Take a walk in outer space and discover a new amazing experience with Star Nebula. With its unique brush script style and cool texture, you can use this vector brush font to create eye-catching logos, headlines, etc. So what’s included : Standard Latin Numbers, symbols, and punctuations Ligatures and Swashes Multilingual Support. Accented Characters : ÀÁÂÃÄÅÆÇÈÉÊËÌÍÎÏÑÒÓÔÕÖØŒŠÙÚÛÜŸÝŽàáâãäåæçèéêëìíîïñòóôõöøœšùúûüýÿžß PUA Encoded and fully accessible without additional design software Simple Installations Works on PC & Mac Thank You!

Bigtrack is an uppercase display font with vintage looks. Their sharp corners and clean lines exude a sense of strength and confidence. With its heavy weight, this font ensures that your message stands out with authority. The generous spacing between characters adds to its legibility and imparts a sense of grandeur to your text. As a special bonus, this font includes ornaments. Bigtrack fits in headlines, logos, branding materials, and many more.

introducing this Angelia Monogram Font. It's a sweet and Luxury hand-drawn monogram wreath with leaves. Comes in 2 styles monogram, with and without decoration space for word on each letter inside. You can simply change the case between uppercase and lowercase to feel the difference. Whether you want to create a Luxury and powerful statement or simply add a touch of attitude to your designs, "Angelia Monogram" is the font for you.

Jumbalo is a fun loving family suitable for a variety of purposes. This all caps display font is characterized by its loose, rounded features and balloon-like structure which gives it a retro vibe. The letters are closely spaced together to create a snug feel. Jumbalo would work well in a children’s book, retail packaging, or company logo. The complete family contains full and basic Latin, punctuation, European accents, kerning, and includes an outlined version.

Luxus Brut breathes the spirit of hand lettered signage of the Fifties. It’s a formal script, inspired from a well concealed shop portal in Vienna/Austria. Large and distinctive capital letters, wide spacing as well as a low x-height make it an excellent choice for posters, magazine headlines, logotypes, branding and any design that requires a touch of luxury and sensuality. You might also have a look at the stylistically related Luxus Brut Sparkling.

Secca Art recovers some of the expressive forms of early art nouveau and art deco grotesques — not copying it, but carefully adapting it for today. Secca Art is based on the Secca typeface family and is full interchangeable. Both are equal in weights, widths and word spacing, so you can decide to give your layout a more expressive or serious look. If you need Italic styles just use the Italics from Secca .

Presenting Cenios: An expanded sans-serif font that ushers in a new era of design. With its generously spaced letterforms and contemporary charm, Cenios injects a fresh modernity into your projects. Embrace the broadened possibilities with Cenios' expansive style, perfect for making bold statements and maximizing visual impact. This typeface is ideal for greeting card, packaging, brand identity, poster, or any purpose to make your design project look eye catching and trendy.

Inspired by designs of the early Renaissance, Jenriv brings out a sedate atmosphere and generous inner spaces. Starting with the idea of mixing straightforward strokes and curves, it results in kind masculine figures, but calm and humble. It reminds some archaic air but a simplified one. Jenriv embraces text flows, multiple languages, and various styles with standard OpenType features. It is well adapted to various applications, from medium body text to large headlines, or logotypes.

FF Attribute™ Mono is a monospaced design with an industrial strength, minimalist vibe, making it perfect for attention getting, theme-based headlines, posters, banners and navigational links. And, because it is such a robust family, FF Attribute can also be used for branding of blogs, games, web sites and tech products. FF Attribute comes in two families; Mono and Text. The Mono is a fixed width (monospace) design, while the Text is a proportional design. FF Attribute was, in fact, initially designed for the use in code editor software. Its seven roman and italic monospaced weights and extended character set supporting many languages also make it a powerful communications tool. But this is only the tip of the iceberg. In addition to the monospaced version, where all characters share a fixed width, there is also a proportional, “faux monospaced” version: FF Attribute Text. The Text family keeps the visual character of a monospaced typeface, but wide letters are given more space while narrow characters have been drawn with correct proportions and spacing. FF Attribute Text looks monospaced – but it’s not. Drawn by Viktor Nübel, FF Attribute Mono’s 14 designs, huge character set, including box-drawing characters and user-interface icons, make it the Swiss Army Knife® of monospaced fonts.

