Pietro Aretino (1492 – 1556) Was an Italian author, playwright, poet, satirist and blackmailer, who wielded influence on contemporary art and politics. The most vigorous and versatile vernacular writer of the 16th century He was a very versatile writer, famous for his Lascivious Sonnets – which caused great scandal at the time – but also for his satirical verses, addressed to all the powerful people in Italy, without forgetting the many plays that he wrote for the theatre. Part of the charm of his letters is that through them you may know the whole of Venetian society from the top to the bottom. The little-known church of San Luca in Venice (in St Mark's district) has been a place of pilgrimage for centuries for people who are decidedly not devout: journalists, writers, free thinkers. In 1556 Pietro Aretino, a unique character of the Italian and Venetian Renaissance period was buried there. Such strong of personality, has contributed to generate the powerful wind of change that emerged from the italian renaissance. We have inspired on that talent searching for a new sight the famous Venetian typefaces. Probably looking for more vigour and contemporary digital style. This typeface is slightly condensed, lighter and has more contrast between the thick and thin letter-strokes, it has concave bracketed serif. Their ascender and descenders strokes are very shorts. Aretino family is completed by four weigh: Regular, SemiBold, Bold and ExtraBold, while Italics has three weighs. These fonts came with a full OpenType features and CE languages.

The Atrament font family was originally conceived in 2003 as the corporate display type family for Suitcase Type Foundry. Its original source of inspiration is the front cover of the Devetsil - Revolucni slovn’k almanac (1922), designed by Karel Teige. The lettering on this cover is a condensed sans serif with rounded stroke terminals. Atrament is significantly broader than the model and its characters are better balanced, reflecting the evolution of semi-condensed sans serifs throughout the 1960s. The horizontal strokes of both lower and upper case are less stressed than the vertical stems. Noteworthy are the unusual tiny gaps in the apex and vertex of letters with diagonal strokes, designed to prevent ink from spreading and smudging the letter shapes. This detail is one of the main features of the font's character. The general feel of the italics closely matches the strictly vertical, parallel character of the regular cut. When converting the family to OpenType the alternate character shapes from the Alternator weights were incorporated in the regular cut, which allows the user to switch selected characters from one shape to another within the same font. A number of glyphs and accents were corrected, and all the glyphs missing in the Suitcase Standard character set were added, along with the relevant kerning pairs. The individual weights of Atrament Std thus contain accented upper and lower case, small caps, alternate glyphs for most European languages, nine types of numerals, superscript characters, caps glyph versions, and much more. Its narrow proportions make Atrament the perfect choice whenever economy of space is a must. It is however not very well suited for setting long texts. Ideal for headlines and display use, it is perfect for situations where the text needs to make a great impact in a little space.

This is a revival of a Wagner & Schmidt font, released in the first quarter of the 20th century.

Prepare to be enchanted by the artistry of "Crispo," a font meticulously crafted through the delicate strokes of pointed pen calligraphy. In the world of typography, each character becomes a masterpiece, resonating with the eloquence of a brushstroke. Experience the Dynamic Elegance of Pointed Pen Mastery: Elegance with "Crispo" transcends mere quality; it embodies the essence of pointed pen calligraphy as a true masterpiece. The flowing lines and timeless grace of every character reflect the precision and artistry embedded in this refined craft. In the realm of fonts, "Crispo" emerges as a distinctive personality, each character meticulously handcrafted with a pointed pen. These letters aren't mere symbols; they roar with the passion and personality of a master calligrapher's ink, leaving an indelible mark on your creative endeavors. "Crispo" is more than a font; it's a genuine work of art inspired by the rich traditions of calligraphy. It serves as the embodiment of the pointed pen's craftsmanship, where each curve and ligature is shaped with meticulous care, inviting you to delve into the world of true artistic expression. The elegance within "Crispo" extends beyond appearances; it resides in the essence of each stroke. Every character, ligature, and swash is a testament to the beauty of pointed pen calligraphy, culminating in a font that stands unparalleled in its grace and sophistication. Whether you're crafting wedding invitations, establishing brand identities, or embarking on any project that craves distinction, "Crispo" unlocks the door to limitless creative expression. Courtesy of pointed pen calligraphy's mastery, this font becomes your brush, painting a story of elegance and distinction. "Crispo" is not just a font; it's a journey through the soul of pointed pen calligraphy. It encapsulates the brushstroke of a skilled hand, the dance of ink on paper, and the unwavering passion behind every character. Step into the enchanting world of "Crispo" and infuse your designs with the dynamic elegance and strong personality of pointed pen calligraphy.

