Within the 1893 edition of the Barnhart Bros. & Spindler type specimen book is “Bisque”, a text and headline type face with a charmingly eccentric look. Some upper case characters take on more of a squarer look than others, while the lower case has a higher ‘x’ height. This type revival is now available as Soup and Salad JNL in both regular and oblique versions.

Prop-a-ganda offers retro-flavored fonts inspired by lettering on retro propaganda posters, retro advertising posters, retro packages all the world over. This is perfect font for your retrospective project. PAG Club is a condensed font with a funny and retro character. The features of the typeface is in unusual figures of unbalanced characters. Ideal font to all kinds of retro design project.

Prop-a-ganda offers retro-flavored fonts inspired by lettering on retro propaganda posters, retro advertising posters, retro packages all the world over. This is perfect font for your retrospective project. PAG Maria is bold and heavy sans serif font with happy and sweet touch. It is certainly chubby, but in some ways it is also pointed. So PAG Maria is polished and friendly font.

Cold Cuts is an assorted spread of delicious fonts pre cooked to perfection. This 10 weight font family is $30 for a limited time it is the perfect way to stock your font fridge. Cold Cuts a lean upright font family with a lowercase caps option to give you bonus typesetting choices. A sleek modern vintage style which has a wide variety of display uses. Bon Appétit!

Prop-a-ganda offers retro-flavored fonts inspired by lettering on retro propaganda posters, retro advertising posters, retro packages all the world over. This is perfect font for your retrospective project. PAG October, there is a extremely strong transition of line wight, it is eye-catching and unique. This is a retrospective font with friendly and cute look which works well for your posters, packages, and logos.

Have you ever wanted to set a headline within a burst, but found the drawing of all of those angles was a bit too tedious? Sales Pitch JNL solves that problem by setting letters, numbers and punctuation inside individual sections which, when typed out, generates an extended burst pattern. For a flat sided pair of end caps, use the left or right bracket keys. For burst ends, use the left or right brace keys. A blank space is located on the equal sign keystroke, and a wider blank space is on the plus sign. Keep in mind the optical illusion in some program that shows line gaps between characters on the screen. All characters have equal sidebar settings, and are flush with each other. Sales Pitch JNL contains the basic A-Z and 0-9 characters as well as numerous punctuation. For a companion font with a more complete character set, use Prankster JNL, the same type design, but without the burst pattern.

A unicase typeface inspired by Latin American wrestling. Versus is a type system designed for use with short and block text. The font, based on well-known typefaces found on boxing posters, combines Latin American elements and wrestling; it is this mixture of widths and weights and different styles which helps give your designs a unique flavour and personality. Versus is a unicase sans serif font well-suited for display use; its orthogonal terminals and short ascenders and descenders make it ideal for block of texts. By mixing different weights, you can have a wide range of design options—short text, isolated words, logos, titles, branding design, posters, etc. The Versus family comes in 9 weights—from a lightweight and condensed Extra Light to an expanded and heavy Ultra. Its character set supports over 200 different languages. The font also includes a large number of stylistic alternates and a complete ligature set which give your compositions a strong identity and personality.

American Copper Family is a vintage font inspired by an old American motorcycle logo. The logo looks very manly and strong, just like the motorbike. American Copper Script is the dominant one that turns the logo into a font. Whereas the Sans and Block family is a complement to the Script. But all three are a very good unit to be juxtaposed together. American Copper is a font made for you (designers) who love automotives: old cars and motorbikes. Anything related to automotive. Besides these two objects, this font is also very cool for music-themed design needs; rock n roll, metal, rockabilly, and others. Oh yes, Custom Culture is another very interesting thing to be depicted with this font. Workshop logo for example. It will look very unique with Interlock on American Copper Script. Pair it with American Copper Block. And, BOOM! The logo will look very manly. If you are curious, you can download the American Copper Script Demo version to try. Happy Designing. Cheers