Qeuliner is a font with a modern, sporty, and futuristic design. Carrying the form of oblique blocks separated by vertical lines. Very suitable for use on sports-themed displays, racing, games, space, etc.

When there is no picture of a "most wanted" or "Missing Persons", photofit pictures are used. Once drawn by hand, they are now more and more substituted by photomontage. The personality is created with different modules like head, eyes, nose and mouth. The vague memory of a witness leads to the image of a "concrete" person. Sometimes different combinations of possible looks are attributed to a same person. This new virtual image finds itself soon in thousands of archives and data bases. Anyone can easily have access to those images by internet. To increase security and help track criminals, unknown death (Mr. Smith) or lost and kidnapped people, government asks citizen to help search those people. "Mr. J. Smith" is a font family consisting of 4 portrait-fonts and one letter-fonts. The portrait font "Mr. J. Smith" is a portrait-construction-kit. By layering the fonts "Head", "Eye", "Nose", "Mouth" one over the other, you can design over 7 million different faces. The font "Wanted" gives you the possibility to join names and registration numbers to the unknown or most wanted persons. What is nice about this font is the "surprise moment". Just write a word , "security" e.g., and you will get a nice shot of 8 different characters!

Compass St – a new addition to the existing Compass TRF Stencil fonts, originally released in 2010. Package consists of two fonts with rather different, both decorative, styles. Typeface is released in OpenType format with extended support for most Latin languages.

Littera project is a modern interpretation of one of the most widespread sans serifs in USSR "TextBook font". It is not an exact revival, but an interpretation of its typographic feel executed in two different ways: Littera Plain and Littera Text.

Littera project is a modern interpretation of one of the most widespread sans serifs in USSR "TextBook font". It is not an exact revival, but an interpretation of its typographic feel executed in two different ways: Littera Plain and Littera Text.

Veryberry is a handwritten font with a unique character inspired by latest trends in modern calligraphy and handlettering. Full of open type features, is best used in an OpenType-aware software. Font supports most of European languages including cyrillic ones.

Plance is a font for simplified logo design. The font is suitable for creating headlines, logos, text and advertising tags All alternate options for characters are included in each font. You can use the alternatives in most major photo editors.

Courant means "newspaper". Courant font was modeled on 17th century Dutch newspapers and most of the glyphs are authentic. The 'modern' glyphs, like @, $, €, * and several others have been designed by me, as they were not in use in the 1600's.

Inspired by illustration lettering, Pocket has a contemporary, quirky feel. Its combination of narrow and round forms give it a humorous feel.It has support for most western and central European languages, and has alternates for most letterforms, allowing for variations that make it look authentically hand-drawn. Check out other fonts in the Pocket family: Pocket Serif and Pocket Swash

Ahmed is a modern Arabic headline face, first produced by Linotype-Hell Ltd. in the early 1980s. Originally developed as a simplified face, its design recalls the inscriptional and decorative tile work lettering of the medieval period. The strong treatment of the tails of certain characters departs from the more traditional style of tapering these finials, introducing a modern feel to the design. The contrasting proportions of the tall vertical strokes and the rather elongated counters lend a monumental look to Ahmed, allowing its effective use in titling. During the later 1980s Ahmed was developed into a traditional typeface, with the introduction of medial forms to improve character spacing and balance. Recently, Ahmed has been converted into the OpenType font format, ensuring its continued popularity as a heading face for newspaper typesetting. The Ahmed typeface contains two weights, Ahmed and Ahmed Outline. Both of the OpenType fonts include Latin glyphs from Clearface Gothic Roman inside the font files, allowing a single font to set text in both most Western European and Arabic languages. The two Ahmed fonts include the Basic Latin character set and the Arabic character set, which supports Arabic, Persian, and Urdu. They include tabular and proportional Arabic, Persian, and Urdu numerals, as well as a set of tabular European (Latin) numerals.

