Klothilde is a handwriting font which came to life in one of my doodling sessions (I must admit I still doodle with pen and paper). The idea was to create a font which resembles writing with a quill on paper with exaggerated ball terminals. Sometimes there is too much ink which makes the letters fat and the strokes uneven. The paper soaks the ink resulting in blurred line crossings. The form gets blurry. On the other hand, when the quill runs out of ink the stroke gets thinner looking like the light version of Klothilde. In order to emulate the different looks, I created six fonts with a common skeleton but different appearance which can be altered seamlessly by using the Variable Fonts technology (e.g. in latest Adobe apps or CorelDRAW Graphics Suite) along the Weight and Blurred sliders. But even without, Klothilde can be used even in longer copy. Use it from 18 pt upwards, flush left with tight leading and intersecting ascenders and descenders. Due to extensive manual kerning, it gives your text an even colour. To my knowledge, Klothilde is one of the first script Variable fonts in different weights. No, Klothilde’s letters are not connecting. But I added a whole bunch of connecting ligatures which are simply activated by the ligature feature of your app. Even Microsoft Word can do that. Thus Klothilde comes to life, as it should be expected from a handwriting font. In order to add to variety there are additional glyphs for some critical initial and standalone letters. Repeating letter combinations like nn, mm or rr are avoided by replacing the second letter by an alternative form. All features are activated by the standard ligature feature. Ligatures are available for most European languages, some even in Cyrillic (some special Serbo-Croat letters included and accessible through localization or Style Set 08 features). Romanian comma-accent characters and ligatures are accessible through the OpenType locl feature. For the topping on the cake, I added an alternate ampersand (stylistic set 1) and asterisk (ss04), an alternate Cyrillic b (ss02) and t (ss03), a few fleurons, arrows and a skull (OpenType feature ornm), fractions (frac feature), circled numbers (ss06) and an interrobang (ss07) which result in exactly 900 glyphs in each of the six fonts. There should be enough to play with. Should you be missing a special character, do give me a hint.

Linotype Party Time is part of the Take Type Library, chosen from the entries of the Linotype-sponsored International Digital Type Design Contests of 1994 and 1997. The typeface is the work of Bulgarian designer Christo Velikov and is composed exclusively of capital letters. Different components make up this cheeful, frolicking font: stripes, dots, triangles, arrows, a trumpet, a ribbon, and others. The characters of Linotype Party Time stand straight on the base line while those of Linotype Party Time Drunk take on the stance typical of this state. Linotype Party Time is perfect for anything which has to do with fun and should be used exclusively in larger point sizes to emphasize the details which make the figures so unique.

This is the first of several Eastern fonts I have created and is the prize of the collection. The Pravoslavnie font is highly decorative, with a more complicated letter ‘a’ and a series of flourishes substituting for punctuation. Like its sister font, Pravoslavnie 3 is highly decorative. It differs from the first version of this font, as it has a less decorative ‘a,’ full punctuation marks, and less ornate number forms.

Introducing, Shelvareon Script a typeface inspired by a classic style script. This type of font is perfectly made to be applied especially in logos, and other various formal forms such as invitations, labels, logos, magazines, books, greeting/wedding cards, packaging, fashion, makeup, stationery, novels, labels, or any type of advertising purpose. Multilingual support: Afrikaans, Albanian, Catalan, Danish, Dutch, English, Estonian, French, Finnish, German, Icelandic, Indonesian, Italian, Malay, Norwegian, Portuguese, Spanish, Swedish, Zulu, and many more. What’s Included : Standard & Multilingual glyphs Ligature Works on PC & Mac Simple installations Accessible in Adobe Illustrator, Adobe Photoshop, Adobe InDesign, and even work on Microsoft Word. Hope you enjoy our font!

