Monsterlight is a retro, bold script font that will bring you back to the 60s – 80s. This typeface has an extruded version, so you can create a retro effect with ease. This typeface is perfect for logos, invitations, labels, magazines, books, greeting/wedding cards, packaging, fashion, make-up, stationery, novels, labels, or other advertising purposes. This font is PUA encoded, which means you can access all of the glyphs and swashes with ease!

Hitterlove is a retro, bold script font that will bring you back to the 60s – 80s. This typeface has an extrude version, so you can create a retro effect with ease. This typeface is perfect for logos, invitations, labels, magazines, books, greeting/wedding cards, packaging, fashion, make-up, stationery, novels, labels, or other advertising purposes. This font is PUA encoded, which means you can access all of the glyphs and swashes with ease!

Rocket Pop Outline and Rocket Pop are influenced by product packaging and cereal box art from the 1960’s and 1970’s. The fonts will work as companions or separate. Best used over 36pt as a headline display face, these fonts will bring a bold playfulness to any project where a vintage or retro style is in the concept. The style reflects the era when things were indeed, mad, where men (and some women) did crazy art for vinyl records, food packaging and kiddie products. This outline font will bring a snap and crackle and a pop to any of your vintage design projects. Watch for the Cerealboxx Set coming soon that will include the astroluxtype fonts, Sugarbang! Koo Koo Puff and Rocket Pop together in one delicious box.

Sangor is an unique vintage condensed font. This font designed all round corners that makes it look more soft and charm. Sangor is regular and outline all-caps font that is great for short headlines and titles, but it looks great in print design, vintage mood board, branding, logotypes, titles, editorial design and modern and vintage design. Sangor Features: Single weight Punctuation & Characters Ligatures Glyphs included superscript & Symbol Currencies Multilinguals Thankyou for picking up this font, Happy creating. Regard, Grontype

Impulsive Marker is a spontaneous and quick handwritten marker font, inspired by fun and fluid expressive energy of mankind. It will elevate a wide range of design projects to the highest level. You can use this font for many design ideas such as stickers, t-shirt designs, amazing logo designs, magazine or book covers, comics, cartoon drawings, and many more. This font will add a super cool touch to your designs!

Camila is a delicate and smooth Didone typeface designed by Paula Nazal. The family is inspired by concepts such as elegance, simplicity, femininity, and primarily based on Coco Chanel. A remarkable feature of this font is that it lacks teardrop terminals, characteristic of Didone typefaces. This font of thin serifs and soft finishes also includes italics, strengthening the concept of its design. A great variety of shapes makes Camila an ideal font for both display and small sizes. Camila is the perfect choice for branding and publishing projects.. This font family comes in 7 weights, ranging from Thin to Black, each with matching italics and includes a set of 426 characters that support 206 different languages.

Long beach font is a retro serif and bold display font. You will get two types of fonts in this pack, clean version and textured version. Use this display font to add that special retro touch to any design idea you can think of!. Masterfully designed to become a true favorite, this font has the potential to bring each of your creative ideas to the highest level! Very suitable for logotype, Stickers, Packaging design, Cricut Project, headlines, brand identity, t shirt or apparel industry, posters, magazines, books, YouTube, Instagram, websites, or any of your creative design projects. Enjoy!

This font is designed with smooth and beautiful curves, as well as a geometric sans serif font family with a distinct twist of character. Simple yet sleek, this typeface design gives it a clean and modern look while bringing some quirk to the alternative. Especially, capital letters for branding your name or your brand title, and of course there are also alternative styles to help give the impression of an elegant appearance when you need it. This font is perfect for strong text with displays for a wide variety of branding, advertising, posters, banners, packaging, news headlines, magazines, websites, logo design, and more.

