The Core Sans NR Family is a part of the Core Sans Series, such as Core Sans N, Core Sans N SC, Core Sans M, and Core Sans G. This family is the rounded version of Core Sans N family. Letters in the Core Sans NR Family are designed with genuine neo-grotesque and neutral shapes without any decorative distractions. The spaces between individual letter forms are precisely adjusted to create the perfect typesetting. The Core Sans NR Family consists of 3 widths (Condensed, Normal, Extended), 9 weights (Thin, ExtraLight, Light, Regular, Medium, Bold, ExtraBold, Heavy, Black), and Italics for each format. It also supports WGL4, which provides a wide range of character sets (CE, Greek, Cyrillic and Eastern European characters). Each font includes support for Tabular numbers, Arrows, Box drawings, Geometric shapes, Block elements, Mathematical operators, Miscellaneous symbols and Opentype Features such as Proportional Figures, Numerators, Denominators, Superscript, Scientific Inferiors, Subscript, Fractions and Standard Ligatures. The Core Sans NR Family provides both OpenType (.OTF) and TrueType (.TTF) versions in the same package. We highly recommend it for use in books, web pages, screen displays, and so on.

BR Nebula is a geometric sans serif that builds on the foundations of early geometric designs such as Paul Renner’s Futura, and later works such as Avant Guarde. BR Nebula takes inspiration from these early explorations in sans serif design and re-imagines them for the modern age. Distinctive geometric letterforms have been refined and simplified with opened terminals to achieve a clear, legible and modern aesthetic. BR Nebula is available in 20 contemporary styles, with weights ranging from Hairline to Super. The fonts also provide advanced typographic support with OpenType features such as case sensitive forms, stylistic alternates, slashed zeros and multiple figure sets. Also containing advanced language support as standard. For custom enquiries please contact: mail@brinktype.com

Cotton Club remembers the fonts of the thirties of the last century and the Bodoni, but it does not present graces: it is a sans serif. It has 360 glyphs and is composed of two regular and italic styles. Cotton Club is characterized by a high contrast between thick and thin strokes. The emphasized signs give the font an essential, sharp and elegant look. The Italic style of the Cotton Club refers to handwriting and this is noticeable in the ligatures obtained with kerning. The name of the font, “Cotton Club,” refers to the famous Jazz Club in New York, in Harlem, active in the twenties and thirties, during and after Prohibition. At that time the Bodoni, in its many derivations, was widely used not only in lead composition, but also in neon signs, plaques, posters, as well as in many other applications. Redesigning a new font that brings back to those years wants to be, therefore, a tribute and a reinterpretation of the graphics of that period as well as, it is understood, to the glorious Bodoni. Supported Languages Bulgaro, Bosnian, Catalan, Czech, Danish, German, English, Spanish, Estonian, Finnish, French, Irish, Croatian, Hungarian, Icelandic, Italian, Lithuanian, Latvian, Maltese, Dutch, Norwegian, Polish, Portuguese, Romanian, Slovak, Slovenian, Albanian, Serbian, Swedish, Turkish. Vincenzo Crisafulli font designer Vincenzo Crisafulli graduated from the Faculty of Architecture in Palermo and works as a graphic designer. He has been designing fonts since 1996 and has published with T26 (Type-Foundry, digital foundry in Chicago-California USA): Crisafulli, Chocolat, LST, Luminaria, and Stitching; with MyFonts: Rétrospectif, Bella Copy, Jasmin and Noahs Ark.

Meet Dansley – a script font that brings together the vintage and classic looks with a unique twist. Its bold form and chic details add a touch of sophistication and personality to any design project especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Features: Uppercase & lowercase Numbers and punctuation Ligatures & Alternates Multilingual PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.

