn look. Access alternates by using the glyph panel in Illustrator and InDesign. Dulcet comes with several initial & terminal swashes that can be added to the beginning and/or end of any lowercase letter as well as different swashes for the upper case letters. For initials/beginnings, write _ (underscore) + digit 0 to 9 For terminals/endings, write digit 0 to 9 + _ (underscore) For start swashes, - (hyphen) + digit 0 to 9. Enjoy!

Hawkes is an extensive handmade typeface family that comes with a bundle of weights, widths and styles, all designed to work cohesively. Here is a breakdown of the Hawkes family. Hawkes Sans: The primary subfamily is a sans-serif typeface that includes nine fonts: three weights (light, medium and bold) and three widths (narrow, regular and wide). Within this set are an array of stylistic features; including small capitals, character style alternatives, discretionary ligatures and contextual alternatives. See details below for more information on OpenType Features. Hawkes Variable Width Sans: The secondary subfamily is the same base sans-serif fonts but combined in variating widths. Essentially, it takes all three widths of each weight and randomly mixes them together. This creates a funky and creative alternative to the more traditional sans-serif set. The variations are for the uppercase, lowercase, small capitals, ligatures and numbers. Hawkes Script: The last subfamily is the script typeface. It’s a quirky script with variations of its own, including ligatures, swashes and contextual alternatives (again, see below for further details.) The script font works great as a complimentary style to the sans-serif, or on it’s own. FEATURES Alright, let’s get into all the extra goodies this typeface has to offer. Small Capitals: Small caps are short capital letters designed to blend with lowercase text. These aren’t just capital letters just scaled down but designed to fit with the weight of both the lowercase and capitals. With Hawkes, small caps can either sit on the baseline (in line with the base of the capital and lowercase) or to be lifted to match the height of the capital letters by applying the discretionary ligature setting in the OpenType panel. These small capitals have a dot underlining them that sit along the baseline. The feature offers a unique display affect that is great for logos, titles and other headline needs. Discretionary Ligatures: A discretionary ligature is more decorative and unique combination than a standard ligature and can be applied at the users discretion (as the name indicates.) The specific styling for these ligatures varies for different fonts. With Hawkes, they are used as an all capital styling feature, or to lift the small capitals to align with the height of the capitals. In the former setting, both lowercase and uppercase letters are first changed to all capitals, then a specialized set of letter combinations are transitioned so small characters are positioned within a main capital letter. These combinations only happen with main characters that include an applicable stem, such as C F K L R T Y. Some of these combinations include two or three characters. When Small Caps is turned ‘on’, this feature will lift the small caps to the height of the capital letter. For more information, please check out the user guide! Stylistic Alternatives: Stylistic alternates are a secondary form of a character, often used to enhance the look or style of a font. For Hawkes, these alternatives provide a slightly more handmade feel. A - the capital and small capital A will lose its pointed apex and become rounded. Think of it more as an upside-down U than an up-side-down V ;-) Oo, G, Ss, Cc- these characters’ topmost terminal becomes a loop. The O is applied automatically, the G S and C need to be turn on individually. Titling Alternatives: This feature does sort of the opposite of what it intends. Instead of being used for titling purposes, this feature makes the text look better in paragraph text settings. Kk Rr h n m - curved terminals on the are straightened e - the counter stroke also gets straightened from a more looping motion y - the shape of y is changed from a rounded character to a sharper apex (think more like a ‘v’ than ‘u’) Contextual Alternatives: Contextual alternates are glyphs designed to work within context of other adjacent glyphs. With Hawkes Sans, there are three slightly different variations per character. The feature rotates the application of each variation. This helps with organic authenticity, so if you have two e’s next to each other, they won’t look identical (reflecting the natural variations in handwriting and lettering.) With Hawkes Variable width fonts, I have created a contextual pattern that randomizes the widths of each character. So, when the feature is turned ‘on’ in the OpenType panel, the widths would alternate in a pattern such as: Narrow, Wide, Regular, Narrow, Regular Wide, Narrow, etc. It happens automatically so the user doesn’t have to think or worry about getting a random seed. With Hawkes Script, contextual alternates allow strokes to connect properly from one character to the next while maintaining a believable, natural flow. Connecting strokes are present for two letters next to each other but are replaced by a shorter stroke when located at the end of a word or sentence. Some characters have in-strokes when located at the start of a word. When a character is preceded by a capital letter that doesn’t connect, it too needs an in-stroke or altered spacing. This feature is complicated and messy, but luckily you don’t really have to think about it! I’ve done all the coding so all you have to do is turn ‘on’ the feature in the OpenType panel and you are off to the races! I’m just letting you know what’s happening behind the scenes. Swashes: These are just for Hawkes Script and provide tail swashes to the start and ends of letters. There are three different options. You can pick the basic option by turning ‘on’ the swash feature in the OpenType panel, or you can pick using the Glyph panel. Stylistic Sets: This feature work in new versions of Illustrator CC and InDesign CC. You can pick specific styling sets instead of turning on an entire feature. For example, let’s say you want to have a loopy S, but not a loopy C or O, you can just turn on the S in the Style Set. It also helps create the little drop box that pops up when you hover over a character, showing you the alternates associated with that character. This makes it easy to pick and choose specific styles you want in a word or headline. ---------- And there it is folks! That’s all the basic info on Hawkes, I know it’s been a lot and I appreciate you hanging on. If you are like me and need more of a visual reference to accessing all these goodies, I’ve made a user guide to help navigate Hawkes and everything it has to offer. Altogether this extensive family boasts 14 total fonts in a wide array of styles, weights and widths, making it a great addition to any handmade type collection. Enjoy!

