A laid back slab serif font with a good deal of the funky side of pizzadude.dk! You will need to use OpenType supporting applications to use the autoligatures

Katiki Can is a bold, messy, painty display font inspired by all of the trashcans in the Outer Banks with names of rental homes painted on the side.

A revival of one of the popular wooden type fonts of the 19th century, suitable for display. It has curved sides, very short descenders, and curved, blocky serifs.

Need some Pig Scratch to go with your chicken scratch? This is a full fat font with a side of delicious glyphs. Perfect for merch, school lessons, invitations.

Wagma is a handwritten font with an organic and adult theme, this font has an untidy shape and looks messy to emphasize the human side of the font.

Handwritten or printed holiday and party words for all your flyers and party invitations. Font includes Happy Birthday, Merry Christmas, Happy Holiday, New Year, Holidaze, Joy, Greetings, Ho, Ho, Ho, Fa, La, La, Glad Tidings, Jingle, Yule tide, Happy Kwanzaa, Happy Hanukkah, Easter, Valentine’s Day, 4th of July, Labor Day, Engagement, Wedding, Baby, Open House, Party, Shower and Event. Just add an icon from Party Doodles or Holiday Doodles or Holiday Doodles Too and you have a years worth of flyers!

Catskin is a fairytale by The Brothers Grimm. The story is about a king who has a beautiful wife and daughter - you know, the basic fairytale stuff. Long story short: they all live happily ever after (except for the wife, who dies…). Catskin is also a nice, handmade font. I like making fairytale fonts, especially since I have three kids, who love books. And when I see one of my fonts on the cover, I can tell them: ‘daddy made this’. #prouddaddy ;-)

Like traditional athletic block typefaces, VTF Charisma is built with chiseled cornersand a rigid skeleton. However, an underlying formula of fervor and functionality emerges in execution. The typeface features traditional block tendencies that are challenged by expressive angles and deviations in line weight that harken to penmanship. Uniquely tapered terminals seen in letters like "a", "c", and "s" demonstrate a strong visual energy while increasing legibility. The legs of angled letterforms like the "A", "v", and "y" are cropped in a way that further reinforces this motif. These stylistic cues are employed throughout the family’s 7 weights, ranging from Thin to Black with an accompanying Oblique variant for each. VTF Charisma is equipped with a hefty 970 glyphs that support Small Caps, fractions, extensive Latin characters, stylistic alternates and more. Paired with its dynamic charm and strong visual appearance, the family’s horizon of capabilities broadens.

Neue Haas Unica by Toshi Omagari: The original purpose behind the creation of the typeface Haas Unica was to provide a sympathetic update of Helvetica. But now the font designer Toshi Omagari has decided to make this typeface his own and has thus significantly supplemented and extended it. In the late 1970s, at the same time at which hot metal typesetting was being replaced by phototypesetting, the Haas Type Foundry commissioned a group of specialists known as "Team '77" consists of Andre Gurtler, Christian Mengelt and Erich Gschwind to adapt Max Miedinger's font The characters of Haas Unica are somewhat narrower than those of Helvetica so that the larger bowls, such as those of the "b" and "d", appear more delicate and have a slightly more pleasing effect. In general, the spacing of Haas Unica was increased to provide for improved kerning and thus enhance the legibility of the typeface in smaller point sizes. Major changes were made to the lowercase "a", in that the curve of the upper bowl became rounder and its spur was eliminated. The form of the "k" was additionally modified to remove the offset leg so that both diagonals originate from the main stem. The outstroke of the uppercase "J" was also significantly curtailed. In addition to many minor alterations, such as to the length of the horizontal bars of the "E", "F" and "G" and to the angle of the tail of the "Q", the leg of the "R" was extended and made more diagonal. In the case of the numerals, the upper curve of the "2" was reduced and the lower loops of the "5" and "6" were correspondingly adapted. The sweep of the diagonal of the "7" was also reduced. Several decades later, Toshi Omagari returned to the original sketches with the objective of reinvigorating this almost totally forgotten typeface. First, however, he needed to revise the drafts prepared by Team '77 to adapt them for digital typesetting. So Omagari carefully adjusted the proportions of the glyphs, achieving a more uniform overall effect across all line weights and removed details that had become redundant for contemporary typefaces. It was also apparent from the old drafts that it had been the case that the original plan was to create more than the four weights that were published. Omagari has added five additional styles, giving his Neue Haas Unica? a total of nine weights, from Ultra Light to Extra Black. He has also greatly extended the range of glyphs. Providing as it does typographic support for Central and European languages, Greek and Cyrillic texts, Neue Haas Unica is now ready to be used for major international projects. In addition, it has been supplied with small caps and various sets of numerals. With its resolute clarity and excellent typographic support, Neue Haas Unica is suitable for use in a wide range of new contexts. The light and elegant characters can be employed in the large point sizes to create, for example, titling and logos while the very bold styles come into their own where the typography needs to be powerful and expressive. The medium weights can be used anywhere, for setting block text and headlines.

