The most space-saving sans serif This font saves more space than any of its kind! Slim proportions, but not “condensed” Characters which nearly touch Sparse ascenders and descenders Distinct forms How close to each other can the characters of a font get? Theoretically, as close as you want. But obviously, the words should still be legible. And as any designer knows, body clearance of characters also depends on other parameters such as point size and line spacing. In practice, there are always situations in which as much information as possible has to be positioned in as little space as possible. The ingoFont ÉconoSans is made for exactly this purpose. Even the name of the font implies its function: French for the infinitive “to save” is “économiser.” Now if that doesn’t sound good… The shapes of the upper and lower case letters are completely matter-of-fact, the way a modern font has got to be. The letters c e, and s are wide open to their neighbors. An especially distinguished trait of this font is the design of the “triangular” characters v w y x k z and A V W Y Z K X M N. And the open form of B R and P is also not typical in a sans serif. The distance between letters is kept tight and often the characters nearly touch, but only nearly. With ÉconoSans you gain approximately 20% more text in a line than with »Tahoma«, and even still more than 10% compared to »Helvetica«. ÉconoSans also includes tabular figures as well as ligatures. Among the ligatures, the double mm is especially unusual and is hardly familiar, but can contribute greatly to saving space without catching the reader’s eye.

The typeface Klötzchen (german word for blocks) is designed from 2020 for the font foundry Typo Graphic Design by Manuel Viergutz | Typo Graphic Design × Peter Eckartz | kleinholzTYPO as a political statement #climatejustice The display font based on the original wood letter from Peter Eckartz (kleinholzTYPO). The technic is called Reifendreherei from the Erzgebirge. Craft Tools like Hobel and Fräsmaschine. The idea based from Gert Schaaf (Spielzeugproduzent in Wittlich, 1970s). The font started from 41 wood letters (analog) and was finally digitalize and extended to 374 glyphs (digital). Thanks to Alex Branczyk for the Klötzchen. 3 font-styles (Wood, Clean, Impact) + 1 icon-style with 374 glyphs (Adobe Latin 1) incl. 100+ decorative extras like icons, arrows, dingbats, emojis, symbols, geometric shapes (type the word #LOVE for ❤️or #SMILE for

My Tara is a handwritten script typeface with a casual, but rough look and sketched woody texture. Because of the fluidity, there are plenty of Standard Ligatures to avoid frequent repetition of letters. There are ligatures created for Cyrillic too. If you want floral initials, first or last letter in a word, you can use My Tara Ornaments font with sketched and inky texture. If you need drawings for your artwork, you can choose My Tara Dingbats, with more than 300 crocky drawings of flora and fauna, authentic for National Park Tara. My Tara is the perfect choice for all natural and authentically beautiful things.

Add charm with intricate swirls! Karika Swirls was inspired by our obsessive love of swirly patterns and symmetric designs. Karika, a Hungarian word for circle, is a charming way of saying we love circular symmetrical forms. These 52 original illustrations are great for creating stationery, adding borders to greeting cards or design projects, background images, etc. The glyphs can be used individually or combined with other glyphs to form complex patterns. Karika Swirls is part of the Karika Collection of fonts. These intricate swirls are symmetrically sized in height and width so they'll work charmingly together for any project. See also Karika Hearts and Karika Encore .

A serif font with a hint of retro. Includes a display font for larger words and a text font optimized for reading. Use them alone or pair them together to create amazing compositions and designs. Beauty Outside Text: a serif font with loose letter spacing suited for reading great for larger blocks of text. Beauty Outside Display: a serif font with with tight letter spacing suited for larger type and headlines. Multilingual

Old Spokes - Vintage Display Font. Old Spokes is a super unique vintage display typeface. Old Spokes font inspired by display of the posters with vintage themes. Old Spokes have classic, retro and trendy impression is very visible. But in Old Spokes font I combine several variations such as the ligature. It makes this font even more unique and different. Old Spokes is also great for any kind of display purpose from album, cover,poster, label, tshirt, apparel, signage, quote, logo, greeting card,logotype and many more. Old Spokes is also support multi language. The alternative characters were divided into several Open Type features such as Swash, Stylistic Sets, Stylistic Alternates, Contextual Alternates, and Ligature. The Open Type features can be accessed by using Open Type savvy programs such as Adobe Illustrator, Adobe InDesign, Adobe Photoshop Corel Draw X version, And Microsoft Word. This font is also support multi language.