Accia Moderato is a contemporary serif typeface with moderate contrast and large x-height. It will become a great choice for primary body copy. The font family contains 8 weights from Thin to Extra Bold, with matching true italics. It supports extensive language support including Cyrillic, as well as numerous OpenType features such as small caps, ligatures, several sets of figures, case-sensitive punctuation, ordinals. Accia Moderato is a member of Accia Type System. It encompasses five typefaces ranging from sans-serif to expressive serif, giving you the possibility to create sophisticated cohesive designs. Accia Type system consists of Accia Sans, Accia Flare, Accia Piano, Accia Moderato, and Accia Forte.

Acre is a geometric sans-serif type family of eight weights that's both inspired by and named after my great grandfather, Tex Acre. Tex was an artist and sign maker whose handcrafted signs illuminated the roadsides of the American Midwest and typified mid-century Americana. Acre is a tribute to him, his work, and many of my favorite early 20th century geometric typefaces. With eight weights ranging from Thin to Black, Acre is an extremely versatile family that can be used for display, text, or anything in between. Acre offers full European language support plus many OpenType features such as tabular and oldstyle figures.

Introducing Monck, a modern display font that combines the best of modern typography and classic serif styles. With its sleek design and unique lettering options, Monck is perfect for a wide range of design projects. Whether you're creating logos, posters, quotes, or social media graphics, Monck offers a plethora of alternates and end swashes through its OpenType features. Monck comes with three different file formats - otf, ttf, and woff - making it compatible with various design software programs such as Adobe Illustrator CS, Adobe Photoshop CC, Adobe InDesign, and Corel Draw. This means you can easily access and utilize the alternate glyphs in Monck to create eye-catching lettering compositions. The OpenType features in Monck allow you to access uppercase and lowercase letters, as well as alternates and ligatures, giving you endless possibilities for creative combinations. Additionally, Monck supports multiple languages, making it a versatile choice for designers around the world. In your zip package, you'll find the Monck font files in otf, ttf, and woff formats, providing flexibility for different design projects. The font includes uppercase and lowercase letters, numerals, punctuation, and symbols, ensuring that you have all the tools you need to create stunning designs. Monck is a versatile font that can be used for various design purposes, such as logotypes, headings, covers, posters, product packaging, headers, merchandise, social media graphics, greeting cards, and more. Its modern and classic fusion style adds a unique and contemporary touch to your designs, making them stand out in any context. In summary, Monck is a modern display font that offers a wide range of alternates and ligatures through its OpenType features, making it a powerful tool for creative lettering compositions. With its multilingual support and compatibility with popular design software, Monck is a must-have font for any designer looking to add a touch of modernity and versatility to their projects. So why wait? Get Monck now and start creating stunning designs with ease!

Introducing DreamGood, a captivating natural handwriting font that adds a touch of artistic charm to your creative projects. With its authentic style and versatile nature, this font is perfect for various craft endeavors. DreamGood's natural handwriting style brings a unique and personalized feel to your designs. Whether you're working on shirt designs, websites, SVG creations, home decor, branding materials, blogs, logos, or invitations, this font will elevate your projects with its organic appeal. With both uppercase and lowercase letters, DreamGood offers flexibility in crafting engaging compositions. It also includes numbers and punctuation, ensuring seamless integration within your text. The font's multilingual support enables you to communicate your message effectively across different languages, expanding your reach to a wider audience. DreamGood features ligatures that enhance the flow and aesthetics of your typography, allowing for captivating and cohesive designs. The font's PUA Encoding provides easy access to special characters and glyphs, opening up endless creative possibilities. Embrace the natural beauty of DreamGood in your craft projects and watch your creations come to life with an artistic flair. From handmade goods to digital designs, this font adds a touch of elegance and authenticity.