Abril is an extension of the Abril typographic system that was engineered as a response to a very specific requirement from the editorial design community: a low contrast typeface for head- lines. Given its broad range of styles though, Abril deserves to be considered a separate font family on its own. Based on the original text styles of Abril, the letter shapes are sturdy, very legible, and deliver a newsy and trustworthy feel. The accented editorial style of the Scotch Roman finds continuity in this new type family, but some of the details have been ironed out for improved performance in headline, both in print and on screen. The family is conceived as four series of different widths, with four weights in each series plus matching italics, a total of 32 fonts. This wide range of styles allows for setting titles at almost any size. The wider series are aimed for smaller point sizes while the con- densed weights can deliver a striking and cohesive appearance as front cover headlines. Abril was designed as a versatile tool for those graphic and web designers looking for a workhorse with high impact. It is also an excellent companion for the rest of the Abril type family: Abril Titling and Abril Narrow.

Meet Bjorn. A super usable, digital-device ready type design, refreshingly unburdened by today’s pre-conceived notions of ‘digital neutrality’. This is a typeface driven by the notion that today’s ‘digital’ shouldn’t automatically mean the devolution of typographic personality, Bjorn brings a softer-side to the idea of pixel perfect brand comms. Solid digital typography can also convey a warm tone of voice, radiate a softness, a human emotive charm whilst still maintaining all of the functional on-screen requirements of crisp easy reading fonts across viewports. Bjorn is a distinctive type design that combines a unique blend of flattened round stems (to take the edge-off), levelled inner terminals (pixel friendly) and pointed ears and feet (creating an distinct rhythm and dynamic with bowled letters). Bjorn is not a typeface following a tried and tested pattern, it’s a typeface designed to make digital brands feel special, enabling speech in a voice that brings viewers closer to their words. Bjorn is warm, yet clinical, flat and curved, elliptical and pointy. The font’s strong sense of ‘straightness’, the letter proportions and features build up its versatility across digital environments, not too wide, not too narrow, not too pointy, not too round — just right. Bjorn is available in 4 Roman styles — Light, Regular, Medium and Bold.

Hiragino Sans Rounded (Maru Gothic) is derived from the basic design of the Hiragino Sans (Kaku Gothic) with its wide counters and comfortable appearance. It features gentle typeface that provides graceful roundedness to the tips of all the strokes of a character. On the flip side of this gentle impression is the fact that every single element in the Hiragino Sans upon which this typeface is based has been carefully polished down in every respect in pursuit of an elegant roundness that makes it possible to handle carefully executed typesetting. That approach is clearly different from the general rounded typeface that makes full use of the body, and makes it possible to respond the requirement of professional typesetting. It is never-uninteresting design whose letterform is rooted in the traditions of traditional printing type. It is a font that of course can be used on its own and easily formatted just like Hiragino Sans while adding splendid coloring to the page. Furthermore, when used with other Hiragino fonts such as Hiragino Sans or Hiragino Serif (Mincho), the fact that all their designs are oriented on the same vector creates a multiplier effect. The user may be surprised at the sense of unity that cannot be experienced when combining it with other typefaces.

