Sail the seas with Nautical Doodles. This seaworthy font has 32 illustrations of water craft, anchors, star, compass, flags, whale, shark, birds, starfish, seahorse, rope etc. Even a mermaid... and the scripted word Ahoy! If you would like the character chart go to the Gallery Tab and print. (PDFs are no longer downloaded with the font.)

Tyrium is the font pack. The Normal font combines with the alternate character font to make each word unique. Then add the Splatters font as your tagline and — the ideal logo! What's included: - .TTF and .OTF files - Opentype features. - Splatters combines perfectly with Tyrium to create cool typography or logo design. - A range of multilingual support.

Allencon is a lovely font based on freehand calligraphy. It has a bold, decisive look, with various aspects of the characters regularized to give a consistent appearance in print while preserving the personality of the lettering. It includes variant versions of many of the characters, particularly elongated characters for the ends of words at the ends of lines - great for poetry.

Prop-a-ganda offers retro-flavored fonts inspired by lettering on retro propaganda posters, retro advertising posters, retro packages all the world over. This is perfect font for your retrospective project. PAG Industria is one of the simplest font in Prop-a-ganda series. In spite of its simple letter form, the bold stroke is very powerful and sophisticated.　This font leaves an impact even just a few words.

Eyeballs was designed at Bitstream by designer David Robbins. Its beginnings can be found in Bitstream’s Old Dreadful No. 7, where Mr. Robbins first conceived the capital I. He was later asked by Bitstream to develop the entire character set. The result is a humorous meld of cartoon and typography. A word of caution: Watch how you use it!

Here is something to talk about! Spread the word - spread the gossip! An elegant combination of thin and fragile lines, made with a fine pen. Fine lines, crunchy, sweet curls.

Quill-formed roman/gothic with an olde-worlde flavor. Some background in the designer's own words: "A series of fonts came to mind which would be rooted in the medieval era -for me, a period of intense interest. Prior to Gutenberg's development of commercial printing with type on paper in the mid-1400s, books were still being written out by hand, on vellum. At that time, a Bible cost more than a common workman could hope to earn in his entire lifetime. Men like William Tyndale devoted their energies to translating the Scriptures for the benefit of ordinary people in their own language, and were burned to death at the stake for doing so. Those in authority correctly recognized a terminal threat to the fabric of feudal society, which revolved around the church. "This religious metamorphosis was reflected in letterforms: which, like buildings, reflect the mood of the period in which they take shape. The medieval era produced the Gothic cathedrals; their strong vertical emphasis was expressive of the vertical relationship then existing between man and God. The rich tracery to be seen in the interstices and vaulted ceilings typified the complex social dynamics of feudalism. Parallels could be clearly seen in Gothic type, with its vertical strokes and decorated capitals. Taken as a whole, Gothicism represented a mystical approach to life, filled with symbolism and imagery. To the common man, letters and words were like other sacred icons: too high for his own understanding, but belonging to God, and worthy of respect. "Roman type, soon adopted in preference to Gothic by contemporary printer-publishers (whose primary market was the scholarly class) represented a more democratic, urbane approach to life, where the words were merely the vehicle for the idea, and letters merely a necessary convenience for making words. The common man could read, consider and debate what was printed, without having the least reverence for the image. In fact, the less the medium interfered with the message, the better. The most successful typefaces were like the Roman legions of old; machine-like in their ordered functionality and anonymity. Meanwhile, Gutenberg's Gothic letterform, in which the greatest technological revolution of history had first been clothed, soon became relegated to a Germanic anachronism, limited to a declining sphere of influence. "An interesting Bible in my possession dating from 1610 perfectly illustrates this duality of function and form. The text is set in Gothic black-letter type, while the side-notes appear in Roman. Thus the complex pattern of the text retains the mystical, sacred quality of the hand-scripted manuscript (often rendered in Latin, which a cleric would read aloud to others), while the clear, open side-notes are designed to supplement a personal Bible study. "Tyndale is one of a series of fonts in process which explore the transition between Gothic and Roman forms. The hybrid letters have more of the idiosyncrasies of the pen (and thus, the human hand) about them, rather than the anonymity imbued by the engraving machine. They are an attempt to achieve the mystery and wonder of the Gothic era while retaining the legibility and clarity best revealed in the Roman form. "Reformers such as Tyndale were consumed with a passion to make the gospel available and understood to the masses of pilgrims who, in search of a religious experience, thronged into the soaring, gilded cathedrals. Centuries later, our need for communion with God remains the same, in spite of all our technology and sophistication. How can our finite minds, our human logic, comprehend the transcendent mystery of God's great sacrifice, his love beyond understanding? Tyndale suffered martyrdom that the Bible, through the medium of printing, might be brought to our hands, our hearts and our minds. It is a privilege for me to dedicate my typeface in his memory."

