Euroscript Pro is the handwriting of Ralph M. Unger, a very talented and hard-working German type designer. Unger has redesigned a large number of beautiful ancient typefaces during the last few years. Peter Rosenfeld of profonts persuaded him to try and produce his own very beautiful handwriting. Kind of hesitant at the beginning of the design process, Unger's joy and excitement about the project was continuously growing during the design process. He designed not only the standard character complement West, but added all of the Eastern European Latin glyphs and, on top of that, even the complete Cyrillic characters. Born and grown up in Th�ringen, former East Germany, Unger has a fair knowledge of Polish and also Russian (Cyrillic). Euroscript Pro is a very beautiful, casual, informal and modern handwriting of a contemporary type designer. Even though a digitized handwriting, it keeps a very natural and pleasant look, at the same time being generous and well-readable. The individual characters combine quite easily and perfectly with no need for extra variants.Euroscript Pro is well-suited for plenty of applications, e.g. personal correspondence, invitations, greeting cards, headlines etc.Euroscript Pro is supplied in the complete Latin character set (West + East) plus Cyrillic.

LIETZ Lindham is based on letters taken from an old type specimen folder from 1936 featuring handdrawn sans-serif ABC's. It's kinda bauhausy and straight but also shows the wonderful lively unevenness of hand-drawn letters. Being made for the use in large-scale advertisements and posters, LIETZ Lindham fits perfectly for pro-communist propaganda posters, but also features legibility in smaller sizes, so you can use it for your Neue Typographie manifesto too, Jan. Go grotesk! Go bold! Go neu!

These four typefaces, Berlinette NB, Lyonette NB, Marseillette NB and Parisette NB, were designed from the same basic shape, a fanciful geometric form that avoids strict horizontals and uses more offbeat triangular shapes. Marseillette is the nasty one, with sharp hook terminations that require careful use. Don�t slip and accidentally stick one in your hand � it will hurt pretty bad and make you blubber like a baby. It�s good for surreal warning signs on dark, forbidding docks where gooey monsters live.

Cover Up is a roughish font with a lot of character. Its edges are slightly jagged, there is no real baseline and it looks like the whole thing has been sand blasted. When you get to know Cover Up, you’ll find that it comes with a hidden agenda, because underneath the rough exterior lives an oh-so sweet heart. Use it for your product packaging, book covers and posters - it won’t disappoint you. Comes with an illegal amount of diacritics.

This typeface came about when playing with felt tip marker settings in Corel Painter and is derivative of my own handwriting. Up until Workstation Clutter, all of my fonts were designed on paper, then scanned or reproduced into a digital format. With the use of Painter, the non-digital steps were removed, making this the first fully-digital Zang-O-Fonts typeface. Brian J Bonislawsky of the Astigmatic One Eye Typographic Institute helped round out the character set and additional needed characters. The name was inspired by an ex-girlfriend's disorganized desk.