Surf's up! Take an unforgettable adventure to the sparkling shores of Paradise Point. Ride our 25 majestic weights, from tranquil tall & thin to thunderous wide & heavy. Expand your horizons with the versatile Variable font to select any spot between. One-of-a-kind activities: Drop in a thrilling Inline weight for stylistic flair. Overlay with the matching Heavy for striking color effects. Discover hidden wonders! Stylistic Alternates will take you to the scenic heights of uppercase in a friendly lowercase style. Or immerse your text in interlocking Discretionary Ligatures for an authentic Tiki Type island experience. Enchanting views: Two versions of each letter and number automatically rotate for a natural, hand-drawn appearance. The Light weights have round ends to simulate a single pen stroke, which matches the center of the Inline weights for a perfect pairing. Explore! If you venture into unknown territory, each weight of Paradise Point contains 775 glyphs for stress-free support of over 200 languages. An all-inclusive getaway: Each weight of Paradise Point includes the features above, and can set readable body text as well as create striking logos and headlines. Use it for restaurant menus, surf and skate brands, or any design project where you want to convey lively, friendly, stress-free fun.

Introducing the innovative and original Josep Patau’s new recipe, salsa and wild-type master. 1. In a font, combine a bit of slightly outdated British slab types from the late Victorian period. If you find Vincent Figgins’s variety, do not discard. You'll find plenty to choose from in his specimens, some of then with unexpected vitality an enviably condition, despite it’s age. As aging wine, they had improve their quality with time. Cut Didones into thin slices and add. 2. In a blender, whisk the strength of these Slab serif with highly contrasted strokes from Bodoni or Didot’s neoclassical types. Adjust the mix to get a sweeter or spicier taste, but do not forget to emphasize the contrast to avoid the dressing off. 3. On the page, set the wide variety of weights as your menu demands. If you want to feed fill the stomach of the hungriest holders, use Bridone Titling as main course. If you are serving a traditional menu, starter, main and dessert, then simmer a combination of weights and sizes according to your space. It will not disappoint, much less your guests . 4. Spread thoroughly the page, serve and enjoy . If you like natural, switch to Bridona, your pages will thank you.

Sabron Light is a very round font with the thickness at the corners rather than the side as in most typefaces. Serifs are swollen ends coming to a point.

Introducing Luxca, a font that epitomizes modern luxury within the serif category. This typeface seamlessly blends contemporary sophistication with timeless elegance, making it the perfect choice for designers seeking to infuse their projects with an air of opulence and refinement. With Luxca as your font of choice, you have at your fingertips a versatile tool that can elevate a wide range of design applications. Whether it's high-end branding, editorial layouts, invitations, or packaging.

Fat Pleasure is extremely wide serif typeface inspired by the modern consume society and is suitable for posters, magazines, massive headlines (also for a web presentation) and so on. For dynamic of ultra hairy and massive fat strokes is not suitable for comprehensive text. Fat Pleasure is also inspired and constructed in the sense of modern type design. Even though Fat Pleasure is pure and clean serif font is very catchy a fresh.

Paula Natalie is a cute and playful script font. This font was created to give your headlines and logotype projects a cheerful touch. Paula Natalie font is also usable in a wide range of works such as logos, covers, posters, quotes, product packaging, merchandise, social media and much more! Feature : - PUA Encoded - Multilingual Language - Works on PC & Mac - Simple installations - Accessible in the Adobe Illustrator, Adobe Photoshop, Adobe InDesign, even works on Microsoft Word.

