Fitzgerald was inspired by the carved and gilded lettering seen over the entrance of a bar in Dublin. The result is a lovely piece of neo-Victorian fun that brings back the joy of 19th century shop-signs and flamboyant design ethos. Fitzgerald is ideal for poster work and signage, or anywhere that you want to bring back the joy of high Victorian design ethos.

Download PDF Specimen Created as a display typeface in 2012 by Cosimo Lorenzo Pancini, Cocogoose is one of Zetafonts most loved typefaces. A sans serif typeface of geometric proportions, with very low contrast and slightly rounded corners, it was the first typeface to be produced in the Coco series, an ongoing research on the design variation in gothic typefaces through the ages. Cocogoose extreme x-height and ultrabold weight (with regular being comparable to heavy weights of other typefaces), have since then made it very popular for effective display and logo use, also thanks to decorative versions like Cocogoose Letterpress. Since 2016, Andrea Tartarelli has been improving the typeface expanding the original glyph set to include cyrillic and greek and adding extra weights, widths, and italics to the original family range, and bringing Cocogoose to an impressive count of 52 variants. In 2019, Francesco Canovaro has teamed with Andrea Tartarelli and Cosimo Lorenzo Pancini to create a new variant subfamily: Cocogoose Classic, featuring 8 weights and matching italics. Cocogoose Classic keeps the original design for uppercase characters while developing a new design for lowercase, with a smaller x-height, round dots and expanded open-type features, including positional numerals, alternate forms, and extended ligatures and bringing the glyph count to over 1000 characters.

DIN has always been the typeface you root for—the one you wanted to use but just couldn’t bring yourself to because it was limited in its range of weights and widths, rendering it less useful than it could be. The century-old design has proven to be timeless, but modern use cases demanded an update, which resulted in DIN Next—a versatile sans serif family that will never go out of style. This classic design turned modern must-have includes seven weights that range from light to black, each of which has a complementary italic and condensed counterpart. The family also included four rounded designs, stretching the original concept’s range and core usability. DIN Next also boasts a suite of small capitals, old style figures, subscript, superscript and several alternate characters. A quintessential 20th-century design, its predecessor DIN was based on geometric shapes and was intended for use on traffic signs and technical documentation. Akira Kobayashi’s update made slight changes to the design, rounding the formerly squared-off corner angles to humanize the family. Rooted in over 100-years of history, it’s safe to say that there will always be a demand for the DIN design, and thanks to DIN Next, now it’s as usable as it is desired. Wondering what will pair with it perfectly? Check out Agmena™, Bembo® Book, Cardamon™, Joanna® Nova, FF Quadraat® and Quitador™. Featured in: Best Fonts for Logos, Best Fonts for Websites, Best Fonts for Tattoos

During a ‘type walk’ at the 2007 AtypI conference in Brighton, typographer Phil Baines pointed out what he considered to be a particularly egregious example of over-decorative art nouveau lettering on a war memorial. This made me determined to use it as the basis for a font. Released in Opentype, it now features ligatures, swashes and alternates. It’s not certain if the curved top bars on the E and F are a feature of the original design or due to climbers using them as footholds, but I incorporated them anyway. It has recently been used for invitations and supporting print material for formal charity dinners at the House of Lords.

Laca is a semi-sans serif inspired by retro Portuguese packaging of soaps. Laca is the Portuguese word for hairspray. The starting point was to design a typeface that would bring a familiar feeling of closeness and warmth but giving it a modern look ensuring it works well on modern platforms. It’s a lively typeface that brings texture and personality to the text. Perfect for branding and for all communications. There is an upright italic version available through the stylistic set that brings even more friendliness to the font. The result is a versatile typeface that has many OpenType features that brings stylistic alternates to the designer.

Vivala-Marbod is a versatile serif font that boasts a wide range of features and styles. With ten styles and 545 glyphs, the Marbod enables a wide range of applications. Whether subtle headings or easy-to-read body text, Marbod offers the necessary versatility. A set of symbols with fractional numerals, scientific numerals, and matching arrows makes them particularly suitable for informative design. Advanced language support makes it ideal for international projects. In addition to the upright font, Marbod contains a well-developed italic. This is great for making posters, brochures, and corporate designs that need to be precise and stylish.

The deep well of creativity that is the era of the hand lettered sheet music title page brings forth Nouveau Nights JNL. Re-drawn from a period example of the 1920s, this titling font perfectly captures the warm "human" look of pen and ink lettering, long before the advent of "perfect" digital type.

