GUACHEVA is a serif-based font that looks more vintage and slightly feminine, with long hooks and curved elements that make it look a little more flexible and less rigid. It will be very suitable for art and elegant themed designs. This font is an all caps font with a height difference between its Uppercase and Lowercase. So even though it's a little feminine, it still looks sturdy and thick, because this font has bold characteristics too. To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7. Guides to access all alternates glyphs : http://adobe.ly/1m1fn4Y Cheers!

Ganora is a semi serif decorative font. This font has a beautiful and aesthetic look. This font has classic serif legibility as well as beautiful modern curves. This combination makes type interesting in its own way. This font has alternate and ligature features that can help you complete projects like logos, magazines, brands and more.

Monotes is an upper and lower serif font with balanced curves. Like all of my fonts inspired by letters from the good old days, but still has a strong modern look. A variety of alternative styles allow for versatile design options and work perfectly for headlines, logos, posters, packaging, T-shirts, postcards and more.

Frankfurter font is the work of designer Alan Meeks. The most distinctive feature of this informal, sans serif typeface is its curved or rounded terminals. The letters look best when set closely together. Frankfurter Medium is well-suited to a variety of display applications and comes in four weights, regular, medium, highlight and inline.

Rodinia displays my love of the carnival and the Slavic culture.

Sluggo, a loose, 3D-ish face with the look of a slightly sloppy brush line, comes with attitude to spare. Has five styles: Regular, Lefthook, Righthook, Open, and Black--all spaced and kerned so that you can stack them for special effects.

ITC Zinzinnati is based on a font called Ohio, released in 1924 by Die Schriftguss A.G. Typical of the Plakatstil letterforms of the time, the original font had a rough outline, as if drawn with a brush. Nick Curtis has smoothed the rough edges, which enhances the design's playful curves and engaging charm. As for the name: it's the punchline to an old vaudeville routine that starts with the question, Name a city in Ohio that begins with a 'Z.'" Pie in the face, comin' atcha!"

Looking for a font with that certain... umm... special mojo? Mojodelic might just be the niche font that you need to create that unique statement — one that really pops off the page. While this typeface certainly grooves with the 1960s – 1970s vintage psychedelic and pop art look, it's also a perfect fit with retro 1990s party-way-too-hard youth culture graphics. With its ultra-bold reverse-contrast design and whimsical little curlies, this one's got equal parts silliness and swagger. Try it on skateboard graphics, retro message t-shirts, apparel logos, beverage labeling, candy packaging, teen/tweener marketing, greeting cards... you name it. Enjoy.

Brouillard means ‘fog’ in French. I like the ‘oui’ letter combination and I was looking for a name for this font that contained those letters. I found Brouillard and presto: a new font was born! Brouillard font was handmade with a Japanese pen. It is an elegant, curvy and quite stylish font with a bit of a roughness to it - just enough to catch your attention. All three styles come with a load of diacritics.

Galora is a sleek and contemporary high-contrast serif font. The typeface comes in two different styles. Regular has round and curvy lines to bring a soft aesthetic to your designs. The oblique style features sharp angles and diagonal lines for a more dynamic look. Galora is perfect for designing logos, headlines, posters, packaging, and invitations, adding a modern and captivating charm. Features Uppercase & Lowercase Number & Symbol Ligatures Multi-language 2 Styles

Aljaraz (meaning “small bell” in english) is a curvy typeface inspired on the “Fat face" letters with an extremely bold design from the early 19th century, but with an insolent touch of brave and psychedelic distortions. Aljaraz has a regular and italic variable, and in both styles the capital letters have a swash alternative where the naughty touch reaches its maximum expression. It is ideal to recall the lysergic era of the 60s, write funny words, or simply to express small texts in a display way that powerfully attracts attention. Let Aljaraz inspire you groovy kind of love! Designed by Carlos Campos cuchi@cuchiquetipo.com Secondary typeface: 'Escuela', also by Carlos Campos _ Aljaraz (“campanita”) es una tipografía curvy inspirada en las letras con un diseño extremadamente grueso y atrevido de principios del siglo XIX (las “Fat face”), pero con un toque insolente de valientes distorsiones psicodélicas. Aljaraz tiene una variable regular y cursiva, y en ambos estilos las mayúsculas tienen una alternativa súper decorada donde el toque travieso alcanza su máxima expresión. Es ideal para rememorar la época lisérgica de los años 60, escribir palabras graciosas, o simplemente expresar textos graciosos de una forma visual que llame poderosamente la atención. ¡Deja que Aljaraz te inspire su maravilloso amor!

Fairlady is a somewhat chunky script font that is developed from my own handlettered brush letters. My idea was to design a bold cursive script font with a strong 1950's vintage feeling to it. Fairlady is a decorative and quite tightly spaced font with preserved legibility which makes it perfect for vintage cards, labels, posters, logos, packaging and more. It has multilingual support for most European countries.