The Troyer AR ornaments are based on the first series of ornaments designed for American Type Founders by Johannes Troyer (1902-69). They were cast in 36 and 48 point in 1953 by ATF who said that they ‘mark a distinct and refreshing departure from the motif of earlier ornaments, and add a crisp touch to your finer printing’. Kenneth Day, in The Typography of Press Advertisement (1956), found them 'clean-cut and bright and clearly showing their calligraphic origins . . . useful for single decorative touches'.

A new vintage display typeface by Ilham Herry. Started from the passion of collecting the old tin packaging with classic labels on it, the layout and composition make Ilham pretty inspired and the urge of crafting the letters is getting bigger since that day. That's what comes first as a motivation in making this Ephemera Kingsford typeface.Adapted and referencing from the real physical collectible old tins and cans to a single pack of digital fonts asset. Packed up with 9 layered fonts, 1 font as a pair, and of course ornaments and vintage panels as a vector file.Perfectly fit for display printing, handcrafted product, screen printing industry such as apparel, packaging, labels, and also sign painting, scrapbook, glass gilding, et cetera. Not every visual can go vintage but if you want to, there's no other choice, oldsport. check Ephemera Kingsford type specimen here

Gelateria is characterized by its dots and tails. This font is as a whole smooth and elegant. But because its dots and end of the tails are little points, Gelateria impressed you very much. Holiday Type Project offers retro hand drawing scripts. Inspired by retro script on shopfront lettering, wall paint advertisements in Italy around 1950s. Check out the script fonts from Holiday Type!

Classic print shop stock cuts, cartoons, embellishments and other assorted imagery are collected within Letterpress Nostalgics JNL to add "a bit of yesterday" to your print or online projects.

Neat printed handwriting.

Jazz font is the work of British designer Alan Meeks and brilliantly captures the sophisticated elegance of the 1920s and 30s. The bold roman style is enhanced with an interior design almost like a piano keyboard or the lit windows of a skyscraper. Jazz font is a good choice for any headline or display which should have a refined, Art Deco look.

A cow-print style.

Jessie's Letter is based on an old typed letter by Kerrie's great step grandmother. This letter was undated, but we think it must have been from the 1920s or so. Jessie wasn't much for punctuation, so there aren't any of those pesky question marks and exclamation points. But, she did make mistakes in her typing, so we've included cross outs and strange resulting characters to make up for the lack of everyday punctuation. Maybe Jessie wanted to visit Paris, or maybe she secretly made paintings in her back yard, or maybe she dreamed of painting her house bright pink. Well, maybe not, but it's fun to dream...

Antique Tuscan No.9 was one of the earlier wood-type designs by William Hamilton Page. It was first shown among the specimens produced in 1859, shortly after Page entered into a new partnership with Samuel Mowry, owner of the Mowry Axle Company. The new company was named Page and Company and was located at the Mowry facility in the Greenville section of Norwich, Connecticut. Antique Tuscan No.9 is an extra-condensed version of the tuscan style that had been released in moveable type by Vincent Figgins of London in 1817 and had become so popular for advertising in the intervening years. Because of the extreme compression in the design, we might be tempted to describe it as "Triple-X," but that might be misleading. The analogy would, of course, be to clothing sizes, not movie ratings. Because of the compression, this typeface reads best when set extra-extra-extra large. For printing, we recommend 36 points or larger. For the screen, we suggest at least 72 points. An unusual and distinctive design, it is best used with discretion. If I were doing a term paper for school or submitting an article to a magazine for publication, I might use it for the title page, to grab someone’s attention. I would certainly not use it for the main body of text - not if I expected anyone to read what I wrote. If you wonder why we make this recommendation, take the Ten-Point challenge. Print this paragraph using Antique Tuscan No.9 and set the font size at 10 points. If you are young and blessed with good eyesight, you will probably be able to read it - with effort. So, here is the challenge: hand it to your Grandmother and ask HER to read it.

Refresh was inspired and partly based on handwritten text from advertisements for a popular cola-based soft drink from the 1950s. I designed the missing characters in the handwriting style of the original. The Refresh family comes in three styles: - Lite- possibly the most elegant of the three styles -- use at larger sizes for greater legibility; - Med -of intermediate weight - more legible than Lite; - Blak - for bolder statements and best readabilty. Refresh, with its three styles, is ideal for any display work needing a feminine, handwritten effect. Use it for product branding, book covers, invitations, greeting cards where you're looking for charm and movement. Refresh has not been designed to be used with capital letters placed next to one another: it is not advisable to use text in "ALL CAPS". The best effects for headings and subheads are obtained with an initial upper case letter followed by lower case characters. If you are using upper and lower case then it is not necessary to use kerning. Refresh contains over 250 characters - (upper and lower case characters, punctuation, numerals, symbols and accented characters are present). It has all the accented characters used in the major European languages.