Designed with help and inspiration from legendary tattoo artist Dustin Horan. This beautiful time saver was designed specifically for skin application. Short words and initials can instantly be turned into seamless tribal style tattoos. Each glyph links with the next allowing letters to flow endlessly around limbs and in circles. Respecting the rhythm and geometry principles laid forth by American pioneering tribal artist Leo Zulueta, Scribal makes flowing text shapes that disguise themselves as design. When mirrored back to back and rotated vertically, Scribal becomes well-crafted tribal pattern. Typeface wise, Scribal breaks the mold. While a script font, Scribal was designed to be written in all capitals. Each capital is a mono-spaced glyph, providing even spacing. The shape influences are also vast, ranging from scripts, to blackletters, to romans. Making Scribal a very "Americanized" font, reflective of this "Americanized" style of Tribal Tattooing.

Early 1900s songwriters had a penchant for devising lengthy titles for their compositions. A perfect example from 1909, "It Is Hard to Kiss Your Sweetheart When the Last Kiss Means 'Good Bye'" is a whopping fourteen words long. The sheet music for this piece has a hand lettered, Art Nouveau sans serif design which became the working model for La Vie Nouveau JNL [which translates to "the new life"], and is available in both regular and oblique versions.

Blinkstar Font Duo is a playful script containing many choices of alternative characters to choose from as well as ligatures that look natural to add to the authenticity of letters. A collection of strange and initial swash tips is also included to add finishing touches or fill the design space in your type design. Blinkstar scripts are calligraphy handwriting fonts, loaded with awesome opentype features, and full alternative upper and lower case character sets. make custom letters a dream thanks to all the extra decorative choices you can enter for beautiful and unique customizations - swash, endings, alternative letters and ligatures all make it the prettiest little thing since tutus and tiara. Designed to work harmoniously, this duo font consists of super fine and casual signature scripts and a complete and clean set of all sans serif letters. Sans Serif fonts consist of two outline fonts of different weights, and a regular version. Layer them with different colors and turbidity to get a million different views. This font is perfect for branding, logos, web and editorial design, branding, prints, invitations, crafts, quotes, and more. Including Files: • Blinkstar Script • Blinkstar Sans Regular • Blinkstar Sans Outline Need help? If you need help or advice, please contact me by e-mail "Greatstudio92@gmail.com" Thank you for your purchase! Cheers, Great Studio

Introducing Shabella by Tlatous Type. Shabella is a Modern Handwritten Font. Shabella is perfect for product packaging, branding project, megazine, social media, wedding, or just used to express words above the background.

Simplemind is a modern handwritten font. Simplemind is perfect for product packaging, branding project, magazines, social media, weddings, or just used to express words above the background. It includes multi-lingual support.

Take your reader far away to a tropical morning, where the inviting aroma of a fresh roast introduces them to a gentle breeze and the first, warm light of day. Take them there with Barcis. This organic face with its tall x-height and neo-humanist attributes shows its free spirit through unique terminals, calligraphy-inspired strokes, and a rich variety of OpenType alternates All insigne fonts are loaded with OpenType options. Barcis is geared up for pro typography. The font features many numeral sets, with fractions, old-style figures, superiors and inferiors. OpenType-capable programs like Quark or the Adobe suite allow you to quickly change ligatures and alternates. You can see these options shown in the .pdf brochure. Barcis also features the glyphs to aid a variety of languages, together with Central, Eastern and Western European languages. In all, Barcis supports around forty languages that utilize the Latin script, earning Barcis the pick for for multi-lingual publications and packaging. Barcis features three different widths and seven weights from exceptional Light-weight to dense Black. Each of these individual fonts offers its own authentic italics and alternate glyphs as well. With its high versatility, Barcis is without a doubt an amazing titling font, a great choice for journals, a solid option for web use, or even for clearly defining your mark in logotype. Bring Barcis into your library, and use it to carry your audience away.

Cellita Script Fonts consist of sophisticated, elegant, classy and modern handwriting. With a little dirty curvature and made from the typography of new trends, This font will give you a design that looks fresh and modern. Cellita Script, with a soft style and has elegant nuances, classy and natural. Perfect to get a more charismatic impression or a unique touch to your projects and branding, greeting cards, wedding, banner, name card, lettering, fonts pairing, etc. The Open Type features can be accessed by using Open Types savvy programs such as Adobe Illustrator, Adobe InDesign, Adobe Photoshop Corel Draw X version, And Microsoft Word. And this Font has given PUA Unicode (specially coded fonts). so that all the alternate characters can easily be accessed in full by a craftsman or designer and also equipped with Multilingual support.