Explore a diverse range of 23 different handwriting styles with the new Go Font Yourself! Volume 2 Fontpak. This is a collection of 23 new, genuine handwriting fonts in OpenType format for Mac or PC. Fancy cursive or extrabold marker, stylish script or sassy scribbles; this fontpack is loaded a lot of personality. And if that's not enough handwriting styles for you, check out the original: GFY Handwriting Fontpak (Volume 1).

Kobajeon is a fun handwritten font with a touch of Japanese style. This font is suitable for both display and title. Equipped with 200+ Glyphs that will give the impression of a good handwriting style. It is perfect for product packaging, cartoon, magazine covers, social media, wedding, or just used to express words above the background. Enjoy!

Gobsmacked is a rather new English word. It has been around since 1959 and was used mostly around Liverpool at that time. The word means: ’astounded’, ‘flabbergasted’ (another nice word!) or ‘speechless’. Gob could be of French or Scottish Gaelic origin and means ‘mouth’. Gobsmacked font was created using a brush and black gouache. The result is a very eroded, very legible and quite unique brush font. I have created alternates for the lower case letters, plus two double letter ligatures (oo and ss). Use it for any design that needs a little brushwork; I am sure the result will leave you gobsmacked!

This font was designed with scholastic visuals in mind. Whether advertising for a school event, or creating handwriting worksheets for young children, this font covers all the basics with Latin alphabet languages. Three fonts with identical spacing to make interchangeable. Spacebar adds a regular space between words/sentences. To connect words with ledger lines, use the underscore (_).

Plz Print Brush is a good solid font for posters, headlines and accent words like - SALE! It gives the slightly irregular look of handlettering.

RARE BIRD SPECIMEN III Rare Bird Specimen III is a graceful hand by Karla Lim of Written Word Calligraphy. This all lowercase font feels both modern and feminine. While uppercase letters are still lowercase in shape, they are larger and read as caps. OBSERVATIONS Specimen III has a dancer-like form; supple and lithe. Willowy letters are nimble and lissome, content alone or paired with a stronger, more masculine specimen. DEFINING CHARACTERISTICS Opentype programming, formal title and preposition word art, 7 alternate lowercase t cross-strokes, Roman numerals, old-style numerals, seamlessly semi-connecting calligraphic letters, realistic double-letter ligatures, in and out-stroked letters at the beginning and end of words where appropriate, basic Latin encoding. POTENTIAL SIGHTINGS Bridal + baby shower stationery, logo design, gourmet food packaging, clothing labels.

Holz is the German word for wood, since this font has a woodcut character, I thought that would be the right name.

Some words from the designer... Like long legs walking a runway in stiletto heels, ITC Cherie is both sophisticated and feminine. West coast designer Teri Kahan developed this art nouveau-style font into two distinct all capital alphabets – one with a “high waist”, placed in the capital position, and the other a “low-waist,” placed in the lower case position. They work separately or together, and this dual nature gives a designer the ability to make subtle changes in a logo or line of text. Additional flourished letters round out this versatile headline font.

Manchette Fine is the high contrast cut of Manchette typeface, which was inspired by the hand-written Naskh newspaper headlines during the 60s-70s era in the Arab world. The word "manchette" is a french word, that means headline. It was used mainly by the Egyptian calligraphers and designers. The typeface presents sharp and contemporary details, while taking into consideration the original Naskh rules to echo the elegancy of the hand-written titles. Featuring many opentype features, such as contextual alternates, ligatures, and a small set of stylistic alternates. The typeface also features a dynamic Kashida that can be controlled through the variable fonts technology in the Variable GX file which contains all the weights as well.