Introducing Giomonte Handwritten Script. Signature script font that feels beautiful classy, elegant, and modern. This type of font is perfectly made to be applied especially in logos, and other various formal forms such as invitations, labels, logos, magazines, books, greeting/wedding cards, packaging, fashion, makeup, stationery, novels, labels, or any type of advertising purpose. Multilingual support: Afrikaans, Albanian, Catalan, Danish, Dutch, English, Estonian, French, Finnish, German, Icelandic, Indonesian, Italian, Malay, Norwegian, Portuguese, Spanish, Swedish, Zulu, and many more. What’s Included : Standard & Multilingual glyphs Ligature Works on PC & Mac Simple installations Accessible in Adobe Illustrator, Adobe Photoshop, Adobe InDesign, and even work on Microsoft Word. Hope you enjoy our font!

The font family Univers is one of the greatest typographic achievements of the second half of the 20th century. The family has the advantage of having a variety of weights and styles, which, even when combined, give an impression of steadiness and homogeneity. The clear, objective forms of Univers make this a legible font suitable for almost any typographic need. In 1954 the French type foundry Deberny & Peignot wanted to add a linear sans serif type in several weights to the range of the Lumitype fonts. Adrian Frutiger, the foundry’s art director, suggested refraining from adapting an existing alphabet. He wanted to instead make a new font that would, above all, be suitable for the typesetting of longer texts — quite an exciting challenge for a sans-serif font at that time. Starting with his old sketches from his student days at the School for the Applied Arts in Zurich, he created the Univers type family. In 1957, the family was released by Deberny & Peignot, and afterwards, it was produced by Linotype. The Deberny & Peignot type library was acquired in 1972 by Haas, and the Haas’sche Schriftgiesserei (Haas Type Foundry) was folded into the D. Stempel AG/Linotype collection in 1985/1989.

TXT101 is a fresh, friendly typeface for mock text and borders. As a retro-cool digital successor to the pencil marks that were hand-drawn as placeholder text in the analog era, TXT101 includes 52 styles, from Arch to Zigzag, with a couple of loops, several slants, and a swell set of waves. If your final copy is TBD, use TXT101 to mock up roman, bold, italic or light. TXT101 looks GR8 and is EZ to set. BWTM! Corner pieces make TXT101 a complete and charming bordering typeface. All patterns come in four weights, so you can make frames and borders for everything from little labels to big broadsides. Corners (north, south, east, west) are TTLY a snap to select from their own stylistic sets. DIY: MIX & MATCH TO CREATE COOL PATTERNS! Many styles have aligning baselines, so glyphs will connect. Single- and double-line variations abound, and you can combine weights (light, regular, bold, black) as well as styles. BTW, feel free to insert word spaces or leave them out.

Ellida is a very elaborate and elegant script in the tradition of the 18th-century English calligrapher George Bickham and the 19th-century American calligrapher Platt Rogers Spencer. I really enjoyed designing this script and maybe one day I will add starting and ending letters. Doing this script was extremely time- and brain-consuming, it is a huge challenge to make calligraphic letters work on computers so that they join perfectly. That's also the reason that this has become my most expensive font so far, but I think the price is fair for the incredible amount of work I put into the script. I really need a break from scripts now! Yours very exhausted Gert Wiescher.

Stencil Round Ends, is just that, a stencil typeface with rounded terminations to each line rather than the squared terminations found in your typical stencil font. This design was developed while designing a typeface for engraving. The end mill tools used to engrave a font are round, thus the lines will all end with a rounded edge. While designing the engraving font I also designed this font to make sure that the single line version will have the desired aesthetic. Unlike many stencil fonts that have a limited range of glyphs I made this to contain the majority of letters, accents, ligatures, and mathematic symbols commonly used in most latin based languages.

In the early 1980s, at the start of my career, I had the opportunity to work in a print shop with classic lead setting. In those days I would study issues of U&lc magazine from ITC. What really caught my attention were scripts in the Spencerian style. I’ve been fascinated by this American penmanship tradition ever since. A few years ago I developed a font. Boris Bencic used it when he was redesigning L’Officiel magazine in Paris. I took these initial forms and developed them into the font Mommie when I started my own foundry. Although I usually design text typefaces, working on Mommie taught me how complex it can be to create a script headline font. The biggest challenge in this process has been to keep it alive and fresh. The Regular weight is only made for very big headlines. The thin lines with the bold drops are very elegant. For smaller sizes use the Medium and Small weight. It won the TDC 2008 award and was Judges Choice of Christian Schwartz.

