Cliffhanger's top-selling DANGER GIRL creator and artist, Jeff Campbell, also topped our first MASTERS OF COMIC BOOK ART poll. Originally Jeff wanted his font to be wholly exclusive to the DANGER GIRL book, but we begged him, we pleaded with him and, eventually, we took photographs of him (in compromising positions with his "models") and he relented. Now, at long last we are making this slick and stylish font available as a part of our catalog, and you no longer need be a stranger to danger. See these families related to J Scott Campbell: J Scott Campbell Lower & J Scott Campbell Sketchbook .

Debira is a contemporary display wedge-serif typeface. Its sharp and longer serif makes Debira a versatile type family that can be used in many different themes of design projects, from classic style to modern. It comes in seven weights from thin to bold with matching italics. Its mixture of weights provide a wide range of styles that will help you find the best vibe for your projects, for headlines or a short paragraph. The set of special ligatures can be perfect mates for your brand. It is well suited for book covers, editorial, branding, advertising and more.

Mikado is a friendly, casual type family designed by Hannes von Döhren. It is intended to be used everywhere where a pleasant feeling should be conveyed: Games, Food, Service or Advertising. Mikado has a positive, kind of "out-of-the-box-appearance" in big sizes, but because of its straight architecture the fonts are also very legible in smaller sizes and longer texts - in print or on screen. Mikado is equipped for complex, professional typography with alternate letters, ligatures, arrows, fractions and an extended character set to support Central and Eastern European as well as Western European Languages.

Kimberly Script is a stylish handwritten calligraphy font, combines from copper slabs to contemporary fonts with dancing baselines, classic and elegant touches. Can be used for various purposes.such as headings, signature, logos, wedding invitation, t-shirt, letterhead, signage, label, news, posters, badges etc. File included: Kimberly Script.otf How do I access the alternate characters? The alternates are accessible by turning on 'Stylistic Alternates' and 'Ligatures' buttons on in Photoshop Character panel, or via any software with a glyphs panel; e.g. Adobe Illustrator, Photoshop CC, Inkscape. If you have any question, don't hesitate to contact me by Email: bonjourtype@gmail.com

Introducing Felek - hand-drawn sans serif font with a lot of character. Playful, bouncy & cute. Perfect for creating logos, greeting cards, posters, packaging and so much more! Suitable also for longer paragraphs, for example in children's books. Its charming and warm character will help you give your project a truly unique feel. Designed and kerned with care and love to make using it a breeze. What you will get - a hand-drawn font with lots of stylistic alternates and ligatures - a dingbat font with 53 illustrations and icons - multilingual support with accented characters for international designers Happy creating!

Since 2005, I have repeatedly attempted to create a neutral-looking grotesque with a humanistic character. I wanted a pleasant, soft typeface. The typeface should appear similar to Helvetica or Univers, but with more open shapes and therefore better readability. The features are deliberately reserved with 4 gradations plus italics. The onum feature for Old Style Figures contains additional alternative letters such as a looped g. The italics have a swash feature with some decorative shapes. As a sans serif, HGB Bacco does not appear to be technically constructed, but has a friendly, open character and is also suitable for longer texts.

Brokman is a contemporary sans serif designed to bring clarity and originality to brand related projects. The open apertures and large x-height help provide a fresh aesthetic with an easy, fluid texture across design layouts. While it's squarish proportions are balanced with subtle rounding achieving a carefully modulated and textured feel in longer text scenarios. Its weight-range allows great flexibility, making the typefaces suitable for a variety of media applications including apps, brand identities, broadcast, gaming and the web. Details include 430 characters, seven weights each with true italics, manually edited kerning and Opentype features.

Tabarnak started out as an assessment and correction of an old concept by George Wilkens. The original idea was for a bold upright alphabet reminiscent of Oz Cooper’s work, but ornamented with some shocard/signage traits. That idea was radically redrawn and reinvented to become a simple 21st century font made to turn heads and induce a friendly rush. Tabarnouche is Tabarnak’s “jittery” incarnation. Just as great for packaging as they are for ads, posters, book and magazine covers, both Tabarnak and Tabarnouche come with about 600 characters, including tons of alternates, and support for the majority of Latin-based languages.