Inspired by the sound of acoustic guitars, delicacy of harps and elegance of the engrossers script, String is a trendy monoline font which will for sure make unique layouts for your pieces of design. Combining String with String Hole in the same word is a good idea when a more playful rhythm is needed. The font works particularly well when standing on photographs, so be ready to use it in magazines with food, landscapes or super models. I like thinking of String as a distilled version of Erotica. A more “pure” relative of hers. When I designed Erotica, I was so in love with the spencerian style that I knew it'd be hard to just abandon it. With that in mind, this time my aim was to take the subtlety of it to the limit. So, in order to do that I had to find out what was actually the secret of its beauty. I found that the essence of Erotica, in other words, its ductus was the most responsible. The result is a font made of hairlines with a lot of emphasis on the pureness of the form and, (with a lot of inspiration in music) the sensation of continuity between its letters as if they were written with a string. Try String and its flowing melody.

Archiva Regular - Archiva Italic - Archiva Bold - Archiva Bold Rounded - Archiva Wide Rounded - Archiva Dropline - Archiva Stencil - Archiva Worn - Archiva Outline is the eighth font family created by American Graphic Designer Tom Nikosey. Tom specializes in lettering, typographic design & illustration for branding and trademarks. New from CozyFonts Foundry. Archiva was designed to maximize limited horizontal space reserved for text, type, or headlines, titles and label wording. The Archiva Family is perfect for Labels, headlines, ads and especially signage. The 9 members of the Archiva Font Family maintain a consistency and likeness to each other in form and dynamics but yet each member of the family has it’s own individual personality. Archiva derived from the word archival or place where records are kept. Archiva is the Greek word for Archive. The x-height and organized glyph consistency enables the user to keep files organized and clean much like an archive. Caps and numbers work extremely well together also. There are over 300 glyphs contained in each of the 9 variations of Archiva© by CozyFonts and they work in over 70 Languages. Please visit my website or Google Tom Nikosey for more info on his illustrious career. CozyFonts is Tom's intro into the world of font design.

A vintage photo (circa 1950s) taken outside one of the movie houses owned at the time by Miami-based Wometco Theaters showed a small hand lettered sign with the word “Wometco” painted in a stylized Art Deco alphabet. This inspired Theater Lobby JNL, which is available in both regular and oblique versions.

Distinctively Art Nouveau with a touch of Arts & Crafts, Quaint Gothic is a typographic gem from the late nineteenth century. Also known as Desdemona, this undulating and organic typeface is a versatile and refreshing alternative to many of the font designs on the market today. Quaint Gothic comes complete with an alternate set of caps and a new set of lowercase characters. And for your convenience, a nifty set of small caps and small figures are included in this version. You may also want to access the word-on-a-wave logotypes like “to” and “and” located in the special character slots. They’re great for constructing provocative headlines and titles. Quaint Gothic is also available as an OpenType font. It contains lining and oldstyle figures, prebuilt fractions, stylistic alternates, a wide variety of discretionary ligatures and word ornaments. These advanced features currently work in Adobe Creative Suite InDesign and Illustrator. Check for OpenType advanced feature support in other applications as it gradually becomes available with upgrades.

Hello! Do you need letters that look like they are drawn with a brush so that your creative work shines and stands out? We present Bechamel, a family of script fonts designed to be combinable with Bechamel Roman. BECHAMEL SCRIPT was hand drawn to design words and phrases in logos, packaging, posters, envelopes and greeting cards. BECHAMEL SCRIPT has high expressiveness because its energetic set of letters are meticulously drawn with calligraphy and lettering. In addition each of its incredible cursive letters give you the possibility to add a central vein to change the color, enhancing its impressive artisan splendor. These are the possibilities you receive by acquiring BECHAMEL: A) BECHAMEL-SCRIPT & VEIN: Cursive letters with carousel effect and OPENTYPE contained in: 26 Uppercase letters, 26 Small letters, 10 Numbers, 3 Fractions, 31 Punctuation marks, 77 Signs for languages belonging to Western Europe, 113 Signs for Central European languages. 20 Lowercase wipes, 13 uppercase alternatives for WORD START, 44 lowercase alternatives for HALF of word, 20 lowercase alternatives for WORD FINAL. NOTICE: Alternatives appear by clicking on glyph panel in Adobe Illustrator, Inkscape or Photoshop CC. B) BECHAMEL-WORDS: 57 words with capital letters underlined and combinable with BECHAMEL-SCRIPT 1, 2 and 3 ideal to connect and decorate your designs increasing expressiveness and authentic handwritten look of your ideas C) BECHAMEL-ORNAMENTS: 30 wonderful drawings made up of stars, borders, waves, hearts, dots, arrows, bow ties, etc., all specially coordinated to accompany your composite designs in BECHAMEL-SCRIPT and BECHAMEL-WORDS. Well, I hope that my work will be useful and above all that you have fun with it. If you have questions write to me that I will be happy to help you: • INTAGRAM: instagram.com/andinistas • BEHANCE: be.net/andinistas • FACEBOOK: fb.com/carlosfabiancamargoguerrero • TWITTER: twitter.com/andinistas