Marons and Glance This is a very charming and elegant font, very beautiful to look at and displays the impression of endless luxury, very suitable for all types of designs that want to display the impression of deep beauty. there are several characters that you can use, and combine them, very easy to use can be accessed with the glyph you are using include: numeric punctuation latin Alternate Thank you very Much

The world has ended, and all that remains is chaos and destruction. The remnants of civilization are scattered, and the once-great cities are now nothing more than ruins. In this post-apocalyptic wasteland, communication is more critical than ever. Your message needs to cut through the noise and grab attention, but how can you do that when everything around you is broken and damaged? Enter Octynaz—a typeface that perfectly captures the desperate spirit of this new world. With its severe damage and broken counters, Octynaz embodies the shattered landscape of the post-apocalypse. But it’s not just a broken typeface—in fact, it’s even more powerful because of its flaws. OpenType-aware programs will automatically substitute bespoke pairs to produce a grungy, realistic appearance that will make your message stand out. When you use Octynaz, you infuse your words with frantic authority and shattered vigor. You’re not just communicating—you’re commanding attention. Your message becomes a rallying cry for those who remain, a beacon of hope amidst the darkness. Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

Right now it is melon time: the supermarkets are full of them: Galia, Honey Dew, Piel de Sapo… Back in Casa Hanoded we're quite happy with the abundance of melons! So, when I created this cute little font, naming it was easy. Honey Dew is a shaky all caps font with different upper and lower case glyphs. I created alternate letters for both upper and lower case closed glyphs (like a, b, d, o, etc.) - including their accented brethren (aacute, abreve, acircumflex), etc. There is an alternate & and @, plus the Æ, Œ, Ø, æ, œ, ø, þ and Þ. You should have guessed by now that Honey Dew comes with a whole stack of diacritics.

Angkest is an elegant display sans font with a unique slant at curve letter. This font builds with an elegant and stylish look it really perfect for headlines, typography, Poster, magazines, brochures, packaging, websites, and much more for your design needs, making your designs look like Luxurious nuances. What's Included : Standard glyphs Ligatures Alternates Web Font International Accent Works on PC & Mac Simple installations Accessible in Adobe Illustrator, Adobe Photoshop, Adobe InDesign, and even work on Microsoft Word. PUA Encoded Characters - Fully accessible without additional design software. Fonts include multilingual support Image used: All photographs/pictures/vectors used in the preview are not included, they are intended for illustration only. Thank You

Magistech is a display font inspired by technology and future design. Designed with modern sensibility build based on slab serif with square letterform, consist in any character either uppercase or lowercase. This font is fit for any design like headline, video, or social media, particularly for future or modern nuances design. What's you get : Standard glyphs Ligatures (Opentype features) Web Font International Accent Works on PC & Mac Simple installations Accessible in Adobe Illustrator, Adobe Photoshop, Adobe InDesign, and even work on Microsoft Word. PUA Encoded Characters - Fully accessible without additional design software. Fonts include multilingual support Image used: All photographs/pictures/vectors used in the preview are not included, they are intended for illustration only. Thank You

Cheer Forever is a delightful display font that merges the timeless simplicity of a sans serif with playful brush-style accents. With its uppercase letterforms and unique design, this typeface adds a touch of cheerfulness and character to your projects. The defining feature of Cheer Forever lies in its combination of a clean and geometric sans serif base with brush-inspired accents. The uppercase letters maintain a sleek and straightforward appearance, while the brush-style elements bring an element of spontaneity and liveliness. This fusion of styles creates a harmonious balance, resulting in a font that is both contemporary and playful. Inspired by the joyful nature of brush calligraphy, Cheer Forever captures the essence of creativity and self-expression. The brush-inspired accents add a touch of whimsy and personality to each letter, as if they were hand-drawn with a brushstroke. This unique style injects a sense of fun and positivity into your designs. Enjoy the various features available in this font. Features: Ligatures Multilingual Supports PUA Encoded Numerals and Punctuations Cheer Forever fits in logos, titles, headlines, and any design that aims to make a bold statement with a touch of playfulness. It is also particularly well-suited for designs related to children's products, event promotions, and any theme that calls for a touch of creativity. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