Meet Pristine Pro, the epitome of elegance and precision in typography. This Slab Serif font, meticulously developed with a humanistic touch, promises unparalleled sophistication for your projects. Its 18 versatile font families, ranging from Thin to Black, offer a tailored solution for every design need. Explore the seamless blend of clean lines and firm structure that defines Pristine Pro. This font isn't just a typeface; it's a statement of modernity and style. With support for 89 international languages, including English, French, Spanish, and German, Pristine Pro caters to a global audience, ensuring your designs communicate effectively worldwide. Desire perfection in your designs? Pristine Pro delivers. Craft compelling branding, striking posters, or editorial layouts with confidence. Its immaculate precision and extensive language support empower your creativity. Your desire for flawlessness finds its match in Pristine Pro, promising visuals that captivate, leaving a lasting impression on any audience. Ready to elevate your designs? Take action now. Download Pristine Pro and witness your creativity flourish. Unleash the power of clean Slab Serif typography with international appeal. Dominate the digital space, ensuring your projects rank high and capture attention. Seize this opportunity and transform your designs into timeless masterpieces.

Introducing Loominaire - A Modern Futuristic Font! Step into the future with Loominaire, a captivating and cutting-edge font that embodies the essence of modernity and innovation. Designed to make your designs stand out and leave a lasting impression, Loominaire brings a touch of sleek sophistication to your creative projects. With its clean lines and geometric precision, Loominaire exudes an aura of futuristic elegance. Each letter is meticulously crafted to create a harmonious balance between contemporary aesthetics and legibility, ensuring that your message is conveyed with clarity and style. This font is perfect for those seeking to add a touch of modernity to their branding, advertisements, websites, posters, and more. Captivate your audience with Loominaire's versatility, whether you're creating a high-tech logo, a sci-fi movie poster, or a forward-thinking website interface. Loominaire unleashes your creative potential with its extensive character set, including uppercase and lowercase letters, numerals, punctuation marks, and a variety of special symbols. Its versatility extends beyond the confines of traditional design, allowing you to explore endless possibilities and push the boundaries of visual communication. Embrace the future of typography with Loominaire - a font that bridges the gap between contemporary design and futuristic aesthetics. Let your creativity soar and watch as your designs come to life with a touch of modern elegance. Unlock the power of Loominaire today and revolutionize your creative projects with this extraordinary modern futuristic font.

Simple, yet thrilling! Heart Strung is my handmade font! Useful for a wide range of things - such as invitations, greeting cards, headlines, notes and quotes ... and a lot of other things! Comes with swashes for uppercase and ligatures for double lettering - and some lovely swashy alternates! :)

Madeline Forhes is a stylish and modern serif font that’s perfect for bringing a touch of sophistication to your designs. Its clean lines and contemporary letterforms create a timeless yet fresh look that’s perfect for editorial design, branding, and any project that requires a touch of elegance.

Inspired by Barcelona’s Diagonal street, Antoni Morillas designed Diagonal ND in 1970. A sans that alternates straight and inclined lines, with a strong rhythm and its own personality. Its range of possible usages are very varied: signage, headlines, packaging, etc. Diagonal is a Trademark of BauerTypes SL

An unadorned Grotesque with a refreshingly personal touch. If “Grotesque” mainly means “industrial, mechanical, anonymous typeface” to you, Klainy might redefine your image of the genre. Yes, it’s a Grotesque—but with a contemporary look and a lot of personality. Klainy’s apertures are more closed at the top and more open at the bottom, creating an informal rhythm that sets Klainy apart: a confident, optimistic voice with a clean appearance. Terminals are subtly back-bent: these quaint “hooks” make Klainy a bit more personal, a bit friendlier. (You can find them in the a, c, f, and r.) Just like its old-style Grotesque ancestors, Klainy is optimized for display sizes and short texts. There, its unobtrusive quirks can be wholly appreciated. However, the familiar Grotesque appearance makes sure that the typeface is comfortable to read in smaller sizes, as well. Use Klainy whenever a basically classic sans-serif typeface with a modern and individual twist is called for. This font family comes in eight weights ranging from Thin to Black, each with a matching italic style. More than 500 glyphs and a bunch of Open Type Features make it a reliable companion for all of your projects. You can fine-tune the flavor of Klainy with Stylistic Alternates such as a one-story a and a two-story g. Their simple construction blends perfectly with the design concept of this typeface. Klainy is a seasoned blue-collar worker that surprises you with wit and team spirit. It’ll be a great addition to your font library.

