Rapture is a retro display serif font that exudes a classic charm and bold character. With its design inspired by retro styles, this font brings an elegant touch and evokes a sense of the past. Each letter is meticulously crafted with careful attention to detail and proportion, resulting in a visually appealing and unique appearance.

"Systema" is an innovative typeface that combines modularity and pixelated style in a surprising way. Its letters continuously transform, taking on shapes ranging from soft circles to sharp squares, with occasional flashes that add a touch of vitality. This versatility makes it the perfect choice for design projects looking for a dynamic and unique aesthetic.

We cannot imagine anyone not liking beer. Especially on a warm summer night there is simply little that can top an ice cold brewski. And with the current wave of home-brewed ales and lagers, Vette Letters decided to not stay behind and brew its own brand. Just so we can design our own beer bottle label using our own font. VLNL Thueringer comes from the drawing board of Jacques Le Bailly (a.k.a. Baron von Fonthausen), the German-French specialist in the fields of both beer and type design. One day Jacques got inspired by Albrecht Dürers 15th century Fraktur (blackletter) alphabet, and decided to design a contemporary rounded version of it. Although the historic context is clearly visible, Thueringer definitely stands its own ground. It's a modern techno-style blackletter with a (beer)truckload of interesting design details. Thueringer contains a number of ligatures and an alternate set of numbers. Apart from the regular uses like logos, posters, flyers and headlines we definitely would like to see our Thueringer used on beer bottle labels and crates, but also cafés and hipster bars would do well with this modern-day blackletter. Hell, even wine or liquor labels, football team jerseys, Oktoberfest flyers, it's just too much to mention. As long as it is accompanied by a cold beer.

Majora is a slab serif typeface which derives its name from a Portuguese historical toy manufacturer. The font comes in 8 styles, ranging from a delicate Thin to a robust Black, with matching italics and an upright version of stencil fonts, resulting in a total of 24 weights. Majora is well-suited to a wide range of design projects which include packaging, editorial design, screen use, etc. Its humanistic features and moderate contrast between thick and thin strokes make it also suitable for long block of texts while having a high degree of legibility. The font includes a set of alternate glyphs which help give your compositions a different and unique look. The Stencil version was specially designed for use in signage, packaging, titles and headings. Majora contains a set of 520 characters that support over 200 Latin-based languages.

Brava Sans (the naked & extended version of Brava Slab ) is a family of 8 weights, 2 widths and true italics. Designed for editorial purpose, it has a monolinear appearance with a humanist construction, open counters and a tall “x height” that give it a right personality for use in branding. Also Brava Sans has a lot of helpful features as a wide range cover of Latin languages, a lot of OpenType features, a new condensed width and two bolder and cooler weights that make Brava Sans a useful tool for the graphic designer. A full range of numerals (included old style figures, lining, numerators, denominators, superiors, subs, circled and black circled), small caps, forty ligatures (between standard & discretionary ligatures), a lowercase superior and inferior set and a stylistic set are some of the features that makes Brava Sans a solid choice.

Serif typefaces have undergone a constant change over time; this has allowed the emergence of modern shapes that bring expressiveness to each letter, making them fun to use and design. Milanesa Serif is a typeface family with seven weights that changes the contrast angle in its black version, achieving a particular transition in the different interpolations. Beyond maintaining the traditional canon in a serif, Milanesa plays with a modern concept to impose its versatility in different graphic applications. Milanesa Serif undergoes a metamorphosis in its weights, intensifying its shapes and varying its counterforms without losing the sense of the typeface family, perfect for versatile uses such as web design, editorial or packaging, among many others.