Picture this: you are in the woods, hunting for Elk, when all of a sudden you hear the sound of battle horns coming from the village. Troll attack! Thank Wodan you are armed with this brand new font: Trollslayer. Let the fight begin!!

Crayon font gone crazy! 8 different versions of each letter, and they cycle as you type! Great variation, and enough to confuse people about this being a font or real crayon writing! And of course, the font has got a large amount of accented characters as well!

Milescut is a display typeface inspired by some seminal covers the graphic designer and photographer Reid Miles created for the Blue Note Records between the 1950s and 1960s. Miles made almost 500 covers for Blue Note in this period, including some using the hand-cut technique that consists basically in doing vertical cuts in capital letters and numerals to create a unique style within the universe he created for Blue Note. Milescut is a tribute to this small “cut” 😬 in his trajectory within the greatest record label of all time. This idea came about while I was working on what will become soon a revival of a wood type that I fell in love with when flipping through a Specimen of the MACHINE CUT WOOD TYPE manufactured by The WM. H. Page Wood Type Co. Milescut has two extra sets of alternates that work cyclically when activated in your OpenType menu and lots of ligatures, pretty cool :)

Greater Amberjack is a modern script typeface, a modern script that is elegant and fun. A combination of classic and modern style fonts. This font can be used easily, even in mixing and matching with other fonts so that it can provide alternatives and new sensations for you when working on various projects. Greater Amberjack can be used for various purposes such as logos, brochures, wedding invitations, cover magazines, packaging, t-shirts, letterheads, labels, news, posters, and more. Greater Amberjack features OpenType stylistic alternates, ligatures and International support for most Western Languages. To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or later versions. Greater Amberjack is coded with PUA Unicode, which allows full access to all the extra characters without having special designing software. Mac users can use Font Book and Windows users Character Map to view and copy any of the extra characters to paste into your favorite text editor/app. If you have any question, don't hesitate to contact me by email : megatype04@gmail.com Thanks so much for looking and Enjoy it!

Scarlotta is a calligraphic script font that comes with beautiful alternate characters. copper calligraphy mix in handlettering style. Designed to convey an elegant style. Scarlotta is attractive because it is subtle, clean, feminine, sensual, glamorous, simple and very easy to read. Its classic style is perfect to apply to all kinds of formal items such as invitations, labels, menus, logos, fashion, make up, stationery, letterpress, romantic novels, magazines, books, greeting/wedding cards, packaging, labels. Scarlotta has 489+ glyphs and 270 alternate characters. including multiple language support. It features OpenType with alternative styles, binders and character swashes, which allows you to mix and match letter pairs to suit your design, as well as a touch of ornament to make this font look elegant. Files include: Regular Scarlotta (OTF, TTF) Italic Scarlotta (OTF, TTF) To enable the OpenType Stylistic alternative, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or a later version. There are additional ways to access the swashes, using the Character Map (Windows), Nexus Fonts (Windows), Font Books (Mac) or a software program such as PopChar (for Windows and Mac).

Perfora is the typographic antidote to our relentlessly anxious and uncertain times. On one hand, Perfora is heavy, monospaced and brick-like. It feels secure, permanent, reliable. On the other, Perfora is extra variable—stretching taller or growing wider as needed—so all your words can fit perfectly together. And this seeming contradiction is the sweet spot we’ve all been missing: sturdy but not rigid. Named for its punch-hole shaped counters and eyes, Perfora is a flexible powerhouse that’s easy to use, stack, and click into any shape. Use it to assemble everything from dynamic logos to posters and festival lineups, from seamlessly responsive titles to instantly recognizable product lines. Perfora features two uppercase styles—rounded and angular—punctuation, numbers, latin diacritics, and stylistic alternates for a subset of characters. It also includes 19 ornamental glyphs to compose with flair and add some rhythm to your copy. It’s available (and recommended) as a variable type (.ttf) for designers using compatible platforms. It’s also available in opentype format (.otf) as a set of 25 static fonts, spanning 5 widths and 5 heights. Perfora was created by In-House International, designed by Alexander Wright and developed by Rodrigo Fuenzalida.