NuOrder is a modern-day sans-serif typeface with humanist bones. The design incorporates a dynamic structure with minimal contrast and a natural stroke path to promote easy reading—resulting in a warm well-balanced typeface best suited for a wide range of applications in a hi-tech era. Details include nine weights with matching italics and over 550 characters per style. Opentype features consist of five variations of numerals, including inferiors, superiors, fractions, alternate lowercase a and g, and language support covering Western, South, and Central Europe.

Honey Dolista is an elegant serif look with lots of ligatures and alternative bindings that will make your presentation or logo stand out! Bring your brand to life and add a touch of elegance and style with the Honey Dolista font. customize it for your titles, logos, business cards, printed quotes, all kinds of invitations, cards, packaging and your website or social media branding. Features Include: -Uppercase & Lowercase -Swash, Ligature -Alternates Binders -Numbers & Symbols -Multi language Please contact us if you have any questions, we are happy to help you! Enjoy!

Lindsey Pro is a new handwriting style font with advanced OpenType features including alternative characters and ligatures. Lindsey Pro was created by Steve Matteson based on a teenager’s handwriting. It is a casual typeface design with irregular alignments and occasional connections. Lindsey is a fun font to use in a wide range of documents, from Valentine’s Day cards to invitations, memos, greeting cards, signs and correspondence. Lindsey Pro was developed to take advantage of the rich typographic OpenType features of applications Adobe Creative Suite, QuarkXPress 7, and Microsoft Expression.

Southland Script Handwritten Font with contemporary, sophisticated accents. It is perfect for branding, wedding invites, tagline, cards, maybe for label and logo. Southland includes full set of gorgeous uppercase and lowercase letters, numerals, a large range of punctuation and ligatures. It expresses beauty of handwriting. What you get, darling? In order to use the beautiful ligatures, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Photoshop CC, Adobe Indesign and Corel Draw. Feel free to give me a message if you have a problem or question.

Anteb font family is one of those large and useful families that you really can’t miss if you are looking for typeface combining originality and legibility. Anteb is one of these – a sans serif with modern look designed very smart with rounded corners. It is developed in 10 separate weights ranging from Thin to ExtraBlack, each coming with Alternate version, which is well suited for a variety of typographic applications such as headlines and small texts. The Anteb font family supports multiple languages and is available as both webfont and desktop font.

Soft, fun, confident, sophisticated, and versatile. Luwest Rounded is a modern rounded font family that comes in two weights and in italics. The chunky weight and buttery curves of Luwest Rounded Regular make it well suited as display type ideal for branding, logos, magazines, films, packaging, greeting cards, invitations, posters, slides, and presentations. Luwest Rounded Light adds contrast and even more flexibility. Luwest Rounded includes a generous selection of international characters to support a broad range of languages. Luwest Rounded includes: Caps and lowercase Regular and Light weights Regular and Italics Extensive international character support

Inspired by European brutalist design aesthetic, Kunst strives for form dominated by pure geometric precision, utilising 45° angles based on a strict grid. See the PDF specimen | Also available in Rounded and Imprint styles. Covers Western and Cyrillic character sets with a full range of Smallcaps. Includes Tabular Figures, Standard and Discretionary Ligatures, and Contextual Alternates such as arrows, Smart Quotes, and German Capital Eszett/scharfes (Sharp s).

Inspired by European brutalist design aesthetic, Kunst strives for form dominated by pure geometric precision, utilising 45° angles based on a strict grid. See the PDF specimen | Also available in Normal and Imprint styles. Covers Western and Cyrillic character sets with a full range of Smallcaps. Includes Tabular Figures, Standard and Discretionary Ligatures, and Contextual Alternates such as arrows, Smart Quotes, and German Capital Eszett/scharfes (Sharp s).

