Amsi has been designed to equipped with three different widths; Normal, Narrow and Condensed, addition to expanding weights to support various usabilities ranging from Thin, XLight, Light, Regular, SemiBold, Bold, Black and Heavy. Which makes Amsi along with a numerous features support the creativities of the designer from the Font Menu.

Monotype Hei3 HK is a modulated and transitional Chinese design with structure, diǎn, piē and nà carry Song style, while horizontal & vertical strokes are relatively simple. This mix of ancient and modern elements with low contrast is something that you can find in wood carving: rigid while balanced with softness.

Delmonte Belarina is a romantic and sweet calligraphy typeface with characters that dance along the baseline. It will add a luxury spark to any design project that you wish to create! This font is PUA encoded which means you can access all of the amazing glyphs and ligatures with ease!

Gold Fever is a revival of the old classic Caxtonian font originaly designed in the mid to late 1800s. Along with the original engraved shadow version new styles have been created making this decorative font set more complete. The new styles include a solid black, open faced, condensed and fill versions.

Stepira Script is a modern calligraphy font, with characters dancing along the baseline and an elegant touch. OpenType features such stylistic alternates, ligatures and multilingual support. Stepira Script can be used for various purposes such as logos, wedding invitations, headings, t-shirts, letterhead, signage, labels, news, posters, badges and more.

Introducing, Gollder Vintage Font Duo is an excellent choice for logo design, branding, packaging, business cards, and adventure-themed designs. Its combination of script and sans serif styles, along with the textured and solid options, provides ample creative opportunities for designers to explore and create stunning visual identities and marketing materials.

Stayling Quarters is a romantic and sweet calligraphy typeface with characters that dance along the baseline. It will add a luxury spark to any design project that you wish to create! This font is PUA encoded which means you can access all of the amazing glyphs and ligatures with ease!

Febriella is a lovely script font featuring charming, playful characters that seem to dance along the baseline. It will add a luxury spark to any design project that you wish to create! This font is PUA encoded which means you can access all of the glyphs and swashes with ease!

Hand lettering done in a playfully distinct Art Nouveau style comprised the title on the cover of the 1916 sheet music for the song “Your Mother is Your Best Friend After All”. This served at the working model for Sunshine Nouveau JNL, which is available in both regular and oblique versions.

Sally Script BH, is based on the handwriting of a BluHead friend. This fun design has a round, open feel which lends itself to conveying warm messages for that personal touch in all your cards, journals, etc. Plus, the character set includes support for many languages, along with some cool ligatures!

miss you is a romantic and sweet calligraphy typeface with characters that dance along the baseline. It has a casual, yet elegant touch. This font is PUA encoded which means you can access all of the glyphs and swashes with ease! Files Include : - Multilingual Support - Ligature Character - Alternates Character Thanks

The 1938 sheet music for "(The Dwarves Marching Song) Heigh-Ho" from Walt Disney's "Snow White" had the part of the title in parenthesis hand lettered with a round nib ink pen. This lettering became the inspiration for Pen Work JNL, and is available in both regular and oblique versions.

Sheet music for the song "My Ideal" (from the 1930 Paramount picture "Playboy of Paris" starring Maurice Chevalier) had the name of the movie hand lettered in an Art Deco, Broadway-influenced type design. This became the inspiration for Parisian Playboy JNL, which is available in both regular and oblique versions.

Triborough JNL is the heavier-weight version of Wingate JNL, a narrow, all-caps font from Jeff Levine. Evoking the feel of 1930s and 1940s store and architectural signs, use Triborough JNL along with its counterpart for a nice dual-weight contrast... or by itself for an elegant Art Deco look.

Ying is a new Serif typeface that has a little bit of Yang in it. This combination makes it a very versatile Serif font. Just give it a try and you will see. Ying goes together very well with Yang its brother-font. Yours working on the "Yong", Gert Wiescher

Beautiful Victoria is a lovely script font featuring charming, playful characters that seem to dance along the baseline. Add this font to your most creative ideas, and notice how it makes them stand out! Beautiful Victoria is PUA encoded which means you can access all glyphs and swashes with ease!