Elevate your design game with the Bueno Font Family, a stunning creation by the talented team at FolkCraft Studio. From extra light to extra bold, each style boasts a unique, detailed, and handmade look that sets it apart. Dive into the world of possibilities with Bueno Font. Experience its captivating allure in all caps with wide spacing for a classy aesthetic, or let it shine in a mix of capital and lowercase letters for a timeless appeal that transcends trends. Envision the Bueno Font Family as the centerpiece of your creative projects. Its versatility makes it perfect for gorgeous logos, captivating displays, elegant headers, enchanting invitations, memorable save-the-dates, and timeless wedding designs. Imagine the impact it can have on titles, web layouts, and comprehensive branding strategies. Don't miss out on the opportunity to enhance your designs with the Bueno Font Family! Ideal for online uses and printing, this font collection is your ticket to creating sophisticated and stylish visuals that leave a lasting impression. Perfect for a wide range of applications, from logos to web layouts, this font family is a must-have for designers seeking to make a statement.

Download PDF Specimen See Blacker and Blacker Sans , the perfect matching companions of Blackest. Blackest is an inverse contrast wedge serif typeface family, designed by Francesco Canovaro and Andrea Tartarelli as a development of the Blacker typeface designed by Cosimo Lorenzo Pancini. The classical skeleton and sharp edges of the original have been kept while bringing the contrast of the typeface in the realm of the so called “italian” or reverse-contrast typefaces. The result is a typeface family that manages to be quirky but classical, and playful without losing elegance. With its exuberance and six weights of eye-catching proportions, Blackest is perfect for display use: editorial & magazine design, poster design and logo development - but to allow its usage as a for typesetting of longer texts a text variant in two weights has been developed, with less contrast, looser spacing, and high readability. Blackest features an extended character set that covers over 220 languages using the Latin alphabet, as well as Russian Cyrillic. Open type features include small caps, positional figures, alternate letter forms, stylistic sets, arrows and extra punctuation and discretionary ligatures.

Sequel Geo is a geometric/neo-grotesque hybrid superfamily, influenced by formalized sans-serif typefaces from Germany and Swiss modernist type design—particularly Max Bill’s greek-styled lettering. 8 subfamilies and 120 individual fonts allow for a wide range of typographic expressions. Sequel Geo’s hallmark features, such as the circular “G” and punctuation, simple “t”, and two-story “a” turning one-story in bolder weights, persist throughout all styles. But it’s the formal and functional differences between subfamilies that let you really fine-tune your layouts. The three optical sizes of the core collection, “Body Text”, “Headline”, and “Display”, boast optimized spacing for the intended use. “Extended” packs some extra punch with 18 display-oriented styles. Finally, 48 “Graphic” styles in 4 subfamilies push to the Geometric side, replacing horizontal and vertical stroke endings with angular ones, simplifying letterforms. Sequel Geo is a journey through time and space. From 1920s Germany to 1950s Switzerland. All the while, its archetypal shapes are neutral yet confident, its appearance is classic.

The Wild West meets Russia and India in this heavy duty display face. Although it's uppercase only, most of the characters vary between the uppercase and lowercase alphabets, so it's easy to give your text a hand-made feel by mixing up your cases. OpenType savvy applications can really exploit the extra features of this font. Engage contextual alternates, and G, C, L and alternate form of E will change when placed before a letter with a crossbar to create some cool effects (see the CK and LE combinations in the poster). There are standard ligatures for ff and FF combinations, and discretionary ligatures for 'and', 'the', 'No', 'Mc' and 'Co'. Engage stylistic alternates for a reversed 3 version of E, and the obligatory backwards R for that faux-Russian effect. Also included in the font is a host of ornaments. This font is perfect for wanted posters, heavy metal band logos, Communist propaganda leaflets and no doubt a load of other things too.