Cavéllo is a bold and clean slab serif font. This original look will appeal to a wide range of crafty ideas, from letterheads and titles, to stationery. Cavéllo the font family contains 3 basic forms: italics, obliques and uprights, Each of which has 4 different weights: light, regular, semi-bold and bold. Cavéllo slab serif font family ideal for the logos as well, t-shirts, the web as well as for print, for motion graphics, It is also great for headings,

Astrid Grotesk is a normalized version of Schizotype Grotesk. Normalized; not neutralized. Where many neo-grotesks appear cold with their harsh neutrality, Astrid has a warmth, eminating from its (for want of a better word) clunkiness. With the latest update, it becomes a true workhorse, with a range of widths and italics for the normal widths. Astrid Grotesk, while being clearly a neo-grotesk in appearance, has a personality all of its own. Standout characters include the f and t, and the default binocular g, unusual in neo-grotesks. And the right angled terminals on c, e and s. Stylistic sets offer up alternate forms of a, g, y, I, @, dutch IJ, german eszett and l. A full complement of numerals is included: proportional and tabular, lining and oldstyle, plus fractions, subscript and superscript. Note also that the tabular figures are duplexed across weights - very useful when highlighting specific entries in tables. The tabular figures feature also substitutes in fixed width (across all weights) comma and period, so your decimals line up perfectly always. Lastly, case sensitive forms of certain glyphs are included for all-cap settings. This typeface will be useful for corporate identities and branding work. It’s spaced more for text settings in the normal width, and gets more display-optimized as the width decreases, but with careful tracking, all styles can sing at display sizes. Bored of those other Swiss style typefaces? Astrid Grotesk could be the face you need to breathe new life into your designs. Coupled with Schizotype Grotesk, its more eccentric cousin, you've got an unorthodox branding system ready to use straight out of the box.

Cream is a retro soft serif typeface comprising 12 fonts. It can handle most typographic applications from branding to body copy with its range of weights and inherent legibility. Whatever you type will have a friendly message, but it really comes into its own when you start applying some of the additional ligatures and alternates that are built into this type family. You’ll soon be creating distinctive typographic compositions that are pleasing to the eye. There are 12 fonts altogether, ranging from Light to Black weights in both roman and italic. It has an extensive character set that covers all Latin European languages. Key features: 6 weights in Roman and Italic 75 Alternates 37 Ligatures Full European character set (Latin only) 730 glyphs per font.

Toley Hand is a bold handwritten typeface, created by Måns Grebäck in 2019. The comic-style script is light-hearted while being quick and energetic. It contains all necessary symbols and supports a wide range of languages.

Juby Rounded - Heavy, visible and distinctive display font, rounded brother of the Juby Font. Designed especially for display purposes. Can be used successfully in posters, headlines, visual identities, and everything needs to stand out. Font containing uppercase and lowercase characters, numerals and a large range of punctuation. The family has 3 weights with matching italics.

Introducing our Handwriting Font Editorial: a classic yet modern and elegant typeface inspired by the charm of hand drawn letters. This versatile font is perfect for adding a touch of sophistication to your magazine layouts. With its meticulously crafted curves and stylish strokes, our Handwriting Font Editorial will elevate your designs and captivate your readers, making it an essential tool for any editorial project. Embrace the artistry of handwritten fonts and bring a timeless appeal to your publications with our Font.

Millerstown is full of that solid, 19th Century, transatlantic spirit of enterprise. It is an all capitals face, decorative but clear and legible, ideal for signage, posters and banners. "Millerstown Races" is a carefully constructed oblique which brings a sense of speed and motion. Bring a touch of American inspired flair to your next design project!

Gilway is a playful, rounded display with tons of personality. This versatile typeface is inspired by the earliest examples of rounded types from the 19th century, such as Caslon Rounded (1836) and Schmale Runde Grotesk (1885). Gilway has a distinctive hand-lettered feel because of its subtle variances, which make it powerful and impactful yet incredibly friendly. Layered options allow you to combine the various styles, and a unique Opentype feature makes your letters dance! To take full advantage of Gilway's features, please download this one-sheet pdf file. Please take a look at this video demo to see Gilway family in action ! Gilway’s design is suited for a wide range of uses, including headlines, displays, packaging and logotypes.

'Appetizer' is a casual marker font, this font is suitable for a variety of purposes, it is great for logos, craft, prints, text headers, web banners, writing quotes as well as for video editing, animation and other visual presentations. This font is equipped with ligatures and is supported by multi languages, making it worthy of your bringing to any part of the world. Fall in love with its incredibly versatile style and use it to create spectacular designs!