The Corporate ASE typeface trilogy was designed by Prof. Kurt Weidemann, a well-known German designer and typographer, from 1985 until 1990. This superb trilogy consisting of the Corporate A (Antiqua), Corporate S (Sans Serif), and Corporate E (Egyptian) is a design program of classical quality, perfectly in tune with each other. Weidemann says: “My ASE trilogy, quite like triplets, is in perfect harmony and covers all needs of modern typography!” Initially exclusively designed for DaimlerChrysler as a corporate font, the ASE trilogy may be now licensed and used without restriction. URW++ digitized the ASE for DaimlerChrysler and Prof. Weidemann and is the exclusive licensing agent for this outstanding and extremely popular typeface program. Meanwhile, URW++ enhanced the Corporate ASE family in regular, bold, italic, and bold italic by Greek, Cyrillic, and all additional Latin characters to cover Eastern Europe including the Baltic Rim, Romania and Turkey. Corporate ASE in regular, bold, italic, and bold italic is now available in the WGL 4 character complement.

The Corporate ASE typeface trilogy was designed by Prof. Kurt Weidemann, a well-known German designer and typographer, from 1985 until 1990. This superb trilogy consisting of the Corporate A (Antiqua), Corporate S (Sans Serif), and Corporate E (Egyptian) is a design program of classical quality, perfectly in tune with each other. Weidemann says: “My ASE trilogy, quite like triplets, is in perfect harmony and covers all needs of modern typography!” Initially exclusively designed for DaimlerChrysler as a corporate font, the ASE trilogy may be now licensed and used without restriction. URW++ digitized the ASE for DaimlerChrysler and Prof. Weidemann and is the exclusive licensing agent for this outstanding and extremely popular typeface program. Meanwhile, URW++ enhanced the Corporate ASE family in regular, bold, italic, and bold italic by Greek, Cyrillic, and all additional Latin characters to cover Eastern Europe including the Baltic Rim, Romania and Turkey. Corporate ASE in regular, bold, italic, and bold italic is now available in the WGL 4 character complement.

The Corporate ASE typeface trilogy was designed by Prof. Kurt Weidemann, a well-known German designer and typographer, from 1985 until 1990. This superb trilogy consisting of the Corporate A (Antiqua), Corporte S (Sans Serif), and Corporate E (Egyptian) is a design program of classical quality, perfectly in tune with each other. Weidemann says: "My ASE trilogy, quite like triplets, is in perfect harmony and covers all needs of modern typography!" Initially exclusively designed for DaimlerChrysler as a corporate font, the ASE trilogy may be now licensed and used without restriction. URW++ digitized the ASE for DaimlerChrysler and Prof. Weidemann and is the exclusive licencing agent for this outstanding and extremely popular typeface program. Meanwhile, URW++ enhanced the Corporate ASE family in regular, bold, italic, and bold italic by Greek, Cyrillic, and all additional Latin characters to cover Eastern Europe including the Baltic Rim, Romania and Turkey. Corporate ASE in regular, bold, italic, and bold italic is now available in the WGL 4 character complement.

Tambau is a display typeface crafted by Matheus “Fio” Gonçalves, a Brazilian design student, still in college, inspired by Brazilian concert urban posters and wood type that I saw at the Oficina Tipográfica São Paulo. The font was first made for a magazine project in design school, making it beautiful on giant pages headlines, billboards, signs, etc. There’s no lowercase, the character set is dramatic and objective. The uppercase is actually expanded letterforms causing some eyes and breathing paths to the very condensed and very modular glyphs, which creates a quite interesting striped texture between form, counterform and spacing. The lots of ligatures come to give it more closure between the letters, when they try to form blank spaces. So do the diacritics, fitting in the space given to them by the dynamic letterforms, making dense rectangular blocks. You may use Tambau as big as you can or do a high tracking to it and still it will be pretty. The titles can be dynamic, just condensed or just large. It’s on your own. Don’t be afraid to play with Tambau, it’s an alive typography. Curiosity: For the magazine in design school, the pilot project of Tambau was cut in a MDF board, to print it with texture and paint. Later was added more characters, languages and special glyphs to it. Set: Tambau is a singular font typeface, with extended and condensed characters, numbers, ligatures, punctuation and symbols for Basic, Western, Central and South Eastern Latin languages.