Let’s have some fun! Govia Sans adds plenty of joy to any logo, layout or UI. Geometric shapes and a funny look come together in this font family – thus, Govia Sans might be the perfect choice for toys, books, packaging designs, movieposters and many more. Although the fonts’ comic character shines through in every glyph, it keeps a surprising degree of legibility even in small sizes. Choose between a Medium and a Bold weight. Designed by Marc Lohner, Govia Sans speaks more than 200 languages. Funny ligatures, arrows, oldstyle figures and many more features will fulfill all your typographic needs.

Our Risque Pro draws inspiration from the title screen of the 1962 Looney Toons cartoon, "Martian through Georgia". Originally an all Capitals reference, Risque includes Capitals, lowercase, and SmallCaps sets as festive and irregular in its bounce as the cartoon reference. This frolicking fun typeface has retro roots, but also an all around offbeat personality that opens it up to a wide gamut of uses. Opentype features include: - SmallCaps. - Full set of Inferiors and Superiors for limitless fractions. - Tabular, Proportional, and Oldstyle figure sets (along with SmallCaps versions of the figures). - Stylistic Alternates for Caps to SmallCaps conversion.

Introducing Two Race Typeface 🏁The Two Race font 🏁 is inspired by the sporty racing display font. This bold, italic and strong font with an impression of speed is perfect for making sports racing themed designs. Can be used for making logo designs, car stickers, racing event titles and so on with sport race themes. In addition to the regular Two Race, there is also an italic version which makes it look faster and cooler. Apart from that this font is very easy to use in both design and non-design programs because all alternates and glyphs are supported by Unicode (PUA).

Quenda is a small sans-serif family comprising six weights: thin to heavy. Due to its rounded terminals and a slight handwritten look, Quenda has a friendly and warm appearance. Its main purposes are for advertising and branding projects. You will find lots of ligatures and a total of 593 glyphs in each style. With extensive language support, lining-, old-style- and tabular-figures, a slashed zero, self-building fractions, superscript and subscript digits, a set of arrows as well as thousands of kerning pairs, Quenda is ready to contribute to your next design project. Designed by Marc Lohner in 2015.

So many designers hate Comic Sans. They think people who don't know design are overusing this funny little friendly font, which is nearly every time out of place. Some years ago, type designer Hannes von Döhren created a free alternative to Comic Sans. The difference: It has serifs and a much cooler look. The big success of the HVD Comic Serif pushed Von Döhren to create a Pro Version with an eastern, central and Western European language support. “The HVD Comic Serif should spread all over and make the world a little bit better.” says Hannes.

Gardenia is a grotesk sans-serif. It comes in 9 weights with matching italics. It was designed by Salvador Rodríguez in 2015/2016. It is characterized by legibility in the medium sizes, black and thin weights are great performers in display sizes. Gardenia is well suited for longer texts and headlines. It’s perfect for graphic design, web, print, motion graphics, interaction design etc… Gardenia is equipped with a wide range of opentype features. Learn about upcoming releases, work in progress and get to know us better! On Instagram W Foundry On facebook W Foundry Check out our website!

Highfield is a luxury sans serif type family of three weights plus matching italics. It’s influenced by the modern and elegant style sans serif typefaces that are popular in high class editorial design. The fonts are based on geometric forms that have been optically corrected for better legibility. While the bold weight is a great performer in display sizes the light and regular wights are well suited to longer body & supporting text. Highfield is equipped for complex, professional typography. The OpenType fonts have an extended character set to support Central and Eastern European as well as Western European languages.

An industrial strength slab-serif typeface which performs equally well with headlines as well as longer text. It differs from the stiff almost mechanical structure of other slabs, by introducing distinct letterforms in characters like ‘f’, ‘r’ and managing at the same time to combine effectively the typeface’s round parts with deep cuts and sharp inner corners, which add an interesting character to this otherwise contemporary series. PF Synch Pro consists of 4 fonts from black to regular. It is loaded with 3 special OpenType features and offers multilingual support for all European languages including Greek and Cyrillic.

Symbolum Croatian heritage awakened. Symbolum is the first ever contemporary interpretation of Glagolitic script. This rediscovered Croatian gemstone gleams again with its unique and glorious letter shapes that give this typeface an exceptional value and meaning. The letters of this contemporary slab serif are inspired with Glagolitic script, but it is not the revival. Some letters originally don’t exist, but are invented, so the font can cover the central European character set. It is suitable for branding, game design, art and conceptual projects, but also for longer texts and more complex designs. The italics are designed at an 10° angle.