Originally created with cutting in red litho film, as a headlining typeface for Vinyl music magazine. Its geometric structure was very applicable for early type design experiments on the computer. ...in the early 1980s, he (Max Kisman) became the designer of a small, independent music magazine Vinyl. This Amsterdam-based publication was set up very much as a response to the innovative British magazine, The Face. Responding to Neville Brody's radical designs for that magazine, Kisman began to experiment by creating new headline typefaces for each issue... (Emily King. New Faces: type design in the first decade of device-independent digital typesetting. 1987-1997.

Introducing Taylor Demian Signature Font This new script font embodies the essence of a natural signature style. Designed to convey elegance and organic handwriting, it effortlessly exudes a sense of graceful flow. Meticulously crafted, this font can be seamlessly incorporated into various contexts. With its elegant signature style, natural impression, and clever ligature usage, this script font closely resembles authentic handwriting. It brings a personalized and aesthetically pleasing quality to your design projects.

Uma is a typeface family consisting of two weights: light and bold. The typography is fresh, informal and friendly at first glance, but the constructive architecture makes it elegant and modern. It works equally as well in large or small sizes, and the combination between the two weights is very interesting to work with. It is a contemporary typeface, ideal for use in magazines, brochures, flyers and advertising among other applications. Uma may seem simple at a first glance, but it is very functional and professional, with aesthetic enchanting details. Uma has a wide range of functionality and has a great personality. Designed by Ariel Di Lisio and digitized by Ale Paul, Uma includes alternates, fractions, ligatures and a wide range of latin languages.

Finally, a serious alternative to that other comic font. After years of mocking the font that shall not be named, I decided to create an alternative. I wanted to keep the fun feel and the comic book roots, but have a more polished look. The result? JollyGood, a complete font family, with great language support, a big range of weights and styles, and a friendly look. Check out the other members of the JollyGood family

This family typeface consists of three fonts which have the same weight and style, but have been designed to work best at different sizes and in slightly different contexts. It is based on handwriting and calligraphy and consists of three typefaces: Rumba Small (for texts), Rumba Large (for headlines) and Rumba Extra (for words). The family is based on the idea of fonts that are interrelated depending on the differences in contrast, expressiveness and use, not on the classic range of weights. This type has been designed specifically but not exclusively for use in the languages spoken in Spain, hence special attention has been paid to the design of accents, special characters and ligatures. In a later development it was extended to CE Character Set.

Experience the enchanting allure of Amantea Script, a stunning and delicate font that embodies elegance and grace in every stroke. With its thin and flowing style, this script font captures the essence of sophistication, making it the perfect choice for a wide range of design projects. Amantea Script is a true gem for those seeking to create captivating wedding invitations that leave a lasting impression. Its intricate and graceful curves evoke a sense of romance and beauty, adding a touch of magic to any special occasion. The versatility of this font extends beyond weddings, as it effortlessly enhances stationary art, creating stunning pieces that exude refinement and style. In the realm of digital design, Amantea Script shines on social media platforms, effortlessly captivating audiences with its captivating charm. Whether it's engaging posts, inspiring quotes, or eye-catching advertisements, this font adds an element of sophistication and allure that commands attention. With its extensive language support, Amantea Script opens up a world of possibilities. From English to Spanish, French to German, and beyond, you can seamlessly incorporate this font into your projects, ensuring that your message reaches a global audience. Amantea Script comes complete with a wide range of features, including alternate characters and ligatures, allowing you to create unique and personalized designs. The font is PUA encoded, providing easy access to a plethora of stunning glyphs that add depth and flair to your creations.

Seindah Cinttya results out of a stunning pairing of a brush pen that makes it look incredibly endearing and authentic. Use this gorgeous and unique script font to bring any DIY project to life!