Inspired by a dark techno typography design style which tends to utilize space of a module. Designed for headlines, titling, large-format prints and posters. Huben is a wide extended width based, dense kern, a strong of a structures and heavy looks, make it more loud and on-point type of impression. Matched with basic sans serif typefaces as a body copy. Available regular and italic in standard and outlined version of styles with multi languages support. Ligatures, stylistic alternates, and some stuff like icons and symbols are added.

This frilly script has been acid dipped, scratched and destroyed for use in grungy design jobs or any other use that calls for a ragged script. Three different degrees of deconstruction are available. The Alternate Two variant is highly distressed, and when rasterised by many programs at smaller point sizes appears almost illegible, but prints just fine. OpenType features include 64 OpenType ligatures that can be used to extend the natural appearance of the lettering oldstye figures and ending swashes. Brigette works great in conjunction with insigne Splats!

Legitima is a text font family inspired by the types found in the 3rd edition of the Italian book La Cicceide Legitima, printed in 1695. Its weight and x-height, optimized for 10 point-size, make it an ideal choice for book design and anything with running text. Like most typefaces from the 16th century, the strokes that constitute Legitima seem to depart from the traditional broad-nib pen model of handwriting and dare to explore the shapes produced by the techniques in use by punch-cutters of the time.

Lewis is a stencil typeface inspired by vintage sign painting. Lewis is designed for display use within printed publications as it has a high contrast of organic forms. Lewis consists of 3 styles; Classic, Display and Inline. Each style is based on the same skeleton but with a different personality. The Classic style is a simple and elegant stencil typeface which is also the original structure of Lewis. The Display style features intertwined flourish like parts and the last member of the family is the Inline style which features subtle internal details.

Klagia is a font inspired by the advertising media back in 1970. The glory of printing and handpainted signs and visuals. Emphasizing the bold, loud, yet poppin' and modern retro vibes that will be stylish in any era. It makes Klagia a font that you need to have in your design arsenal. Contains a bunch of Ligatures and Stylistic Alternates to give a distinctive vibe in every message conveyed using Klagia font. Perfectly fit for logo, branding, advertising, poster, food and beverages, restaurant, book cover, album artwork, decoration, sign painting, and many more.

Inspired from the letterpress achieve and printed media from the 19th century. We talk about headlines, labels, playing cards, postcards, book covers, signs, and many more. That's where the DECKPRESS has risen. An old vibes all-caps fonts, armored with the robust yet decorative ornamental slab-serif style. Double up the majestic, it comes with the layered style to give an amplification back to the vintage era. It is an inevitable partner for your classical heritage touch of visuals such as signage, logotype, sign painting, label, header, ornamental typographic design, you name it, old sports.

Revx Neue Rounded is a modern rounded sans serif typeface. It contains 14 styles - 7 uprights and corresponding italics. The typeface supports the OpenType Latin Pro character set of 455 characters. It is packed with powerful OpenType features, alternative glyphs, kerning pairs, guided typing experience, and more which makes the typeface well featured. The typeface is suitable for all platforms (web, display, print, etc.). Revx Neue Rounded blends beautifully in your designs. Revx Neue (Non-Rounded corners): https://www.myfonts.com/fonts/one-seven-point-five/revx-neue/ Feedback: https://forms.gle/iY8Zswmsg689m95M8

Inspired by futuristic vehicle print designs like seen in Star Trek, Blade Runner, Altered Carbon and the Alien franchise. The goal was a clean, abstract design where horizontal, vertical and diagonal 45 degree lines are the primary guidelines. Features : uppercase and lowercase numbers and punctuation multilingual Ideal for: Logo design Movie promotion Book & magazine print Package design Vehicle print designs Game design