Initially inspired by an untitled typeface from an old hand-lettering book, Berber has been extensively developed over two incarnations to function as a very strong and confident sans. The 2011 Berber revisions have enabled Berber to be used across longer settings as well as its more conventional use on larger applications such as signage. Berber was used as the text face for issue 46 of Eye, the graphic design journal. The typeface now features both king caps and small caps. Extensive additions to the numerals sets and complete opentype sets of international diacritics also extend its usage.

Where Modern is too fragile and Century too boring, Hercules comes with its elegant forms and, at the same time, with sufficient firmness to be usable for longer texts. In its heavy, bold designs it approaches Falstaff, while in the light ones it has some features which are taken over from Didot or from Modern. The text designs have been corrected for small sizes. The range of its use is, therefore, quite extensive - from dictionaries and technical literature through magazines to art posters and advertising materials. Suitable combination: Splendid Quartett (especially recommended), Excelsor Script, Plagwitz, but also Zeppelin and Compur.

Bogue is a soft serif type family of 8 weights and matching italics. The soft forms gives it a friendly and approachable character with a hint of retro feeling. Bogue comes with a lots of stylistic alternates that makes it very versatile in various uses like logos, editorial design, branding, web design, package design and much more. You can use it to create short powerful phrases and headlines and also use it in longer text like lead paragraphs and body texts. So if you are looking for a versatile soft serif font with a friendly character you have found it!

Ristella - a logotype script font. This high-quality typeface is created by Måns Grebäck. Its style is bold and has large, attention-grabbing uppercase letters. Ristella contains alternate and stylistic alternates, as well as multiple ligatures. With its hundreds of glyphs it also has support for a wide range of languages. How do you make a swash? Combine an ending and a tail to make a swash. Endings are found in the following symbols: [ ] { } Tails are found in the following symbols: < > § _ ¤ Example: Ristella}> With ligatures activated, write multiple tail symbols to make a longer swash. Example: Tailextender]¤¤¤

Although traditional Heiti typefaces may not be as lively as Songti, the modesty of M Hei makes is enduring and stand out from other similar typefaces. M Hei’s design is based on the hallmarks of traditional Heiti typefaces: it has little to no thick-thin contrast in strokes and has square cut terminals. Its dots (點), ticks (剔) and downstrokes (撇、捺) are subtly curved and longer than usual; all stems (豎) and crossbars (橫) remain simple and clear; and hooks (勾) appear rounded. Together they make a harmonious form which is clean but pure, classy but contemporary.

Rashfield is a soft serif type family in 5 weights and italics. Inspired by classical Windsor mood in Woody Allen movie titles, with outward bent h, m, n and a lot of modern alternates. Softly character with a hint of retro feeling. Rashfield has a lots of stylistic alternates that makes it very playful in various uses like logos, prints, branding, web design, packaging and more. Use it to create short powerful phrases and headlines and also use it in longer text like paragraphs and block texts. Perfect for modern projects with a little retro mood feel.

Linotype Syntax™ Serif is the serif typeface that complements Linotype Syntax™, both created by Swiss type designer Hans Eduard Meier in 2000. With this new design, Meier has at last given shape and structure to the invisible muse that inspired him in the 1950s when he conceived his monoline sans serif based on humanist or Oldstyle letterforms. The calm legibility of this workhorse text family is accented by Meier’s signature of subtle dynamic movement, making it ideal for longer texts in books and magazines. It combines harmoniously with the other Syntax typefaces, Linotype Syntax™ and Linotype Syntax™ Letter.

PostScript fonts are constructed by connecting dots, dots that have special attributes that control the shape of the connecting lines. In designing Minimalist, I wanted to see how few dots could be used to construct each letter. This is the source of the name--it is (or was) a minimum-point alphabet. I did not expect much from it, and was surprised that it turned out as well as it did. Since I originally drew it, I have added some points to some of the letters to get them to generate proper bitmaps, so it no longer has minimum points.