Diad was born on 2000 in order to design posters about second World War. The original idea was obtained by breaking, burning and getting wet a bunch of written copies with an old writing machine. Today, Diad is a small typographic system useful for bringing relevance to any content with a grunge look. Each and every detail passed through a strict experimentation process. Its outrageous and unconventional spirit travels from high leveled corrosion, up to a delicate visual neglect. Diad 2 and 3 work for designing words. Diad 1 is ideal for long phrases and titles. Diad dingbats includes 26 illustrations about motocross. In total, adding Diad 1,2 and 3, it has around 260 glyphs. Diad will make your design shine providing different graphic atmospheres, optimizing time and work to its users. Diad is perfect for graphic design on contexts such as death metal, drum and bass, films, war and horror video games. It could work also for logos, words, titles and short texts in covers, tags, clothes, wraps, cards, stickers, toys, bicycles, surf boards, etc.

Minuet, an informal script with crossover deco elements giving it an unmistakable 1940s flavor, is a revival and expansion of the Rondo family, the last typeface drawn by Stefan Schlesinger before his death. This family was initially supposed to be a typeface based on the strong, flowing script Schlesinger liked to use in the ads he designed, particularly the ones he did for Van Houten’s cocoa products. But for technical reasons the Lettergieterij Amsterdam mandated the face to be made from unattached letters, rather than the original connected script. Schlesinger and Dooijes finished the lowercase and the first drawings of the uppercase just before Schlesinger was sent to a prison camp in 1942. Dooijes completed the design on his own, and drew the bold according to Schlesigner’s instructions. The typeface family was finished in February of 1944, and Schlesinger was killed in October of that same year. Though he did see and approve the final proofs, he never actually saw his letters in use. It took almost four more years for the Lettergieterij Amsterdam to produce the fonts. The typeface was officially announced in November of 1948, and immediately became a bestseller. By 1966, according to a memo from the foundry, the typeface had become “almost too popular”. This digital version of Schlesigner’s and Dooijes’s work greatly expands on the metal fonts. Both weights include a complete set of lowercase alternates — based on Schlesinger’s own drawings, as well as alternative variations for some of the capitals, a few ligatures, and extended language support covering Western, Eastern and Central European languages, plus Baltic, Celtic/Welsh, Esperanto, Maltese and Turkish. Minuet is available in all popular formats. The OpenType version, Minuet Pro, takes advantage of internal font programming to combine the main and alternate fonts into a single file per weight, making all alternates and ligatures automatically available at the push of a button in OpenType supporting programs.

On a cold winter's night, George Ryan, of Galápagos Design Group, began musing on the possibilities for a “truly original” sans serif typeface. What came out of his musing, and his always-present sketchpad, was ITC Adderville, a typeface whose visual impact is immediate and strong. Ryan explains how he did it: “The rounded ends of its strokes and their skewed baseline contact create an illusion of dancing feet. The tops of lowercase stems emit serif buds, suggesting transition into or out of the serifed form. The spear-like lowercase stroke terminators, along with other distinctive elements such as the stylized reticulation of the lowercase 'g' segments, the salute of that same character's spur, and the bold, non-self-conscious 'i' and 'j' dots, all contribute to the playful and unique nature of this design.” The result is a friendly, lively type family whose graduated weights -- book, medium, and heavy -- lend themselves especially well to use at small display sizes and in short blocks of text.