Vintage sheet music with the title of "Aparcero" lettered in a bold, Art Deco sans is the basis for Aparcero JNL. The title is a Spanish word that translates to "tenant farmer" or "sharecropper".

Robeaugo is pronounced as “ro-bo-go”. The name is originated out of the 3 words: robo, beau (French) and go. It’s a mix of Art Deco with round shapes and is best used in headings and logos.

The “Trixy Toy Educator” was a 1930s-era set of letters and numbers (along with a few animal shapes) for teaching children, and was manufactured by the Durrel Company of Gardner, Massachusetts. Die cut from thick cardboard, the 40 piece set also included a rack to display the characters, presumably for little ones to practice the correct order of the alphabet and basic numerals or to spell simple words like ‘dog’ or ‘cat’. Whomever came up with the idea, they used the most rudimentary and unusual ‘type design’ shapes in the A-Z and 0-9, but they were just odd enough to inspire a digital type version of them. School Age JNL is available in both regular and oblique versions.

An offbeat alternate caps typestyle inspired by the title screen of a 1968 Walt Disney film titled, The Horse in the Gray Flannel Suit. This playful and childish font comes with an extensive language set, a stylistic alternates feature that auto-alternates between capitals & lowercase (alt caps), as well as a contextual alternates feature that auto-alternates between sets only where double characters are typed like SS, TT, etc. The contextual alternate feature also enables a few titling word options like " the " " in " and " in the ". As noted in the quotes, when these word sets are typed with a space before and after them, it will trigger the swap when contextual alternates is on. Switching on Contextual Alternates enables automatic alternations between caps and alt caps like AlTeRnAtIoNs to create a more randomized look.

My pet peeve for many years has been with the 'rn' in small texts, especially with my smart phone. I felt that perhaps others may have the same peeve. I decided to try and fix that with Atlantica. As you can see in poster No. 4. "With the combination of 'rn' in small text it tends to appear as 'm'. Therefore it may be read as 's t e m' instead of 's t e r n'. Altalntica has an alternate 'rn'. By invoking the < Contextual-Alternate > feature. Atlantica will replace each 'rn' - or you may individually change them if you desire". Also note the deep cuts to help legibility for smaller texts. This combination apparently does not appear in many words, but when it does it can suggest a different word as in; eastern, stern, tarnish, Tornado, Turn and in some names as well.

Dealova Script is the font of choice for writing things beyond words. This typeface is designed with great detail to convey stylish elegance. So, it can be said, the character of the transformation is very beautiful, a kind of classic ornamental copper script. Dealova Script provides alternative variants of most fonts, binders and many calligraphy tips, ideal for elegant labels, high-end packaging, stationery and composition for specific brands, beautiful titles, paragraphs, fonts and short text intended for read only with the eye or intended to be whispered into someone's ear. Dealova Script has 691+ glyphs and 440 alternate characters, including multiple language support. It features OpenType with alternate styles and elegant binding. The OpenType features don't work automatically, but you can access them manually and for best results your creativity will be required in combining variations of these Glyphs. And also a touch of ornament makes this font look elegant. To enable the OpenType Stylistic alternative, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or later. (Windows), Font Book (Mac) or a software program such as PopChar (for Windows and Mac).