Introducing Fredy Youth - Multilingual Handwritten Font. The characters of this handwritten font exude a subtle charm, maintaining a delicate balance between sophistication and simplicity. Each letter is carefully crafted with a light touch, capturing the essence of handwritten notes while maintaining a modern and refined aesthetic. The absence of unnecessary embellishments allows the font to convey a sense of clarity and purity, making it a versatile choice for a wide range of design projects.

Introducing our new product the name Primavera Sans Serif Font Family comes with 9 different weights. Modern Sans Serif font that feels beautiful classy, elegant, and modern. This font is perfectly suited for a wide variety of projects, such as signature, stationery, logo, wedding, typography quotes, magazine or book covers, website headers, clothing, branding, packaging design, and more. Also for fashion-related branding or editorial design and displays both masculine and feminine qualities.

Adeston is a modern multilingual serif enhanced by ligatures & alternates. Adeston is a very versatile font - with it's classic forms and modern features it will cover a wide range of design projects starting from greeting cards to magazines, wedding invitations, websites etc. The amount of alternates is tremendous, from simple stylistic alternates to ligatures and their alternates. Languages supported: English, German, French, Italian, Spanish, Swedish, Portuguese, Irish, Norwegian, Luxembourgish, Basque, Breton, Corsican, Faroese, Galician, Icelandic.

Geskal is a wide strong sans display font. With bold stroke, fun character with a bit of ligatures. To give you an extra creative work. Geskal font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with script. Make a stunning work with Geskal font. Cheers, Maulana Creative

Ostent is a font family which is inspired by the early Din-Type fonts. In particular, Din 1451. This is reflected in Ostents simple and uncomplicated design, which results in creating a good sense of legibility. Each of the three weights have been carefully designed to work in conjunction with one another, or individually, complimenting other typefaces. Ostent can be used across a wide range of design mediums (both print and screen).

Gonero is a sans font belonging to 81 font families, created in a very bold style. Gonero is a type font, comes in 81 upright weights. Gonero works well in all brands, logos, magazines, movies. The different weights give you a wide host of applications, while the outlined fonts give a real modern feel to any project. Multilingual support for multiple languages including: French, German, Spanish, Portuguese, Italian, Dutch, Finnish, Swedish and many more.

The Punkto font family comes in nine weights of Normal and Italic. With the Punkto font family, you can create beautiful works for the web, including logos, banners, body copy, and presentations. Punkto typeface also works nicely in print formats such as posters, T-shirts, magazines, and affiches. Because of its eye-pleasing style, this font is both effective and versatile. It supports a wide range of languages, including Extended Latin and Cyrillic.

Introducing our new product the name is Rimogles Modern Serif Font Family comes with 9 different weights. Modern Serif font that feels beautiful classy, elegant, and modern. This font is perfectly suited for a wide variety of projects, such as signature, stationery, logo, wedding, typography quotes, magazine or book covers, website headers, clothing, branding, packaging design, and more. Also for fashion-related branding or editorial design and displays both masculine and feminine qualities.

EVERY is designed to be the most valuable typography equipment in your repertoire! Rich in visions, a wide range of features have been created to master all your typographic challenges par excellence: Italics, small caps, old-style figures, ligatures & arrows are just some of the many possibilities that EVERY offers. 28 Styles in three optical sizes gives you the opportunity to create fascinating design with the scent of iconic elegance. Be exceptional – EVERY day. www.typethis.studio

It’s a mixture of digital exactness and analog freedom. With over 130 Opentype features, the font can change its look from strict to charming twirly. GELI offers many different ways to highlight words, which gives the font a personal character. It is a powerfull corporate font with a wide range to play with. Tobias Gutmann designed the Font in 2009/10 in the Typoclub which is part of the Hochschule der Künste Bern.

Bobar is a retro inspired variable font. Bobar is very eye catching, its groovy design and bold chunky shape makes it great for retro projects. Bobar comes with standalone fonts and a variable version, the variable version allows you to manually adjust the slant. Bobar is designed with creative alternate and engraved characters, this makes it perfect for a wide range of project such as: branding, magazines, logos, product packaging, advertisements and much more.