Introducing Fubiox our exquisite elegant style font, designed to bring sophistication and grace to your designs. With its refined letterforms, delicate curves, and timeless beauty, this font is perfect for projects that require a touch of elegance and class. Inspired by the elegance of classic typography. This font exudes a sense of refined aesthetics. Its graceful strokes and balanced proportions make it an excellent choice for luxury branding, high-end invitations, editorial design, and formal occasions.

Sardines is a project by Jacques Le Bailly aka Baron von Fonthausen. This original version is the one that saw the light as a monospaced font student project and which would eventually grow into Vette Letters’ largest font family (see VLNL Neue Sardines). Sardines is an eclectic mash of classic curves and mathematical measurements, leaving a very distinct typographic flavor. While most of our type is market-fresh, this one comes out of the can, but it’s delicious nonetheless. And it’s great for adventurous BBQ-ing!

Excelsor Script is inspired by lithographically produced scripts. It is softer and simpler than, for example, engraved Splendid Script, because its designer used pens and lithographic needles. The graver for steel is held in a quite different way and this has an influence on the shape of the letter. Similar type faces were in use from Neo-Classicism until the beginning of Art Nouveau, when they were pushed aside by a completely different view of festive typography. It has, in contradistinction to other scripts, slightly narrowed letters, which signifies a distinctive elegance without wasting space on the line. For practical reasons it was not possible to encircle the bottle with too long a label. It is, therefore, a suitable type face for labels. Its two optical grades cover a wide range of sizes.

The DIN Neue Roman adds something new to the established concept of the DIN 1451 type’s technical origin. As a serif counterpart it leaves its static appeal to bring some friendliness into this industrial idea. With more contrast than a slab serif and the dynamic stroke of transitional type DIN Neue Roman defies all conventions, but keeps its legibility. To have enough resources for diverse and complex typography this type family offers 7 weights with italics, small caps and all kind of opentype features. Type designer Philip Lammert likes to play with the great potential of contradictions. That brought him to this design combining two essentially different classics. DIN Neue Roman is part of his 2015’s master thesis at the HAW Hamburg which was supervised by Prof. Jovica Veljovic.

leaf spring is a refined and delicate handwritten font. This lovely script font has a wide spectrum of applications ranging from greeting cards to headlines and is guaranteed to add a romantic feel to your next project. It will turn any design project into a true stand-out. Add it to your most creative ideas and notice how it makes them come alive! This font is PUA encoded which means you can access all of the amazing glyphs and swashes with ease! It also features a wealth of special features including alternate glyphs, swashes, and ligatures.

Varisse spans over two centuries of type design and draws its inspiration from well-loved classics that are as fresh today as they were when they were created. The range stretches from a quintessential 18th century transitional serif to an uncompromising 20th century sans. Think Baskerville, think Gill. The idea was to create a family that shared similar forms and the same vertical metrics, allowing them to be mixed to provide impact and readability as required. With a generous x-height and a host of options, the Varisse family is ideally suited to branding, packaging, magazines and editorial. It also provides a wealth of opportunity in website presentation. The fonts are divided into five subfamilies by degree of ‘serification’. Varisse Sans Varisse Soft Sans Varisse (normal) Varisse Soft Serif Varisse Serif Each subfamily contains six weights and accompanying italics.

Meatball is a fat and happy display font based on some lettering on a mid-20th century poster for the movie Bringing Up Baby. The lettering for the names of the stars, AudryHepburn, Cary Grant and Charles Ruggles, was the basis for Meatball. The sample was all caps and as it evolved, a lower case started to appear, etc.

The techno sound of the 1990s, a personal computer, font creation software, and some inspiration all came together to inspire the F2F (Face2Face) font series. Alessio Leonardi and his friends had the demand to create new unusual typefaces, which would be used in the leading German techno magazine of the day, Frontpage. Even typeset as small as 6-points, in nearly undecipherable layouts, it was a pleasure for the kids to read and try to decrypt the messages. Hearts, candles, bombs, and peace signs are just some of the great elements you'll find in F2F Simbolico. This collection of ruggedly drawn symbols is meant to bring a smile to the reader's face.