‘Technical Scripture’ 2015-2021 A manuscript look, Pixel labyrinthine Display Type System… Plus, an Optical “Layered Game”, Retro Futuristic Sci-Fi Digital interface evolving placeholder… Now with 3D Styles! It was designed as a pair to its brother font ‘Technical Signature’ a Small Caps Font, both inspired by antique Greek, mosaics zig-zag ornaments “ancient times computer” intentionally as a Romanic variation with same metrics... Searching for Technical Solutions, it resulted in many combined styles by matching the primary ones so there’s plenty variations for multi-purpose texting like layered typesetting or simply monochromatic designs… Plus got accurate streaming resolution, therefore some sub-families like Stamp and Texture implicates greater points for minimum size as Regular and Light is appropriated to Small Optical Text reductions. *The New 3’s Upgraded Edition Improvements consisted of Correct ‘Font Info’ (verified data-debugging) rescaled glyphs, quick design review, better style linking with correspondent renamed fonts, addition of automatic OT features encoding, 3D Styles and Italics. Ps. This actual Typeface was quickly re-edited for technical reasons and hasn’t yet reached the intended design, it will soon receive a more tangible redesign upgrade, mainly in lowercases to enhance cursive style. Due to other priorities. Tip: Give preference to THE LYSERGIC UPPERCASES! Multilanguage Support: Western & Eastern European, Baltic, Turkish, Greek, and Cyrillic. This Type is pleasant to Technician Compositions, Such as Briefs layouts manuscript, Old Engineering & Crafts Logos or Support Text, Op-Art Posters, Stamps, Labels, movies and Cartoons Ludic Scripts, sites and of course Video Games! Try ‘Technical Scripture’ & Have some Power to the Pixel! Padang!

Introducing Future Flow typeface - 8 fonts Looking for a font that combines classic elegance, romance, and a futuristic vibe? Look no further than Future Flow! This unique typeface offers eight distinct font styles, each with its own personality and flair. Plus, it's designed to support a whopping 87 different languages, making it a versatile choice for designers and creatives around the world. So whether you're creating a logo, designing a website, or crafting a marketing campaign, Future Flow has got you covered. Try it out today and see where its flowing curves and sleek lines can take you! Language Support : Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Breton, Chiga, Colognian, Cornish, Czech, Danish, Dutch, Embu, English, Estonian, Faroese, Filipino, Finnish, French, Friulian, Galician, Ganda, German, Gusi,i Hungarian, Indonesian, Irish, Italian, Jola-Fonyi, Kabuverdianu, Kalenjin, Kamba, Kikuyu, Kinyarwanda, Latvian, Lithuanian, Lower Sorbian, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Maltese, Manx, Meru, Morisyen, North Ndebele, Norwegian, Bokmål, Norwegian, Nynorsk, Nyankole, Oromo, Polish, Portuguese, Quechua, Romanian, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish, Gaelic, Sena, Shambala, Shona, Slovak, Soga, Somali, Spanish, Swahili, Swedish, Swiss, German, Taita, Teso, Turkish, Upper, Sorbian, Uzbek (Latin), Volapük, Vunjo, Walser, Welsh, Western Frisian, Zulu FEATURES Uppercase, lowercase, numeral, punctuation & Symbol Regular and italic Cut, display, futuristic, line, stencil, two line styles 8 fonts No special software is required to type out the standard characters of the Typeface. Feel free to contact me if you have any questions! Mock ups and backgrounds used are not included. Thank you! Enjoy!