Grota is back in its new Sans and Rounded versions. The complete family consists of 40 fonts, 10 different weights, cursives and an alt version. Grota Sans Rounded, designed by Eli Hernández and Daniel Hernández, is a grotesque font with Latin spirit. This type accompanies Grota Sans and Grota Unicase. It’s ideal for logos, brands, books, headlines, etc.

Lanvier is an all capital display face, inspired by the thirties streamline era look. The family is offered in four style, Regular, Oblique, Double Oblique and Reverse Oblique, as well as two weights, Regular and bold. Bring the thirties back to life in all their chromium plated, streamlined and fast moving glory with the Lanvier family.

The Quitador™ Sans family is a fresh and distinctive design with roots that go back to the original Quitador typeface. Like its slab serif relative, the Quitador Sans suite of typefaces is large with several weights of roman and italic designs, making it an excellent choice for a wide variety of print and on-screen projects.

Hello, Youth Calm is a stylish, retro serif display font. Its funk and groove will definitely come in handy when you need to create some relaxed, laid-back designs. FEATURES : Uppercase Lowercase Number Punctuation Multilingual PUA Encode Opentype Character Alternates Ligatures If you have any question, don’t hesitate to contact me. Happy Designing !!! Thank You, Illushvara Design

In the 1930s the WPA (Works Progress Administration) was involved with getting a number of Americans back to work during the Great Depression. One faction of the WPA's efforts was the Federal Art Project. Thin, condensed hand lettering on a poster for an Art Exhibition at the New Bedford Free Public Library is the inspiration for Art Exhibit JNL.

A whimsical and playful font that harks back to the charm of childhood toys and creative imagination. Inspired by classic peg and construction toys, this font brings a delightful twist to typography. It's as if each letter has been carefully sculpted from colorful pegs, inviting you to assemble words like a puzzle, creating your own visual narrative.

Retroman - Vintage Slab is a inspired by classic fonts with retro style combined with decorative Slab style nuances of western back to the era of the 70's - 80's, a style that is timeless. Retroman is perfect for vintage social media posts, Craft , Product packaging, product designs, label, branding projects, logo, advertisements, watermark, invitation, stationery and any projects .

A revival from the past this animated letter will fit right into todays market. With its subtle flair and Latin feeling it will surely give a feeling of pure fun. This style was very popular in the 40s and 50s then it was reborn in the 60s and 70s once again it is coming back and becoming popular again.

With an obvious nod to Art Deco, this font offers a stylish design with distinctively elongated ascenders and descenders. Includes: Western European, Central European, Baltic & Turkish sets. Due to the modular nature of this design there may be a slight lack of smoothness to the curves at very large point sizes (around 100 pt and above).

Childlike on the surface, Gongo hides the maturity and wisdom of age. Flowing freely across the page with a graceful ease, Gongo manages to make its mark with every letter, resonating deeper than first appearances. For authority backed up in a friendly tone or wisdom imparted in light hearted words, Gongo is the go to font.

Free-flowing pen lettering of the Art Nouveau period took letter forms into interesting curves and angles. The style was embraced and revived by the 1960s counter-culture in its rock concert posters and record album covers. However, the source for Casual Nouveau JNL is a 1911 piece of sheet music entitled "Back to the Carolina You Love".

"Light Sunday" is a modern calligraphy font with beautiful lettering. Letter decoration is very easy to use because it has been specially designed. This font is perfect for all your types of work. This font can be used for summer, spring, back to school, logos, branding, banners, posters, prints, weddings, invitations, birthdays, boutiques, promotions, social media, quotes.

TF Bombass – Groovy Display Font By Teenage Foundry Introducing our latest font creation – a groovy typeface that’s sure to transport you back to the funky, psychedelic era of the 60s and 70s! With its bold, playful style and unique character, this font is perfect for adding a retro feel to your design projects. Features: Uppercase, Lowercase, Numeral, Punctuation & Multilingual.