Atmosfera is a classic Didona typeface, recognizable by its extreme vertical tension, great contrast between thin and thick sticks and its straight and fine linear serifs that is angularly related to the staff of the letter, giving them an excellent legibility and a very clear and elegant appearance. In the design of this version, we chose to eliminate some serifs to give it a more avant-garde and modern look while maintaining an elegant style. With its 890 glyphs, it is enriched with a complete set of OpenType Type features: swashes, ligatures, alternates, stylistics sets and small caps, even so in the characters used in Western languages.. Atmosfera is an elegant text typeface that offers a wide range of possibilities.

Jürgen Weltin's Mantika Informal is pretty difficult to categorize, but very easy to like. This particularly reader-friendly typeface in regular and bold weights, brings to the table the informal fluidity of a script, the consistency of an inclined italic, and the open and airy forms and contrast of a humanist sans. The result is a warm, approachable, and very legible typeface that is never static and staid, but rather invites an attentive, reading eye. The original idea behind Mantika Informal lay in the challenge to create a typeface for setting children's books. German designer Jürgen Weltin aimed to create a reading typeface for those just starting to learn how to read. On the one hand, it should help create clear word-images; on the other, its letterforms should remain uncomplicated but resist mechanical and industrial sterility. Mantika?s subtle cursive lines stress the printed word's connection with handwriting, in addition to making the transition from school writing exercises to printed texts seamless and effortless. The resulting slightly organic and cursive forms that developed during the design process are so captivating that Mantika Informal may be used for a multitude of unintended applications - anywhere a friendly and informal yet sophisticated character could lend a helping hand, Mantika is there, giving a fresh accent to anything from packaging design to food products. With a broad character set encompassing support for Cyrillic and Green, Mantika Informal's two fonts make for a versatile and dynamic typeface that surely will find its place in a broad range of applications.

Jürgen Weltin's Mantika Informal is pretty difficult to categorize, but very easy to like. This particularly reader-friendly typeface in regular and bold weights, brings to the table the informal fluidity of a script, the consistency of an inclined italic, and the open and airy forms and contrast of a humanist sans. The result is a warm, approachable, and very legible typeface that is never static and staid, but rather invites an attentive, reading eye. The original idea behind Mantika Informal lay in the challenge to create a typeface for setting children's books. German designer Jürgen Weltin aimed to create a reading typeface for those just starting to learn how to read. On the one hand, it should help create clear word-images; on the other, its letterforms should remain uncomplicated but resist mechanical and industrial sterility. Mantika?s subtle cursive lines stress the printed word's connection with handwriting, in addition to making the transition from school writing exercises to printed texts seamless and effortless. The resulting slightly organic and cursive forms that developed during the design process are so captivating that Mantika Informal may be used for a multitude of unintended applications - anywhere a friendly and informal yet sophisticated character could lend a helping hand, Mantika is there, giving a fresh accent to anything from packaging design to food products. With a broad character set encompassing support for Cyrillic and Green, Mantika Informal's two fonts make for a versatile and dynamic typeface that surely will find its place in a broad range of applications.

Before the Great War, there were great posters. Posters of elegance and grandeur. Posters calling people to the pleasures of sunny southern France and to the perfections of northern Italy’s dolce vita. Le Havre, based on a poster by AM Cassandre, was one of my first typefaces that took inspiration from this genre. Now, the golden memories of years past are the inspiration for insigne design’s new Gineso Titling as well. Gineso revives the retro forms of past poster design with its newly crafted sense of humanity, which is amplified by a great variety of texture options. While the new forms are perfect for posters, this titling font is also ideal for bringing the charm of pre-war Southern Europe to a new bottle of wine, to fine foods and beverages, and to high-end logotypes. For the grandeur and elegance you need in your titling, look to Gineso Titling.