Kiro is a minimal, simple condensed sans-serif family designed by Ryoichi Tsunekawa and the whole family consists of 12 style: six weights from Thin to ExtraBold and their matching Italics. The range of styles provides flexibility for title, headline and body text. And the large x-heights gives them legibility and readability. The basic skeleton was designed semi-modularly and the letterform was minimalized by removing their unnecessary stems. Their corners were finished with subtle rounded effect. The minimalized semi-modular design gives this family contemporary urbane taste and rounded corners make this family warm and friendly. Kiro supports almost all European languages: Western, Central, South Eastern Europeans and afrikaans. And superior figures, inferior figures, denominators, numerators and fraction can be accessed by using OpenType features.

This modernized rustic Baroque Roman face paraphrases freely its model from the first half of the 18th century. The shape of the letters has been cleared from all unevenness and softness, but has retained its lively expression. It is deliberately rather cooler than the reverently digitized Baroque Roman type faces, since it was necessary to adjust it with regard to the visual experience of the contemporary reader. In addition, it has bold designs and aligning figures, which also considerably extends the range of its application. It is an entirely reliable text type face for the most demanding extensive works. Thanks to its calm expression and excellent legibility it is widely used when printing series of professional literature.

This is the Latin+Cyrillic+Greek version of poster/display font Pivnaya designed and published by Roman Type. It works for Afrikaans, Albanian, Azerbaijani, Belarusian, Bosnian, Bulgarian, Catalan, Croatian, Czech, Danish, Dutch, English, Estonian, Finnish, French, German, Greek, Hungarian, Icelandic, Italian, Latvian, Lithuanian, Macedonian, Maltese, Norwegian, Ossetic, Polish, Portugese, Romanian, Russian, Serbian, Slovak, Slovenian, Spanisch, Swedish, Turkish, Ukrainian, Uzbek, Vietnamese, Zulu. The International Phonetic Alphabet (IPA) makes it fit for a wider range of purposes.

Thanks for checking out Sachie Script, an artsy handwritten font with a slightly blooming baseline and naturally imperfect characters, allowing you to create awesome handmade typography design. Ranging from Instagram posts and stories, t-shirt design, fun-yet packaging design and more. Sachie Script comes with a complete set of lowercase alternates, numerals, a large range of punctuation ligatures and Special European Characters. The OpenType features can be accessed by using OpenType savvy programs such as Adobe Illustrator, Adobe InDesign, and Adobe Photoshop.

The Wezer - Display Bold Font Duo is a unique and bold typeface that breaks away from the conventional font styles. It offers two distinct versions: rounded and display, both designed to bring something entirely fresh to the table. The purpose behind creating this font was to introduce a one-of-a-kind typeface that stands out in the design world. Wezer is the ideal choice for projects that require a touch of quirkiness and originality, making it perfect for logos, branding, headlines, posters, titles, billboards, banners, and any design that dares to be different.

Unlike previous dingbat fonts released from Lanston Type Co., Archive Ornaments derives from a unique collection of brass ornament plates that were originally used in creating the matrices for casting metal type. Using the plates as a reference point allowed for a more precise rendering of the ornaments. Letterpress prints were made directly from the brass plates, which were then re-drawn and digitized. Each character has been optimized for the combination of decorative borders and patterns as well as individual accentuation. The completed digitized font contains over 100 glyphs, ranging in style from geometric to organic designs.

STROM is а modern sans serif font with minimalistic and geometric characters. The rounded corners give the typeface a friendly look, yet it retains a professional quality. The attention to detail paid during its development means that this typeface offers a vast range of design possibilities – and helps users create eye-catching designs. The different font styles are built on the same foundation, so they can be mixed and matched while maintaining a harmonious look. The simple, clean lines make it noticeable and ideally suited in display settings, advertising, packaging, logo, branding, poster, billboards, film, television, web, screen and print design.

Bellisa Sript is inspired by classic typography and brings its own unique style to every design project. This fantastic script font is best suited for headers of all sizes, and for blocks of text that have maximum and minimum variations. Be it for the web, printing, moving images or whatever - Bellisa Sript will look spectacular. This font is PUA encoded which means you can access all the funny glyphs and swash easily! It also has many special features including alternative glyphs and ornaments.