“One Hundred Alphabets for the Show Card Writer” was published in 1919 to afford sign artists the ability to create signs and show cards in then-contemporary lettering styles. One such alphabet was big, bold and representative of the Art Nouveau stylings popular in the early part of the 20th Century. Most likely it was applied to store sales and public events that were casual and informal, for its letter forms are free of any constraints. This design is now available as Fun Time Nouveau JNL in both regular and oblique versions.

Bunny Flower a Handwritten Display Font With 3 Style (Regular,Outline and Shadow) You Can Mix And Match for Your Awesome Project This fonts is ideal for crafting, branding and decorate your any project. This fonts are perfect for wedding invitation or your blog. Also with their help, you can create a logo or beautiful frame for your home. Or just use for your business, book covers, stationery, marketing, magazines and more. FEATURES : Uppercase & Lowercase Number & Punctuation More than 248 of glyphs Multilingual Language PUA Encode 9 Ligatures Alternate 7 OpenType features were detected in the font (aalt dlig frac liga ordn salt sups kern) Support for 67 languages detected The alternative characters were divided into several Open Type features can be accessed by using Open Type savvy programs such as Adobe Illustrator, Adobe InDesign, Adobe Photoshop Corel Draw X version, And Microsoft Word. And this Font has given PUA unicode (specially coded fonts). so that all the alternate characters can easily be accessed in full by a craftsman or designer. If you don't have a program that supports OpenType features such as Adobe Illustrator and CorelDraw X Versions, you can access all the alternate glyphs using Font Book (Mac) or Character Map (Windows). Check my other Font here : https://gilarstudio.com/ Thanks and happy designing :-)

User is a monospaced type family with 30 styles, from Hairline to Bold, divided in Regular, Upright and Stencil, with five weights (Hairline, ExtraLight, Light, Medium and Bold) all with Cameo versions. Complexity and versatility are the keywords for this type family. Despite being a monospaced font, which means there's no kerning, all the glyphs were designed in order to sit comfortably in the 600 points width, a hard task because some glyphs are too narrow ('i' and 'l'), while others are too wide ('m' and 'w'), but they must fit the same width. The desire for keeping a comfortable readability in User was one of the key elements, therefore we designed several ligatures that fit both single and double space width, allowing to maintain a certain idea of proportional design. In this digital booklet you will find a detailed vision of the anatomy of the typefaces, the amount of characters available, the styles and weights, along with a series of features, specially designed to make User a very versatile and usable type system.

User is a monospaced type family with 30 styles, from Hairline to Bold, divided in Regular, Upright and Stencil, with five weights (Hairline, ExtraLight, Light, Medium and Bold) all with Cameo versions. Complexity and versatility are the keywords for this type family. Despite being a monospaced font, which means there's no kerning, all the glyphs were designed in order to sit comfortably in the 600 points width, a hard task because some glyphs are too narrow ('i' and 'l'), while others are too wide ('m' and 'w'), but they must fit the same width. The desire for keeping a comfortable readability in User was one of the key elements, therefore we designed several ligatures that fit both single and double space width, allowing to maintain a certain idea of proportional design. In this digital booklet you will find a detailed vision of the anatomy of the typefaces, the amount of characters available, the styles and weights, along with a series of features, specially designed to make User a very versatile and usable type system.

User is a monospaced type family with 30 styles, from Hairline to Bold, divided in Regular, Upright and Stencil, with five weights (Hairline, ExtraLight, Light, Medium and Bold) all with Cameo versions. Complexity and versatility are the keywords for this type family. Despite being a monospaced font, which means there's no kerning, all the glyphs were designed in order to sit comfortably in the 600 points width, a hard task because some glyphs are too narrow ('i' and 'l'), while others are too wide ('m' and 'w'), but they must fit the same width. The desire for keeping a comfortable readability in User was one of the key elements, therefore we designed several ligatures that fit both single and double space width, allowing to maintain a certain idea of proportional design. In this digital booklet you will find a detailed vision of the anatomy of the typefaces, the amount of characters available, the styles and weights, along with a series of features, specially designed to make User a very versatile and usable type system.