For the next generation, Atiku is the font of choice. This one-of-a-kind and opulent font family was designed from the ground up with beauty and exoticism in mind. Customers recognize the value, sophistication, and uniqueness of your brand with just one glance. Each style in this impressive collection was created to help you get the most out of your designs: ads, posts, and a slew of other creative projects are all made easier with this lovely typeface. This font can be easily optimized for any project or client thanks to its many OpenType features and 18 different styles. With our newest font family, you’ll be able to create stunning looks in minutes. of course, your various design projects will be perfect and extraordinary if you use this font because this font is equipped with a font family, both for titles and subtitles and sentence text, start using our fonts for your extraordinary projects.

Big Brush is the result of me seeing Brush Script everywhere around me. Toronto signage is full of Brush Script. My last two trips to the West Coast showed me mostly Brush Script. Brush Script must be the most widely overused North American script font of all time. Don't we all know at least one restaurant or bar with its sign made in Brush Script? And aren't you just sick of the weird F, Q and T of Brush Script? Well, out with the old and in with the new. Big Brush was made as a replacement for Brush Script, and then some. While Brush Script has only the single familiar letters we all know, Big Brush comes in two fonts, so you can keep the design fresh the neat and keep them guessing at the same time. The next time you want to design something that calls for strong, fast brush calligraphy, do the world's bored eyes a favor and use Big Brush instead.

Wish to make a real impact on your customers and clients? With the right font, you’ll leave a strong impression every time. Introducing Raldrich - A Handcrafted Font. From product labels and printed materials to web design and social media posts, this font simply makes a difference. Regardless of where you use it, Raldrich will turn your design from good to outstanding. Ready for that next step? What you’ll get: Multilingual & Ligature Support Full sets of Punctuation and Numerals Compatible with: Adobe Suite Microsoft Office Keynote Pages Software Requirements: The fonts that you’ll receive in the pack are widely supported by most software. In order to get the full functionality of the selection of standard ligatures (custom-created letters) in the script font, any software that can read OpenType fonts will work. We hope you enjoy this font and that it makes your branding sparkle! Feel free to reach out to us if you’d like more information or if you have any concerns.

Ingredients: 1) Dusan's right hand; 2) The eye of the Cobra, leg from the dragon, software from the Bill; 3) Elliott Smith (TM) playing in the background; 4) Old grandmother to tell you not to spice it too much; 5) Empty label for your jar/ box/ product...

Pokelor is a display serif font beautifully designed with harmony between function and beauty showing you elegant, modern yet less formal impressions. The little hooks’ continuity elements help the eyes to keep flowing from one letter to another. With wide spaces and easily noticeable letters, this font is truly legible with which you can apply for any text sizes. Furthermore, enjoy the interesting features available in this font. Features: Stylistic Sets Multilingual Supports PUA Encoded Numerals and Punctuations Pokelor fits best for various design projects, such as posters, banners, logos, magazine covers, quotes, headings, printed products, invitations, name cards, merchandise, social media, etc. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

Perles ignores all important typographic acutenesses in order to represent a consistently geometrical typeface. Nevertheless it communicates a lot of fun and is suitable in particular for providing trademarks.

Bubbles is a fun alphabet with lots of nice bold areas, so it'll work great in colors or as a simple headline. Bubbles is extra nice in larger sizes.

Sabron Light is a very round font with the thickness at the corners rather than the side as in most typefaces. Serifs are swollen ends coming to a point.

Elexis is a chunky, blocky script that will stand out in your next project. It's perfect for branding, social media posts, advertisements, product packaging, and invitations. Multilingual Support: AÀÁÂÃÄÅCÇDÐEÈÉÊËIÌÍÎÏNÑOØÒÓÔÕÖUÙÜÚÛWYÝŸỲŸÆŒßÞþ

Patternly is a stylish handwritten script font in a monoline style. It’s perfect font for wedding invitations, stationery, photography, social media posts, product packaging, greeting cards, and much more!