Neacademia is a Latin and Cyrillic type family inspired by the types cut by 15th century punchcutter Francesco Griffo for Venetian printer Aldus Manutius. Beyond the letterforms themselves, however, the digital fonts themselves are based on the techniques and methods Griffo employed. The family comprises four distinct variants optimised for specific point sizes, as was traditional in metal type. While the display sizes maintain a visual link to calligraphic roots, text sizes exhibit more typographic qualities, following the hand of the carver. Likewise, Neacademia maintains its even colour on the page by carefully employing alternative letterforms, rather than leaning on a multitude of kerning pairs. A geeky little detail you’ll likely need to point out with a magnifying glass to your type friends, but creating a neat texture that works in readers favour nonetheless. Neacademia’s historically sensitive eye is put to work for modern typographers’ needs. It incorporates Griffo’s italic capitals and harmonizes them with the lowercase and the romans — where the original Aldine italics had no capitals of their own and simply re-used the uprights. It was designed with specific allowances for letterpress photopolymer printing. Printed digitally, it can tolerate – and even benefit from – low resolution, rough paper, and low-grade presswork. In many ways, it feels like using metal type again!

Happy Pumpkin is a fancy hand drawn font. Aimed for printing greeting cards, especially for quotes with humor. Can also be used on t-shirts design and other print products. Happy Pumpkin season!

Beach Please Vintage Is a font family designed with pointed brush and watercolours adding a grunge-rough texture.After the success of Beach Please, we release a new version, keeping the relaxed and tender brush, a bit inspired by sign painting. The caps have a bizarre look because of the reversed contrast on some letters. We have a slanted, wide version for each weight. More about Opentype Features: https://bit.ly/opentype-rsz

Postal JNL lets you print out initials, words or phrases emulating postage stamps. Although there's a limited character set, it can be used along with Printing Set JNL to match any additional word copy.

Fragment Pro Inline is a part of a larger OpenType font family (see also Fragment Pro). It is an elegant, soft and decorative typeface built on classical proportions. Its outlines have been carefuly crafted with a high attention to detail, so it could be used even at very large sizes. Fragment is a layered typeface – you can either use the standalone version of Fragment Inline or combine its two layers (Lit and Shadow) to achieve various color effects. It is not recommended to use “inline” layers separately. Instead, choose the separately sold Fragment Pro, which has been significantly optimized for standalone use. Fragment has been conceived to be used as a display typeface in publications, titles, logotypes etc., but it is surprisingly legible even in smaller print sizes. Thanks to its strictly onefold oulines, Fragment can be also used as a stencil typeface. Fragment supports many OpenType features and offers great multilingual support for most of the Latin-based languages. Feel free to download the detailed PDF Specimen.

Printed text from the Old West.

A neat, upright printed handwritting font.

Patisserie is exactly the font you might expect to see on chalkboards outside Parisian cafés; tall, elegant and enticing. The lithe, thin and graceful characters of this font compliment the hand-drawn style to create a typeface that is both casual and professional. Excellent for display work and larger sizes, to really show off the slightly rough edges, Patisserie supports over 26 languages with full punctuation and character sets. Step on in for a traditional, hand-made, French fontant, or whatever else you fancy.

The letterforms for this typeface are pretty much standard block gothic, but its prismatic treatment features a twist: the letters appear to be lit from below rather than above, which is usually the norm. The result is a perfect choice for dramatic headlines. This font contains the complete Latin language character set (Unicode 1252) plus support for Central European (Unicode 1250) languages as well.

Fun mixed cursive and print styled lettering.

Linoset was created from cut and printed linoleum. The lettering is based on Helvetica Neue Condensed Bold – it has been cut, printed and re-drawn to take on a completely new life – it's rough, tough and downright nasty!

Notulen is an Serif Display Typeface, Extra Bold style and nicely balanced curves. Notulen is inspired by Classic typography and now come with modern serif nuance. Short serifs with slightly rounded corners make this font legible at small points. Having several alternative letter variations makes it easy to work on all design projects and works perfectly for Logos, Headlines, Posters, Packaging, T-shirts, Postcards, Invitation, Wedding Sign, Sign Painting, Signboard, and much more. Thank you,

Proudly Present Apocalypse 13 - Cyberpunk Type, created by ikiiko With its gritty and edgy design, the explosive cyberpunk brush typeface Apocalypse 13 perfectly portrays the feel of a dystopian future. This typeface was created to transport you to the pitch-black, neon-lit streets of a cybernetic metropolis. It is the ideal fusion of technical grit and artistic expression. Each character in Apocalypse 13 is painstakingly created, using jagged edges and strong brushstrokes to evoke a sense of urgency and defiance. The letters suggest a world that is on the verge of anarchy because they look like they were spray painted on a collapsing concrete wall. This typeface is perfect for an movie title, movie poster, game title, game logo, streamer, magazine layout, fashion stuff, quotes, or simply as a stylish text overlay to any background image. What's Included? 2 Weights : Regular & Oblique Uppercase & Lowercase Numbers & Punctuation Multilingual Support Works on PC & Mac

Inkblock is based on various ink printing and rubbings from an ancient wood type set. Inkblock the alphabet has lots of detail, so looks great printed large. It's a good headline font or whenever an antique look is needed.