Have you ever wondered what sign painters and rib joints have in common other than the fact that they can both make a mess? What do they know that you don't which would have them pair a sexy casual script with a down south barbeque restaurant? Smokehouse is all about association. You'll find that this sexy casual script pairs well with a wide range of associations, from barbeque shacks to fairy princesses and everywhere in-between. It makes choosing the right font for the job an easy one, and for those that need to fill a little more space you'll find Smokehouse Wide is up to the task. Discover the power of association, and see how Smokehouse fits into your font collection. Buy both Smokehouse and Smokehouse Wide together as a family and save!

Lil Stuart is a beautiful calligraphic script typeface. Drawn and created between 2019 to 2022, this logotype lettering has a vivid style and a strong personality. It has an optimistic look, expressive speed and characteristic movements. Use underscore _ anywhere in a word to make an underline. Example: Love_letter Use multiple underscores to make different swashes. Example: Base_____ball Use numbersign # after any letter to make a swash. Example: Welcome# Summer# (Download required.) The Lil Stuart typeface family consist of Regular and Italic. The font is built with advanced OpenType functionality and has a guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures and more features; all to give you full control and customizability. It has extensive lingual support, covering all Latin-based languages, from Northern Europe to South Africa, from America to South-East Asia. It contains all characters and symbols you'll ever need, including all punctuation and numbers.

Beautiful Kisses surely is an extraordinary script and perfect to express your love. “Love must always be worthy of happiness”. It has an amazingly beautiful and elegant style. What’s included: 1. Works both on Mac & PC 2. Simple installations 3. With Extras 4. Alternates (A-Z, a-z), Swash (A-Z, a-z), Titling (a-z), and Ligature 5. Accessible in the Adobe Illustrator, Adobe Photoshop, Adobe InDesign, CorelDraw, even work on Microsoft Word. 6. Support multilingual; ä ö ü Ä Ö Ü ß ¿ ¡ 7. To access the alternate glyphs, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Photoshop CC, Adobe Indesign, and CorelDraw. More information about how to access alternate glyphs, check out this link (http://goo.gl/ZT7PqK) To stay up to date for my latest work, follow me and let’s be friends because there will be many promos.

Standey Script is a modern calligraphy design. This font is casual and beautiful with swashes and will be great for logos, product packaging, wedding invitations, branding, headlines, signage, labels, signatures, book covers, posters, quotes, and more. Standey Script includes changes in OpenType language style and international support for most Western languages. To activate the OpenType Stylistic alternative, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or newer versions. Standey Script is coded with Unicode PUA, which allows full access to all additional characters without having to design special software. Mac users can use Letter Books, and Windows users can use Character Maps to view and copy any of the additional characters to be entered into your favorite text editor / application. If you need help or have questions, let me know. I'am happy to help.

Underpaid? Overworked? If you like Fritos, Jolt and Mountain Dew in your cubicle, your big warm fuzzy Donkey Kong heart is going to like these fonts a lot. Developed in conjunction with actual Code Monkeys*, this user-defined type IS defined -- it's loud and proud, and available in functional monospace for screen or elegant proportional spacing for print. When your pet project needs a soft, pretty face that's visible from across the office, sit down and pretend to work with CodeMonkeyVariable. Released from the captivity of monospacing, these lovely letters can convey even your wildest story ideas. When your syntax needs to line up on screen, get monospaced out with CodeMonkeyConstant. Copy from other sources and your screen captures will look so sweet you'll no longer have to pray your code complies to specs, because even your login page will look like dynamic rock star programming.