D Sert—based on the Pirata typeface—is inspired by 70s Chilean constructivist design and the political propaganda posters artwork of La Unidad Popular (Chilean political coalition). D Sert is the result of the combination of the Chilean graphic art revival with new trends, such as the handmade movement and super font families. The super family comprises 47 weights and comes with two versions: D Sert and D Sert Alt, plus extras. Diagonal strokes are significantly different between the two versions: diagonals of the Alt version are much more logical than the diagonals of the normal version. Another difference is the bowls of the capitals: in the D Sert version, they slightly project above the cap height, making it a more daring version and bringing it closer to calligraphy; contrarily, in the Alt version, bowls do not project above the cap height, which makes it a more tidy font. This way, the combination of the two versions and extras provides the user with the freedom to create any kind of artwork.

The "Strong Display Font" is a derivative of the Clinto slab serif font, originally designed by. Faldy Kudo. This font is specifically crafted to exude strength and impact, making it an ideal choice for display and headline usage. It incorporates the unique typographic feature of ink traps, enhancing its readability even at larger sizes. The font family comprises 6 distinct styles: "Normal, Normal Rounded, Medium, Medium Rounded, Condensed, and Condensed Rounded.” offering versatility in design choices. Additionally, the font provides multi-language support, ensuring that it can be effectively used for a wide range of global content and projects.

Cowboya is a typography with concave Tuscan serif very contrasted and modernist inspiration with letters in small caps, includes 4 versions of the font that can be used by superimposed layers which results in multicolored typographic titles. For the design of this typeface I was inspired by the credit titles used in the black film directed by Frizt Lang in 1950 called "The House of the River", to the drawing of the original forms of the letters i added decorative elements to give the fonts a festive character, traditionally this type of decorative fonts that emerged in Italy in the nineteenth century were used in large headlines and posters that were closely related to circus shows, carnival or environments of the Far West American. I have also rounded the sharper joints of the antlers and counterforms to create a contrast with the sharp Tuscan serifs which brings a modern background of retro inspiration and soft shapes.

* For when you need the most realistic looking electronic display. * See User Manuals Main advantages: - Spacing between characters does not change when entering a decimal point or colon between them. - Custom characters can be produced by selecting any combination of segments to be displayed. Low cost electronic displays have a fixed number of segments that can be turned on or off to represent different symbols. A digital watch would be the most common example. Fonts typically available for depicting electronic displays are often in the artistic style of these common LED or LCD displays. They provide the look-and-feel, but fall short when technical accuracy is required. Failure to represent an accurate and consistent representation of the real thing can be a cringe-worthy experience for the product design and marketing team, or even the hobbyist for that matter. To solve this problem, Fortune Fonts has released a range of fonts that accurately depict the displays typically found on low cost electronic devices: watches, answering machines, car stereos, alarm clocks, microwaves and toys. These fonts come with numbers, letters and symbols predefined. However, they also allow you to create your own segment combinations for the custom symbols you need. When producing manuals, marketing material and user interfaces, accuracy is an all-or-nothing concept. Instructions in the user manual describe how to turn these fonts into realistic displays according to your own design, in the manner of the images above. If you cannot see a license option for your specific application, such a license may be purchased from here. By purchasing &/or using &/or distributing the fonts the buyer user and distributor (including Monotype Imaging Inc. & Monotype Imaging Hong Kong) agree to (1) indemnify & hold harmless the foundry, for any consequential, incidental, punitive or other damages of any kind resulting from the use of the deliverables including, but not limited to, loss of revenues, profits, goodwill, savings, due to; including, but not limited to, failure of the deliverables to perform it’s described function, or the deliverable’s infringement of patents, copyrights, trademarks, design rights, contract claims, trade secrets, or other proprietary rights of the foundry, distributor, buyer or other parties (2) not use the fonts to assist in design of, or be incorporated into, non-software displays