Wooden font block. Taken from the typesetting department at the Academy of Fine Arts in Warsaw. All the letters were printed on paper, scanned and polished on the computer. It’s very detailed font, which are suitable for large prints.

Simple geometric print with a clear modular design.

Before ink jet and laser printers; before copy machines, the main way to make multiples of anything not provided by printing press was by a mimeograph machine or spirit duplicator. The mimeograph utilized a porous drum which inked the backside of a waxed stencil sheet. Unlike traditional stencils which have cut out areas that are directly inked or painted, a mimeo stencil has the area to be printed scratched away by removing the wax coating with a stylus. The resulting image allows the ink from the drum to seep through the sheet and transfer to the blank paper. Based on a plastic lettering guide once manufactured by the A.B. Dick Company of Chicago, Mimeograph Template JNL is available in regular and oblique versions. Albert Blake Dick, the company’s founder, coined the term ‘mimeography’. The font’s character shapes follow the routed letters of the template, complete with rounded terminals. An earlier font release [designed with flat terminals and some alternate characters] is available as Interoffice Memo JNL.

Pasto is a fun and charming display type family of two styles with four weights each. 'Print' is a textured irregular stamp style, and 'Sharp' is a straightforward soft-edged type with clean strokes. It is clean, playful, and expressive, with a lightweight structure and fairly aired inner space. Pasto is perfect for display use and intended for medium and large settings. Still, it can be used in smaller point sizes for short sentences or words, providing a softer, delicate look. Pasto has three alternating alphabets that slightly differ from one another. Thanks to the Contextual Alternates, these alphabets are automatically replaced to avoid the same letterforms and textures appearing next to each other, creating a more spontaneous look when typing. This OT Feature is available for all the Sharp and Print styles. Some of Pasto's features are ligatures, stylistic alternates, numerators, fractions, special characters, currency symbols, and a glyph coverage that ensures extended language support.

Italic type was invented by Aldus Manutius in 1499 or 1501, first, before to be a style name, it was a plain font familly name. This Italique style font was inspired from these who was used by Jean de Tournes in Lyon (France) to print La mÈtamorphose d'Ovide figurÈe, a splendid book with numerous gothic style wood carved pictures. The original font contains almost all modern usual characters except accented ones, no longer in use on that time. They have been added, with some others, with respect for the original design. . A render sheet, enclosed in file, help to identify various others unusual letters on keyboard. It is used as successfuly as web-site titles, posters and fliers design, editing ancien texts or greeting cards, invitations, gastronomic menus... and much more, as a very decorative and elegant font... It supports easily as enlargement as small size, remaining clear and easy to read from 8 or 9 points to 72 and more, particularly on prints.

As its name suggests, PlainPensle is a handwriting font that emulates printing and writing with a pencil or ballpoint pen. The plain and bold styles have hand printing that is ordinary and nondescript. The italics and bolditalics contain simple handwritten cursive.

Aldo Novarese designed the Fluidum typeface in 1951. As its name implies, the design is very fluid. This high contrast script face curls and twists across the line. It is sort of a cross between Giambattista Bodoni's cursive letters, and Aldo Novarese's later, heavier designs, like Microgramma, Eurostile, and Sprint. Fludium should be set in very large pint sizes. It is perfect for invitations, greeting cards, and fine logos.

NaNa Rounded Pro Font family is designed by Naghi Naghashian. The character set of this Font family supports most western languages including: Afrikaans, Basque, Breton, Catalan, Danish, Dutch, English, Finnish, French, Gaelic, German, Icelandic, Indonesian, Irish, Italian, Norwegian, Portuguese, Sami, Spanish, Swahili and Swedish. There are 17 additional symbol characters: euro, litre, estimated, omega, pi, partialdiff, delta, product, summation, radical, infinity, integral, approxequal, notequal, lessequal, greaterequal, and lozenge. It also includes the characters necessary to support the following central European languages: Croatian, Czech, Estonian, Hungarian, Latvian, Lithuanian, Polish, Romanian, Serbian (Latin), Slovak, Slovenian and Turkish.