Nuematic Gothic is a condensed sans-serif family. It has a tall Cap Height and an x-height to balance it. Neumatic Gothic is versatile in use as a Headline font or as a text font. Neumatic Gothic has loads of options to play around with, included in the glyph set is small caps a stylistic uppercase superscript, stylistic alternates and circled numbers to name some. The typeface was designed with the graphic designer in mind to make beautiful typographic pieces with more ease with all the options you have in Neumatic Gothic.

Retrofunk was inspired by the retro typography design in 70's. Script and Serif form a great combination for creating a logos, signboards or a simple word mark. Hundreds of Alternates with PUA Unicode are packed inside Retrofunk Script. Those alternate characters will help you to create a bold, strong, artistic and variate graphic design for flyers, posters, banner Ads, T-Shirts, book covers, titles or any retro or vintage typography. Tutorial: Watch how to access the alternate characters and pairing the basic script font with the extrude style here.

Refinery is the newest font in the Evanston Collection of square typefaces. With a similar capital structure to Tavern and Alehouse, Refinery includes both lowercase and small caps, making it an ideal typeface for paragraph text settings. It also comes in a wide array of weights and widths, with 85 font files in total. DESIGN Refinery has it’s roots in early 20th century signage and saloon typography, but has been modernized - even future-ized - to fit the 21st century digital landscape. The design was aimed at providing a type family that could work in many modern design fields, from sports, tech and military to gaming, HUD, virtual reality and augmented reality. ENGINEERING Essentially. Refinery is a simple mono-linear square design has been expertly refined into an easy-reading sans serif typeface. It was designed to be used in both display and text settings. From hairline to black in ultra-narrow or extended, the wide array of weight and width options makes it easy to find the right font for each text need. SPECS Refinery not only includes 85 font files, but each one include a wide array of Opentype Extras that allow even further customization. • Stylistic Alternatives: Letters A W Y have a styling variation that rounds the pointed apex into a square curve. The S and 2 variation straightens the spine, making all curves in the alphabet read as 90º angles. • Small Capitals: A shortened version of the capitals for alternate header settings. • Titling Alternatives: In this typeface, this feature turns on lifted small caps. Take the small capitals, raise them to level with capitals and underline at the baseline. When multiple lowercase or small capital letters are typed in a row, the underlines connect, creating unique ligatures. • Figures: There are different figure styles for different text needs. Options include, proportional lining, tabular lining (for math), old style and small capitals. • Discretionary Ligatures: A little funk to this otherwise serious typeface. Letters with a long baseline or cap height stem - F, L, T - get elongated to hug a small capital vowel. Other ligatures include Co. and No. • Catchwords: These are common words that bring emphasis to a design. In English these words include ‘and’ ‘as’ ‘by’ ‘in’ ‘of’ ‘the’ ‘to’ ‘when’, among others. Refinery also includes multilingual catchwords of ‘el’ ‘la’ ‘oder’ ‘go’ ‘para’ ‘pour’ ‘und’ ‘y’, among others. For the full list, please check out the specimen images. EXTRAS To round the typeface off, a set of over 150 ornaments, icons, arrows, patterns and line breaks is included to provide complimentary graphics. These can be found in the Ornaments labelled font, it is recommended to use the Glyphs panel to select which text glyph is needed.

Benda is a modern geometric script font with roots in the calligraphy and lettering of legendary artist Jaroslav Benda. With bold, predominantly low joins, the robust monolinear character strokes shine in one-word and short inscriptions as well as in longer headlines. The practical letterforms do not clutter the space with loops and curlicues, while the emphasised baseline helps to underline the importance of the message. What’s more – Benda is a smart font, automatically replacing conflicting characters with suitable alternatives as you write so that the final text flows seamlessly. Because Benda is the sequel to Jaroslav, it derives the slant, colour, and geometric characteristics from the sans typeface, forming the perfect companion to the font. So much so, it can serve as a second italic emphasis in long texts.