The Salden fonts are our tribute to the man who was dubbed the face of the Dutch book, and whose work is considered essential in 20th century Dutch design history. Helmut Salden’s exquisite book cover designs were the gold standard in the Netherlands for more than four decades. His influence over Dutch lettering artists and book designers ranges far and wide, and his work continues to be used commercially and exhibited to this very day. At the root of Salden’s design work was a unique eye for counter space and incredible lettering skills that never failed to awe, regardless of category or genre. This made our attention to his lettering all the more focused within our appreciation to his overall aesthetic. Though Salden never designed alphabets to be turned into typefaces (he drew sets of letters which he sometimes recycled and modified to fit various projects), we thought there was enough there to deduce what a few different typefaces by Salden would have looked like. The man was prolific, so there were certainly enough forms to guide us, and enough variation in style to push our excitement even further. And so we contacted the right people, obtained access to the relevant material, and had a lot of fun from there. This set covers the gamut of Salden’s lettering talents. Included are his famous caps, his untamed, chunky flare sans serif in two widths, his unique Roman letters and an italic companion and, most recognizable of all, his one-of-a-kind scripty upright italic lowercase shapes, which he used alongside Roman caps drawn specifically for that kind of combination titling. All the fonts in this set include Pan-European glyph sets. They’re also loaded with extras. Salden Roman (908 glyphs) and Salden Italic (976 glyphs) each come with built-in small caps (and caps-to-small-caps), quite a few ligatures, and two different sets of alternates. Salden Black and Salden Black Condensed (636 glyphs each) come with a set of alternates, and both lining and oldstyle figures. Salden Caps (597 glyphs) comes with a set of alternates, and Salden Titling (886 glyphs) comes with a quite a lot of swashed forms and alternates (including as many six variants for some forms), a few discretionary ligatures, and two sets of figures. There are also some form alternates for the Cyrillic and Greek sets included in all six fonts. These alphabets were enjoyably studied and meticulously developed over the past ten years or so. We consider ourselves very fortunate to be the ones bringing them to the world as our contribution to maintaining the legacy of a legendary talent and a great designer. The majority of the work was based on Salden’s original drawings, access to which was graciously provided by Museum Meermanno in The Hague. The Salden fonts were done in agreement with Stichting 1940-1945, and their sale will in part benefit Museum Meermanno.

I loved this monster font the second I saw it - it reminded me of Franquins Idées Noires... Reworking it and adding the missing glyphs and diacritics was quite time-consuming - but a lot of fun! Lots of details. The Lupineless variant is Lupine with eyes, decorations and stray hairs removed - which leaves just a very usable fuzzy font for your monster-related headline. Kevin King says: "I love fantasy writing and my favorite author is Terry Pratchett. In Reaper man, my favorite book, there is a werewolf character called Lupine, I wanted to make a font for him and for Ludmilla... It's a long story, it's a hairy font." All fonts from CheapProFonts have very extensive language support: They contain some unusual diacritic letters (some of which are contained in the Latin Extended-B Unicode block) supporting: Cornish, Filipino (Tagalog), Guarani, Luxembourgian, Malagasy, Romanian, Ulithian and Welsh. They also contain all glyphs in the Latin Extended-A Unicode block (which among others cover the Central European and Baltic areas) supporting: Afrikaans, Belarusian (Lacinka), Bosnian, Catalan, Chichewa, Croatian, Czech, Dutch, Esperanto, Greenlandic, Hungarian, Kashubian, Kurdish (Kurmanji), Latvian, Lithuanian, Maltese, Maori, Polish, Saami (Inari), Saami (North), Serbian (latin), Slovak(ian), Slovene, Sorbian (Lower), Sorbian (Upper), Turkish and Turkmen. And they of course contain all the usual "western" glyphs supporting: Albanian, Basque, Breton, Chamorro, Danish, Estonian, Faroese, Finnish, French, Frisian, Galican, German, Icelandic, Indonesian, Irish (Gaelic), Italian, Northern Sotho, Norwegian, Occitan, Portuguese, Rhaeto-Romance, Sami (Lule), Sami (South), Scots (Gaelic), Spanish, Swedish, Tswana, Walloon and Yapese.

Peskia is a modern variable font family with lots of elegance and originality. The tall and slim nature of the typeface, give it a sophisticated yet contemporary nostalgic look. Peskia comes in 5 weights, each weight has an oblique and reversed version. The font family contains 15 fonts and 1 variable font, the variable version makes it easy to manually adjust the weight and slant. The Peskia font family has multilingual support for languages such as: Danish, English, Finnish, French, German, German (Switzerland), Norwegian Bokmål, Norwegian Nynorsk, Portuguese, Spanish, Swedish, Swiss German. Peskia is designed with unique and chic letters, this makes it perfect for a wide range of projects such as: branding, magazines, logos, wedding invitations, editorials, product packaging, advertisements and much more. If you a looking for something modern, nostalgic and chic for you next project, Peskia is the font for you.