Varisse spans over two centuries of type design and draws its inspiration from well-loved classics that are as fresh today as they were when they were created. The range stretches from a quintessential 18th century transitional serif to an uncompromising 20th century sans. Think Baskerville, think Gill. The idea was to create a family that shared similar forms and the same vertical metrics, allowing them to be mixed to provide impact and readability as required. With a generous x-height and a host of options, Varisse Variable is ideally suited to branding, packaging, magazines and editorial. It also provides a wealth of opportunity in website presentation. The variable axes of weight and serif allow selection of styles from sans light to serif heavy with all the options in between.

Westside was designed by Adrian Frutiger in 1989 and is a kind of wood type. It is reminiscent of dusty streets, Wild West heroes and swinging saloon doors. The origins of this kind of typeface can be found in the early 19th century. Called Italian or Italienne, these typefaces quickly became very popular. They are distinguished by square serifs whose width is larger than the stroke width of the characters. When the letters are set together, the heavy serifs build dark horizontal bands. Westside is a particularly decorative typeface which will have a marked effect when used expertly. It is perfect for headlines in larger point sizes, which will highlight its special character.

The Farfa fonts were designed for institutional use, commissioned by the City of Fara in Sabina, Italy. This project started from the study of the manuscripts found in the Abbey of Farfa, penned in a variant of the lower case of “Carolingian” typical style of that area. The Capital, ligatures and Small Caps, however, are based on the uncial writing that often appears in those codes and manuscripts. Farfa Abbey is a territorial abbey in northern Lazio, central Italy. It is one of the most famous abbeys of Europe. It belongs to the Benedictine Order and is located about 60 km from Rome, in the commune of Fara Sabina The origin of the Abbey is still unknown. Archaeological discoveries seem to prove that the first monastic establishment was built on the ruins of a pagan temple. The Vandals destroyed the first monastery in the fifth century. Only a few documents from the sixth-century prove the early presence of the monastic community. It had the heritage of Charlemagne (S VIII), the Lombard chiefs, and later the Carolingians, succeeded in withdrawing Farfa from obedience to the Bishops of Rieti, and in securing many immunities and privileges for the monastery. Farfa was at this period the most important monastery in Italy both from the point of view of worldly possession and ecclesiastical dignity.

Modern Neon is an audacious display font that combines the allure of neon lights with an array of captivating lines. With its uppercase letterforms, this typeface commands attention, creating a visually stunning experience that leaves a lasting impression. The defining feature of Modern Neon lies in its bold and adventurous lines that adorn each letter. These radiant lines flow dynamically throughout the characters, adding an element of complexity and intrigue. The interplay of these luminous lines creates a visual spectacle, captivating the viewer's gaze and drawing them into a world of electrifying typography. Inspired by the vibrant glow of neon signs, Modern Neon exudes a futuristic energy. The font's luminosity casts a vivid hue, evoking a sense of innovation and modernity. Each letter pulsates with an otherworldly glow, creating a striking visual impact that cannot be ignored. Each letter of this font has been meticulously crafted to strike a balance between legibility and decorative intricacy. The interconnected lines add depth and movement to the characters, enhancing the overall composition without compromising readability. The result is a font that exudes creativity and boldness while ensuring your message remains clear and impactful. You can also enjoy the various features available in this font. Enjoy the various features available in this font. Features: Alternates Ligatures Multilingual Supports PUA Encoded Numerals and Punctuations The strong and bold strokes demand attention, making this font perfect for headlines, titles, and impactful statements. Whether you're creating posters, branding materials, digital artwork, or anything in between, this font will add a daring and captivating element. It particularly shines in applications related to technology, gaming, fashion, and futuristic themes. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