Introducing "Kind Breakout" with a bold and modern vintage style and a touch of stamp effect so you can feel a very distinctive vintage feel. If your latest project needs a touch of class, it's time to take Kind Breakout to your font library. This beautiful and elegant typeface features a vintage style, OpenType features like ligatures, stylistic alternatives, stylistice Set, Swash, Discretionary Ligatures and even comes as a web font. Perfect for posters, logos, and stationery, this is a one of a kind elegant font waiting to impress. Kind Breakout has 725 glyphs and all PUA Encoded Characters, Can be accessed in Adobe Illustrator, Adobe Photoshop, Microsoft Word, CorelDraw and other applications that support the opentype feature, Fully accessible without additional design software. This font will be a great asset to your font library, as it has the potential to enhance your next project creation.

The Planetype Font Family is Modern. It has 6 Font Styles: X-Light, Light, Medium, Inline, Bold, & X-Bold. Each style has a consistent weight with a square serif of equal weight to its vertical and horizontal strokes. Planetype™ for short or Planet-Type font styles all have extremely clean edges and are sharply defined. There is a standard kerning applied, however evenly letter-spacing these family members give a distinct personality and continues to command the negative space just as in tight kerned examples. The compatible relationship of these font family members, weight to weight, and X-Light to X-Bold is seamless and the overall design coloring of words and sentences is well balanced and extremely legible. The Planetype Family fonts are matching members glyph to glyph. This family works in modern, contemporary and vintage settings. The Planetype Medium matches the outer weight of Planetype Inline. Their are several unique Glyphs that set the character of this family, such as: Caps B, M, Q, R, X and Lower Case a, e, k, r, z to begin with. The numerals and dingbats also have several unique glyphs that flow with the family Style in every matching weight. These characteristics lend well in designing logos, brands, and even monograms. Starting with Planetype X-Light the designer has a command of the clean lines yet expressing Modernism and a touch of Architectural structure. Planetype Medium & Planetype Inline are a dynamic duo giving a positive/negative readability.

Introducing Black Corps - Military Serif Font Black Corps is a military serif font that comes in four distinct styles - solid, inline, outline, and stencil. This versatile font is perfect for use in a wide range of design projects, including branding, advertising, and packaging. Its military aesthetic makes it suitable for use in official documents and military communications, and its four different styles allow you to create a wide range of looks. The solid style of Black Corps is bold and straightforward, making it perfect for use in headlines and titles. The inline style adds a touch of elegance, while the outline style is light and airy. And the stencil style is perfect for creating a rough, rugged look. FEATURES - Uppercase and Lowercase letters - Numbering and Punctuations - Multilingual Support - Works on PC or Mac - Simple Installation - Support Adobe Illustrator, Adobe Photoshop, Adobe InDesign, also works on Microsoft Word Hope you Like it. Thanks.

Resplendent is a beautiful and free-flowing hand-lettered modern brush script font. Along with a full set of alternate lowercase characters, Resplendent comes in 2 different styles; Brush and Solid - giving you a hugely versatile brush font which can be used in a range of different scenarios. Resplendent Brush maintains a rough hand-painted aesthetic, whereas Resplendent Solid has a totally clean & smooth finish to it's edges; ideal for vinyl cutters such as Cricut and Silhouette Cameo, or simply for any project which needs a silky smooth style. Both styles of the font include an 'Alt' version, this has replaced all of the lowercase characters with a completely new set. If you wanted to avoid letters looking the same each time to recreate custom lettering, or try a different word shape, simply switch to the 'Alt' fonts for an additional layout option. Language Support • All Resplendent fonts include language support for; English, French, Italian, Spanish, Portuguese, German, Swedish, Norwegian, Danish, Dutch, Finnish, Indonesian, Malay

Senohraby is an uppercase display typeface inspired by the old sign at Senohraby train station that is now slowly chipping away. Senohraby is available in three interconnected styles that freely various ages of the sign. “Paint” is a more or less preserved font written with a flat brush and featuring slight scratches and errors. The other styles, “Dirt” and “Trash”, follow up on this style and are increasingly marked by age, damage and erosion... In each style one can use simple alternation with lowercase letters, context-based alternation to eliminate repetition of adjacent characters, and a broad range of language support. As a result, each letter offers six variations that can be combined. These can be used as another alternation within a single word or as different bold weights. As a bonus, a fourth, additional style named “Crap” is freely available and as the name implies, it contains a wide array of various impurities.