Espect Retro beckons to the discerning eye with its harmonious blend of the modern and the classic. Its wide, yet hairline-thin structure gracefully extends into elongated serifs, giving it a poised and elegant stance. The extended x-height isn't just noticeable; it's a celebration of design that evokes charm and cuteness in every curve and counter. Espect Retro's lightness radiates a fashion-style sophistication, making it a go-to for classy projects.

Introducing our new product the name Newsweekly Editorial Serif Display Font comes with 2 different weights. Modern Sans Serif font that beautiful classy, elegant, and modern. This font is perfectly suited for a wide variety of projects, such as signature, stationery, logo, wedding, typography quotes, magazine or book covers, website headers, clothing, branding, packaging design, and more. Also for fashion-related branding or editorial design and displays both masculine and feminine qualities.

Introducing our new product the name is Gymphow Modern Serif Font Family comes with 9 different weights. Modern Sans Serif font that feels beautiful classy, elegant, and modern. This font is perfectly suited for a wide variety of projects, such as signature, stationery, logo, wedding, typography quotes, magazine or book covers, website headers, clothing, branding, packaging design, and more. Also for fashion-related branding or editorial design and displays both masculine and feminine qualities.

is a sans serif font with a wide range of uses, This san serif output can cover any product from fashion products, such as beauty equipment, clothes, shoes, magazines, women's knick-knacks to anything related to today's women. I made this font more subtle than the typical san serif family. because it is intended for more detailed beauty. You can see a preview of it in the image I made. Thank you

Presenting MBF Avee – a cutting-edge sans-serif font meticulously crafted to embody the essence of modernity and versatility. With its clean lines and minimalist design, MBF Avee offers a sleek typographic solution for a wide range of applications. Whether used in print or digital media, its timeless aesthetic ensures a sophisticated and impactful presentation. Elevate your design projects with MBF Avee, where clarity meets contemporary style for a truly refined visual experience.

Dilan Whemsy is a delicate, elegant and flowing handwritten font. It has beautiful and well balanced characters and as a result, it matches a wide pool of designs. Add it to your most creative ideas and notice how it makes them come alive! This font is PUA encoded which means you can access all of the cute glyphs and swashes with ease! It also features a wealth of special features including alternate glyphs and ligatures.

Going back in time, Locomotype presents Bradia, a classic style font that brings out a vintage and old-fashioned feel. Available in three weights: Light, Regular and Bold. Discrectionary Ligatures feature is also included to enhance some letter pairs when applied to typographic designs. Bradia is a stylish and versatile typeface perfectly suitable for a wide range of applications, especially headlines and short lines of text, posters, packaging, logotype, in both print and digital media.

Have A Nice Day is a handwritten font created by Cindy Kinash. This font features three font styles (Basic/Tall/Wide) and comes in three weights (Light/Regular/Bold). All three font styles can be used together as one unique and fun font! This font also includes a set of fun hand drawn ornaments like smiley faces, flowers, leaves, insects, frames, captions, desserts, food, clouds, and catchwords that will surely brighten your day! Enjoy!

Hamburger Font BF is an endearing tribute to the lettering style of a logo, long retired, from a certain chain of fast food restaurants. It joins that fraternity of heavy, fat, round, and pleasingly-plump faces such as Cooper Black and Frankfurter; and it serves as a delightful alternative to such. It's suitable for a wide variety of uses from children’s media projects, to headlines where a cool, informal appearance is desired.

Rockford is a geometrical Sans Serif with subtly rounded edges. Rockford comes in eight weights and matching Italics. With its large x-height and round features it’s both legible and friendly. It’s suited to cover a wide variety of tasks from editorial to brand design, advertising, logos and more. Rockford is equipped with plenty of OpenType features to perform well. Rockford comes with Small Caps, Old Style Figures, superior and inferior figures and fractions.