Flamante Sans is a group of eight corporate typographies of geometric construction, without serifs and neo-grotesque style, are fonts with an excellent readability for titles, short texts or for use in signage. The group of fonts is made up of 4 weights: Light, Book, Medium & Bold plus their respective italics. This initial development of Flamante Sans typography has been the basis for the drawing of the "Flamante family" fonts composed of 5 styles (Sans, Serif, SemiSlab, Round & Stencil) making a total of 40 fonts that are perfect corporate use, advertising or editorial titles or signage of public spaces for example. They include the Bitcoin symbol. Swiss-style fonts built on a 4 ◊ 6 building grid, formed with 144 x 119 units (Medium version), two digits taken from the fibonacci and Perrin sequences, these measures define the width and height of the vertical and horizontal antlers and the overall proportion of the font. The metrics and kerning have been carefully set up for fluent reading in paragraph texts. ================================== - OpenType Features: Standard Ligatures, Additional languages, All Alternates, Alternate Annotation Forms, Superscript, Kerning, Superiors, Capital Spacing, Localized Forms, Superior letters, Discretionary Ligatures, Subscript, Fractions, Slashed Zero, Inferiors, Extended Fractions, Scientific Inferiors, Ordinals, Denominators, Oldstyle Figures, Numerators, Historical Forms, Historical Ligatures. They include the Bitcoin symbol. - 500 glyphs. Latin Extended-A ï OTF & TTF

Owned is a stunning embodiment of the urban aesthetic, with its authentic marker graffiti look and feel. This typeface is a perfect fusion of style and substance, as it captures the essence of streetwise design. Its pragmatic ligatures are not only visually appealing, but also accentuate the natural irregularities of an urgent scrawl. The beauty of Owned lies in its diversity, as it brings together a wide range of stroke weights and angles to create a dynamic and powerful effect. The overall effect is one of urgency, as if the words were scribbled on a wall in a hurry. This typeface commands attention and grabs the viewer’s eye, making it a perfect choice for bold and impactful designs. Owned is an exceptional typeface that is sure to make a statement in any design project. Its unique features and smart design will add an edge and grit to any design, making it a must-have for designers who want to create a bold and unforgettable impact. Whether you’re designing a logo, poster, or website, Owned is the perfect graffiti typeface to add an urban flair to your project. Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

Let me introduce my first ever product on my shop. Cinnamon Peach - Layered Font After 2 years of learning how to create a fonts, learn about the anatomy of typography, features of the OpenType fonts, and all of the experience on my collaborations with many friends, Finally I just launched my first personal product with the name Cinnamon Peach. Cinnamon Peach is beauty combinations of layered font. It has a Serif and Script style inside. Both of them are layered font, which is you can express the style on both of it. You can add shadow, inline or hatch on Serif style. Changing the color of the other layer as just easy as change standard color of the fonts but it’s more deep in detail. On the Script style, I give you more freedom of choosing which style do you want, if you want a deep style of layer, you can choose regular and inside with different color. but if you want the outline style, it also available as a single fonts. Looks like on the display that I Created, You can see the most of combinations font in there are perfectly matched even on script version doesn’t include the Uppercase character. Because of the strong characteristic of this fonts you can see the combinations are great with or without layer, monochrome or multi color, pastel or watercolour. It’s great for posters, display, logos, header website, magazine, animation text, etc. Thank You very much, hope you enjoy this fonts !

Braver Grave is a death metal font. This font perfect for logotype death metal band, logotype death metal brand, product, merchandise death metal band, death metal band covers, rock events, rock posters, rock magazine covers, branding, product design, labels and other creative project. What’s Included : Standard glyphs Works on PC / Mac Simple installations Accessible in the Adobe Illustrator, Adobe Photoshop, Adobe InDesign, even work on Microsoft Word PUA Encoded Characters, Fully accessible without additional design software. Multilingual support Thank you for your purchase! Hope you enjoy with our font!