The newest addition to the Outside the Line collection of picture Doodle fonts... Christmas Doodles. The perfect font for that quickie Christmas party flyer. It includes gifts, gift tags, gingerbread man, gingerbread house, candy canes, hot cocoa, bow, crackers, 2 kinds of trees, poinsettia, jingle bell, ornaments, snowflakes and a star. This font works well with Holiday Doodles and Holiday Doodles Too which have some Christmas icons in them.

In May of this year, I went to Japan with my (then 11 year old) son Sam. It was his dream to visit Japan, probably because of my tall tales, stemming from the time I was a tour guide! Sam really wanted to try all kinds of Japanese delicacies and one day, when walking around Tokyo, we came across a little stall selling Taiyaki. Taiyaki are fish-shaped waffle/cakes with a red bean or sweet potato filling. They are really delicious! This nice ‘oriental looking’ font was made with a broken popsicle stick and Chinese ink. You are now wondering why I always use Chinese ink and not Japanese ink. Well, I have a stash of the Chinese stuff and it’ll last me a lifetime!

A revival from the past this animated letter will fit right into todays market. With its subtle flair and Latin feeling it will surely give a feeling of pure fun. This style was very popular in the 40s and 50s then it was reborn in the 60s and 70s once again it is coming back and becoming popular again.

Rawuh is a unique gothic blackletter for your designs. If you want to stand out from the crowd and add a touch of elegance, then this is the font you need. The blackletter style works perfectly for any Gothic themed tattoo, label, packaging, branding or project! use this font right away to make awesome projects happen!

Empire State Gothic is, from basement to spire, an exultant, soaring skyscraper of a font, distinguished by its high arches, steel-framed construction and the glory and pride of Comicraft's fine woodwork and stonework! You might find it surprising, then, that this tall, lanky font was something of a loner during its teenage years, mingling with others of its kind in the shadowy corners of coffeehouses, nurturing feelings of belittlement while craving attention it may not have rightly deserved.

Kittle Rough is a robust display font with a time-worn texture. It has a strong, pared down look based on bold geometric forms. Loaded with personality, Kittle Rough features a full upper and lower case character set and an extended set of accented characters for Central European languages. It is also available as Kittle Round, with a smooth, clean look.

Ethique is a minimalist, luxury and gorgeous font that is both classically elegant and inherently modern. Create unique word mark logos, beautiful wedding invitations, use it as an elegant solution for your next magazine layout, or choose Ethique for any graphic design that require a sleek look with an elegant flair. Ethique features a unique style of design and contains multi-lingual support.

Authentic Sheldon is beautiful and lovely script font with many alternative styles, ligatures, swash and multilingual glyphs. Authentic Sheldon can be used for wide ranges of application, such as wedding design, logo, poster, name card, invitations, social media posts, and others. Files include: + PUA-Encoded + Can be used in any software, like Adobe Photoshop, Illustrator, even Microsoft Word, PowerPoint and others. + Multilingual glyphs.

Paul Epworth is beautiful and lovely script font with many alternative styles, ligatures, swash and multilingual glyphs. Paul Epworth can be used for wide ranges of application, such as wedding design, logo, poster, name card, invitations, social media posts, and others. + PUA-Encoded + Can be used in any software, like Adobe Photoshop, Illustrator, even Microsoft Word, PowerPoint and others + Multilingual glyphs. Thank You

Cascabel was built on a modular harmony and creates visibly maze-like geometric structures. When typeset in complete words, it conveys an unmistakable architectural approach to a design project. Ideal for magazines, posters or flyers, Cascabel is an alphabet functionally defined by a concept similar to that of building blocks. Designed by Ariel Di Lisio and digitized by Ale Paul.