Luminaire is an intriguing and modern sans serif font. With its clean and minimalist characteristics, Luminaire exudes a professional and contemporary impression when used in designs. One of the captivating features of Luminaire is its alternate style, specifically the display style. This unique feature allows users to combine two different styles within a single word, creating a distinct and eye-catching visual appearance. In display mode, Luminaire offers experimental and striking variations of letterforms. Certain characters exhibit alternative shapes with artistic touches, such as curved lines or changes in the basic structure of the letters. This grants greater design flexibility and makes words written in Luminaire font stand out. Luminaire also maintains the essential aspects of clarity and legibility expected from a sans serif font. When used in longer texts or paragraphs, this font remains easy to read and provides a professional and well-organized appearance.Overall, Luminaire is an appealing sans serif font with a modern style and a unique alternate style feature. It can add artistic touches and uniqueness to your designs while preserving the important aspects of clarity and legibility.

NEW! Includes a set of 42 connecting word character glyphs along with 23 alternate lowercase glyphs. MARLIN is a condensed vintage style serif display font that works great for logos, packaging, branding, menus, advertising, and posters. The lowercase letter set has different letterforms allowing you to mix and match upper and lowercase for a variety of looks. In Illustrator, the custom connecting word set can easily be accessed in the "Type → Glyphs" panel and in Photoshop through "Type → Panels → Glyphs Panel".

Linotype Lichtwerk, from German designer Bernd Pfannkuchen, is part of the Take Type Library, chosen from the entries of the Linotype-sponsored International Digital Type Design Contest 1999 for inclusion on the Take Type 3 CD. This display font contains very narrow forms with a high x-height. It is reminiscent of the constructivism of the 1920s and was designed with a small number of basic forms. The high, thin letters form words and an overall picture which almost flickers on the page. Linotype Lichtwerk with its technical look is suited exclusively for headlines.

Bugatine is a captivating handwritten monoline signature script font. With its graceful curves and fluid strokes, this font exudes an air of elegance and sophistication. Bugatine perfect for branding, logos, invitations, and more. Let your words dance across the page with this mesmerizing font that effortlessly captures the essence of hand-drawn beauty.Handwritten, Handwriting, Script, Monoline, Signature, Vintage, Stylish, Calligraphy, Wedding, Logo, Fashion, Feminine, Magazine, Branding, Elegant

Border pieces, catch words, head and tail pieces and a generous amount of cartoons comprise Letterpress Assortment JNL. All of the printers' stock cuts were re-drawn from vintage source material.

Facit is a contemporary sans serif text face. It is designed to be a highly legible and flexible font that does not draw the attention to itself. Instead of being original by itself it is the result of a careful examination of ancient as well as modern formal concepts. “It is by definition impossible to design an un-conventional typeface. Type is pure convention, this is why we can read each other’s written words”, says its designer Tim Ahrens. However, rather than generating an average, existing principles were consciously combined into a unique design solution: The word ‘Facit’, in its German version, means ‘conclusion’. The fonts are provided in OpenType format. Each font contains 720 glyphs. Technically, they follow the Adobe Pro fonts and provide the same glyph set and OpenType functionality. OpenType features include ligatures, true small capitals, superiors, inferiors, numerators and denominators. Every font contains old style and lining figures, both in a proportional and a tabular design. For some letters there alternate characters.

This curly, swirly antique offering is based on a Victorian-era typeface called "Fillet". Opening and closing flourishes can be found at the brace and bracket positions, and the ribbon effect can be carried between words by using the underscore character in place of a space. Due to the highly ornate nature of this font, it does not contain math operators, fractions or superior numbers. Both versions of the font include 1252 Latin and 1250 CE (with localization for Romanian and Moldovan) character sets.

While searching through microfilm of an old, 1932 newspaper, I stumbled on the word "Poultry" written with trapezoidal letters. I did not recall seeing lettering like this and it inspired me to design a typeface that could produce a similar result. Poultry Sign has two widths each with three weights giving the family six styles. It is monoline, monospaced, and all caps. The letters on the lower-case keys reverse the trapezoid of those on the upper-case keys. The designer's expectation is that the most common use for this typeface will alternate upper-case and lower-case keys, and to make this effect easy, included in the font is a contextual alternatives (calt) OpenType feature that automatically produces this result if your word processor supports this feature. To get text with all letters with big bottoms or all letters with with big tops, this feature must be turned off. The spacing of the letters is identical within each width so the styles can be layered to produce bi-colored or tri-colored letters. There is a second set of numbers that can be accessed with an OpenType stylistic alternative. Also accessible with OpenType stylistic alternatives are variations of letters T, N, L, Y, and V.