PRISMATIC SPIRALS FONT! The Prismatic Spirals Font is a decorative type-system and ‘Assembling Game’, itself. Settled in squared pieces modules or tiles, embedded by unprecedented Intertwined Prismatic Structures Design, or intricate interlaced bars that may seem quite “impossible” to shape. Although it originated from the ‘Penrose Square’, it may not look totally as an Impossible Figures Type of Optical Illusions. More an “improbable” Effect in its intertwined Design, that even static can seem like a source of Kinetical Sculptures, or drive eyes into a kind of hypnosis. Prismatic Spirals has two related families, its “bold” braided version Prismatic Interlaces and the Pro version. While the default is simpler or easier to use, as all piece’s spin in same way, PRO provides a more complex intricate Design which requires typing alternating caps. Instructions: Use the Map Font Reference PDF as a guide to learn the 'tiles' position on the keyboard, then easily type and compose puzzle designs with this font! All alphanumeric keys are intuitive or easy to induce, you may easily memorize it all! Plus, often also need to consult it! *Find the Prismatic Spirals Font Map Reference Interactive PDF Here! (!) Is recommended to Print it to have the Reference in handy or just open the PDF while composing a design with this typeface to also copy and paste, when consulting is required or when it may be difficult to access, depending on the keyboard script or language. As a Tiles Type-System, the line gap space value is 0, this means that tiles line gaps are invisibly grouted, so the user can compose designs, row by row, descending to each following row by clicking Enter, same as line break, while advances on assembling characters. Background History: The first sketches of my Prismatic Knots or Spirals Designs dates back then from 2010, while started developing hand-drawn Celtic Knots and Geometric Drawings in grid paper, while engage to Typography, Sacred Geometry and the “Impossible Figures” genre… I started doing modulation tests from 2013, until around 2018, I got to unravel it in square modules or tiles from the grid, then idealized it as fonts, along with other Type projects. This took 13 years to come out since the first sketches and 6 months in edition. During the production process some additional tiles or missing pieces were thought of and added to the basic set, which firstly had only the borders, corners, crossings, nets, Trivets connectors or T parts and ends, then added with nets and borders integrations. Usage Suggestions: This type-system enables the user to ornate and generate endless decorative patterns, borders, labyrinthine designs, Mosaics, motifs, etc. It can seem just like a puzzle, but a much greater tool instead for higher purposes as to compose Enigmas and use seriously. As like also to write Real Text by assembling the key characters or pieces, this way you can literarily reproduce any Pixel Design or font to its Prismatic Spirals correspondent form, as Kufic Arabic script and further languages and compose messages easily… This Typeface was made to be contemplated, applied, and manufactured on Infinite Decorative Designs as Pavements, Tapestry, Frames, Prints, Fabrics, Bookplates, Coloring Books, Cards, covers or architectonic frontispieces, storefronts, and Jewelry, for example. Usage Tips: Notice that the line-height must be fixed to 100% or 1,0. In some cases, as on Microsoft Word for example, the line-height default is set to 1,15. So you’ll need to change to 1,0 plus remove space after paragraph, in the same dropdown menu on Paragraph section. Considering Word files too, since the text used for mapping the Designs, won't make any literal orthographical sense, the user must select to ignore the Spellcheck underlined in red, by clicking over each misspelled error or in revision, so it can be better appreciated. Also unfolding environments as Adobe Software’s, the Designer will use the character menu to set body size and line gap to same value, as a calculator to fit a layout for example of 1,000 pts high with 9 tiles high, both body size and line gap will be 111.1111 pts. Further Tips: Whenever an architect picks this decorative system to design pavements floor or walls, a printed instruction version of the layout using the ‘map’ font may be helpful and required to the masons that will lay the tiles, to place the pieces and its directions in the right way. Regarding to export PNGs images in Software’s for layered Typesetting as Adobe Illustrator a final procedure may be required, once the designs are done and can be backup it, expanding and applying merge filter, will remove a few possible line glitches and be perfected. Technical Specifications: With 8 styles and 4 subfamilies with 2 complementary weights each (Regular and Bold) therefore, Original Contour, Filled, Decor, with reticle’s decorations and 2 Map fonts with key captions. *All fonts match perfectly when central pasted for layered typesetting. All fonts have 106 glyphs, in which 48 are different keys repeated twice in both caps and shift, plus few more that were repeated for facilitating. It was settled this way in order for exchanging with Prismatic Spirals Pro font which has 96 different keys or 2 versions of each. Concerning tiles manufacturing and Printed Products as stickers or Stencils, any of its repeated pieces was measured and just rotated in different directions in each key, so when sided by other pieces in any direction will fit perfectly without mispatching errors. Copyright Disclaimer: The Font Software’s are protected by Copyright and its licenses grant the user the right to design, apply contours, plus print and manufacture in flat 2D planes only. In case of the advent of the same structures and set of pieces built in 3D Solid form, Font licenses will not be valid or authorized for casting it. © 2023 André T. A. Corrêa “Dr. Andréground” & MMC-TypEngine.