Temet Nosce - Serif font family - Multilingual - 6 Styles Temet Nosce Serif font family help you develop your creative projects with its 6 styles and multilingual supports. It was inspired by the famous saying from ancient Greek mythology. The characters that make up its structure were influenced by the carved letters in the old stone inscriptions. According to ancient Greek and Roman authors, there were three maxims prominently inscribed upon the Temple of Apollo at Delphi: "know thyself", "nothing too much" and "give a pledge and trouble is at hand". Their exact location is uncertain; they are variously stated to have been on the wall of the pronaos (forecourt), on a column, on a doorpost, on the temple front, or on the propylaea (gateway). The date of their inscription is also unknown, but they were present at least as early as the 5th century BC. Although the temple was destroyed and rebuilt several times over the years, the maxims appear to have persisted into the Roman era (1st century AD), at which time, according to Pliny the Elder, they were written in letters of gold. This font comes with uppercase, lowercase, punctuation, symbols and numbers, ligatures and multilingual supports. Ideal for books and magazines, editorials, headlines, websites, logos, branding, advertising and more. This font family can meet your needs in all creative projects, modern and classic. With this font you can create your unique designs. Have a good time.

Prolific illustrator and veteran typographer Tracy Sabin draws on more than 40 years of multi-disciplinary design experience to bring us Muschamp Pro, a loopy, bouncy, free-form alphabet adaptable for many uses. It embodies the spirit of the massive art nouveau wave that broke out in the late 1950s and ingrained itself in popular culture for about three decades on both sides of the pond. Carefree, playful, rhythmic and versatile, this font evokes plenty of album jackets, children book covers, and cartoon titling from the times that really defined those design expressions and enshrined them as essential pop art. Muschamp Pro comes with plenty of alternates, ligatures of both standard and discretionary varieties, and extended Latin language support, all contained in a glyphset of more than 500 characters. Use this font if you want your design to transmit a message of crafty and joyful activity.

Geofanny is clean monoline script font which has layered features and OpenType features. Use this typeface to make your design vintage-like. Not only that, you can also use this without layered font to make more feminine and cute design. This font good for vintage design, t-shirt, logo, labels, badges, posters, branding design, blog headers, signatures, quotes, fashion apparel, business card, stationery and many more. Geofanny features: A full set of upper & lowercase characters Numbers & punctuation Multilingual language support PUA Encoded Characters +244 Glyph OpenType Features Geofanny includes: Geofanny Regular.otf Geofanny Extruded.otf To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or later versions. There are additional ways to access alternates/swashes, using Character Map (Windows), Nexus Font (Windows), Font Book (Mac) or a software program such as PopChar (for Windows and Mac). For more information about accessing alternative, you can see this link: http://adobe.ly/1m1fn4Y

City Boys is a fashionable contrasted sans-serif that can be used in almost any situation. City Boys has basic, natural and neutral letterforms and skeletons for a wide range of usage. The glyphs are somewhat humanist yet they have vertical stress for modern and sophisticated impression. The ratio of the contrast was carefully designed for modern usage –websites, digital, printings and merchandises–. City Boys consists of 7 weights and their matching Italics for a wide range of usages. Farther, City Boys is supporting international Latin languages and basic Cyrillic languages including Basic Latin, Western Europe, Central and South-Eastern Europe. Also CSS covers Mac Roman, Windows1252, Adobe1 to 3. This wide range of international characters expands the capability of your works. City Boys Soft is a softly rounded version of this City Boys.

City Boys Soft is a fashionable contrasted sans-serif that can be used in almost any situation. City Boys has basic, natural and neutral letterforms and skeletons for a wide range of usage. The glyphs are somewhat humanist yet they have vertical stress for modern and sophisticated impression. The ratio of the contrast was carefully designed for modern usage –websites, digital, printings and merchandises–. City Boys consists of 7 weights and their matching Italics for a wide range of usages. Farther, City Boys is supporting international Latin languages and basic Cyrillic languages including Basic Latin, Western Europe, Central and South-Eastern Europe. Also CSS covers Mac Roman, Windows1252, Adobe1 to 3. This wide range of international characters expands the capability of your works. City Boys is a normal corner version of this City Boys Soft.