Monotype Hei3 PRC is a modulated and transitional Chinese design with structure, diǎn, piē and nà carry Song style, while horizontal & vertical strokes are relatively simple. This mix of ancient and modern elements with low contrast is something that you can find in wood carving: rigid while balanced with softness

Sheet music for the song "I'm the One That Loves You" has the title hand lettered in a narrow, Art Deco-influenced sans serif, which is now available digitally as Dance Band JNL in both regular and oblique versions. The 1937 composition was popularized by Tommy Dorsey and Sammy Kaye.

Type designers are crazy people. Not crazy in the sense that they think we are Napoleon, but in the sense that the sky can be falling, wars tearing the world apart, disasters splitting the very ground we walk on, plagues circling continents to pick victims randomly, yet we will still perform our ever optimistic task of making some little spot of the world more appealing to the human eye. We ought to be proud of ourselves, I believe. Optimism is hard to come by these days. Regardless of our own personal reasons for doing what we do, the very thing we do is in itself an act of optimism and belief in the inherent beauty that exists within humanity. As recently as ten years ago, I wouldn't have been able to choose the amazing obscure profession I now have, wouldn't have been able to be humbled by the history that falls into my hands and slides in front of my eyes every day, wouldn't have been able to live and work across previously impenetrable cultural lines as I do now, and wouldn't have been able to raise my glass of Malbeck wine to toast every type designer who was before me, is with me, and will be after me. As recently as ten years ago, I wouldn't have been able to mean these words as I wrote them: It’s a small world. Yes, it is a small world, and a wonderfully complex one too. With so much information drowning our senses by the minute, it has become difficult to find clear meaning in almost anything. Something throughout the day is bound to make us feel even smaller in this small world. Most of us find comfort in a routine. Some of us find extended families. But in the end we are all Eleanor Rigbys, lonely on the inside and waiting for a miracle to come. If a miracle can make the world small, another one can perhaps give us meaning. And sometimes a miracle happens for a split second, then gets buried until a crazy type designer finds it. I was on my honeymoon in New York City when I first stumbled upon the letters that eventually started this Affair. A simple, content tourist walking down the streets formerly unknown to me except through pop music and film references. Browsing the shops of the city that made Bob Dylan, Lou Reed, and a thousand other artists. Trying to chase away the tourist mentality, wondering what it would be like to actually live in the city of a billion tiny lights. Tourists don't go to libraries in foreign cities. So I walked into one. Two hours later I wasn't in New York anymore. I wasn't anywhere substantial. I was the crazy type designer at the apex of insanity. La La Land, alphabet heaven, curves and twirls and loops and swashes, ribbons and bows and naked letters. I'm probably not the very first person on this planet to be seduced into starting an Affair while on his honeymoon, but it is something to tease my better half about once in a while. To this day I can't decide if I actually found the worn book, or if the book itself called for me. Its spine was nothing special, sitting on a shelf, tightly flanked by similar spines on either side. Yet it was the only one I picked off that shelf. And I looked at only one page in it before walking to the photocopier and cheating it with an Argentine coin, since I didn't have the American quarter it wanted. That was the beginning. I am now writing this after the Affair is over. And it was an Affair to remember, to pull a phrase. Right now, long after I have drawn and digitized and tested this alphabet, and long after I saw what some of this generation’s type designers saw in it, I have the luxury to speculate on what Affair really is, what made me begin and finish it, what cultural expressions it has, and so on. But in all honesty it wasn't like that. Much like in my Ministry Script experience, I was a driven man, a lover walking the ledge, an infatuated student following the instructions of his teacher while seeing her as a perfect angel. I am not exaggerating when I say that the letters themselves told me how to extend them. I was exploited by an alphabet, and it felt great. Unlike my experience with Ministry Script, where the objective was to push the technology to its limits, this Affair felt like the most natural and casual sequence of processions in the world – my hand following the grid, the grid following what my hand had already done – a circle of creation contained in one square computer cell, then doing it all over again. By contrast, it was the lousiest feeling in the world when I finally reached the conclusion that the Affair was done. What would I do now? Would any commitment I make from now on constitute a betrayal of these past precious months? I'm largely over all that now, of course. I like to think I'm a better man now because of the experience. Affair is an enormous, intricately calligraphic OpenType font based on a 9x9 photocopy of a page from a 1950s lettering book. In any calligraphic font, the global parameters for developing the characters are usually quite volatile and hard to pin down, but in this case it was particularly difficult because the photocopy was too gray and the letters were of different sizes, very intertwined and scan-impossible. So finishing the first few characters in order to establish the global rhythm was quite a long process, after which the work became a unique soothing, numbing routine by which I will always remember this Affair. The result of all the work, at least to the eyes of this crazy designer, is 1950s American lettering with a very Argentine wrapper. My Affair is infused with the spirit of filete, dulce de leche, yerba mate, and Carlos Gardel. Upon finishing the font I was fortunate enough that a few of my colleagues, great type designers and probably much saner than I am, agreed to show me how they envision my Affair in action. The beauty they showed me makes me feel small and yearn for the world to be even smaller now – at least small enough so that my international colleagues and I can meet and exchange stories over a good parrilla. These people, whose kindness is very deserving of my gratitude, and whose beautiful art is very deserving of your appreciation, are in no particular order: Corey Holms, Mariano Lopez Hiriart, Xavier Dupré, Alejandro Ros, Rebecca Alaccari, Laura Meseguer, Neil Summerour, Eduardo Manso, and the Doma group. You can see how they envisioned using Affair in the section of this booklet entitled A Foreign Affair. The rest of this booklet contains all the obligatory technical details that should come with a font this massive. I hope this Affair can bring you as much peace and satisfaction as it brought me, and I hope it can help your imagination soar like mine did when I was doing my duty for beauty.