Supertall, ultra condensed and very large. Supertall is a massive statement display font designed to command a page by filling a lot of space. Taking inspiration from hard-hitting movie titles, Supertall brings some 80s video game vibes with a modern touch. The Supertall type family features Regular and bold weights with obliques and reverse obliques for added speed and style. Features: 357 Glyphs Fractions Extensive language support.

Suit Sans ​STD is a typeface designed for multi-purposes with ​4 weights plus matching​ italics. The set of ​554 glyphs embraces a​ll European languages​, ​and it's perfect for branding, interfaces and everything else you could create on large and small sizes​. ​But if Suit Sans STD is not enough for you, take a look at Suit Sans Pro with extended weight range, character set and more cool features.

Triz is a high-contrast monospaced sans-serif, bringing together a typewriter rhythm and a fashion magazine look. With 5 different weights and 3 different contrast variations, Triz shines on both footnotes and headlines. With more than 1.000 glyphs, the Triz has an extensive language support and a lot of features, like its distinctive 'thin' alternates for diacritics, symbols and punctuation, small caps, arrows, manicules and much more.

Inspired by European brutalist design aesthetic, Kunst strives for form dominated by pure geometric precision, utilising 45° angles based on a strict grid. See the PDF specimen | Also available in Normal and Rounded styles. Covers Western and Cyrillic character sets with a full range of Smallcaps. Includes Tabular Figures, Standard and Discretionary Ligatures, and Contextual Alternates such as arrows, Smart Quotes, and German Capital Eszett/scharfes (Sharp s).

Bambino Font Family is a typography project by Milos Mitrovic and affiliates. Bambino has an influence of 1920s Futura-like fonts and art deco look and feel. Combining its vintage character with clean geometric form and organic flow, Bambino is shaped to fit modern aesthetics. There are 12 fonts (six weights with italics) included in the family. Bambino weight range spreads from almost hairline lightness to extreme bold style.

Helvair is a Handwritten font with a Realistic monoline graffiti style, with awesome swash perfect for your awesome urban designs. It will elevate a wide range of design projects to the highest levels, be it branding, headings, designs, invitations, signatures, logos, labels, and much more! Features: Uppercase Punctuation Swash PUA Encoded open Support for MAC or PC Simple installation for Adobe Illustrator, Corel Draw, Photoshop, or Procreate (New Updated)

Saint Amour Script is an elegant calligraphy font that will look awesome on wedding and event stationery, logos and branding materials, cards and so on. Saint Amour Script includes Uppercase and Lowercase Cyrillic and Latin Basic Characters, Numbers and Punctuation. Also the font contains ligatures and stylistic alternates to perfectly re-create natural calligraphy. Saint Amour Script supports Latin & Cyrillic alphabets giving a huge range of language support.

Bosque Line is a condensed display font that has an attractive appearance that brings you to a modern urban feel. Inspired by the long exposure of tree trunks in forest, Bosque line letters are designed with tall and clean shapes. Alternate and ligature features are available to make your work more attractive. It's perfect for your projects such as: posters, logos, book covers, social media posts and many more. Thank you!

Bring a little tropical island vibe to your next project with Kuloko (Hawaiian for 'Inline')! Kuloko features offset handwritten characters with a bold marker like aesthetic, which gives the font a nice tropical tiki appearance. Kuloko's funky look is sure to capture attention in headlines on websites, social media graphics, logos, branding and so much more! Also included is a handwritten inline version of Kuloko for greater design variety!