Matthew Carter has been refining his design for Alisal for so long, he says, that when he was asked to complete the design for the Monotype Library, it was almost as if he were doing a historical revival of his own typeface. The illusion even extended to changes in his work process: although he now does all his preliminary and final drawing on screen, the first trial renderings of Alisal were done as pencil renderings. Alisal is best classified as an Italian old style design. Originally created between the late 15th and mid-16th centuries in northern Italy, the true Italian old styles were some of the first roman types. They tend to be the most calligraphic of serifed faces, with the axis of their curved strokes inclined to the left, as if drawn with a flat-tipped pen or brush. These designs offer sturdy, free-flowing and heavily bracketed serifs, short descenders, and a modest contrast in stroke weight. Alisal has nearly all the classic Italian old style character traits, plus a few quirks of its own. It is calligraphic in nature, with more of a pen-drawn quality than faces like Palatino or Goudy Old Style. It is more rough-hewn than either Goudy's Kennerley or Benton's Cloister, and is generally heavier in weight than most of the other Italian old style designs. One place where Alisal makes a clean break with traditional old style designs is in the serifs. While sturdy and clearly reflecting pen-drawn strokes, Alisal's serifs have no bracketing and appear to be straight strokes crossing the main vertical. Like Caslon or Trajanus, Alisal is a handsome design when viewed as a block of copy. Ascenders are tall and elegant, and serve as a counterpoint to the robust strength of the rest of the design. Alisal is available as a small family of roman and bold with a complementary italic for the basic roman weight, providing all that is needed for the majority of text typography. Alisal is not as well-known as some of Carter's other typefaces, but this lovely and long-incubated design was certainly worth the wait.

Danielle Signature font. It has a elegant, classy look and beauty. It’s a great font for fashion, apparel projects, signature, album cover, logo, branding, magazine, social media, & advertisements, but also works great for other projects. Highlight : The perfect font choice for powerful projects – watermarks, signatures, photography, logos, business cards, quotes, album covers. No special software is required, The fonts can be opened and used in almost any program/software that can read standard fonts – even MS Word

The Herben - is a unique ligature serif font inspired by nature and autumn mood. It is perfect for logos (especially to word-mark logos), branding, invitation card, and much more; and well to emphasize your unique style, eco concept, or something else. 75 ligatures and 14 swashes will help create individual writing, thereby expanding the scope for creative expression. What's about details and features? Letters A-Z, a-z, 0-9 and punctuation (all in preview); 75 unique ligatures;

Thalib is an elegant bold script font with retro look. Comes with 2 styles, clean and textured. Suitable for logotype, branding, packaging design, poster design, website/display, editorial, headline, advertising, and more. Whats Include? Opentype support Multilingual support PUA encoded Features: Uppercase, lowercase, numerals, punctuations, alternates, contextual alternates, and stylistic sets Accessible in the Adobe Illustrator Glyphs panel, or under Stylistic Alternates in the Adobe Photoshop OpenType menu, Adobe InDesign, Corel Draw, even work on Microsoft Word

Freezetide is a handwritten font with alternates, ligatures, OpenType features which give your design a natural handwriting feel with personality. Freezetide comes with 299 glyphs including multilingual characters, standard numbers, lowercase stylistic and standard alternates, discretionary ligatures for variety. Letters have jagged edges imitating dip pen writing. Using these ligatures allows you to give a realistic somewhat quirky hand-lettered look to your typography. Write the same word differently by combining the default set, alternates, standard and discretionary ligatures.

In the collection of vintage and historic images available online from the Library of Congress is one of the exterior of the Town Talk Diner in Minneapolis, Minnesota. Regrettably, on May 28, 2020, the Town Talk Diner was damaged by vandalism, and subsequently destroyed by a fire that engulfed the building early on the morning of May 29th due to civil unrest following the death of George Floyd. The restaurant first opened in 1946, closed in 2011 and subsequently re-opened under new ownership in 2014 with French cuisine, then from 2016 until its demise as an American bistro. While this was not known at the time of selecting the image for a typographic model, subsequent research on the diner turned up these facts. The large vintage sign above the entrance was in big, bold Art Deco letters with rows and rows of bulbs for illuminating the name at night. Coffee and Danish JNL, modeled from the image of that sign, is available in both regular and oblique versions. Perhaps, in a way, the type design will serve as a bit of historic recognition for a popular eating spot.