Introducing by Balpirick Studio Chocolate Buttons is a Handwritten Font. Our handwritten font takes inspiration from the fluidity and uniqueness of human handwriting, ensuring that each letter carries a sense of character and charm. With its graceful curves and delicate strokes, this font adds an intimate and personal feel to your written words. Perfect for creating notes, memos, journal entries, or beautiful quote designs, our handwritten font elevates your messages with a sense of authenticity and warmth. It transforms your ordinary words into a beautiful composition, breathing life into your writing. - also multilingual support Enjoy the font! Feel free to comment or feedback! Thank you!

Introducing by Balpirick Studio Duck & Tiger is a Handdrawn Quotable Font. Our handwritten font takes inspiration from the fluidity and uniqueness of human handwriting, ensuring that each letter carries a sense of character and charm. With its graceful curves and delicate strokes, this font adds an intimate and personal feel to your written words. Perfect for creating notes, memos, journal entries, or beautiful quote designs, our handwritten font elevates your messages with a sense of authenticity and warmth. It transforms your ordinary words into a beautiful composition, breathing life into your writing. - also multilingual support Enjoy the font! Feel free to comment or feedback! Thank you!

Introducing the September Spirit Font Duo! A hyper-realistic handwritten font duo, which utilises a large range of ligatures (uniquely designed letter combinations), and alternate characters—all taken from real handwritten words—to achieve an incredibly natural handwritten style. As well as the fast-flowing handwriting font, September Spirit also include an all-caps version, great for combining with the regular font for adding emphasis to words, or even as it's own standalone font. Not only that, a bonus font of extra circles, underlines & arrows is included to add even more emphasis and an additional hand-crafted aesthetic. The September Spirit family includes; September Spirit • A fast-flowing handwritten font containing upper & lowercase characters, numerals, and a large range of punctuation. September Spirit Alt • This is a second version of September Spirit, with a completely new set of both upper and lowercase characters. If you wanted to avoid letters looking the same each time to recreate a custom-made style, or try a different word shape, simply switch to this font for an additional layout option. September Spirit All Caps • An uppercase-only font, perfect for pairing with the regular September Spirit fonts to add emphasis to words or phrases. September Spirit Extras • A bonus font containing 19 hand-drawn arrows, cirlces and underlines. Ideal for adding to your September Spirit text for extra emphasis. Language Support • September Spirit supports the following languages; English, French, Italian, Spanish, Portuguese, German, Swedish, Norwegian, Danish, Dutch, Finnish, Indonesian, Malay, Hungarian, Polish, Croatian, Turkish, Romanian, Czech, Latvian, Lithuanian, Slovak, Slovenian

African fonts are characterised by design considerations that differ from those of Europe and the Americas. At one extreme we have a relaxed and casual approach to life that values the quality of each moment in life far more than people do in the west. In this approach each element of the font, while being part of a community, nevertheless stands on its own and has its own "character". An African font that characterises this approach is Ubuvila (the word means relaxedness or relaxation in Zulu). There is no strict adherence to a design format in Ubuvila nor are the characters constrained by resting on the same baseline. They wander up and down in the sentence and find a comfortable resting place.

Niccolo Niccoli (1364-1437) was a wealthy bibliophile and an acclaimed scribe, in Florence (Italy). He was one of the most important Italian calligrapher in this early time of rediscovering Roman script. Of rare accomplishment was his adaptation of the so called Italian humanistic minuscule script. We were inspired from his late work to create this present Font. We have added a lot of accented and other characters (U/V, I/J...) who was not existing in the original and replacing "long s" by a small "s" for a modern use. The OTF encoding was used for intelligent alternates, permitting to use different forms of the same lower case or capital in a single word, reproducing easily the charming variety of a real manual scripture.