This is a free abridged edition of the full-featured Gutenberg B and Gutenberg C fonts. Although (as the name suggests) it was originally conceived as the first release in the B42-type series, it actually represents the colophon to this series. In addition to having a narrower scope, the font differs from its full-featured predecesors in both letter and word spacing, as well as in glyph design, using exclusively straight lines for every glyph and providing a significantly rough appearance at medium to large point sizes. The font includes the usual standard characters for typesetting modern texts, as well as a few special characters, alternates and ligatures that can be used for typesetting nearly as in Johann Gutenberg’s 42-line Bible and later incunabula. Please note that the use of this free font is subject to the same terms and conditions as those for Alter Littera’s pay fonts. Specimen, detailed character map, OpenType features, and font samples available at Alter Littera’s The Oldtype “Gutenberg A” Font Page.

Reminiscent of circuitry and wrought iron, Anachrony constructs the forms of an Old English Blackletter with the strokes of a Modern Geometric Sans, and lands in the vicinity of Art Deco. For such an unusual chimera, the Anachrony family is legible and versatile. Its glyphs cover pan-European Latin, Greek, and a wealth of symbols including arrows, zodiac, planets, chess, suits, and circled numbers. It is also packed with Opentype features: Small Capitals: Of similar proportions to the default numerals, tall enough to be a suitable choice in place of regular capitals. All Caps Forms: In addition to the four usual types of numerals, there are numerals and currency symbols that match the capitals. Swash: A leading curly swash on capitals, and fancy looped ascenders in the lowercase that are handled by over a hundred standard ligatures where they would collide. Style Set 01: Romanized forms. Especially recommended for all caps. Plainer A/M/T/V/W/Y, J/Q reined in to the baseline, and alternate g. Style Set 02: Masthead forms. Old-fashioned capitals with descenders and that lower left dealy. Also f/x/z/ß in a more traditional fraktur mode. Style Set 03: Mild embellishments. Tall bifurcated ascenders and descenders. Style Set 04: Extravagant swash descenders. Style Set 05: Final swashes for the end of a word. Style Set 06: Converts capital letters into the corresponding connected Roman numerals. Seemed like it could be useful sometime. Easy swooshes: Standard ligatures allow you to type two to seven commas in a row to append an assortment of sweeping or ending swashes. Catchwords: In Anachrony Royale, turn on Discretionary Ligatures for a variety of decorative articles and prepositions.

Price Tags JNL is a multi-use dingbat font. Along with over twenty nostalgic price tags, there is a set of individual numbers [1 thru 0 keys] and number pairs [A-T and a-i keys] for creating old-style white-on-black price tags. Blank end caps are available on the parenthesis keys, the decimal point is on the period key, catch words FOR, DOZEN and EACH are on the left and right arrows and right brace respectively, and the dollars and cents marks are on the dollar and hyphen keys. You'll even find a few extras placed upon the bracket and left brace keys.

BigStripesMono is another typeface family from IngrimayneType that explores the possibilities of alternating letters sets. The family is monospaced with four fonts: a base or solid style, an outlined style, and two styles in which each character is cut diagonally and the halves are separated to form two characters. These split styles are not designed to be used alone but layered with the base style, outlined style, or both to form colorful lettering with an unusual striped appearance. The stripe is not apparent in single letters but only in words or lines of text. For best results use an application that supports the OpenType feature Contextual Alternatives (calt) to alternate the letters of the split styles. The four styles can be combined in several ways to create unusual lettering appropriate for titles, headlines, and similar uses. And if one wants a bold, monospaced, sans-serif face, BigStripesMono has that too.