Introducing "Masked Hero," a dynamic and commanding font that stands tall as a bold, oblique, all-cap typeface. This font is not just a collection of letters; it's a visual narrative of strength, speed, and superhero prowess. "Masked Hero" takes typography to new heights by incorporating uppercase letters adorned with intricate wing patterns, elevating your design into a powerful champions. The uppercase characters in "Masked Hero" aren't just letters; they're symbols of superheroic identity, each adorned with wing-like patterns that evoke a sense of flight and strength. These letters become the emblem of your design, embodying the essence of masked heroes ready to leap into action. To provide designers with unparalleled flexibility, "Masked Hero" is equipped with alternates for both uppercase and lowercase letters. This feature allows you to customize the appearance of your text, giving you the creative freedom to push the boundaries of typographic design. The alternates enhance the visual impact of your message, ensuring that every word becomes a statement. With a sharp and bold aesthetic, "Masked Hero" is tailor-made for projects that demand speed, strength, and a touch of superhero flair. Whether you're designing a logo for a masked vigilante, creating dynamic sports-themed graphics, or crafting the name of a superhero, this font is your ally in making a bold statement. Masked Hero offers you: 1. 4 options of letters, All Caps (All options of the characters are included in one font) 2. Numbers and Punctuation 3. Multilingual Support (Latin Western Europe)

Proudly present Faya stencil modern ligature. Faya is a font designed with a modern stencil style that blends classic elements with elegant contemporary touches. Featuring ligatures that offer design flexibility, Faya is suitable for various graphic design needs, including posters, banners, logos, and more. Don't forget to use all caps too in your mixing and matching - it adds contrast and impact to your type design. Design tips! : Tighten your letterspacing for larger titles to create a range of looks. Crafted with meticulous attention to detail, Faya's letterforms are bold, sharp, and geometrically-shaped, catching the eye with their visually appealing design. The font boasts high clarity and legibility, offering a range of different letter variations such as elegant uppercase and lowercase letters. With its clean yet stylish appearance, Faya is perfect for modern and minimalist design applications. Font Features : Lettres, numbers, symbols, and punctuation, alternates and ligatures No special software required they may be used even in canva, any basic program /website apps that allows standard fonts That's it folks! Multilingual Support Language Support: Danish, English, Estonian, Filipino, Finnish, French, Friulian, Galician, German, Gusii, Indonesian, Irish, Italian, Luxembourgish, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Portuguese, Romansh, Rombo, Spanish, Swedish, Swiss-German, Uzbek (Latin) Follow My Shop For Upcoming Updates Including Additional Glyphs And Language Support. And Please Message Me If You Want Your Language Included or If There Are Any Features or Glyph Requests, Feel Free to Send me A Message. Kindly check over on Instagram! https://www.instagram.com/clevustudio/ Have a Good Day !

Aure Westra embodies the liquid look of a broad-nibbed ink pen. These bold forms engage the reader with a subtext of exotic wisdom. Westra’s entrancing flow brings a dramatic intrigue to text and titles and an esoteric savor to astrological expressions and chartwheels. Westra is an original design developed by Aurora Isaac, first released in the LP glyphset in 2011. After more than a decade in development, 2018 marks the release of the CJ and KB glyphsets. The CJ glyphset is a full text font with an extended set of lowercase and uppercase glyphs supporting a variety of European languages. Additional glyphs include standard ligatures, four variations of the ampersand, and check-mark and happy-face with their companions x-mark and grumpy-face. Numbers are available in lining and oldstyle versions, with numerators and denominators for forming fractions. Companion glyphs include Roman numerals, specialized glyphs for indicating ordinals, and a variety of mathematical symbols and operators. The CJ glyphset also includes an extended set of glyphs for typesetting Western Astrology. These glyphs are also available separately in the KB glyphset: a symbol font re-coded to allow easy keyboard access for the most commonly used glyphs. The unique look of Aure Westra stands on its own as a text font. Where needed, use the clean lines of Aure Jane to provide contrasting text that will showcase Westra’s exotic nature. Give Aure Westra a trial run! You may discover a permanent place for this font family in your typographic palette. AureFontDesign.com