These fonts just ooze Christmas and holiday spirit from every curve of every letter! If Kingthings Willowless Pro is a Christmas font, well... then Kingthings Willow Pro is a Christmas tree complete with decorations and lights! This font is sooooo ornamented - but still quite readable. I have cleaned up all the outlines, redesigned the F (which looked more like a J), tweaked some more letters and then expanded the font with the usual multilingual glyphs. I loved this font when I first saw it, but was very nervous that it would be difficult to design the accents - but it was a breeze! It has been one of the most enjoyable fonts to rework so far. Hope you will enjoy it, too. ALL fonts from CheapProFonts have very extensive language support: They contain some unusual diacritic letters (some of which are contained in the Latin Extended-B Unicode block) supporting: Cornish, Filipino (Tagalog), Guarani, Luxembourgian, Malagasy, Romanian, Ulithian and Welsh. They also contain all glyphs in the Latin Extended-A Unicode block (which among others cover the Central European and Baltic areas) supporting: Afrikaans, Belarusian (Lacinka), Bosnian, Catalan, Chichewa, Croatian, Czech, Dutch, Esperanto, Greenlandic, Hungarian, Kashubian, Kurdish (Kurmanji), Latvian, Lithuanian, Maltese, Maori, Polish, Saami (Inari), Saami (North), Serbian (latin), Slovak(ian), Slovene, Sorbian (Lower), Sorbian (Upper), Turkish and Turkmen. And they of course contain all the usual "western" glyphs supporting: Albanian, Basque, Breton, Chamorro, Danish, Estonian, Faroese, Finnish, French, Frisian, Galican, German, Icelandic, Indonesian, Irish (Gaelic), Italian, Northern Sotho, Norwegian, Occitan, Portuguese, Rhaeto-Romance, Sami (Lule), Sami (South), Scots (Gaelic), Spanish, Swedish, Tswana, Walloon and Yapese.

One look at the font Wanted brings to mind swinging saloon doors, double shots of whiskey and sheriff's badges. It belongs to the so-called Italienne typefaces which began to appear at the beginning of the 19th century. The distinguishing characteristic of such typefaces is the robustness of its serifs, which exceeds that of the base strokes. Wanted looks almost as though it were stamped on paper. Small white flecks appear in some of the strongest black strokes just as they would in a stamp which did not get quite enough ink...or are they perhaps the work of a sharp shooter? Wanted is best for short headlines and perfect for anything which should have the look and feel of the Wild West.

The Narsinh Series (from the 1940 Gujarati Type Foundry of Bombay, India) is a modular metal font comprised of 32 basic shape pieces which would be assembled into any configuration to form various letters and numbers. Examples of the alphabet and numerals were set in an Art Deco, condensed sans serif and were the basis for this type revival. Strongly resembling a stencil design, the typeface was named after the revered 15th-century poet-saint of Gujarat, India Narsinh Mehta, and the foundry itself gets its name from the language and script of Gujarati [spoken by the Indo-Aryan residents of the Indian state of Gujarat]. Divided Highway JNL is the digital version of this design, and is available in both regular and oblique versions.

Rigel was inspired by one poster by American artist and illustrator Katherine Milhous. It was a poster promoting the Ephrata Cloister in 1936. The letters from the Ephrata title on this poster are very concise and expressive, reminiscent of blackletter, but have a simplified look, which looks quite fresh even today. It was very inspiring to bring this font to life. In the process of redrawing and redesigning, the font has been slightly modified, but retained the character of those six letters from the reference poster. This is a header font consisting only of uppercase letters. It contains 6 styles from Light to ExtraBold. Despite the fact that the font has the character of blackletter, due to simplified forms, increased contrast and sharp lines, the font looks like a modern rethinking of Gothic script and it has found a new life. The name Rigel is taken for a reason. Rigel is a star, an blue supergiant in the constellation of Orion, and the Ancient Egyptians associated Rigel with the Sah - king of stars and patron of the dead. The human body after mummification was also seen as the embodiment of the soul. Of course, there is no direct connection between the font and Egyptian mythology, but indirectly in this way I wanted to emphasize even more the idea of incarnation, rebirth. Rigel is good for posters, large headlines, logos and any other large font compositions.