Mesmerised by the sparkling greenish-yellow mineral called Olivine hidden within the black basalt of Lanzarote's lava fields, we named the gem of our library after this natural beauty. Peridot is not just another typeface – it's a multifaceted sans serif type system crafted with passion and precision by Foundry5. Painstakingly developed through long hours and a keen focus on every minute detail, this typeface boasts a high-quality 10 weight family with matching italics in 6 widths, and the highly versatile variable format. Brimming with character, Peridot invites you to experiment with its various stylistic variants, allowing you to tailor the typographic tone to fit your creative vision perfectly. The diverse range of widths and styles in Peridot offers a dynamic typographic toolbox, ready to inspire and captivate even the most innovative designers. Peridot Devanagari supports Devanagari and Latin and covers over 330 languages. It includes all required localised variants, tabular numerals and currencies, fractions, clever discretionary ligatures and many more features. Peridot performs in varied environments – from branding, display, corporate use, editorial, advertising, poster, web, screen usage etc. Think of any other use case as well, and Peridot will perform. Peridot Devanagari comprises 20 static fonts, family package, and variable support. It is the gem you ought to have in your collection.

Cogeen is a fun display typeface that may be used for a variety of projects. This typeface is meant to be as distinctive as possible in order to generate a unique and memorable impression, making your project appear powerful and charismatic. Of course, this typeface is appropriate for a wide range of creative applications, including game covers, titles, book covers, outdoor events, posters, banners, promotional material, movie titles, YouTube covers and thumbnails, children’s games, cartoon projects, and other unique projects.

Meredia is a striking modern space sans serif typeface that embodies contemporary design principles with its clean lines and geometric shapes. This versatile font exudes a sense of sophistication and minimalism, making it an ideal choice for a wide range of applications, from digital interfaces to printed materials. With its well-balanced letterforms, Meredia exudes a sense of professionalism and readability while embracing a futuristic aesthetic, making it a standout choice for designers seeking a sleek and timeless typeface for their projects.

Hello Introducing Magicher - Ligatures Connected Serif is an elegant, unique font that uses ligatures to smoothly link letters. Perfect for adding a unique twist to word-mark logos, monograms or pull quotes. Magicher has 52 ligatures as well as numbers and punctuation making it super fantastic.Ligature can be turned off if required standard writing needs. Accessible in the Adobe Illustrator, Adobe Photoshop, Adobe InDesign, even work on Microsoft Word. PUA Encoded Characters - Fully accessible without additional design software. Fonts include multilingual support Image used : All photographs/pictures/vector used in the preview are not included, they are intended for illustration purpose only. Thank You

Emoli is a strong font family with a laid-back style. Inspired by the strong bending of iron, a unique character can be felt through controlled letterforms and blunt finishes. Each font in this family is standalone, and strong and cute. Emoli consists of ten fonts Emoli-Thin & Emoli-Thin Italic, with the thinnest complexion looks luxurious in high appearance. Emoli-Light and Emoli-Light Italic looks elegant combined with the weight of the Emoli Font family. Regular and italic emojis, the basis of emollient fonts, balance shapes, and letter uniqueness are found in this weight. Emoli Bold and Emoly Bold Italic will gently emphasize a strong character. Emoli Extra Bold and Emoli Extra Bold Italic, the thickest weights that will facilitate legibility and strong attitude. FEATURES 10 weights / Italics / Lines / Numbers & Signs Font family Emoli works well on applications, brands, logos, magazines, films. Different weights give you the full range to explore a variety of applications, while illustrated fonts give a modern, relaxed and powerful feel to any project.

Oswald Cooper is best known for his emblematic Cooper Black™ typeface. Although he was responsible for several other fonts of roman design, Cooper never drew a sans serif typeface. But that didn’t stop George Ryan from creating one. Ryan saw a sans serif example of Cooper’s lettering in an old book and decided that it deserved to be made into a typeface. Ryan’s initial plan was to make a single-weight typeface that closely matched the slender and condensed proportions of the original lettering. While the resulting Oz Handicraft™ typeface proved to be very popular, Ryan was not satisfied with the limited offering. So, between other projects – and over many years – Ryan worked on expanding the design’s range. The completed family includes light, semi bold and bold weights to complement the original design, plus a matching suite of four “wide” designs, which are closer to normal proportions. Fonts of Oz Handicraft include a Pan-European character set that supports most Central European and many Eastern European languages.