Shenttpuro is a handwritten brush font with its Japanese vibe !. suitable for your branding, product, logotype, events, and others. Shenttpuro contains standard English letters and several letters that support multilingualism. Can be installed in design applications such as the adobe family or affinity, Shenttpuro is ready to support your designs! By purchasing this font, you will get: - Uppercase and Lowercase letters - Alternates Characters - Ligatures - Numbering and Punctuations - Multilingual Support - Works on PC or Mac - Simple Installation - Support Adobe Illustrator, Adobe Photoshop, Adobe InDesign, also works on Microsoft Word. Thank you

Handestonie – Signature Font and classy style, this font is great for your creative projects such as watermark on photography, and perfect for logos & branding, photography, invitation, watermark, advertisements, product designs, stationery, wedding designs, label, product packaging, special events or anything that need handwriting taste. What’s Included : Standard glyphs Ligatures Alternate glyphs Web Font Works on PC & Mac Simple installations Accessible in the Adobe Illustrator, Adobe Photoshop, Adobe InDesign, even work on Microsoft Word. PUA Encoded Characters – Fully accessible without additional design software. Fonts include multilingual support Cheers! Thank You

Haliond is a modern script font with bold style and modern looks. This font would perfect for logos, branding, product designs, product packaging, photography, watermark, social media posts, advertisements, invitation, stationery, labels, logos, magazines, books, greeting / wedding cards, fashion, make up, and etc. What's Include : Uppercase & lowercase Numbers and punctuation Multilingual support Ligatures Alternates Swashes Works on PC & Mac Simple installations Accessible in the Adobe Illustrator, Adobe Photoshop, Adobe InDesign, even work on Microsoft Word. PUA Encoded Characters – Fully accessible without additional design software. Thank you for your purchase! Hope you enjoy with our font!

Gutheng - is a horror-themed font that is very mysterious and spooky. This font is very suitable to be used for book covers, titles, quotes, and others that require a font with a horror theme. What's Included : - Standard & Multilingual glyphs - Works on PC & Mac - Simple installations - Accessible in the Adobe Illustrator, Adobe Photoshop, Adobe InDesign, even work on Microsoft Word. - PUA Encoded Characters - Fully accessible without additional design software. - Fonts include multilingual support for; Afrikaans, Danish, Dutch, French, German, Indonesian, Irish, Italian, Norwegian, Portuguese, Scottish, Spanish, Swedish, Swiss. Hope you enjoy with our font!

Ransta is a chic,classy, and modern serif font with many alternates character to access in OpenType features. This font is perfect for branding, logos, social media, advertisements, product packaging, watermark, invitation, stationery, tshirt, prints, posters and more What’s Included : Uppercase & Lowercase Stylistic Alternate Ligature Numbers & Symbols Works on PC / Mac Simple installations Accessible in the Adobe Illustrator, Adobe Photoshop, Adobe InDesign, even work on Microsoft Word PUA Encoded Characters, Fully accessible without additional design software. Multilingual support Thank you for your purchase! Hope you enjoy with our font!

Backind Maldina is a chic,classy, and modern bold serif font with many alternates character to access in OpenType features. This font is perfect for branding, logos, social media, advertisements, product packaging, watermark, invitation, stationery, tshirt, prints, posters and more What’s Included : Uppercase & Lowercase Stylistic Alternate Ligature Numbers & Symbols Works on PC / Mac Simple installations Accessible in the Adobe Illustrator, Adobe Photoshop, Adobe InDesign, even work on Microsoft Word PUA Encoded Characters, Fully accessible without additional design software. Multilingual support Thank you for your purchase! Hope you enjoy with our font!

Backly Highs is a bold script font. This font would perfect for logos, branding, product designs, product packaging, photography, watermark, social media posts, advertisements, invitation, stationery, labels, logos, magazines, books, greeting / wedding cards, fashion, make up, and etc. What's Include : Uppercase & lowercase Numbers and punctuation Multilingual support Ligatures Alternates Swashes Works on PC & Mac Simple installations Accessible in the Adobe Illustrator, Adobe Photoshop, Adobe InDesign, even work on Microsoft Word. PUA Encoded Characters – Fully accessible without additional design software. Thank you for your purchase! Hope you enjoy with our font!