* For when you need the most realistic looking electronic display. * See User Manuals Main advantages: - Spacing between characters does not change when entering a decimal point or colon between them. - Custom characters can be produced by selecting any combination of segments to be displayed. Low cost electronic displays have a fixed number of segments that can be turned on or off to represent different symbols. A digital watch would be the most common example. Fonts typically available for depicting electronic displays are often in the artistic style of these common LED or LCD displays. They provide the look-and-feel, but fall short when technical accuracy is required. Failure to represent an accurate and consistent representation of the real thing can be a cringe-worthy experience for the product design and marketing team, or even the hobbyist for that matter. To solve this problem, Fortune Fonts has released a range of fonts that accurately depict the displays typically found on low cost electronic devices: watches, answering machines, car stereos, alarm clocks, microwaves and toys. These fonts come with numbers, letters and symbols predefined. However, they also allow you to create your own segment combinations for the custom symbols you need. When producing manuals, marketing material and user interfaces, accuracy is an all-or-nothing concept. Instructions in the user manual describe how to turn these fonts into realistic displays according to your own design, in the manner of the images above. If you cannot see a license option for your specific application, such a license may be purchased from here. By purchasing &/or using &/or distributing the fonts the buyer user and distributor (including Monotype Imaging Inc. & Monotype Imaging Hong Kong) agree to (1) indemnify & hold harmless the foundry, for any consequential, incidental, punitive or other damages of any kind resulting from the use of the deliverables including, but not limited to, loss of revenues, profits, goodwill, savings, due to; including, but not limited to, failure of the deliverables to perform it’s described function, or the deliverable’s infringement of patents, copyrights, trademarks, design rights, contract claims, trade secrets, or other proprietary rights of the foundry, distributor, buyer or other parties (2) not use the fonts to assist in design of, or be incorporated into, non-software displays

* For when you need the most realistic looking electronic display. * See User Manuals Main advantages: - Spacing between characters does not change when entering a decimal point or colon between them. - Custom characters can be produced by selecting any combination of segments to be displayed. Low cost electronic displays have a fixed number of segments that can be turned on or off to represent different symbols. A digital watch would be the most common example. Fonts typically available for depicting electronic displays are often in the artistic style of these common LED or LCD displays. They provide the look-and-feel, but fall short when technical accuracy is required. Failure to represent an accurate and consistent representation of the real thing can be a cringe-worthy experience for the product design and marketing team, or even the hobbyist for that matter. To solve this problem, Fortune Fonts has released a range of fonts that accurately depict the displays typically found on low cost electronic devices: watches, answering machines, car stereos, alarm clocks, microwaves and toys. These fonts come with numbers, letters and symbols predefined. However, they also allow you to create your own segment combinations for the custom symbols you need. When producing manuals, marketing material and user interfaces, accuracy is an all-or-nothing concept. Instructions in the user manual describe how to turn these fonts into realistic displays according to your own design, in the manner of the images above. If you cannot see a license option for your specific application, such a license may be purchased from here. By purchasing &/or using &/or distributing the fonts the buyer user and distributor (including Monotype Imaging Inc. & Monotype Imaging Hong Kong) agree to (1) indemnify & hold harmless the foundry, for any consequential, incidental, punitive or other damages of any kind resulting from the use of the deliverables including, but not limited to, loss of revenues, profits, goodwill, savings, due to; including, but not limited to, failure of the deliverables to perform it’s described function, or the deliverable’s infringement of patents, copyrights, trademarks, design rights, contract claims, trade secrets, or other proprietary rights of the foundry, distributor, buyer or other parties (2) not use the fonts to assist in design of, or be incorporated into, non-software displays