About Black-Svane Introducing new "Black-Svane" The aesthetic classy serif. Black-Svane have two-faced beauty serif : Modern and Classic, it is perfect for display, sub header or body text. If you are like a modern : Just type with regular letters, If you are like a classic touch : Just access your OpenType features to find the alternate letters and ligatures, Black-Svane has special stylistic set characters in complete uppercase from A-Z, and Lowercase from a-z . Also alternates characters in uppercase from A-Z. Black-Svane come up with 18 style and 9 weights, - from Thin to Black and Matching calligraphic italic. Black-Svane is a very versatile font, covering a wide range of your project types, book, magazine imagery, wedding invitations, branding, poster design, logos and so much more. I hope you like and enjoy... Thanks, FdyKudo.

MOTORWAY is the companion typeface to TRANSPORT, the British road sign lettering. The Motorway alphabet was created for the route numbers on motorway signage, and is taller and narrower than the accompanying place names and distances which are printed in Transport. However, for Motorway Jock Kinneir and Margaret Calvert created only the numbers 0 to 9, the capitals A, B, E, M, N, S and W, ampersand, slash, parentheses and a comma. So, although the lettering made its first appearance on the Preston bypass in 1958, K-Type Motorway is the first complete typeface and contains all upper and lower case letters, plus a full complement of punctuation, symbols and Latin Extended-A accented characters. As with the Transport alphabet the starting point was Akzidenz Grotesk, Motorway taking inspiration from condensed versions. Changes were mainly driven by a quest for legibility, resulting in some reduced contrast between horizontal and vertical strokes, and Gill-esque straight diagonal limbs on the 6 and 9, and high vertex for the M. Kinneir and Calvert designed the limited range of characters in two weights; a SemiBold 'Permanent' weight for use as white letters on blue motorway signs, and a Bold 'Temporary' weight for heavier black letters on yellow non-permanent signage. In addition to creating full fonts in both original weights, the K-Type family adds a new Regular weight, plus a set of italics, completing a highly usable condensed typeface which, while rooted in history, is fully functional for both print and web usage. The K-Type fonts are spaced and kerned normally, simply increase the tracking to recapture the generous spacing of motorway signage.

Everybody has their own message. Everybody's different, everybody wants to be remarkable. Eyes catch everything from first sight. Fashion is a statement. Elevate your persona higher, classier, with KOUTURA. A tailored high-fashioned font to put make-up on your visual works. Make your fashion branding, logo, poster, clothing, magazine, lookbook, mood board, boutique glam in a secs after you type out the words straight from your keyboard.

Delight Script is a fresh and original Angel Koziupa design that takes its cue from post-WWII advertising scripts. Casual, bouncy and playful, this upright script is built and engineered by Alejandro Paul with tons of alternates that can make every word look like real hand lettering. It covers all Latin-based languages.

High Cut came about by this found object I stumbled upon, while exploring an abandoned building, which had this word "High" cut out of it in a similar stencil design. I thought it would be a fun challenge to create an entire typeface inspired by this found object. Enjoy this new stencil typeface!

Cassandra Plus is my revised version of Cassandra, it can now be used all over Europe except Greece and Russia. I changed the weights a bit to make them more distinct. The Font has two widths of letters, wide Capitals on the (shift) uppercase-keys and narrow ones on the (no shift) lowercase-keys. You can match them as you like, but you should avoid having the same letter in one word in two different widths. But if yoyu are really daring you can use one narrow S and a wide one, it might still look good. It will almost always look good! Cassandra is my “bow” to Adolphe Mouron Cassandre. Yours sincerely mixing things up for you again Gert Wiescher