Winterday Elegant Calligraphy font that comes with exquisite character changes, a kind of classic decorative copper script with a modern twist, designed with high detail for an elegant style. Winterday Elegant Calligraphy font attractive because it is subtle, clean, feminine, sensual, glamorous, simple and very readable, because it has many fancy letter joints. I also offer a number of decent stylistic alternatives for multiple letters. Classic styles are very suitable to be applied in various formal forms such as invitations, labels, restaurant menus, logos, fashion, make up, stationery, novels, magazines, books, greeting / wedding cards, packaging, labels or all kinds of advertising purposes

Deicide Remain Font is a cool alternative for you to easily create your Underground band logo or whatever. Using alternative fonts and ornaments will liven up the font and will look cooler and fiercer. It comes with a basic character set and a small group of symbols and signs frequently used in the extreme music sector - Death- and Blackmetal classics such as pentagram drops, roots, wings and more. Features : - All Caps - numbers & punctuation - Alternate & Ligature - Multilingual - Symbol Ornament - PUA encoded Please contact us if you have any questions. Enjoy Crafting and thanks for supporting us! :) Thank you

Niveau Grotesk—the companion of Niveau Serif —is a type family of six weights plus matching italics and small caps. It was designed by Hannes von Döhren in 2013. Influenced by classical nineteenth-century faces, the fonts are based on geometric forms. Because of its straight architecture, Niveau Grotesk has a “punch” in big sizes but is very legible in smaller sizes and longer texts—in print or on screen. Niveau Grotesk is equipped for complex, professional typography with alternate letters, arrows, fractions and an extended character set to support Central and Eastern European as well as Western European Languages.

The 1765 Stamp Act ignited in American colonists a simmering distrust of the distant British Parliament, whose oppressive trade duties they deemed unfair assaults on their rights as English subjects. Before long, of course, this little dustup spawned The Boston Tea Party, the American Revolution, and the birth of the U. S. of A. But before the Battles of Lexington and Concord, a group of Philadelphia merchants made one last-ditch call for commercial cooperation across the Atlantic. This futile appeal survives to this day on a three-page broadside, finely engrossed by a penman of the period and passed down through the generations of a family named Remsen. Remsen Script is an interpretation of that penman’s neat, formal cursive—from its broad antique flourishes to its subtle unevenness and gently ragged strokes. Perfect for event announcements, fine product packaging, recreations of historical documents, or anywhere you wish to offer a whiff of a bygone era.

We used to have a composite worktop in our 'old' kitchen. It was cheap and the kitchen-guy warned us not to put any hot pans on the worktop, as it could crack due to Thermal Shock. Duh... When we installed our new kitchen, we opted for a ceramic worktop, which can handle hot pans being placed on it! Thermal Shock font is a very nice, handmade brush font. If you ever bought any brush fonts of mine, you will know that I almost always use Chinese ink and cheap brushes to create 'the look'. It is always a bit of a surprise how a Chinese ink brush font turns out: I created one the other day and it looked horrible, so it was banned.. Thermal Shock turned out to be a looker. Thermal Shock comes with one set of alternate glyphs, extensive language support (including Greek and Vietnamese) and a guarantee it won't crack in super hot designs.

Toma Sans is a sans serif type family of seven weights plus matching italics. Influenced by the geometric-style sans serif faces that were popular during the 1920s and 30s, the fonts are based on geometric forms that have been optically corrected for better legibility. Toma Sans has a functional look with a friendly open touch. While the ExtraLight and the black weights are great performers in display sizes the light, regular and medium weights are well suited to longer texts. The small x-height and the restrained forms lend it a distinctive elegance. The typeface has an extended character set to support most European languages.

I really like the moments when classic meets modern. Mathieu was inspired, by the proportions, texture and elegance of Renaissance typefaces, and by the works of Dutch typographers, in whom I have always appreciated the balance between the traditional approach and experiment. Mathieu has the features of a sans-serif typeface, but you can feel delicate notes of calligraphy through humanistic details. The whole family has several width options complemented by a slightly slanted but expressive italics – making it suitable for both longer texts and for use in visual identities. Karol Mularczyk and Małgorzata Bartosik worked on the project creatively directed by Mateusz Machalski.