"Relation Between Typology and Type Design" 'PRISTINE'; this font is—neither beautiful nor ugly, neither vigorous nor weak, neither traditional nor modern, neither serif nor sans serif, neither script nor printable, neither a text font nor a display font—it is rather all of the above, which makes it a more versatile typographic tool—[handwritten] characters that are well-suited for a wide variety of applications—from editorial design, [friendly] greeting cards... to branding, advertising, publicity and digital. Each glyph design combines its unique shapes and stylish ink-traps with parabolic curves. Each glyph design has been treated as an 'individual character'—the way I would treat a breathing, living, vulnerable and courteous human being; looking after each and every character as if it was my only child — bringing to light the authenticity and uniqueness of each individual, as well as my objective to bring about peace and harmony between them all as a whole. Designed with the intention of harmonizing between four scripts — Latin, Cyrillic, Greek and Hebrew; the whole family has a comprehensive set of characters—in addition to the Latin letters, the Phone typeface also has a full set of characters for Vietnamese, partially extended Cyrillic, Greek and Hebrew (sold separately). The t_t ligature is something unique to Phone, as well as the t_z ligature, among others and extras. A distinctive trait of the Phone typeface, is a high x-height combined with relatively short ascenders. The Phone typeface is in a way evoking the feeling of some Gaelic font and of the [Egyptian] Papyrus font (by Chris Costello, though, not being based on neither of those), having an exotic and an exquisite look, under the category of "Soft Fonts & Friendly Faces". Copyright Tamar Fonts/Hillel Glueck 2021 ALL RIGHTS RESERVED Any unauthorized distribution of my work is strictly prohibited, and will be prosecuted; do the right thing, and do not participate in the piracy of my typefaces; if you appreciate my work, then please pay for it and help me prosper — thank you!

Enjoika serif font family Enjoika is an elegant and neat font inspired by the Petrykivka painting (traditional Ukrainian decorative painting style) distinctive features of this folk art style are its flower patterns and Art Nuevo style by Alphonse Mucha with the floral and nature thematic and the swirls. This font looks luxury, stylish, elegant and clean and . This font is great for logo branding & invitations, photography, quotes, wedding design, business cards, posters, watermark, holiday cards, special events and much more.

The 52 characters assembled by this Gothic font, Prince of Darkness, were once interred in coffins onboard the Russian cargo ship Demeter, when it set sail for the sleepy shores of Whitby, Northern England ages ago. Hunted down by Vampire Hunters for century after century, this noble Transylvanian set has hidden for years in England and Eastern Europe. Now, Prince of Darkness is available as a font with more Layers than Dracula has Lairs.

Introducing a brand new typeface, meticulously crafted by your hands. Inspired by the rich culture and heritage of the Arabic language, this typeface embodies your unique vision and artistic expression. It combines modern techniques with a deep understanding of the language's aesthetics. This typeface has been developed using advanced techniques to ensure excellent clarity and readability. Every shape, line, and detail has been carefully studied to strike a perfect balance between elegance and legibility

Linotype Bengali, a revival This project by Neelakash Kshetriymayum and Fiona Ross commissioned by Monotype is at heart a revival of the now ubiquitous original Linotype Bengali typeface designed by Tim Holloway and Fiona Ross (1978-1982) based on Ross’s research for her doctoral studies in Indian Palaeography. The new Linotype Bengali is informed by more recent research by Ross and Kshetrimayum resulting in additional glyphs that serve contemporary needs in a variety of genres – the original had been specifically designed for newspaper composition and in now outdated digital formats. The new design makes use of OpenType features with the employment of contextual vowel signs for Bengali – a feature that Ross and Holloway had first introduced in Indian scripts for the Adobe Devanagari typeface – and has sophisticated contextual mark positioning. Furthermore, whereas the original design had existed in only two typestyles, extensive work has been undertaken to produce this new design in 5 weights: Light, Regular, Medium, Bold and Black. It has been an important aspect of this project to remain true to the original design concepts, and so to achieve optimal readability for sustained reading at small type-sizes, but the additional weights enable differentiation in document design, and afford users scope to produce textural variety in their outputs. This revival design is intended to widen the hitherto very limited palette of typographic choices in the field of textual communication in Bengali, Assamese and other languages that make use of the Bengali script.