Frygia is inspired by the astonishing mythology along with a new method and approach of type design. As an example, the construction of the lowercase g; the line structure which is slightly curved helps to aid the optical illusion and the integration of Industrial San Serif style making Frygia extremely compatible and ready for every usage on the layout. Frygia Family consisted of 20 styles and 10 weights, ranging from the thinnest Hairline to the boldest Black and a Semi Rounded corner to suit the concept of the typeface.

What do you imagine the ideal casual invitation font would look like? It has to be cheerful, inviting, legible, creative, and loads of fun. But first and foremost, it has to look like real handwriting. Fonts seeming like real handwriting are always a major task, and although Canada Type already has plenty of fonts that solve the “looks like handwriting” issue in a variety of ways, we're once again raising the bar a little higher with this one. Birthday is a massive package that crosses the traditional font/handwriting solution of 2-letter ligatures and waltzes into the land of 3-letter combinations. Plenty of them, too! The complete Postscript and True Type versions of Birthday ship with no less than five separate fonts full of nothing but ligatures. And for even more realism, an alternates font is also included in the package, for a total of seven fonts of happy handwriting that can be used anywhere and everywhere personalization is of importance to a layout. For layout artists with advanced typography tools that take advantage of the power of OpenType, Birthday Pro is a wunderkind. All the individual letter alternates are accessible through the Stylistic Alternates feature, the 2-letter ligatures through the standard Ligatures feature, and the 3-letter ligatures via the Discretionary Ligatures feature (for the technically inclined: this includes a nice liga-to-dlig crossover, where the maximum number of possible ligated letters is automatically chosen at the push of a button). If you enjoy using OpenType, Birthday Pro is definitely for you. If on the other hand you like your fonts in Postsript or True Type, it is advisable to keep a character map handy while using Birthday. You will need it to take advantage of the many, many alternates and ligatures distributed over the fonts. The next time someone asks you for the perfect casual invitation font is, look no further. And as usually is with Canada Type, quality fonts are more affordable than ever.

Named after the steadfast doctor from Albert Camus’ The Plague, Rieux is an even-tempered slab-serif that is confident without being cocky and approachable without being casual. The aesthetic of Rieux is inspired by the industrial age. While the design is not directly derived from typefaces of that era, the shapes of letter-forms are informed by images of over-sized steel machines and the monolithic brick buildings that housed them. Rieux is available in 5 weights and is ideal for uncatalogued, magazines, short publications and company collateral. In addition to supporting Western, Central and Eastern European languages, Rieux includes an array of OpenType features to provide a range of typographic options.

Makel is a fanciful typography. Ideal for areas such as food, catering, packaging, youth publishing ... Thanks to its curves and the movement of letters, Makel wishes to bring good humor and dynamism to your communication media.

Baby Gumbout is a cheerful, funny and friendly handwritten font. It will elevate a wide range of design projects to the highest level, be it branding, headings, wedding designs, invitations, signatures, logos, labels, and much more.

Dirty Lizard is a display font with a graffiti style. It will elevate a wide range of design projects to the highest level, be it branding, headings, wedding designs, invitations, signatures, logos, labels, and much more!

Galak Pro is a modern geometric sans serif family characterized by its simplicity and extensive functionality.consisting of 9 weights ranging from Hairline to Heavy with matching italics. It supports Extended Latin, Cyrillic and Greek. This blend produce a typeface of modern, clean and contemporary appearance that has implicit on its core a classic vibe, nourishing the text with a timeless elegance.In use, the form and function balance of its design allow it freely travel through a diverse range of fields and possibilities like short text settings, brands, headlines or signage systems with grace and naturality. Galak Pro is available in variable font format and in 18 different individual styles (9 weights), with a set of supports over 200 latin languages and including an extensive repertoire of opentype features like small caps, ligatures, stylistic alternates, proportional and tabular figures,and many other resources to please your typographic urges.