Sabor is a voluptuous upright connected display font with mixed taste of script fonts. There were many inspirations for Sabor, but all started with a book from the 1950s about the battles of World War II. To that first sketches of a naive dense display typeface we, day by day, start to create a mixed style evolving some lettering concepts from 1950s, some calligraphy notions and the first display ideas. The feeling of this font is good to be used in many artworks, like logos, packaging, party invitations, layouts for t-shirts, magazine headings, and much more, since websites to and all kind of printed jobs. That font is not really a script, but, like the scripts we strongly recommends to use the caps only in the beginning of words and sentences, to contrast with the lower cases : it’s not designed for all-caps settings, so avoid that kind of use. This font has almost 700 glyphs and supports the most important Latin-based languages. We works hard in a tour-de-force kerning: over 12.000 kerning pairs soft adjusted handily. Its OpenType features include final forms, initial forms, special sets (upper and lowercase's), hundreds of contextual alternates ligatures providing letter-form variations and connections that make your designs really special, and ornaments (tails). Because of its high number of alternate letters and combination's, we suggest the use of the glyph palette to find ideal solutions to specific designs. The sample illustrations will give you an idea of the possibilities. You have full access to this amazing stuff using InDesign, Illustrator, QuarkXpress and similar software. However, we still recommend exploring what this font has to offer using the glyphs palette: principally to get all the power of the Contextual Alternates feature. You can get an idea of the power of this font looking at the “Sabor User Guide”, a pdf brochure in the Gallery section. Also available two sister fonts easy to use : SaborWords and SaborRasgosEscritura Sabor has original letters designed by Iza W and overall creative direction plus core programming by Paulo W.

Bradley Jermaine is a modern handwritten script font with an elegant touch. This font is perfect use for fashion-related design. Bradley Jermaine font is also usable in a wide range of works such as website banner, greeting cards, wedding stationery, modern logo/personal branding, social media quotes, and much more! Feature : - Alternate and Ligature Set - Multilingual Language - Works on PC & Mac - Simple installations - Accessible in the Adobe Illustrator, Adobe Photoshop, Adobe InDesign, even works on Microsoft Word. Thank you! Grezline Studio - Akhmad Reza Fauzi

Santika Script with 172+ glyphs. Alternative characters are divided into several Open Type features such as Swash, Stylistic Sets, Stylistic Alternates, Contextual Alternates. The Open Type feature can be accessed using Open Type savvy programs such as Adobe Illustrator, Adobe InDesign, Adobe Photoshop version of Corel Draw X, and Microsoft Word. And this Font has provided PUA unicode (custom coded font). so that all alternative characters can be easily accessed in full by a craftsman or designer. Santika Script Santika Script Italic Happy Designing

Lately I have been experimenting with different foods. At home, we eat a lot of Asian food, but I thought it would be nice to broaden my culinary horizon a bit. So far I have (successfully) added Georgian beef and walnut soup, Tacos (after a suggestion by my friend Stuart), Surinam Roti and various vegetarian dishes to our menu. When I created this font, I had to think of Gumbo - a dish I have never made. Gumbo is a handmade display font that comes in a rotund regular and an obese bold (with Italics). Use it for your book covers, product packaging and sticky notes. Gumbo comes with cute ‘end of word’ ligatures - just type the glyph + space and presto: you have a little swash. As for the dish Gumbo, well, I will make that this weekend!

A faux script font typical of classic american branding. I have totally reworked all the letterforms: they started with a “notch” and ended flat - I have removed the “notch” and rounded off the ending stroke, so now you can actually start words with the lowercase letters. I have also improved the spacing (especially after the capitals), and of course added all the “foreign” glyphs. A classic is reborn! Nick Curtis says: "Just another “somewhere from the thirties to the fifties” kinda script, named kinda after a sixties rock festival." ALL fonts from CheapProFonts have very extensive language support: They contain some unusual diacritic letters (some of which are contained in the Latin Extended-B Unicode block) supporting: Cornish, Filipino (Tagalog), Guarani, Luxembourgian, Malagasy, Romanian, Ulithian and Welsh. They also contain all glyphs in the Latin Extended-A Unicode block (which among others cover the Central European and Baltic areas) supporting: Afrikaans, Belarusian (Lacinka), Bosnian, Catalan, Chichewa, Croatian, Czech, Dutch, Esperanto, Greenlandic, Hungarian, Kashubian, Kurdish (Kurmanji), Latvian, Lithuanian, Maltese, Maori, Polish, Saami (Inari), Saami (North), Serbian (latin), Slovak(ian), Slovene, Sorbian (Lower), Sorbian (Upper), Turkish and Turkmen. And they of course contain all the usual “western” glyphs supporting: Albanian, Basque, Breton, Chamorro, Danish, Estonian, Faroese, Finnish, French, Frisian, Galican, German, Icelandic, Indonesian, Irish (Gaelic), Italian, Northern Sotho, Norwegian, Occitan, Portuguese, Rhaeto-Romance, Sami (Lule), Sami (South), Scots (Gaelic), Spanish, Swedish, Tswana, Walloon and Yapese.