Anface is a bold, square font with a playful, creative letters. This font is unique because of its bold and strong letterforms that evoke a feeling of confidence and strength. The square shapes add a modern, geometric element that gives it a cool and contemporary look. In terms of functionality, Anface offers a range of styles, including regular and bold, as well as a full character set that supports multiple languages. Its special features include a full range of punctuation and symbols, making it a versatile choice for a variety of design projects. The design concept behind Anface was to create a font that was both bold and playful, making it perfect for a variety of creative projects: headlines, logos, and other design elements that required a strong and confident visual impact. Its unique square shape and bold letterforms make it a fresh and exciting addition to any designer's toolkit. Here are a few ideas for where Anface could be used: Tech companies: The geometric design of Anface could be a good fit for technology or software companies, as it has a modern and futuristic feel. Sports teams: The bold, strong letterforms of Anface could be used for sports team logos, jerseys, and other branding materials. Its square shape gives it a sporty and athletic look. Architecture firms: The clean, modern lines of Anface make it a great choice for architecture firms or any businesses related to construction or design. Art and design studios: Anface's playful, creative design would be well-suited for art and design studios, or any business related to the creative industries. Music industry: Anface's bold, attention-grabbing design could be used for music album covers, posters, or other promotional materials. Cafes and restaurants: Anface's square shape and bold design could be a good fit for cafes or restaurants that want to create a modern and unique brand identity. Its playful and creative look could help businesses stand out and create a unique visual identity.

Grafical is a contemporary take on 19th-century sans serifs. In this family, the amount of geometry inherent within the letterforms has been amped up. Many shapes have received further streamlining, too. All the geometric forms you see have been optically corrected, ensuring their delivery of better legibility. Grafical ships in two different formats: depending on your preference, you can install the typeface as two Variable Fonts or use the family’s 16 static OpenType font files instead. The static fonts offer eight weights, running from Extralight through Black. Each weight has an upright and an italic font available. While the static-format fonts offer a good intermediary-step selection, users who install the Variable Fonts have vastly greater control over their text’s stroke width. The Grafical Variable and Grafical Variable Italic font’s weight axes allow users to differentiate between almost 1,000 possible font weights. That enables you to fine-tune your text’s exact appearance on-screen or in print. Grafical is the perfect tool for a range of design uses, including text on the web, text in print, and text in motion graphics. Its fonts are typographic workhorses – not just from their legibility perspective but also because of the amount of OpenType features they include. There are ligatures, for instance, as well as proportional and tabular lining and oldstyle figures, fractions, numbers placed inside circles, and even Roman numerals. Users can also substitute alternate versions of the “a”, “g”, “i”, “j”, “y”, “G”, and “Q” into their work.

Gérard Mariscalchi is a self-made designer. Born in Southern France of a Spanish mother and an Italian father, he has worked as a mechanic, salesman, pilot, college teacher – even a poet (with poetry being the worst-paying of these professions, he reports.) “Throughout all this, the backbone of my career has always been design,” Mariscalchi says. “I’ve been drawing since I was five, but it wasn’t until I was twenty-four that I learned that my hobby could also help me earn a living.” It was about this same time that Mariscalchi fell in love with type. He studied the designs of masters like Excoffon, Usherwood and Frutiger, as well as the work of calligraphers and type designers such as Plantin, Cochin and Dürer. With such an eclectic background, it’s no surprise that Mariscalchi’s typeface designs are inspired by many sources. Baylac and Evita reflect the style of the art nouveau and art deco periods, while Marnie was created as an homage to the great Lithuanian calligrapher Villu Toots. However, the touch of French elegance and distinction Mariscalchi brings to his work is all his own. Baylac Who says thirteen is an unlucky number? Three capitals and ten lowercase letters from a poster by L. Baylac, a relatively obscure Art Nouveau designer, served as the foundation for this typeface. The finished design has lush curves that give the face drama without diminishing its versatility. On the practical side, Baylac’s condensed proportions make it perfect for those situations where there’s a lot to say and not much room in which to say it Evita Mariscalchi based the design of Evita on hand lettering he found in a restaurant menu, and considers this typeface one of his most difficult design challenges. “The main problem was to render the big weight difference between the thin and the thick strokes without creating printing problems at small point sizes,” he says. Unlike most scripts, Evita is upright, with the design characteristics of a serif typeface. Mariscalchi named the face for a close friend. The end result is a charming design that is light, airy, and slightly sassy. Marnie Based on Art Nouveau calligraphic lettering, Marnie is elegant, inviting, and absolutely charming. Mariscalchi paid special attention to letter shapes and proportions to guarantee high levels of character legibility. He also kept weight transition in character strokes to modest levels, enabling the face to be used at relatively small sizes – an unusual asset for a formal script. Marnie’s capital letters are expansive designs with flowing swash strokes that wrap affectionately around adjoining lowercase letters. The design easily captures the spontaneous qualities of hand-rendered brush lettering.