Beriot is a sans serif whose basics are condensed in Regular (Normal) weight, getting a lot of form inspiration from the topic also known as Steile Futura which is a letterform that Paul Renner himself explored in the mid-1950s, where shapes are constructed with little stress on modular squares but there are changes in certain parts so they become less modular. The Beriot family is available in 42 weights with matching slanted cuts, divided into 3 subfamilies: Condensed, Normal and Expanded. Each has been designed for a range of text sizes each, and already variable, allowing you to choose and make your own type of weight you like. OpenType Features are available in each of these font styles, including alternative characters, different numbers set and case-sensitive and there are additional symbols that make it the perfect choice for professional types of branding, digital design and editorial.

Dragonflight Pro is a script collection of four modern calligraphy fonts. Each glyph was hand-drawn with a brass folded pen dipped in ink. The tip of the folded pen resembles the shape of a dragonfly’s wing, hence the name. By tilting the pen variations in line width are made. This produces fun, expressive letters with a spontaneous personality. The regular and rough version of Dragonflight Pro have alternate glyphs that can either be accessed by the swashes feature, stylistic set 1, or the glyphs panel, depending on the application you are using. There are lots of discretionary ligatures that offer even more variation. By typing _1 to _10 you can access bonus swashes that are part of Dragonflight Pro Regular and Rough. Both fonts have 567 glyphs. Dragonflight Pro Sans is an all caps font with 402 glyphs, also hand-drawn with the folded pen, that compliments the other styles perfectly. Dragonflight Pro Extra offers an additional 117 swashes, doodles and ink splatters. With Discretionary Ligatures activated you can type an underscore in front of a letter and (when available) this gives you the rough version of the glyph.

Spooky Strikes Halloween is a crafty and distinctive display font. With a combination of pixel-art and scary horror themes, this font has the potential to bring each of your creative ideas to the highest level!

Lapidaria is a typeface that may be described as a ‘geometric sans with humanist qualities’. Its mood is smart and sober, its appeal is calm, cool and classical. Though quite well performing even in longer text bodies, a particular strength of Lapidaria lies in display typography. The most peculiar aspect of Lapidaria is its new family concept: for the very first time ever a tricameral alphabet model has been realized as a general-use sans: uppercase, lowercase and middlecase letters blending smoothly into one typographic tone, thus offering entirely new typographic possibilities. – The middlecase (or uncial) sorts being accommodated in the lowercase positions of the Medior fonts. All nine fonts equally offer full character coverage for all Euro-Latin languages – and for Greek. There are a lots of special characters and ligatures. Last but not least, a set of ten ornament characters (in each font) will let you make sparkling designs which will thrill your clients. Each font contains about 500 characters, that makes over 4,500 in total for the complete Lapidaria family package. __________________________________________________________________________________________

Introducing New Neosande Neosande is a contemporary typeface family that belongs to the neo-grotesque sans serif category. It was designed by Faldykudo and released in 2023. The typeface family includes a range of weights, from Thin to Black. The design of Neosande is characterized by a clean with straight lines. It has a modern, sleek look that makes it suitable for a wide range of applications, including branding, advertising, editorial design, and web design. The typeface has a high degree of legibility, making it ideal for use in body text, headings, and titles. In terms of language support, Neosande covers a wide range of Latin-based languages, including Western, Central, and Eastern European languages, as well as Turkish, Baltic, and Celtic languages. Overall, Neosande is a versatile and modern typeface family that offers designers a range of weights and styles, as well as OpenType alternates, making it a popular choice for a wide range of design applications.