You gotta love this extreme take on the "gothic" blackletter traditions! Roger Nelsson edited a few letters, drastically improved the spacing - and then gave it the usual large CheapProFonts character set. Fun! Kevin King says: "Kingthings Spike was made because Buffy has one, I made Willow... Xander is yet to come. Oh and because I hate Engravers Old English! Pugin, eat my shorts! Sorry!" Kingthings Spikeless is a toned down version of Kingthings Spike. Kevin King says: "Kingthings Spikeless was requested by those who actually want to read text... well I call that tedious, but if you must, here it is no flourishes, just my small homage to black-letter." ALL fonts from CheapProFonts have very extensive language support: They contain some unusual diacritic letters (some of which are contained in the Latin Extended-B Unicode block) supporting: Cornish, Filipino (Tagalog), Guarani, Luxembourgian, Malagasy, Romanian, Ulithian and Welsh. They also contain all glyphs in the Latin Extended-A Unicode block (which among others cover the Central European and Baltic areas) supporting: Afrikaans, Belarusian (Lacinka), Bosnian, Catalan, Chichewa, Croatian, Czech, Dutch, Esperanto, Greenlandic, Hungarian, Kashubian, Kurdish (Kurmanji), Latvian, Lithuanian, Maltese, Maori, Polish, Saami (Inari), Saami (North), Serbian (latin), Slovak(ian), Slovene, Sorbian (Lower), Sorbian (Upper), Turkish and Turkmen. And they of course contain all the usual "western" glyphs supporting: Albanian, Basque, Breton, Chamorro, Danish, Estonian, Faroese, Finnish, French, Frisian, Galican, German, Icelandic, Indonesian, Irish (Gaelic), Italian, Northern Sotho, Norwegian, Occitan, Portuguese, Rhaeto-Romance, Sami (Lule), Sami (South), Scots (Gaelic), Spanish, Swedish, Tswana, Walloon and Yapese.

Andinistas.net presents Makeup Script. Expressive hand-made typography to design sentences with high textured impact; has 4 creative tools. Our priorities are continually updated and we prefer to use the elevator since taking the stairs is a very long process. If you see a long text, you close it and look for something shorter. For quick calligraphy you need to consume hours and hours of learning, discomfort and effort. Think of calligraphic words or phrases to write about a photo no matter how expressive it may be. Try to write quickly with signature style for logos, labels or packaging for clothes, suitcases, shops, malls, department stores, etc. Do you want to be able to calligraphy well? STUDY. Do you want to be a calligrapher? PRACTICE. Want to produce good ideas? PUSH YOURSELF. If you practice for hours every day, those hours will turn into years, but for many, to think in years of study and practice is too long, since most want everything instantaneous and few want to cultivate skills related to calligraphic patience. Makeup was born in the midst of this type of reflections about countless themes about art, beauty and calligraphy. All the ideas that revolve around makeup parade through its insightful and solitary design, lover of instant and fast writing for graphic design related to food, household goods, fashion, etc. CFCG. teamwork by Carolina Suarez & Illustrations by Eder Salas. In that order of ideas Makeup offers the following tools: • Makeup Script (238 glyphs): It is a script with vibrant fleeting strokes that form capital letters, lowercase letters, numbers and character sets and extended punctuation for Central, Eastern and Western Europe. • Makeup Alternates (238 glyphs): Offers new script possibilities, different from uppercase, lowercase, numbers that work at the beginning or end of words, in a way that your design will look more real and calligraphic. • Makeup Swashes (238 glyphs): These are tiny script letters that reinforce the idea of fast binding between handwritten letters that will fill your design or concepts with power and expressiveness through multiple textured contours. • Makeup Extras (80 glyphs): Here you'll find over 70 exciting, hand-crafted decorations that are ideal for underlining your ideas written in Makeup.