The design of Beau Sans was inspired by Bernhard Gothic which is considered one of the first contemporary American sans serifs and was designed by Lucian Bernhard in the late 1920s. Panos Vassiliou came across this font while attempting to reduce the design elements of a text typeface, by introducing Bauhaus-like minimal forms to the characters. The first version was completed back in 2002 and introduced one year later in Parachute’s 3rd catalog, under the name PF Traffic. Some time later it was decided to make a few improvements but the project was so carried away that the new typeface which emerged needed urgently a new name. Beau Sans Pro is a modern sans-serif family of 16 fonts which includes true-italics. Just like all other Parachute fonts, it covers a broad range of languages by incorporating 3 major scripts i.e. Latin, Greek and Cyrillic in one font. Furthermore, every font in this family has been completed with 270 copyright-free symbols, some of which have been proposed by several international organizations for packaging, public areas, environment, transportation, computers, fabric care and urban life. This typeface is totally recommended for titles and/or body text when you want to give a distinct and contemporary identity to a product or service.

Wonder Smile is a lovely script typeface. With a quirky character, this optimistic and charming lettering will give any project a naive and happy appearance. In a hand-drawn style, Wonder Smile is your rustic and down-to-earth calligraphic font. Use underscore _ before or after any letter to make cute heart decorations. Example: _beauty_ Write # after any letter to make a swash. Example: Wand#er (Download required.) The Wonder Smile typeface family consist of four diverse styles: Regular, Italic, Bold and Bold Italic. The font is built with advanced OpenType functionality and has a guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures and more features; all to give you full control and customizability. It has extensive lingual support, covering all Latin-based languages, from Northern Europe to South Africa, from America to South-East Asia. It contains all characters and symbols you'll ever need, including all punctuation and numbers.

Blanton Script is modern script font with dancing up and down the baseline. that comes with lovely alternates. It has a casual and elegant touch. This font is PUA encoded which means you can access all glyphs and swashes with ease! Works perfectly for logos, fashion, stationery, letterpress, magazines, menus, books, invitations, wedding / greeting cards, packaging, labels, apparel, marketing etc. Blanton Script features 730+ glyphs and 517 alternate characters. including initial and terminal letters, alternates, ligatures and multiple language support. To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or later versions. and there are additional ways to access alternates/swashes, using Character Map (Windows), Nexus Font (Windows), Font Book (Mac) or a software program such as PopChar (for Windows and Mac). Need help? If you need help or advice, please contact me. Thank you!

Sulangor is a stylish and rich serif font with letters that seem to dance and twist harmoniously together to form unique and elegant typography designs. Add it confidently to your projects and you will love the results! Wide range of stylistic alternates and ligatures, allows versatile design options work perfectly for elegant branding, magazine design, logo design, headlines, posters, packaging, cards or your wedding invitation. Features: * Character set A-Z with special uppercase letters. * Ligatures. * Stylistic Alternates. * Numerals & Punctuation. * Multilingual Support. This font is encoded with Unicode PUA, which allows full access to all additional characters without having special design software. Mac users can use Font Book, and Windows users can use Character Map to view and copy one of the extra characters to paste into your favorite text editor / application. We highly recommend using a program that supports OpenType features and Glyphs panels such as Adobe Illustrator, Adobe Photoshop CC, Adobe InDesign, or CorelDraw, so you can see and access all Glyph variations.

ITC Ziggy was designed by Bob Alonso, who says it started out as phone doodles in the early 1970s." Alonso rediscovered the sketches years later, thought they revived the feel of the 70s, and decided to digitize the typeface. He liked the form of the letter Z best, so named the font Ziggy. ITC Ziggy reminds its designer of "elephant bellbottoms" and its style as a display face instantly evokes a nostalgia for the 1970s.