Introducing the stunning "Soft Mouth Victorian Typeface," a font that encapsulates the essence of Victorian elegance. This font style exudes an air of refinement and opulence, perfect for adding a touch of grandeur to your design projects. The "Soft Mouth Victorian Typeface" offers a versatile range of options with its four font families: Regular, Hole, Ornament, and Serif. The "Regular" font family serves as a reliable choice for everyday text, providing legibility and clarity. The "Hole" font family adds a unique twist, featuring intricate designs with hollowed-out letterforms, creating an intriguing visual effect. The "Ornament" font family boasts exquisite decorative elements, allowing you to embellish your designs with ornate flourishes. Lastly, the "Serif" font family offers a classic and refined aesthetic, perfect for evoking a sense of tradition and sophistication. This typeface includes a comprehensive set of ligatures and alternates, enabling seamless connections between letters and enhancing the overall flow and visual harmony of your text. With an impressive collection of 666 glyphs, you'll have an extensive range of characters and symbols at your disposal, allowing you to unleash your creativity and experiment with various typographic compositions. Whether you're working on elegant invitations, branding projects that require a touch of vintage sophistication, or creating elaborate typographic artworks, the "Soft Mouth Victorian Typeface" is a must-have resource. Its Victorian elegance, extensive features such as ligatures and alternates, a rich collection of 666 glyphs, and the added bonus of frames and floral embellishments, make it an invaluable asset for bringing a sense of timeless charm to your creative endeavors.

Creepy Night is an incomparable display font. Masterfully designed to become a true favorite, this font has the potential to bring each of your creative ideas to the highest level!

Introducing “RABOKA Font” – Where Playful Typography Takes the Lead. RABOKA Font is a celebration of playful design. With its whimsical theme, this font infuses a delightful and lighthearted touch into your creative projects. Whether you’re crafting invitations, posters, or branding materials, RABOKA Font effortlessly grabs attention and brings a sense of fun to your designs. Created with meticulous craftsmanship, RABOKA Font radiates the joy and creativity of playful typography, instantly captivating your audience. Its versatility knows no bounds, making it a perfect fit for a wide range of applications, from children’s book illustrations to party invitations. RABOKA Font enhances both readability and style with its quirky, eye-catching characters, providing a unique and engaging look to your text. Plus, it supports various languages, ensuring it resonates with a diverse audience. Elevate your creative projects with the exuberance of RABOKA Font. Explore this exceptional typeface today and let your designs dance with the spirit of playful typography. – PUA Encoded Characters – Fully accessible without additional design software.

Built of all straight lines, Elegeion Script -- inspired by retro printers' scripts with a dash of calligraphy and handwriting thrown in -- mimics the imperfections and irregularities of old letterpress printing. Even better, it comes with lots and lots of swashy alternate characters and ligatures, including a full set of "long s" ligatures.

Contains 36 magical seals based on the Lemegeton of King Solomon

Delaguerra is based on a lettering style originating in the California Arts & Crafts period commonly associated with 'Mission Style'. It is still in common usage in signage at historical sites in California. This version is a sort of idealized hybrid of several different variations on the style from samples we were sent by a customer who wanted to use the font in a set of invitations. It features a basic character set on the lower case and then relief initial versions of the same characters for the upper case.

Imagine you've decided to cut letters out of paper thereby creating a modern sans-serif for a broad application range. What result would you get? We already know the answer! Pines is a font family that we've carefully cut out of paper and then added lots of emotions and a few bright natural accidental details. Now you can create any text layouts and contemporary design with special warmth and friendliness that was inspired by paper. Pines font family is great for any ecological design theme. Use if for websites, hand-made items, and eco-friendly products packaging. Our font family is also great for ecological brand identity and navigation. We've named the font family Pines since it perfectly integrates into the natural environment and looks authentic and harmonious as if it came from the pine forest itself.

Road Picture JNL was modeled after the hand lettered title and credits for the 1940 Bob Hope-Bing Crosby semi-musical comedy “Road to Singapore”, and is available in both regular and oblique versions. Although the lettering design doesn’t resemble anything that was probably used in Singapore at the time, its faux “exotic” look still makes for an interesting revival. Bob Hope and Bing Crosby made a total of seven “road” pictures, hence the homage in the name of this type font.

Napzer - Geometric Sans Serif is the embodiment of modern typographic design, seamlessly merging precision and simplicity into a versatile typeface. With its sharp, geometric letterforms and clean lines, Napzer is the perfect choice for projects that demand a contemporary and professional aesthetic. This typeface ensures outstanding legibility in both digital and print media, making it suitable for a wide range of applications. Whether you're designing a website, creating marketing materials, or establishing a corporate identity, Napzer's clear and crisp design will enhance your content with sophistication and clarity. Choose Napzer - Geometric Sans Serif to bring a touch of contemporary elegance to your design projects. Whether you're working on branding, editorial design, or digital interfaces, Napzer offers a timeless and professional typographic experience.

Brookshire was inspired by the lettering seen on the Almanac ephemera paper when I visited the flea market in France. The result is a lovely piece of neo-Victorian fun that brings back the joy of 19th-century shop signs and flamboyant design ethos. Brookshire is ideal for poster work and signage, or anywhere that you want to bring back the joy of high Victorian design ethos.