Helvetica Now Variable Helvetica Now 2.0 builds on the groundbreaking work of 2019’s Helvetica Now release—all of the clarity, simplicity, and neutrality of classic Helvetica with everything 21st-century designers need. In this 2021 release, we introduce Helvetica Now Variable and add condensed weights to the Helvetica Now static fonts. Helvetica Now 2.0 includes 96 fonts in three distinct optical sizes (Micro, Text, and Display), now with 48 new condensed weights. The Helvetica Now Variable fonts include even more: 144 instances—48 normal, 48 condensed, and 48 compressed. Helvetica Now Variable gives you over a million new Helvetica styles in one state-of-the-art font file (over two-and-a-half million with italics!). Use it as an extension of the Helvetica Now family or make custom-blends from its weights (Hairline to ExtraBlack), optical sizes (four point to infinity), and new Compressed and Condensed widths. Create infinite shades of expression, incredible typographic animations, and ultra-refined typography. Its single font file makes it easier to use and wickedly fast. Load one file and access a million fonts—in a fraction of the size of a traditional font family. More freedom. More expression. More power. More. Helvetica. Now. Each one of the Helvetica Now static fonts has been carefully tailored to the demands of its size. The larger Display versions are drawn to show off the subtlety of Helvetica and spaced with headlines in mind, while the Text sizes focus on legibility, using robust strokes and comfortably loose spaces. Helvetica Now's Micro designs are simplified and exaggerated to maintain the impression of Helvetica in tiny type. There's also an extensive set of alternates, which allow designers the opportunity to experiment with and adapt Helvetica's tone of voice. The new Condensed weights put more type into smaller spaces—for intense emphasis, sophisticated contrast, or just everyday space-fitting. Helvetica Now 2.0 is, quite simply, more: more versatility; more power; and more creative possibilities. “For more than six decades, Helvetica has been the essential typeface,” says Monotype Type Director Charles Nix. “The release of Helvetica Now insures that it will be a typographic force for decades to come.”

Sequel Geo is a geometric/neo-grotesque hybrid superfamily, influenced by formalized sans-serif typefaces from Germany and Swiss modernist type design—particularly Max Bill’s greek-styled lettering. 8 subfamilies and 120 individual fonts allow for a wide range of typographic expressions. Sequel Geo’s hallmark features, such as the circular “G” and punctuation, simple “t”, and two-story “a” turning one-story in bolder weights, persist throughout all styles. But it’s the formal and functional differences between subfamilies that let you really fine-tune your layouts. The three optical sizes of the core collection, “Body Text”, “Headline”, and “Display”, boast optimized spacing for the intended use. “Extended” packs some extra punch with 18 display-oriented styles. Finally, 48 “Graphic” styles in 4 subfamilies push to the Geometric side, replacing horizontal and vertical stroke endings with angular ones, simplifying letterforms. Sequel Geo is a journey through time and space. From 1920s Germany to 1950s Switzerland. All the while, its archetypal shapes are neutral yet confident, its appearance is classic.

From the heart of the Blue Ridge Mountains, by way of Toronto, comes Martie's handwriting. Martie Byrd is a school teacher in Roanoke, Virginia, and a friend of Canada Type's Rebecca Alaccari. After years of admiring the cheer and clarity of Martie's handwriting, we asked her to write out full alphabets for some cool font treatment. The intent was to do three different versions of her writing in two different pens, then use the auto-magic of OpenType to determine letter sequences and rotate character sets on the fly when the fonts are in use. A successful endeavor it was. Take a look at the images in the MyFonts gallery to see the character rotation in action, along with a visual explanation of why Martie is not just another handwriting font. Unlike other available felt tip and ballpoint handwriting fonts, the regular and bold variations are style-based, not weight-based. They are the handwritten expressions of two different Sharpie pens: The fine point one (Martie Bold), and the ultrafine one (Martie Regular). The style-based variation considerably helps the realism needed in design pieces that take advantage of the contrast of two different handwriting fonts. Weight thickening in handwriting is an obvious mechanical effect that only happens with computers. Weight changing by replacing pens is what happens in the real world. Martie Pro and Martie Pro Bold each contain three different character sets in a single font. Language support includes Western, Central and Eastern European languages for all three sets. This translates into each Pro font containing over 750 characters. Add OpenType code and stir, and you have true handwriting fonts with versatility unavailable out there in anything else of the genre. A software program that supports OpenType features is needed to use the randomization coded in Martie Pro and Martie Pro Bold. Current versions of QuarkXpress and Adobe applications (Photoshop, Illlustrator, InDesign) do contain support for the randomization feature. But if you don't have one of these apps, you can still use the interchangeable Type 1 or True Type fonts and change the characters manually to achieve the appearance of true handwriting. The Martie fonts come in a variety of price packages, from the affordable single fonts to value-laden complete sets. All the proceeds from these fonts received by Canada Type will be donated 50/50 to two primary schools: One in Roanoke (where Martie teaches), and one in Toronto (where the 10-year old, real Canada Type boss goes). So next time a design project needs a handwriting font, do the write thing and use Martie to keep it real.