UMBA Sans is a contemporary typeface designed by Anita Jürgeleit. The wide shaped curves show a new aesthetic appeal in an unexpected pleasant way. Umba Sans fulfills your corporate design needs as well as your editorial demands and helps to push your design to the next level. Thirty styles from thin to bold and matching italics - as well as small caps and alternates - help you create a contemporary design. Umba Sans provides a wide range of variations. Your design may have many faces but it all matches together. Separate styles for alternate and small caps will show up in your font menu, making sure that you stay aware of the wide range of possibilities your new favourite typeface provides. If you like our fonts, you might want to sign up at: www.typethis.studio

Draghile a fonts of stylish calligraphy that have a varied base line, fine lines, classic and elegant touches. Can be used for various purposes. Such as title, signature, logo, wedding invitation, t-shirt, letterhead, nameplate, label, news, poster, badge etc. Draghile displays stylish calligraphy alternate characters. Includes initial letters and terminals, alternatives, ligatures and multiple language support. Programs that support in this font is a Adobe Photo Shop, Adobe Illustrator, Adobe Indesign, Corel Draw and Microsoft Office. OpenType features can be accessed by using open type smart programs such as adobe photo shop, adobe Illustrator, adobe indesign, corel draw and microsoft office. can also be accessed through the character map. Special greetings for all, all of us all smoothly in running the routin. Thank you for your purchase!

Mosherif is a type of sherif font created with the aim of using for logo branding and print media. This font has three style that can be combined manually with one another in one word / text so that it looks unique and interesting. One example is in the first preview ( cover ), where the word "MOSHERIF" was made using three font styles ( Mosherif Regular, Mosherif Tall and Mosherif Short ). You can make it manually by making a space and remove some characters between words "MOSHERIF" becomes "M HE F" with using the font "Mosherif Tall" and fill it with "Mosherif Regular" in character "O" and "R" and "Mosherif Short" in character "S" and "I" by stacking them. By bringing the concept of vintage, clean, thick and sharp, hopefully Mosherif can provide choices for designers. Enjoy!

Karephia a fonts of stylish calligraphy that have a varied base line, fine lines, classic and elegant touches. Can be used for various purposes. Such as title, signature, logo, wedding invitation, t-shirt, letterhead, nameplate, label, news, poster, badge etc. Karephia displays stylish calligraphy alternate characters. Includes initial letters and terminals, alternatives, ligatures and multiple language support. Programs that support in this font is a Adobe Photo Shop, Adobe Illustrator, Adobe Indesign, Corel Draw and Microsoft Office. OpenType features can be accessed by using open type smart programs such as adobe photo shop, adobe Illustrator, adobe indesign, corel draw and microsoft office. can also be accessed through the character map. Special greetings for all, all of us all smoothly in running the routin. Thank you for your purchase!