* For when you need the most realistic looking electronic display. * See User Manuals Main advantages: - Spacing between characters does not change when entering a decimal point or colon between them. - Custom characters can be produced by selecting any combination of segments to be displayed. Low cost electronic displays have a fixed number of segments that can be turned on or off to represent different symbols. A digital watch would be the most common example. Fonts typically available for depicting electronic displays are often in the artistic style of these common LED or LCD displays. They provide the look-and-feel, but fall short when technical accuracy is required. Failure to represent an accurate and consistent representation of the real thing can be a cringe-worthy experience for the product design and marketing team, or even the hobbyist for that matter. To solve this problem, Fortune Fonts has released a range of fonts that accurately depict the displays typically found on low cost electronic devices: watches, answering machines, car stereos, alarm clocks, microwaves and toys. These fonts come with numbers, letters and symbols predefined. However, they also allow you to create your own segment combinations for the custom symbols you need. When producing manuals, marketing material and user interfaces, accuracy is an all-or-nothing concept. Instructions in the user manual describe how to turn these fonts into realistic displays according to your own design, in the manner of the images above. If you cannot see a license option for your specific application, such a license may be purchased from here. By purchasing &/or using &/or distributing the fonts the buyer user and distributor (including Monotype Imaging Inc. & Monotype Imaging Hong Kong) agree to (1) indemnify & hold harmless the foundry, for any consequential, incidental, punitive or other damages of any kind resulting from the use of the deliverables including, but not limited to, loss of revenues, profits, goodwill, savings, due to; including, but not limited to, failure of the deliverables to perform it’s described function, or the deliverable’s infringement of patents, copyrights, trademarks, design rights, contract claims, trade secrets, or other proprietary rights of the foundry, distributor, buyer or other parties (2) not use the fonts to assist in design of, or be incorporated into, non-software displays

* For when you need the most realistic looking electronic display. * See User Manuals Main advantages: - Spacing between characters does not change when entering a decimal point or colon between them. - Custom characters can be produced by selecting any combination of segments to be displayed. Low cost electronic displays have a fixed number of segments that can be turned on or off to represent different symbols. A digital watch would be the most common example. Fonts typically available for depicting electronic displays are often in the artistic style of these common LED or LCD displays. They provide the look-and-feel, but fall short when technical accuracy is required. Failure to represent an accurate and consistent representation of the real thing can be a cringe-worthy experience for the product design and marketing team, or even the hobbyist for that matter. To solve this problem, Fortune Fonts has released a range of fonts that accurately depict the displays typically found on low cost electronic devices: watches, answering machines, car stereos, alarm clocks, microwaves and toys. These fonts come with numbers, letters and symbols predefined. However, they also allow you to create your own segment combinations for the custom symbols you need. When producing manuals, marketing material and user interfaces, accuracy is an all-or-nothing concept. Instructions in the user manual describe how to turn these fonts into realistic displays according to your own design, in the manner of the images above. If you cannot see a license option for your specific application, such a license may be purchased from here. By purchasing &/or using &/or distributing the fonts the buyer user and distributor (including Monotype Imaging Inc. & Monotype Imaging Hong Kong) agree to (1) indemnify & hold harmless the foundry, for any consequential, incidental, punitive or other damages of any kind resulting from the use of the deliverables including, but not limited to, loss of revenues, profits, goodwill, savings, due to; including, but not limited to, failure of the deliverables to perform it’s described function, or the deliverable’s infringement of patents, copyrights, trademarks, design rights, contract claims, trade secrets, or other proprietary rights of the foundry, distributor, buyer or other parties (2) not use the fonts to assist in design of, or be incorporated into, non-software displays.

* For when you need the most realistic looking electronic display. * See User Manuals Main advantages: - Spacing between characters does not change when entering a decimal point or colon between them. - Custom characters can be produced by selecting any combination of segments to be displayed. Low cost electronic displays have a fixed number of segments that can be turned on or off to represent different symbols. A digital watch would be the most common example. Fonts typically available for depicting electronic displays are often in the artistic style of these common LED or LCD displays. They provide the look-and-feel, but fall short when technical accuracy is required. Failure to represent an accurate and consistent representation of the real thing can be a cringe-worthy experience for the product design and marketing team, or even the hobbyist for that matter. To solve this problem, Fortune Fonts has released a range of fonts that accurately depict the displays typically found on low cost electronic devices: watches, answering machines, car stereos, alarm clocks, microwaves and toys. These fonts come with numbers, letters and symbols predefined. However, they also allow you to create your own segment combinations for the custom symbols you need. When producing manuals, marketing material and user interfaces, accuracy is an all-or-nothing concept. Instructions in the user manual describe how to turn these fonts into realistic displays according to your own design, in the manner of the images above. If you cannot see a license option for your specific application, such a license may be purchased from here. By purchasing &/or using &/or distributing the fonts the buyer user and distributor (including Monotype Imaging Inc. & Monotype Imaging Hong Kong) agree to (1) indemnify & hold harmless the foundry, for any consequential, incidental, punitive or other damages of any kind resulting from the use of the deliverables including, but not limited to, loss of revenues, profits, goodwill, savings, due to; including, but not limited to, failure of the deliverables to perform it’s described function, or the deliverable’s infringement of patents, copyrights, trademarks, design rights, contract claims, trade secrets, or other proprietary rights of the foundry, distributor, buyer or other parties (2) not use the fonts to assist in design of, or be incorporated into, non-software displays