Grota is back in its new Sans and Rounded versions. The complete family consists of 40 fonts, 10 different weights, cursives and an alt version. Grota Sans Rounded, designed by Eli Hernández and Daniel Hernández, is a grotesque font with Latin spirit. This type accompanies Grota Sans and Grota Unicase. It’s ideal for logos, brands, books, headlines, etc.

This typeface has been influenced by the ongoing traffic congestion in Melbourne, and its lack of functional and reliable public transport as a possible solution. The font shapes are square-edged constrained angles, reflecting the way the Melbourne population feels when using the public transport system or roads. Use as headings and body copy in any graphic situation.

The 1900 specimen book of the Leipzig foundry Schelter & Giesecke featured this curious hybrid of blackletter and Art Nouveau, under the name Petrarka. Its narrow footprint and large x-height make it an ideal choice for headlines which harken both forward and back. Both versions contain the complete Latin 1252, Central European 1250 and Turkish 1254 character sets.

Songbook JNL is based on a promotional blurb from the back of a piece of vintage sheet music. Its interesting style of slab serif lettering with strong Art Deco influence was worthy of re-drawing into a digital typeface. This design is the 900th release from Jeff Levine Fonts since its inception in January of 2006.

Step into the world of vintage charm and timeless grace with our "Bali Bliss" font! "Bali Bliss" is a script font that effortlessly channels the retro vibe, oozing with an irresistible charm that takes you back to a bygone era. Its retro-inspired design taps into the collective memory, making your designs not just beautiful but also deeply relatable.

This strong angular cousin of RM Hunky offers a bold display face. The distinctive nature of this design will be a welcome addition to any designers collection of useful fonts. Due to the nature of this design there may be a very slight lack of smoothness to the curves at extremely large point sizes (around 200 pt and above).

Nice wave font - a fluffy fun display typeface with a wavy form. This decorative font works perfectly for bold titles, festival posters, as a graphic element for bright T-shirts or hoodies, or even backgrounds! This weird and ugly typeface likes an experiment with spacing and additional graphic elements. Please, don't hold back on your bold modern ideas!

Create bold headlines and elegant designs with a versatile QSansPro font family. Excellent for large type as well as logos, quotes, advertisements and more. QSansPro is a strong and sophisticated sans serif, yet classic and you'll keep coming back to it again. Each font in this family is full of character and can stand on its own.

Inspired by the Froben capitals believed to have been cut by Peter Schoeffer the Younger, son of Gutenberg’s apprentice, this design is neither strictly a Venetian nor an Aldine. The archaic approach and lack of the Aldine model lead us to place the face in the Venetian group. The design owes more to Goudy than to Schoeffer.

Westman is a inspired by classic fonts with retro style combined with decorative Slab style nuances of western back to the era of the 60’s – 70’s, a style that is timeless. Westman is perfect for vintage,social media posts, Craft , Product packaging, product designs, label, branding projects, logo, advertisements, watermark, invitation, stationery and any projects

Traditional as Gutenberg, fresh as a sealed deck of playing cards - Tarotee One Arabesques is a remarkable set of ornaments that combine and recombine in endlessly beautiful combinations. Created by Tony Lansbury (and if you're still wondering what "tarotee" means, here's a hint - tear open that deck of cards mentioned above and look at the backs).

Introducing The Boldstyle a retro bold script which will bring yo back to 70s feel.comes with Extrude versions. So you don't need extra effort to create extrude effects. Its features include: Stylistic Alternate, Swash, Ligatures, Stylistic set and multilingual support. You can choose alternatives for substitution with various variants Glyphs. Very suitable for logos, tshirts, posters, branding, etc.

Minebold is a retro bold handwritten font that will bring you back to the 70s. Fall in love with its unique character and use it to create gorgeous wedding invitations, beautiful stationery art, eye-catching social media posts, and much more! Minebold is PUA encoded, which means you can access all glyphs and swashes with ease!

I’m happy to announce the complete version of Ancora, a typeface I designed back in 2013. Ancora is a sans serif typeface with a distinctive style, inspired by the imagery in the production of the famous Port wine, such as boats, barrels, grapes, and bottle labels. Use Ancora for magazines, packaging, posters, stamps, brands and logos a new taste.