Gérard Mariscalchi is a self-made designer. Born in Southern France of a Spanish mother and an Italian father, he has worked as a mechanic, salesman, pilot, college teacher – even a poet (with poetry being the worst-paying of these professions, he reports.) “Throughout all this, the backbone of my career has always been design,” Mariscalchi says. “I’ve been drawing since I was five, but it wasn’t until I was twenty-four that I learned that my hobby could also help me earn a living.” It was about this same time that Mariscalchi fell in love with type. He studied the designs of masters like Excoffon, Usherwood and Frutiger, as well as the work of calligraphers and type designers such as Plantin, Cochin and Dürer. With such an eclectic background, it’s no surprise that Mariscalchi’s typeface designs are inspired by many sources. Baylac and Evita reflect the style of the art nouveau and art deco periods, while Marnie was created as an homage to the great Lithuanian calligrapher Villu Toots. However, the touch of French elegance and distinction Mariscalchi brings to his work is all his own. Baylac Who says thirteen is an unlucky number? Three capitals and ten lowercase letters from a poster by L. Baylac, a relatively obscure Art Nouveau designer, served as the foundation for this typeface. The finished design has lush curves that give the face drama without diminishing its versatility. On the practical side, Baylac’s condensed proportions make it perfect for those situations where there’s a lot to say and not much room in which to say it Evita Mariscalchi based the design of Evita on hand lettering he found in a restaurant menu, and considers this typeface one of his most difficult design challenges. “The main problem was to render the big weight difference between the thin and the thick strokes without creating printing problems at small point sizes,” he says. Unlike most scripts, Evita is upright, with the design characteristics of a serif typeface. Mariscalchi named the face for a close friend. The end result is a charming design that is light, airy, and slightly sassy. Marnie Based on Art Nouveau calligraphic lettering, Marnie is elegant, inviting, and absolutely charming. Mariscalchi paid special attention to letter shapes and proportions to guarantee high levels of character legibility. He also kept weight transition in character strokes to modest levels, enabling the face to be used at relatively small sizes – an unusual asset for a formal script. Marnie’s capital letters are expansive designs with flowing swash strokes that wrap affectionately around adjoining lowercase letters. The design easily captures the spontaneous qualities of hand-rendered brush lettering.