Take Chances is a simple and natural handwritten font. This font will greatly complement each of the design ideas you wish to bring to life!

"Foxes Storm" is a black metal-themed font with a menacing and scary look, making it perfect for a wide range of dark and horror-themed design projects. Whether you're designing a metal band's album cover, a horror movie poster or logo, or any other project that requires a dark and edgy aesthetic, "Foxes Storm" is the font you need. Its sharp and jagged letterforms, combined with the bold and intense appearance, make this font perfect for designs that require a powerful and impactful look. With "Foxes Storm," you can create designs that are both memorable and terrifying, bringing your dark and metal-inspired visions to life.

Outset is a rough, display font family designed for a wide range of expression. It's all-caps design gives additional variants to make sure that you can create with your desired intention. Each letterform for the Outset font family was drawn by hand to insure natural deviations for it's roughness. These deviations help make this typeface feel authentic and relatable. The boldness of the letterforms makes this typeface an excellent choice for display type for posters, titles, merchandise, and specific marketing opportunities. Outset was originally drawn up for a range of t-shirt designs, and has now been extended into the full typeface you see now. It's rough edges interact perfectly with textures and overlays. Outset's multiple styles and variant letterforms allow for a very versatile range of outputs.

A clear and enjoyable reading experience hinges on the legibility of text copy, especially when reading on screen. This is why Monotype has developed the eText collection of fonts specifically tailored for the text-heavy display environments of e-readers, tablets, mobile devices, and the Web.

A clear and enjoyable reading experience hinges on the legibility of text copy, especially when reading on screen. This is why Monotype has developed the eText collection of fonts specifically tailored for the text-heavy display environments of e-readers, tablets, mobile devices, and the Web.

A clear and enjoyable reading experience hinges on the legibility of text copy, especially when reading on screen. This is why Monotype has developed the eText collection of fonts specifically tailored for the text-heavy display environments of e-readers, tablets, mobile devices, and the Web.

A clear and enjoyable reading experience hinges on the legibility of text copy, especially when reading on screen. This is why Monotype has developed the eText collection of fonts specifically tailored for the text-heavy display environments of e-readers, tablets, mobile devices, and the Web.

A clear and enjoyable reading experience hinges on the legibility of text copy, especially when reading on screen. This is why Monotype has developed the eText collection of fonts specifically tailored for the text-heavy display environments of e-readers, tablets, mobile devices, and the Web.

A clear and enjoyable reading experience hinges on the legibility of text copy, especially when reading on screen. This is why Monotype has developed the eText collection of fonts specifically tailored for the text-heavy display environments of e-readers, tablets, mobile devices, and the Web.

A clear and enjoyable reading experience hinges on the legibility of text copy, especially when reading on screen. This is why Monotype has developed the eText collection of fonts specifically tailored for the text-heavy display environments of e-readers, tablets, mobile devices, and the Web.

Designed for a wide range of applications, Gentona was intended to support the goals of contemporary design paired with a mostly swiss oriented demand on typography – neutrality. The result is a nine-weight neo-grotesque family ranging from sharp and fine thin cuts to muscle-bound and strong heavy weights. Gentona’s confident and open shapes support legibility especially in small sizes while its alternative shapes and letterforms create flexibility. A wide range of typographic features round up the whole family.

Escuela typeface is born in an attempt to reflect so many current influences of modern grotesque fonts that are trying to better reflect the values of today's world. Its compact proportions and high x-height, but at the same time with sort kind of modulation and open inktraps, propose a visual game that is worth enough to use it many places; Escuela can be striking and ideal for headlines in large text and heavy weights, but at the same time serious and readable in smaller bodies or regular and fine weights. Its wide range of characters, which includes a set of emoticons ideal for signage, work and evaluation documents, as well as inclusive, is ideal for educational centers, whether they are more playful (schools) or more pragmatic (universities). In fact, "Escuela" means “School” in English. For this reason, Escuela is your best ally when it comes to preparing texts that transcend students through a contemporary and different, but functional, character. Designed by Carlos Campos www.cuchiquetipo.com Dummy text from wikisource.org (1911 Encyclopædia Britannica/Universities).

Aphrodite Pro is an amazing handmade font full of alternate and ligature forms designed by Sabrina Lopez and Maximiliano Sproviero. Check out the brochure in the Gallery section to see some examples of this OpenType font in use and the wide range of combinations possible.

This is a modern-day interpretation of the 1930s font. With a wide range of alternates, you can create Art Deco and Bauhaus style typography in one piece. People who see it will be fascinated by the stylish and feminine look of the font.