Artisinal, not to be confused with the term artisanal, is our revival of the Art Deco typeface known as Cubist Bold, by John W. Zimmerman for Barnhardt Bros. & Spindler in 1929, breathes new life into a classic. The original metal cast typeface was designed without a lowercase, as well as some wedge serif capitals made for not always perfect pairings. We've created a lowercase that blends well with the original design to give the typeface more usability. We've also created a fully sans version of the capitals as the default set, and moved the original wedge serif capital styles to a contextual alternates feature. And we created a few stylistic alternates for lowercase characters like the u and y and their accented styles. See the 5th graphic for a comprehensive character map preview. Opentype features include: - Full set of Inferiors and Superiors for limitless fractions. - A Standard lining figure set. - A collection of basic f Ligatures. - Stylistic Alternates for variations of several characters such as u and y. - Contextual Alternates for the original wedge variations of capitals that will mix in where appropriate. Approx. 450 Character Glyph Set: Artisinal comes with a glyph set that includes standard & punctuation, international language support, and additional features

This casually elegant script, similar to the logotype lettering found on Mason jars (hence the name), is patterned after an offering from the 1930s chapbook 60 Alphabets by The Hunt Brothers. The Opentype version of this font supports Unicode 1250 (Central European) languages, as well as Unicode 1252 (Latin) languages.

Sevigny is for the poetic eye. It sings to readers - luring and promising - sweet like candy. Even though it is different, you feel that you've already seen it. Sevigny seduces you to look. Look twice. Déjà vu Ease the lure. Allow your eyes to follow the rhythmic ribbon. Enjoy the wavy ride on the weavy patterns. Let Sevigny enrich your design ideas. Recommended for Christmas windows, ribbon candy packaging, lingerie labels, book covers, everything that smells good, everything for grown ups, everything for kids, Christmas carol titles, wedding invitations and wedding magazines. Sevigny is offered in three versions: standard latin letters (upper and lowercase), numbers and symbols. Sevigny PRO is packed with extra ligatures, alternate letters, OT features, more symbols, extended support for foreign languages. Sevigny CAPS has only uppercase letters & numbers.

Yaa! Type is a hand-sketched headline font. The family contains a light and bold weight; both complement each other perfectly. Created solely by me from sketch by hand and then digitized, yaa! Type makes a perfect font to create the hand-made character look, or to supplement illustrations with typography.

To design the font Toppo I was inspired by a You And Me Monthly published by National Magazines Publisher RSW Prasa that appeared from Mai 1960 till December 1973 in Poland. This family contains 6 different styles. In the Toppo family, every variety contains 3 alternative characters with automatic replacement.

Llawysgrifen (Welsh for Handwritten) is a custom handwritten font created by Michael Kalber. It is unique from other script fonts because each character was created by hand, meaning no two characters are alike. This font is available in the Latin, Greek, and Cyrillic alphabet, with the Hebrew and some Arabic characters.

This stylized font was inspired by the personal style of the designer’s sister. It has a mixture of Gothic, Arabian, & Persian styles, with elements inspired by thorns and smoke. It can be ideal for projects that require an air of mystery or intrigue, or have an exotic or dangerous flare.

This unusual face features letterforms inspired by an Austrian travel poster designed by Johann Süssenbek in the 1930s, and rendered in a bold chiaroscuro manner. In case you're wondering, Escondido is Spanish for hidden. Both versions of the font include 1252 Latin, 1250 CE (with localization for Romanian and Moldovan).

Water Splash is a unique display font. This font is inspired by the water splash shape. There are 3 directions for the splash water (direction to the left, up and down and to the right), and they are alternate from this lowercase font. With these variations, it will make it easier for you to create creativity for your project. Water Splash would be perfect for branding, logo, product, title, quotes, doodle, comic, books, greeting cards, toys, posters, baby clothing, picture books, etc.

What's that, bub? Looking for a whole train full of whupass? A six pack of adamantium shred? Listen, are you talking to me or chewing a brick? Either way you're gonna get all your teeth broken. And if you think that's all just Tough Talk, make your move, bub. (Our new font, ToughTalk, put the words in Wolverine's mouth in the pages of Steve Skroce's WOLVERINE: BLOOD DEBT, but don't tell the short Canadian over there, he's likely to get upset at the mere suggestion that people put words in his --) What? No, I didn't, uh, say you were -- ulp -- short...