I was listening to an Opeth album called Blackwater Park. By the time I had decided that this font needed some swirls, the band was playing a song called The Drapery Falls - which has the word ‘spiraling’ in it (see poster 2) - and the name was born. Spiraling down is a surprisingly elegant font (given its roughness). I probably wouldn’t set a whole text in it, but it will really stand out as a titling font for packaging or book covers.

We're excited to unveil our new beautiful script font, "Adora Bella." "Adora Bella" was inspired by clean handwriting with a natural flow and works well for various designs, including wedding stationery, Instagram quotes, modern logos, packaging, websites, and many more. "Adora Bella" features fabulous beginning and ending lowercase swashes as well as lowercase heart swashes. A connecting heart swash may be used to tie two words or letters together; however, it is important to remember that this is intended to be used for joining lowercase words.

Heidenberg is a hand lettering work with retro style. This well designed font was inspired from classic typography designs in 60's to 80's. Heidenberg was packed with a lot of alternates and swashes (please check preview images), it will give you more choices to custom your words with this OpenType features. It also has multilingual support for standard latin characters.

"Istanbul Type" has a modern streak which is the result of a harmonization of width and height especially in the lowercase letters to support legibility. "Istanbul City" has the modernity of the west and the orientalist texture of the east as the city that unites the Asian and European continents. "Istanbul Type" also includes these features. It is a unique character that reflects the spirit of "Istanbul City". Many letter alternatives prepared with care have been created for all letters. You can make dozens of combinations from a word using these alternative letters. "Istanbul Type" is an effective set for creating identities for branding, posters, book covers, headlines, logotypes, restaurants, menu cards, wedding invitations and so on. "Istanbul Type" provides advanced typographical support for Latin-based languages. An extended character set, supporting Central, Western and Eastern European languages, rounds up the family. The designation “Istanbul Type 500 Regular” forms the central point. The first figure of the number describes the stroke thickness: 100 Thin to 900 Bold. "Istanbul Type" 5 weights and italics total 10 types. The family contains a set of 2.200+ characters. Case-Sensitive Forms, Classes and Features, Fractions, Superior, Inferior, Denominator, Numerator, Old Style Figures just one touch easy In all graphic programs. Attention! "Typography Line" is not suitable for use. When using it for special effects, it may be necessary to "Convert / Create Outlines" it first and then "Pathfinder Unite" it. You might have a crush on this typeface :) Do not hesitate to consult me for information about fonts before, during and after purchasing. You can contact me at "buyuksel@hotmail.com". Enjoy using it.

"Istanbul Type Variable" has a modern streak which is the result of a harmonization of width and height especially in the lowercase letters to support legibility. "Istanbul City" has the modernity of the west and the orientalist texture of the east as the city that unites the Asian and European continents. "Istanbul Type Variable" also includes these features. It is a unique character that reflects the spirit of "Istanbul City". Many letter alternatives prepared with care have been created for all letters. You can make dozens of combinations from a word using these alternative letters. "Istanbul Type Variable" is an effective set for creating identities for branding, posters, book covers, headlines, logotypes, restaurants, menu cards, wedding invitations and so on. "Istanbul Type Variable" provides advanced typographical support for Latin-based languages. An extended character set, supporting Central, Western and Eastern European languages, rounds up the family. The designation “Istanbul Type Variable 500 Regular” forms the central point. The first figure of the number describes the stroke thickness: 100 Thin to 900 Bold. "Istanbul Type Variable" 5 weights and italics total 10 types. The family contains a set of 2.200+ characters. Case-Sensitive Forms, Classes and Features, Fractions, Superior, Inferior, Denominator, Numerator, Old Style Figures just one touch easy In all graphic programs. Attention! "Typography Line" is not suitable for use. When using it for special effects, it may be necessary to "Convert / Create Outlines" it first and then "Pathfinder Unite" it. You might have a crush on this typeface :) Do not hesitate to consult me for information about fonts before, during and after purchasing. You can contact me at "buyuksel@hotmail.com". Enjoy using it.