Introducing Neatly Said - sweet & versatile font family. Packed with hand-drawn letters, stylistic alternatives, and ligatures. Perfect for writing out uplifting quotes for instagram posts, wall art or greeting cards. It will also be there for you if you need to design some charming packaging or branding. Suitable for short and sweet quotes, as well as longer meaningful paragraphs. Designed and kerned with care and love to make using it a breeze. Neatly Said is packed with lovely features: many stylistic alternates for uppercase and lowercase ligatures multilingual support with accented characters for international designers Contact me with your order number to receive the illustrations: monika.torun@gmail.com

Linotype CoolWool is part of the Take Type Library, featuring winners of Linotype’s International Digital Type Design Contest. This font was designed by A. Leonardi and P. Wollein, who took their inspiration from clothing labels and care instructions. CoolWool is designed to look like it was stitched, a style of typeface which goes back to the hand embroidery of the time of Biedermeier. CoolWool, however, is a distinctly modern font with a technical feel. The font is not suited for longer texts, but CoolWool is good for shorter texts and headlines, especially because of the possibilities allowed by its three different styles, regular, stone washed (bold) and Cotton Club (outline).

Kessel 105 Text is the text specific variation of stablemate, Kessel 105 . With a narrower x-height and longer ascenders and descenders, its more traditional proportions make it more economical with space and better suited to continuous text. It's a versatile, modern sans, highly legible as a text font and with a clean, elegant look as a display font at larger sizes. It has an art deco flavour with sharp points at the apex of many characters. The Kessel 105 Text family comprises of four weights and includes old style non-aligning (lower case) numbers, both proportional and tabular as well as accented characters for Central European languages.

Hashtag is a type family of four types.The font contains over 360 carefully hand-crafted glyphs. Very elegant and gentle in big sizes but is very legible in smaller sizes and longer texts - in print or on screen. As an exclusively OpenType release, these fonts have an extended character set to support Central and Eastern European. Hashtag is perfect for logos, advertising, announcement, invites, thank you�s and correspondence, for packaging, and to create all yours fun and moderns designs you want. There are plenty of options to allow you to create something unique and special. I hope you like him as much as I do!

Slurm is a hand-drawn fun font that is ideal for use in headlines, descriptions and logotypes used in product design and similar applications. In longer texts it works well as a complementary font for comics and illustrations. Various sizes and weights for individual characters are derived from the hand-drawn font. Each glyph is an original; no shapes are repeated. Ligatures have been created for double letters and the typeface includes diacritics for languages that use Latin letters. The typeface features two basic styles, Regular and Bold, which can be used separately just as well as combined. Each style also includes pictures that can be used for various occasions.

Amanda Manopo is a calligraphy script font that comes with very beautiful changing characters, a kind of classic decorative copper script with a modern touch, designed with high detail to bring stylish elegance. Amanda Manopo Script is attractive as a typeface that is smooth, clean, feminine, sensual, glamorous, simple and very easy to read, because there are many fancy letter connections. I also offer a number of viable style alternatives for many letters. The classic style is perfect to be applied in various formal forms such as invitations, labels, restaurant menus, logos, fashion, make up, stationery, novels, magazines, books, greeting / wedding cards, packaging, labels or any type of advertising purpose.

Plan is a corporate typeface made for 'Plan A Ontwerp', a graphic design studio based in Eindhoven, The Netherlands. Based on the rough sketches of the founder of Plan A Ontwerp, Frank Vogt, Characters constructed, mastered and finetuned the complete Plan Family. Plan comes in three versions; Plan A, Plan B and Plan C. All versions can be mixed because they share the same metrics, spacing and kerning. Where Plan A is a strong display type, Plan B has more details and is therefore better suited for longer and smaller texts. Plan C is a decorative stencil version with an own personality and dynamic.

The Cochin font is based on the work of eighteenth-century punchcutter, Cochin. Charles Peignot commissioned the revival of this strong typeface in 1912. The capitals are squarish. The lowercase has long ascenders and sharp serifs, giving Cochin an unusual elegance. The curved ascender in the italic lowercase d is a major characteristic and the p and q lack foot serifs. Cochins overall vivacity derives from the engravings on copper, produced in France in the eighteenth century. Cochin is a trademark of Linotype Corp. registered in the U.S. Patent and Trademark Office and may be registered in certain other jurisdictions in the name of Linotype Corp. or its licensee Linotype GmbH.