We are pleased to present Akageeh Retro Condensed Sans, a contemporary, elegant, and bold font. Your projects will have a timeless, refined, and contemporary feel thanks to this font. This font is excellent for branding and logo design. Akageeh is a lovely option to add elegance to your designs because of this font’s special qualities, which include ligatures, alternatives, and many others. You can play around with this font easily to produce fancy designs. What’s Included : - All glyphs to fulfil ISO Latin 1 - Alternate, ligatures - Simple installation - We recommend using applications supporting OpenType features and Glyphs panels like many Adobe apps and Corel Draw so that you can see and access all Glyph variations. - PUA Encoded Characters – Fully accessible without additional design software. - Fonts include multilingual support

Digging a typeface with a sweet mood? Kinglet is sassy, hand-drawn, and sports a royally fun set of double letter ligatures. Like it's namesake, Kinglet is lively and lovable.

Sandy is a handwritten sans serif font, based on shapes made with ink brush. Sandy is a lively and informal typeface with good readability. Most of European languages are supported.

Protrakt is inspired by city life and sport. It has been designed as a variable font and is best to use as a variable font to get the full enjoyment of using this typeface. However, if you do not have access to variable technology through your software, there are nine widths in the font family so this will give you just as much access to the creativity this font can provide. By using the variable sliders in your design software you have a range of weight and width options. Play around with individual letters to give your type a unique look. Included in this family are alternate characters to add even more styling options. *Unfortunately there is no option to test out the variable capabilities on MyFonts as yet. Please have a look at the poster images to get a great idea of how I have used this font. By using the variable version you only need to install one font file instead of the entire family, this saves space and time to manually select individual styles.

Groovy Giggles is a playful and fun display font that adds a touch of whimsy to any design. With its lively shapes and quirky details, this typeface is perfect for creating a lighthearted feel in your designs. Use it for children’s books, invitations, and other applications that call for a touch of playfulness and creativity.

Dharma Gothic P font family is designed based on Dharma Gothic and a distressed offshoot from the original. The glyphs that damaged by printing the original had been tweaked by hand work with great care. This family contains basic Roman, Italic, Bold and it’s Italic to suit a wide range of creative works. g, r & y have their alternative glyphs that can be used with OpenType salt feature. This font will be one of the most powerful solutions for printing and web.

Eckhardt Sans JNL continues Jeff Levine’s “mini series” of fonts modeled after hand-lettering used by sign painters; and named after his good friend, the late Al Eckhardt of Allied Signs in Miami, Florida. Clean and somewhat condensed, this sans face has chiseled edges on many characters and the warmth of the lettering once made by brush or ink pen. Use this font in conjunction with any casual typeface to invoke the days of sign shops and talented lettering artists.

A typeface design with extra isolated scattered letters and random careless look. It has six members, normal, bold, and medium, all of which come in two styles, regular and left-slanted italic styles. This font family design follows the guidelines of Mutamathil Taqlidi type style with one glyph for every basic Arabic Unicode character or letter, as defined by the Unicode Standards, and one additional final form glyph, for the freely-connecting letters in traditional Arabic cursive text. Fallujah employs variable x-height values. It includes only the Lam-Alif ligatures. Soft-vowel diacritic marks, harakat, are selectively positioned. Most of them appear by default on the same level, following a letter, to ensure that they would not interfere visually with letters. Tatweel is a zero-width glyph. Keying the tatweel key before Alif-Lam-Lam-Ha will display the Allah ligature. Fallujah includes both Arabic and Arabic-Indic numerals, in addition to standard punctuations.

This typeface has been influenced by the Melbourne city landscape. One building in particular reflects this typeface, this building is located at 90 Flinders Street, Melbourne, Australia. This font is also influenced by computer age fonts such as Bubbledot and Digital. This typeface aims to be bold, angular, dynamic and original. Its primary function is heading use.