Strenght To Strenght is distinctive handwriting and encapsulates the essence of street style. It gives every design project an urban vibe with its rugged and raw characteristics. This font is the perfect choice for people looking for a strong and influential typeface inspired by the rebellious spirit of street culture and graffiti. This font is designed to be versatile, making it suitable for a wide range of creative projects. Whether you're working on a skateboard deck design, a streetwear stuff, or a poster for an underground event, this font will infuse your work with urban attitude and a raw, handcrafted feel. The uppercase characters in Thrasher Head are bold and impactful, while the lowercase letters exhibit a slightly more refined style, providing a balanced mix of legibility and street-inspired aesthetics. This typeface is perfect for an poster event, movie title, streetwear stuff, magazine layout, fashion brand, quotes, or simply as a stylish text overlay to any background image.

Amarone is a spiky calligraphic display typeface with some old fashioned flavour. It was designed by Carl Crossgrove, and includes an extensive set of swash caps which allow for extra drama where needed. Crossgrove wrote each of Amarone's letters by hand using pen and rough paper, and has retained some of this visual texture in the final digital design. The typeface works well at small sizes, but when used at larger sizes this texture comes to the fore. Amarone's elegant, formal character can be modified with its swash caps, which allow the typeface to move from prim and ordered to wildly expressive. Amarone lends itself well to packaging, posters and editorial usage – or in any environment where designers need to evoke times gone by. The Amarone font features an extensive character set with support for over 130 languages, and a range of OpenType typographic features including ligatures, initial and terminal forms, figures, fractions and swashes.

Daily Sweety is a carefully crafted script monoline font by Objectype Studio. This font features Ligature and Alternative features, allowing you to customize your designs with unique and attractive character variations. This font is specifically designed for a market seeking feminine, minimalist, beautiful, and unique designs. With its smooth lines and elegant shapes, Daily Sweety can bring a touch of elegance and beauty to any of your designs. Daily Sweety is perfect for various types of designs such as logos, invitations, greeting cards, branding products, posters, and much more. With its wide adaptability, this font can help you create standout and memorable designs. Get Daily Sweety today and start creating amazing designs!

Kindred is an organic and hand-lettered sans typeface. It has a friendly and organic feel that works great for branding, social media, and marketing! Kindred is inspired by hand lettering art - incorporating many letters that fit into each other and swashes that add a hand-drawn feel. The corners are slightly rounded to give it an organic and friendly feel. With so many alternatives and ligatures, each word can be customized to fit the needs of your project. The Details: 34 Standard Ligatures: Enabled by default to create a hand-drawn feel! (Make sure your open-type features are enabled!) These can also be switched out depending on the look you're going for. Over 90 Alternatives: These are the perfect way to make the type look custom-made for your project. Add small details, change double letters, or add swatches that fit around surrounding letters. Language Support: Danish, English, French, German, Irish, Italian, Portuguese, Spanish, Swedish, & Swiss German.

Introducing the "Brick and Stone Victorian Typeface" – a timeless and elegant font that beautifully captures the essence of the Victorian era. This exquisite typeface is a masterful blend of intricate craftsmanship, vintage charm, and artistic flair, making it the perfect choice for designers, typographers, and creatives seeking to evoke a sense of classic refinement and sophistication in their projects. The Brick and Stone Victorian Typeface boasts a rich repertoire of design elements that truly set it apart. With meticulously crafted ornaments, graceful swashes, captivating ligatures, and versatile alternates, this font provides an extensive toolkit to elevate any typographic endeavor. Whether you're working on invitations, branding, packaging, signage, or any other creative pursuit, this typeface lends an air of prestige and distinction to your work. Each character of this Victorian typeface has been thoughtfully created to reflect the ornate and elegant aesthetics of the 19th century. The font captures the essence of engraved stone and brickwork, giving your text an authentic vintage touch. The ornamental details add an extra layer of opulence, making every word feel like a work of art. Whether you're designing for weddings, formal events, historical projects, or simply seeking to add a touch of classic sophistication to your work, the Brick and Stone Victorian Typeface will exceed your expectations. Embrace the elegance of the past and unlock a world of creative potential with this remarkable font.