🏆 Selected for Tipos Latinos 8. 🏆 Selected for the 12th Biennial of Brazilian Graphic Design. Malva was designed to perform as a branding element, providing a clean look for visual identities and publications. It brings a touch of friendliness to the communication without compromising the professional look every brand strives for. Legibility was one of the top concerns during the development of Malva, so we took special care to differentiate the naturally ambiguous characters I, i, l and 1.

Canovaro was inspired by the hand-lettered masthead of Queenslander, a weekly magazine published during the first half of XIX century. The condensed serif letterforms of the magazine title, with the warm, human touch gave the shapes of Quenta a lively personality and a literary charme. To let you experiment with his vintage decorative layers, it comes in 4 styles including discretionary ligatures to allow you to use script elements to enrich its expressive range for editorial and logo design.

Introducing "Wasleyton," a vintage ephemera font that weaves the elegance of a bygone era into your modern design projects. Drawing inspiration from the timeless charm of elegant signage, gold leaf craftsmanship, and the artistry of old label products, Wasleyton is more than just a font—it's a journey into the aesthetics of the past. Unleash the power of nostalgia as Wasleyton offers a plethora of alternate characters, ensuring your designs are not just eye-catching but also uniquely authentic. The versatility of this font makes it a perfect choice for a range of applications, from authentic logos and elegant headings to the artistry of sign painting and captivating posters. Infuse your projects with a touch of vintage sophistication as Wasleyton lends its charm to letterheads, branding materials, magazines, album covers, and book covers. Watch as your designs come alive in movies, apparel, flyers, and label designs, each one telling a story of craftsmanship and timeless style. Combine Wasleyton with other fonts, be it a script for a touch of fluid elegance, a serif for classic appeal, or a sans serif for a modern twist. Add a few effects, and suddenly, your project transforms into a masterpiece—classic yet contemporary, elegant yet bold. Elevate your design game with Wasleyton's ability to transport your audience to a different era. Whether you're working on product packaging that demands attention or creating an atmosphere on a movie poster, Wasleyton brings that touch of vintage authenticity that turns your project from ordinary to extraordinary. In summary, Wasleyton isn't just a font; it's a time machine to the aesthetics of yesteryears. Perfect for logos, signage, posters, branding, magazines, album covers, and much more, Wasleyton is your key to infusing a timeless vintage charm into the modern design landscape. Add it to your toolkit, and let your creativity unfold in a tapestry of nostalgia and elegance.

Introducing Mandira, the ultimate serif font for those seeking a unique and sophisticated touch to their design projects. With its rounded curves shaped. Inspired by the modern retro, Mandira is the perfect choice for those seeking a minimalist yet stylish look. The font boasts a wide range of special characters, giving you the freedom to mix and match to create a truly personalized touch. Whether you’re a designer, blogger, or creative, this font is perfect for logos, headings, and branding, and its bold and fancy appearance to ease you make a masterpiece. With over 400+ glyphs to choose from, you can be sure that your work will stand out. Mandira is not only fashionable and casual, but it’s also versatile enough to be used in a wide range of design projects. So why wait? Try Mandira today and elevate your designs to the next level! What you’ll get : Uppercase Lowercase Numbers & punctuation Stylistic alternates Stylistic set 01-05 Ligatures Multilingual support Hope you enjoy the font!