Galak Pro is a modern geometric sans serif family characterized by its simplicity and extensive functionality.consisting of 9 weights ranging from Hairline to Heavy with matching italics. It supports Extended Latin, Cyrillic and Greek. This blend produce a typeface of modern, clean and contemporary appearance that has implicit on its core a classic vibe, nourishing the text with a timeless elegance.In use, the form and function balance of its design allow it freely travel through a diverse range of fields and possibilities like short text settings, brands, headlines or signage systems with grace and naturality. Galak Pro is available in variable font format and in 18 different individual styles (9 weights), with a set of supports over 200 latin languages and including an extensive repertoire of opentype features like small caps, ligatures, stylistic alternates, proportional and tabular figures,and many other resources to please your typographic urges.

Naïve Inline Sans is a layered sans serif handwritten font designed by Fanny Coulez and Julien Saurin in Paris. Our goal was to draw a font with finely irregular lines that give a human and whimsical feeling. We designed three weights to assure a good readability whatever the size. They can be enhanced with five different interior patterns and three shadows to improve your designs and bring a charming and unusual feeling. To do so, you can simply superimpose the layers with a compatible software like Photoshop, the weight above and the pattern(s) below, then choose a color for each. This font is part of our Naïve superfamily that contains lot of variations: Line, Inline, Serif, Sans Serif, and a special Art Deco one. Just click on our foundry name to see them all! We hope you will enjoy our work. Merci beaucoup!

"Chubs," a typeface specifically designed for large display sizes, perfect for making a bold statement. Each letter in Chubs has been meticulously crafted to possess a thick and prominent appearance, ensuring that your designs leave a lasting impact on viewers. Chubs's distinctive weight and blackness make it an ideal choice for a wide range of applications, including posters, packaging, and logos. Whether you want to create eye-catching promotional materials or design a powerful brand identity, Chubs has got you covered. Within the Chubs typeface family, you'll find two distinct styles, each with its own personality and visual appeal. The first style, "Chubs Black," features letters with a captivating slit, reminiscent of a belly that overlaps. This distinctive groove adds an extra layer of visual interest and uniqueness to your designs. On the other hand, "Chubs Filled" offers a solid and plump appearance, without the characteristic slit. This style amplifies the chubby nature of the letters, resulting in a bold and impactful display. To further enhance your creative options, both styles within the Chubs family include an alternate character set featuring a wink shadow in every letter. These additional characters provide a touch of fanciness and playfulness, allowing you to experiment and add unique elements to your designs. Choose "Chubs" for your next big project, and witness the boldness and charm that sets your designs apart from the rest. Let Chubs bring your ideas to life and make a powerful visual statement that captures attention and leaves a lasting impression.

Poster artist A.M. Cassandre designed one of the most evocative typefaces of the Art Deco era, Bifur. This type was unusual in many ways, but one of the most distinct features was that besides a regular one-color font, it was also available as a two-part font for a chromatic treatment which was highly unusual for metal typefaces. This "bifurcated" type is almost impossible to find in print shops or even in specimen form. It has however become recognizable as a true icon of the Art Deco genre. The IHOF version of P22 Bifur features the addition of a lower case alphabet as well as multiple options for the shading layer, allowing for a wide range of design applications from straight-forward Deco headlines, to abstracted and de-constructed experimental design.

SK Sistematica is a unique modular geometric font. It combines the experimental features of the constructivist period and the strict consistency inherent in the grotesques. SK Sistematica is adapted to modern needs and technologies, which allows it to be easily combined with current design trends. The font is suitable for a wide range of applications: from corporate identification to advertising graphics, from web design to typographic design.

Oboni, how are you. I am fine, thank you! This little song is what you will hear in Ghana and Togo. The white people are called Oboni and the black people are the Amebo. We'll bring both cultures together!

While this bold, chamfered typeface may look like a sports font, it actually came from the opening credits for the 1955 Western film “The Man from Bitter Ridge”. Game Rules JNL is available in both regular and oblique versions.