Portoluce is a Roman typeface. This fonts are delicate and highly readable at very small sizes but reveals all its strength and personality when used at big sizes. The contrast of the sharped serifs provides a fresh and very contemporary look. The family has 3 weights with italics, ranging from Regular to Black ideally suited for advertising and packaging, book text, editorial and publishing, logo and branding, small text as well as web and epub. Portoluce provides advanced typographical support with features such as ligatures, old style figures and small capitals. As well as Latin-based, the typeface family also supports Central European languages.

Sirichana is a monolinear Thai typeface with Light and Bold weights. The modern design is characterized by its traditional proportions but with almost geometric construction. Originally released by Linotype for digital photocomposition, it is now in OpenType format. This makes it possible to dynamically and precisely position the various levels of superscript and subscript vowel signs and tonal marks. In addition to this, the complete Unicode page range for Thai is covered to ensure flawless conversion between other OpenType fonts using Unicode. The accompanying Latin design matches well in scale and texture and supports most Western European languages making it ideal for setting bilingual texts.

Sheldon family draws inspiration from the beautiful and eloquent posters of Polish graphic artist Marian Stachurski. Generously sprinkled with stylistic oddities, this is the perfect typeface for having some cool typographic unevenness without losing the ever-handy sans-serifness. Sheldon is an all caps font but holds different characters on upper- and lower-case slots for a more consistent handcrafted feel. Its OpenType Contextual Alternates feature manages to instantly alternate these glyphs. The family includes 3 handy weights, so it can accommodate numerous typographic tasks. It also brings a very cool picture font, which charmingly completes this useful and visually striking font family. Have fun!

Pask is a retro inspired variable font family. Pask has a high-contrast and a thin hairline, this gives the typeface a bold and retro look. Pask comes with standalone fonts and a variable version, the variable version allows you to adjust the width and slant. Pask can cover a wide range of project such as: branding, mastheads, magazines, logos, blog posts, quotes, product packaging, advertisements and much more. WHAT YOU GET: Pask - Condensed Pask - Condensed Oblique Pask - Semi Condensed Pask - Semi Condensed Oblique Pask - Regular Pask - Oblique Pask - Semi Expanded Pask - Semi Expanded Oblique Pask - Expanded Pask - Expanded Oblique I hope you enjoy using the Pask typeface.

Lagu Sans is a contemporary typeface that blends a geometric inspiration with a charming contrast between thick and thin strokes. Alessio Laiso has designed Lagu Sans in 18 styles: 9 weights ranging from Thin to Black, with matching, beautiful italics. The companion Lagu Serif makes the Lagu family a real workhorse for any use, including web, digital, print, branding and signage. Lagu Sans has a large x-height and open counterforms, making it easily readable. It comes with powerful OpenType features, including ligatures, alternative glyphs, small caps, fractions, tabular figures, old-style figures, and more. The Lagu family supports 219 languages, covering 100% of the Latin Plus character set.

The Oyster family is a useful toolkit for hand-draw moods. It's a super casual and somewhat messy font that comes in two flavors: regular and outline, or rather, truly-hand-drawn-outline. Both styles have two choices for each upper- and lower-case letter, for that additional handmade feel. The OpenType contextual alternates feature instantly get these alternate glyphs to dance. The regular style also brings a set of glyphs with filled counters in a stylistic alternates pack, for a little twist now and then. And finally, the family has also a picture font with useful icons and ornaments. Handmadify your message and give Oyster a try!