Gérard Mariscalchi is a self-made designer. Born in Southern France of a Spanish mother and an Italian father, he has worked as a mechanic, salesman, pilot, college teacher – even a poet (with poetry being the worst-paying of these professions, he reports.) “Throughout all this, the backbone of my career has always been design,” Mariscalchi says. “I’ve been drawing since I was five, but it wasn’t until I was twenty-four that I learned that my hobby could also help me earn a living.” It was about this same time that Mariscalchi fell in love with type. He studied the designs of masters like Excoffon, Usherwood and Frutiger, as well as the work of calligraphers and type designers such as Plantin, Cochin and Dürer. With such an eclectic background, it’s no surprise that Mariscalchi’s typeface designs are inspired by many sources. Baylac and Evita reflect the style of the art nouveau and art deco periods, while Marnie was created as an homage to the great Lithuanian calligrapher Villu Toots. However, the touch of French elegance and distinction Mariscalchi brings to his work is all his own. Baylac Who says thirteen is an unlucky number? Three capitals and ten lowercase letters from a poster by L. Baylac, a relatively obscure Art Nouveau designer, served as the foundation for this typeface. The finished design has lush curves that give the face drama without diminishing its versatility. On the practical side, Baylac’s condensed proportions make it perfect for those situations where there’s a lot to say and not much room in which to say it Evita Mariscalchi based the design of Evita on hand lettering he found in a restaurant menu, and considers this typeface one of his most difficult design challenges. “The main problem was to render the big weight difference between the thin and the thick strokes without creating printing problems at small point sizes,” he says. Unlike most scripts, Evita is upright, with the design characteristics of a serif typeface. Mariscalchi named the face for a close friend. The end result is a charming design that is light, airy, and slightly sassy. Marnie Based on Art Nouveau calligraphic lettering, Marnie is elegant, inviting, and absolutely charming. Mariscalchi paid special attention to letter shapes and proportions to guarantee high levels of character legibility. He also kept weight transition in character strokes to modest levels, enabling the face to be used at relatively small sizes – an unusual asset for a formal script. Marnie’s capital letters are expansive designs with flowing swash strokes that wrap affectionately around adjoining lowercase letters. The design easily captures the spontaneous qualities of hand-rendered brush lettering.

When work started on the design of Gelica, there wasn't the same glut of retro-ish soft serifs there is today, and if I'd managed to complete it quicker, it might have been more trendsetter than bandwagon jumper, but that's the way it goes sometimes! I still think it's useful and unique enough to be a worthwhile addition to your typographic arsenal. Although obviously influenced by Cooper, it actually owes more to the lesser known Goudy Heavyface and Ludlow Black, particularly in the concave serifs. I wanted the family to be friendly and approachable, but not overly cutesy, and usability was always the prime concern. A nice weight range with matching italics was a must, along with useful OpenType features, and various figure styles. This is a display family first and foremost, but is also comfortable at smaller sizes for longer copy, and so works well in a supporting role to a more exuberant titling font.

“Holiday Thin Line” is a mesmerizing typeface with elegant and minimalist thin lines. It is specifically designed to add a touch of beauty and lightness to your designs. With its gentle and simplistic nature, this font is perfect for projects that require a modern touch, such as wedding invitations, logo designs, greeting cards, and more. Available in various character variations and symbols, it allows you to express limitless creativity. Get “Holiday Thin Line” now and enjoy the enchanting beauty of typography. Unlock a world of creative possibilities with an extensive collection of 369 meticulously crafted glyphs, offering limitless expression for your designs. Our font proudly supports an impressive range of 92 languages, ensuring seamless communication across cultures and borders. May it inspire you to create remarkable designs that leave a lasting impression. Thank you for joining us on this typographic journey!

Introducing Merong, a versatile serif font that adds a touch of elegance and sophistication to your design projects. Whether you're creating a print or digital design, Merong is the perfect typeface for capturing attention and delivering your message in style. With its variable font technology, Merong offers a range of styles, from regular and elegant to bold and dramatic. You can easily adjust the weight and width of the font to suit your needs, making it a flexible choice for a variety of projects. Merong is an excellent choice for a variety of design projects, from branding and marketing materials to editorial layouts and web design. It's a font that can adapt to your needs and help you achieve your desired aesthetic. WHAT’S INCLUDED? Numbers Punctuation Ligatures Multilingual support...

Brigattin is a calligraphy script font that comes with beautiful alternative characters. a mixture of copper calligraphy with handleting style. Designed to bring style elegance. Brigattin Script attracts such a subtle, clean, feminine, sensual, glamorous, simple and very readable typeface. The classic style is perfect to apply in various formal forms such as invitations, labels, menus, Logos, fashion, make up, stationery, letterpress, romantic novels, magazines, books, greeting / wedding cards, packaging, labels. Brigattin has 494 glyphs. including multiple language support. With OpenType features with stylish alternatives, ligatures and characters, allowing you to mix and match pairs of letters to fit your design, as well as a touch of ornament to make this font look elegant.