Slab-serif typeface, with pulsating and flexible forms, which gives the font its humanistic character. Ye Carbon crystallized into its forms in search for graphic language that would represent a sense of matter, of letters written by hand. The delicate finishes at the edges of the letters, and the flexibility of the of shapes, gives a feeling of matter, and bring the font to life. Ye Carbon will be a wonderful tool for variety of uses, thanks to its neat nature, and its forms in motion vibe, a rare and winning combination.

Levato, the first font designed by Felix Bonge, is an Antiqua that is full of character and is refined but by no means sterile. This typeface provides for a wide range of options for creating individual designs. It was not really Felix Bonge's intention to create a whole font family when, as a second year student, he began several exercises in contrast and proportion as part of the typeface design course of Professor Veljovi? at Hamburg University of Applied Sciences. However, these initial studies developed into a project that Bonge persisted with over the following years while working towards his degree. He continually had new insights and ideas that he was able to exploit for his font. Of particular importance, he claims, was a calligraphy seminar, which prompted him to completely rework his concept. It took him several years before his extensive font Levato™ was ready. Although the forms of Levato are ultimately derived from Renaissance Antiqua, Bonge has slightly increased the relative contrast in his version. This gives the font a graceful appearance that is further emphasized by the reduced x-height and the associated prominence of the ascenders. And, in addition, the relatively fine serifs, which are almost linear at their ends, infuse Levato with a hint of classical Antiqua á la Bodoni. At the same time, Bonge cleverly compensates for the sterilising tendency of this font form. Soft and rounded serif attachments and rounded line apexes offset the severe nature of the font and provide it with an aura of vivacity. This effect is promoted by the calligraphic-like foot of the lowercase h, n and m and the not quite horizontal bars of the uppercase E and F. Overall, Bonge has succeeded in creating a refined and yet very dynamic typeface. Levato is available in five weights; Light, Regular, Medium, Bold and Black, in each case with the corresponding italic versions. Bonge treats Levato Italic as a genuine cursive typeface. Its letters are thus slightly narrower than the analogous upright letters and their forms are considerably more curvilinear. All the versions of Levato boast an enormous range of characters to meet all possible requirements. In addition to four sets of minuscule and majuscule numerals for tabular and proportional typesetting, there are also small caps, numerous ligatures, ornamental characters and even swash variants of letters. With their generous, sweeping curves, the swash variants (available as OpenType versions) can be used for striking titling effects or as initials.

Are you ready to bring some dark and edgy vibes to your designs? Look no further than the Hellfire Flames | death metal font! With its black fire-inspired design and brutal form, this font is perfect for adding a touch of darkness to your work. Hellfire Flames is a death metal font that embodies the essence of infernal power and brutal energy. The font's letters take the shape of black flames, with a raw and aggressive design that will leave a lasting impression. The font includes both uppercase and lowercase letters, as well as a range of symbols, numerals, and foreign language support, making it a versatile tool for any project. Hellfire Flames also offers an array of extraordinary and unique death metal ornaments. These intricate designs are perfect for adding a touch of dark ambiance to your project, and are sure to impress any fans of the genre. Hellfire Flames is perfect for anyone looking to add a touch of darkness and aggression to their design projects. It's especially well-suited for projects related to death metal, black metal, gothic, horror, and other genres of heavy music. This font is also great for creating logos, album covers, merchandise, and other graphics that need a raw and intense look. Its unique death metal ornaments make it a great choice for adding an extra level of detail and flair to your designs. So why settle for boring fonts when you can unleash the power of darkness with the Hellfire Flames? Get ready to create designs that are truly unforgettable and take your work to the next level! ——— Hellfire Flames features: A full set of uppercase and lowercase Numbers and punctuation Multilingual language support PUA Encoded Characters OpenType Features +238 Total Glyphs +50 Death Metal Ornaments and Splatter included! ———