The most common Hebrew typeface, based on Sefaradic tradition, used in most newspapers and publications. The main Hebrew typeface of the 20th century, designed in 1908 and was published by Berthold in 1924. OpenType Pro Excellent support for Niqqud (Vowels). All marks are programmed to fit each glyph's shape and width. OpenType Pro includes new advanced features like Dagesh Hazak, ShevaNa, Qamatz Katan, Holam Haser and wide letters. Best used with Adobe InDesign CC that support complex Hebrew text. Please check these advanced features in this link: https://tinyurl.com/ybgdsxme Font files were re-generated to get better online screen display, as well as refined OpenType features as kerning glyph substitution.

Eckhardt Informal JNL was found in a Dan Solo alphabets book under the name "Circus Wagon". This hand-lettered design with a playful inline is reminiscent of the show cards of the 1940s and 1950s. The Eckhardt series of typefaces is named in honor of the late Al Eckhardt, Jr. - a good friend of type designer Jeff Levine whose talents in hand-crafting attractive lettering was appreciated by many. His work, like the others before him is fast become a lost art in today's technology-driven world. Eckhardt Informal JNL is available in it's regular (inline) version and also as a solid version.

It took the Italian designer Antonio Pace more than five years to create Linotype Gianotten™, a successful new interpretation of the classic Bodoni types. To re-draw the 200-year-old characters for the world of modern digital technology, Pace studied Giambattista Bodoni's original punches at the Bodoni Museum in Parma. He felt that previous Bodoni interpretations were not well suited for body texts, so he focused his study of Bodoni's "Manuale Typografico" on the types made specifically for text sizes. Consequently, his Bodoni has strong hairlines, rounded transitions and shorter, fluted serifs - elements that help to achieve readability by providing an overall tranquil effect. This contemporary, highly readable family is an excellent choice for text settings in books, newspapers, and magazines. Incidentally, the name Gianotten has nothing to do with Bodoni, but was chosen by Pace and Linotype to honor Dutch typographer, Henk W. J. Gianotten."

Tshikona is casual and vigorous font with a taste of African spice. Although creating an impression of handwritten informality, Tshikona is a carefully crafted font, making it easy to use in any display setting, either for headings or as an informal body font. The line of the letters is reminiscent of the angular, dry branches of trees in the African veldt.

Cloister Initials™ have become FontHaus's most popular decorative initials font since we began selling it in 1993. First released in 1919 for ATF, Goudy's "Cloister Initials", sometimes called Goudy Initials is recognized as "one of the most beautifully designed set of initials ever made". We agree. Our digital revival is historically accurate because it was referenced from the actual ATF 144-point brass matrices acquired at the now legendary and final ATF auction in Elizabeth, New Jersey in 1993. The exquisite design of each character inspire it's use. Perfect for holiday invitations, elegant note pads, as drop caps or in period design. We've even sold these initials for use as company logos.

Images of ‘lost’ or forgotten signs from the past are on a number of sites all over the web. One in particular partially revealed a vintage sign for “J. Yormark Shoes" behind a barbershop sign at 15 – 8th Avenue in New York City. The sign remained until 2014. The stencil effect made by the formation of the stained glass letters inspired On Your Mark JNL, which is available in both regular and oblique versions. The font’s name is a play on the shoe vendor’s name… “Yormark”.

An ad in the April 19, 1919 edition of Motion Picture News for the (now lost) silent drama "Josselyn's Wife" featured some wonderfully stylized Art Nouveau hand lettering. Primarily a condensed character set with rounded serifs, there are a number of letters that take liberties in both width and character shape. Adding to this, [mostly vertical] parallel lines are cut through the characters to create a "striped' type of "double engraved' effect. Silent Drama JNL is available in both regular and oblique versions. **Uppercase