Bigfoot is the fattest font ever made. It began as a simple exercise given to students in a design course: Most people don't appreciate type because they don't really know what it actually is. One way to understand it is looking at it like a combination of sculptures that have to work together to achieve a certain harmony, where each letter form is one of those sculptures. Most people understand and appreciate that a sculpture starts from a rock of an incomprehensible form, which is manipulated by someone into becoming the recognizable or abstract work of art it eventually is. Consider type design a kind of two-dimensional sculpting. You have a rectangle. Take away as a little as possible from it until it is recognizable as the letter A. Repeat to get the letter B, and so on. After all 26 minimal letters are made, do they actually function as an alphabet to build words and sentences that are recognizable to the human eye? This exercise can trigger thoughts and theories about the overall subjective nature of identifying abstract yet somewhat familiar shapes. It can go into the psyche of art in general. But one thing for certain, this exercise has so far helped a few people find a new appreciation for finely crafted typefaces. If you are a design educator, your students' typographical perspective and arguments would benefit from it. And if you are a designer, well, fat faces are all the rage these days, and this is as fat as it can get. Please note that that this typeface, due to its minimalistic nature, does not include accented characters. It does however support the full C0 Controls and Basic Latin Unicode set. All proceeds from this font go to support the Type Club of Toronto.

Introducing, Laurens! a bold font with a touch of soft curves. Laurens brings vintage look as well as modern designs. With a variety of alternative letters and ligatures, it will make your text more unique and interesting. Laurens is a very versatile font, perfect for editorial projects, Logo design, Wedding, Clothing Branding, product packaging, magazine headers, or simply as a stylish text overlay to any background image. I hope you enjoy! Letteralle Studios

Regnante was created with all of my heart. It has a luxury style, is stylish and lovely, and has a strong personality, so it will catch your attention. This font is ideal for a wide range of tasks including branding, logos, packaging, and more. Regnante includes 12 fonts, including 4 weight variations and Italic style. Regular and Alternate are come separately. You can make your selection based on your personal preferences and requirements.

Gorus is a variable width sans serif type family that's been created to give a powerful but flexible tool to create strong headlines, posters, logos, and display text with tight spacing and maximum space coverage. A contemporary geometric family in 15 styles brings a modern and strong impression to your design.

Alderlite is a elegant brush font. With a classy style, it brings a beautiful and chic typeface. Alderlite is best used for branding logotype, and quotes. Includes: Alderlite (OTF) Features: Standart Ligatures Stylistic Set Multilingual Support PUA Encoded Numerals and Punctuation Thank you for downloading premium fonts from Dita Type

ISO GPS framed font for producing geometrical tolerances and other ISO GPS specifications in different documents types such as CAD, word processor documents, spreadsheets or slideshow presentations. Full set of symbols and modifiers from ISO 1101:2017, ISO 1660:2017 and ISO 17863:2013. Includes recently added symbols such intersection plane indicators and collection plane indicators. Fully compliant with ISO 3098 series and ISO 7083. Use this in conjunction with the IMA ISO GPS No Frame font to cover all ISO GPS specification indications. Single user licence is provided with this font. Contact Iain Macleod Associates Ltd (www.macleod.co.uk) for multiuser licences, site-licences or corporate licences.

Have you ever wondered what sign painters and rib joints have in common other than the fact that they can both make a mess? What do they know that you don't which would have them pair a sexy casual script with a down south barbeque restaurant? Smokehouse is all about association. You'll find that this sexy casual script pairs well with a wide range of associations, from barbeque shacks to fairy princesses and everywhere in-between. It makes choosing the right font for the job an easy one, and for those that need to fill a little more space you'll find Smokehouse Wide is up to the task. Discover the power of association, and see how Smokehouse fits into your font collection. Buy both Smokehouse and Smokehouse Wide together as a family and save!

Doubletwo Studios - XXII AwesomeScript – the brush lettering font. Lettering is quite popular these days. And one thing is for sure… you are nothing without cool lettering. Here is one possibility to easily get a cool brush lettering result without calligraphic skills or any knowledge of using a brush. XXII AwesomeScript, that’s more than 1k wonderfully designed letters, ligatures and alternates which may bring a cool and individual handwritten look to your creation. This font is designed to easily create logos, headlines and text phrases within a blink of an eye. Just open your glyphs-palette* and simply chose, from up to 13 different alternates per glyph, the one that fits best for your needs. *For further information visit the Behance-Projectsite or download the pdf in the gallery.