Marathon was originally designed by Rudolf Koch in 1931 for Schriftgiesserei Klingspor. It is a roman with short ascenders and descenders. The serifs are small, but longer at the ends of the arms of E, F and L, M is rather splayed and is without top serifs, like M in other typefeaces designed by Rudolf Koch. The lowercase g has no link and an open tail, again like the g in other Koch types. U has the lower-case design. In the W the middle strokes cross, the lower case w has no middle serif. The figures are short-ranging. Ute Harder from the Fachhochschule Hamburg had redesigned Marathon with the help and supervision of Professor Jovica Veljovic. She has added a book weight to offer more flexibility with this beautiful typeface.

Mollaroid - Signature Font - A stylish and quirky new signature font script. Mollaroid font was created to look as close to a natural handwritten script as possible by including over a lot ligatures, titling, and swash. This font is for those who want to show something smooth and modern. You may use this font if you want to attract modern buyers. The font design seems to show that you have a passion in the business and give your love to the products and services you are offered to customers. Because it is an eye-catching signature font, you can use it for a variety of purposes including design, branding, signature, logo, poster, and many more. Even, you can just print it in a t-shirt and the font makes the t-shirt looks interesting to see.

Enthusiast Behavior - A stylish and quirky new signature font script. Enthusiast Behavior font was created to look as close to a natural handwritten script as possible by including a lot of ligatures, titling, and swash. This font is for those who want to show something smooth and modern. You may use this font to attract modern buyers. The font design seems to show that you have a passion in the business and are giving your love to the products and services you are offering to customers. Because it is an eye-catching signature font, you can use it for a variety of purposes including design, branding, signature, logo, poster, and many more. Or you can just print it on a t-shirt and the font makes the t-shirt looks interesting to see.

Fathan a fonts of stylish calligraphy that have a varied base line, fine lines, classic and elegant touches. Can be used for various purposes. Such as title, signature, logo, wedding invitation, t-shirt, letterhead, nameplate, label, news, poster, badge etc. Fathan displays stylish calligraphy alternate characters. Includes initial letters and terminals, alternatives, ligatures and multiple language support. Programs that support in this font is a Adobe Photo Shop, Adobe Illustrator, Adobe Indesign, Corel Draw and Microsoft Office. OpenType features can be accessed by using open type smart programs such as adobe photo shop, adobe Illustrator, adobe indesign, corel draw and microsoft office. can also be accessed through the character map. Special greetings for all, all of us all smoothly in running the routin. Thank you for your purchase!

What I needed in my projects was a solid oldstyle serif typeface with impact for heads. I had an old engraving font, which I’d never really finished. It happened to be built on the Minister/Diaconia base drawings I used to create Biblia Serif, so I took a shot at it. It’s wide enough to minimize the large solid ink shapes of many of the bolder display headline faces. It’s not readable, but it’s very legible. This is exactly what I needed for headlines, callouts, and special subheads. It uses the same vertical metrics of the Biblia Serif book Production Group It helps keep fiction designs comfortable

Scirocco is a hot and humid wind that blows from the Sahara over to France and Italy. It crosses the mediterranean sea and carries lots of fine desert dust with it. Once it hits the coast of Provençe one can feel it grinding ones teeth and see it as fine dust covering every car. It makes people go nuts! Scirocco, the typeface has that same hot moving character and the finer hairlines giving it a kind of Arabic touch. If you use it too much, it will make you go nuts. Your pretty crazy Gert Wiescher

MB NEGATIVESPACE was inspired on a trip to Birmingham with my wife, seeing a billboard with the main text and parts of it missing. The idea is to use it sparingly; use a good amount of tracking to fill in the blanks and it works even better. Great for headlines, displays logotypes and short texts.

Eckhardt Freehand JNL is the fourth font based on the lettering of sign painters and show card writers. Jeff Levine has chosen to name this “mini series” of fonts in honor of his friend Albert Eckhardt, Jr., a talented sign man who ran Allied Signs [in Miami, Florida] from 1959 until his passing in 2005.

In the 1943 Three Stooges comedy short “Higher than a Kite”, Curly reaches into a box with the label “hand grenades” painted on its side and pulls out one of the devices. The bold, squared stencil hand lettering on that prop inspired Stencil Label JNL, which is available in both regular and oblique versions.