The purpose of this monospace font is to display braille in an original although rather steganographic way. Its glyphs are built from a flat hexagon which can be read as 3 rows of 2 vertices (i.e. regular braille glyph grid). The initial design is illustrated by glyphs 'ç' (no dot) and 'û' (6 dots) as shown by poster 5. Glyphs are connected to each other, thus 6 connections for each hexagon (2 on left/right and 4 on top/bottom). In the final design many diagonal segments of the hexagon were removed for esthetical reason. Text is displayed not as a honeycomb but as a lattice instead which mixes hexagons, squares and "irregular convex octagons" (mostly unclosed), the design favored squares over octagons. The whole slightly resembling a PCB. Text can be framed with 3 sets of Frame glyphs (as shown in Poster 4): Octagonal: { €, °, £, µ, §, ¥, ~, ¢ } which can be mixed with Rectangular High Rectangular Low: { è, é, ê, ï, î, à, â, ä } Rectangular High: { Â, ù, Ä, Ê, Ë, ô, õ, ë } which can be mixed with Octagonal NB: When using Frame glyphs, it is advised to show Pilcrow (¶) and Non Breaking Space, which are replaced by empty shapes (e.g. in Microsoft Word, use CTRL+8 or use [¶] button in the ribbon).

Мир is Mir. The Russian word Мир (Mir) means both World and Peace. The rendezvous of the two terms seems quite unique and utopistic today, but it is comforting to see that it was natural at some time deep down in Russian history. Bits of both meanings were going through my mind while I was designing this typeface. Mir’s character set is multiscript – Latin, Cyrillic and Greek – and extends to many parts of the linguistic world. In fact it covers more than 100 languages. Stylistic consistency between the language systems make typographic border crossings painless even where national borders are still closely guarded. And in regions where mathematics, physics or chemistry are to be expressed, a rich set of OpenType features lets Mir master also these situations. Serious things are best be said in a relaxed, unpretentious way. So Mir doesn’t put on a show. Mir has authority without being authoritarian, it is serious but not stern. It can explain difficult things and stay calm and down to earth at the same time. Mir Medium has another useful feature: It can be freely downloaded and used by anybody anywhere. You can test the Mir Family with free Mir Medium and get more styles when you need them. @juliasys

Gin And Tonic is a classical serif typeface family. In a cocktail of soft arches and sharp corners, this traditional type has a multifaceted flavor, just like a well-balanced drink. Inspired by turn-of-the-century quality produce, Gin And Tonic is a genuine victorian typeface, that brings class and authenticity to any graphic project. The type of lettering that could be seen in an old-west saloon. This serif font is provided in eight styles: Thin, Regular, Bold and Thin Italic, Regular Italic, Bold Italic. As well as the Outlined style and its complementary Outline Italic. Write in CAPS for decorative conjunction words. Example: Gin AND Juice, Bird OF Prey (Download required.) The font is built with advanced OpenType functionality and has a guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures and more features; all to give you full control and customizability. It has extensive lingual support, covering all Latin-based languages, from North Europe to South Africa, from America to South-East Asia. It contains all characters and symbols you'll ever need, including all punctuation and numbers.

Nala Junior is a chubby, fun and charming display font. Its simple and friendly style makes this design incredibly versatile, fitting a wide variety of creative ideas. If you have any queries, questions, or issues please don't hesitate to contact us direct. Download within a few clicks and use across a huge range of programs including Photoshop, InDesign, Illustrator, and Microsoft Word as well as many more.

Matchstick is a hand drawn brush script. Matchstick is packed with loads of ligatures and alternates that help simulate a swift look of a handwriting. This feature is set in Standard Ligatures and it is normally automatically on. Matchstick is a great display brush to be used in writing headlines, packaging, posters or as a logotype. Matchstick works great when paired with strong sans serifs.

Thanks to the Quay Brothers, London, who provided me with original materials, I was able to revive Carl Otto Czeschka’s beautiful Czeschka Antiqua which was first released by Genzsch & Heyse in 1917. Since nowadays the word Antiqua rather refers to fonts with serifs, I dropped it, also because this fanciful font is a humanist sans. To get access to all ligatures, it is recommended to also activate the OT feature Discretionary Ligatures.